GERMAN AUTUMN BY STIG DAGERMAN
GERMAN AUTUMN BY STIG DAGERMAN PDF
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Review
"Dagerman wrote with beautiful objectivity. Instead of emotive phrases, he uses a choice of facts, like bricks, to construct an emotion."—Graham Greene
"German Autumn is one of the best collections ever written about the aftermath of war. It is on par with John Reed’s classic articles from the Soviet Union as well as with Edgar Snow’s articles about the great political revolution in China. Stig Dagerman depicts the tragic realities of post–World War II Germany with astonishing clarity and artistic skillfulness. He provides the reader with a profound insight, which ultimately is the story of every war. To anyone interested in understanding what great journalism means, German Autumn is indispensable. It should be compulsory reading for all young people who might consider becoming a journalist, and it is as alive as it was when first published in 1947. Read it."—Henning Mankell
"German Autumn is a very important book and it is a very good thing that an English language version is becoming available for Americans. We need this book. "—Mark Kurlansky, from the Foreword
"There are some writers (Kafka and Lorca immediately spring to mind) who come to enjoy the status of saint; their lives and deaths constitute statements about existence and its proper priorities, and the words left behind are continually transfigured by our knowledge of them, indeed acquire on this account a kind of talismanic power. A saint of this type, particularly for his compatriots, is the Swedish writer Stig Dagerman." —Paul Binding, Times Literary Supplement
Language Notes
Text: English (translation) Original Language: Swedish
About the Author
Stig Dagerman (1923–1954) was regarded as the most talented young writer of the Swedish postwar generation. By age twenty-six he had published four novels, a collection of short stories, and four full-length plays, in addition to German Autumn.
Robin Fulton Macpherson is a Scottish poet and translator who has lived and worked in Norway since 1973.
GERMAN AUTUMN BY STIG DAGERMAN PDF
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In late 1946, Stig Dagerman was assigned by the Swedish newspaper Expressen to report on life in Germany immediately after the fall of the Third Reich. First published in Sweden in 1947, German Autumn, a collection of the articles written for that assignment, was unlike any other reporting at the time. While most Allied and foreign journalists spun their writing on the widely held belief that the German people deserved their fate, Dagerman disagreed and reported on the humanness of the men and women ruined by the war—their guilt and suffering. Dagerman was already a prominent writer in Sweden, but the publication and broad reception of German Autumn throughout Europe established him as a compassionate journalist and led to the long-standing international influence of the book.
Presented here in its first American edition with a compelling new foreword by Mark Kurlansky, Dagerman’s essays on the tragic aftermath of war, suffering, and guilt are as hauntingly relevant today amid current global conflict as they were sixty years ago.
Sales Rank: #730588 in Books
Dimensions: 8.50" h x .50" w x 5.50" l, .40 pounds
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"Dagerman wrote with beautiful objectivity. Instead of emotive phrases, he uses a choice of facts, like bricks, to construct an emotion."—Graham Greene
"German Autumn is one of the best collections ever written about the aftermath of war. It is on par with John Reed’s classic articles from the Soviet Union as well as with Edgar Snow’s articles about the great political revolution in China. Stig Dagerman depicts the tragic realities of post–World War II Germany with astonishing clarity and artistic skillfulness. He provides the reader with a profound insight, which ultimately is the story of every war. To anyone interested in understanding what great journalism means, German Autumn is indispensable. It should be compulsory reading for all young people who might consider becoming a journalist, and it is as alive as it was when first published in 1947. Read it."—Henning Mankell
"There are some writers (Kafka and Lorca immediately spring to mind) who come to enjoy the status of saint; their lives and deaths constitute statements about existence and its proper priorities, and the words left behind are continually transfigured by our knowledge of them, indeed acquire on this account a kind of talismanic power. A saint of this type, particularly for his compatriots, is the Swedish writer Stig Dagerman." —Paul Binding, Times Literary Supplement
Language Notes
Text: English (translation) Original Language: Swedish
About the Author
Stig Dagerman (1923–1954) was regarded as the most talented young writer of the Swedish postwar generation. By age twenty-six he had published four novels, a collection of short stories, and four full-length plays, in addition to German Autumn.
Robin Fulton Macpherson is a Scottish poet and translator who has lived and worked in Norway since 1973.
Mark Kurlansky is a New York Times best-selling author of many books, including Cod: A Biography of the Fish That Changed the World and Salt: A World History.
Most helpful customer reviews
9 of 11 people found the following review helpful. A Courageous Statement, A Disappointing Read By A Customer
This book contains a collection of short reflections on the various sufferings of German citizens at the end of World War II (they originally appeared as newspaper articles in the author's native Sweden). Dagerman's basic argument throughout this collection is that German citizens who survived the war should not be treated as "tokens of national guilt" but rather as suffering, fallible human beings who are starving and dying under the Allied occupation. While traveling through the devastated landscape of early post-war Germany, Dagerman discovered that (at least in 1946-7) the Allies had done little to alleviate the tremendous suffering of the German survivors. He felt that punishing the vanquished at that point served no purpose and that doing so only risked pushing the survivors to acts of degradation and criminality. This in turn would do nothing to foster democracy. While I agree with Dagerman's assessment of the situation (in what is sure to be an unpopular opinion for many even today), his collection of short articles whether describing a family living in a flooded basement, train passengers being deported from one part of Germany to another, or an old woman foraging to feed her family, remain oddly unengaging and hollow. Perhaps this is because, as Dagerman himself admitted, he was a journalist who could leave this ruined landscape any time he wished. This is the sort of thing that Heinrich Boll is able to describe much more pungently and in greater depth throughout his writings, but Dagerman's attempt to describe the moral ambiguity of the situation is nonetheless appreciated. W.G. Sebald mentions this book once or twice in his _On the Natural History of Destruction_. Though I'm not sure he had the opportunity to ***, it is still very edifying and strangely enough seems to complement _German Autumn_ rather nicely.
3 of 4 people found the following review helpful. Good Commentary on German suffering
By S.J.Tagliareni
Five Stars
By Amazon Customer
Perhaps one of the most beautifully written books I have ever read.
GERMAN AUTUMN BY STIG DAGERMAN PDF
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Review
"Dagerman wrote with beautiful objectivity. Instead of emotive phrases, he uses a choice of facts, like bricks, to construct an emotion."—Graham Greene
"German Autumn is one of the best collections ever written about the aftermath of war. It is on par with John Reed’s classic articles from the Soviet Union as well as with Edgar Snow’s articles about the great political revolution in China. Stig Dagerman depicts the tragic realities of post–World War II Germany with astonishing clarity and artistic skillfulness. He provides the reader with a profound insight, which ultimately is the story of every war. To anyone interested in understanding what great journalism means, German Autumn is indispensable. It should be compulsory reading for all young people who might consider becoming a journalist, and it is as alive as it was when first published in 1947. Read it."—Henning Mankell
"German Autumn is a very important book and it is a very good thing that an English language version is becoming available for Americans. We need this book. "—Mark Kurlansky, from the Foreword
"There are some writers (Kafka and Lorca immediately spring to mind) who come to enjoy the status of saint; their lives and deaths constitute statements about existence and its proper priorities, and the words left behind are continually transfigured by our knowledge of them, indeed acquire on this account a kind of talismanic power. A saint of this type, particularly for his compatriots, is the Swedish writer Stig Dagerman." —Paul Binding, Times Literary Supplement
Language Notes
Text: English (translation) Original Language: Swedish
About the Author
Stig Dagerman (1923–1954) was regarded as the most talented young writer of the Swedish postwar generation. By age twenty-six he had published four novels, a collection of short stories, and four full-length plays, in addition to German Autumn.
Robin Fulton Macpherson is a Scottish poet and translator who has lived and worked in Norway since 1973.
