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Representation Of Englishness In Skinhead Subculture In Shane Meadows’ Film This Is England

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REPRESENTATION OF ENGLISHNESS IN SKINHEAD SUBCULTURE IN SHANE MEADOWS’ FILM THIS IS ENGLAND

A THESIS

BY:

KHAIRUNNISA REG. NO. 1007050690

SUPERVISOR CO-SUPEPVISOR

Dr. Siti Norma Nasution, M.Hum Dr. Hj. Nurlela, M.Hum

Submitted to the Faculty of Cultural Studies University of Sumatera Utara Medan in partial fulfillment of the requirement for the degree of Sarjana Sastra from Department of English

DEPARTMENT OF ENGLISH

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Approved by the Department of English, Faculty of Cultural Studies University of Sumatera Utara (USU) Medan as thesis for The Sarjana Sastra Examination.

Head, Secretary,

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Accepted by the Board of Examiners in partial fulfillment of requirements for the degree of Sarjana Sastra from Department of English, Faculty of Cultural Studies University of Sumatera Utara, Medan.

The examination is held in Department of English Faculty of Cultural Studies University of Sumatera Utara on 2014

Dean of Faculty of Cultural Studies University of Sumatera Utara

Dr. H. Syahron Lubis, MA NIP.19511013 197603 1 001

Board of Examiners

Dr. H. Muhizar Muchtar, M.S ___________________

Rahmadsyah Rangkuti, MA. Ph.D ___________________

Dra. Redita Lubis, Dipl Appl. Ling. M.Hum ___________________

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i AUTHOR’S DECLARATION

I, KHAIRUNNISA, DECLARE THAT I AM THE SOLE AUTHOR OF THIS THESIS EXCEPT WHERE REFERENCE IS MADE IN THE TEXT OF THIS THESIS. THIS THESIS CONTAINS NO MATERIAL PUBLISHED ELSEWHERE OR EXTRACTED IN WHOLE OR PART FROM A THESIS BY WHICH I HAVE QUALIFIED FOR OR AWARDED ANOTHER DEGREE. NO OTHER PERSON’S WORK HAS BEEN USED WITHOUT DUE ACKNOWLEDGEMENT IN THE MAIN TEXT OF THIS THESIS. THIS THESIS HAS NOT BEEN SUBMITTED FOR THE AWARD OF ANOTHER DEGREE IN ANY TERTIARY EDUCATION.

Signed :

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ii COPYRIGHT DECLARATION

NAME : KHAIRUNNISA

TITLE OF THESIS : REPRESENTATION OF ENGLISHNESS IN SKINHEAD SUBCULTURE IN SHANE MEADOWS’ FILM THIS IS ENGLAND QUALIFICATION : S-1/SARJANA SASTRA

DEPARTMENT : ENGLISH

I AM WILLING THAT MY THESIS SHOULD BE AVAILABLE FOR REPRODUCION AT THE DESCRETION OF THE LIBRARIAN OF DEPARTMENT OF ENGLISH, FACULTY OF CULTURAL STUDIES, UNIVERSITY OF SUMATERA UTARA ON THE UNDERSTANDING THAT USERS ARE MADE AWARE OF THEIR OBLIGATION UNDER THE LAW OF THE REPUBLIC OF INDONESIA

Signed :

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iii ACKNOWLEDGMENT

Bismillahirrahmanirrahim,

Praise and highest gratitude to the Almighty Allah SWT, for the infinite

blessings and compassions that have been given to me to accomplish this thesis.

Shalawat and Salam to our Prophet Muhammad SAW who had delivered the truth to

human beings especially to all muslims around the world.

I would like to thank Dr.H.Syahron Lubis, MA the Dean of Faculty of

Cultural Studies, University of Sumatera Utara. I would also like to respectfully

thank Dr.H.Muhizar Muchtar, M.S the Head of the Department of English, and the

Secretary of the Department of English, Rahmadsyah Rangkuti, MA. Ph.D. I would

like to express huge gratitude to my supervisor Dr. Siti Norma Nasution, M.Hum and

my co-supervisor Dr. Hj. Nurlela, M.Hum. Thank you for the patience, time, support

and motivation in guiding me to write and finish this thesis.

Many incredible thanks to my ‘home’ especially Ayah and Bunda for your

endless love, kindness, patience, sincerity, advices, and for your du’a throughout my

life. Thank you for trusting me to be your best daughter, for wasting lots money for

me, for giving me best of the best. I can’t imagine what my life would be without

you two. For my crazy annoying brothers Fadhil Ramadhan and Irfanul Aulia, thank

you for letting me to be your annoying sister too (LOL), for times we’ve spent, for

our joyful childhood, we are the truly WWE players in tiny version. Also my sincere

thanks to Nenek, Cek Dar my cool yet weirdo aunty, Cek Ayu, Cek Ana, Cek Anum,

Cek Muhar, Cek Desi, Cek Rahmat, Cek Ani, Cek Bayu, Cek Udin, and Cek Cop

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iv

To my awesome Rahmi Khairunnisak a.k.a Yuyun a.k.a Yuyunick, thank you

for being my incredible soulmate this past 11 years. I know it isn’t easy to stand by

my side. You have no idea how glad I am to have you in my life.

Deeply, Sincerely, Incredibly thanks to Annisa Musa, Nadia Marchelina, and

Uswatun Nisa for playing the very important role of my life, I would rather walk

with you guys in the dark, than alone in the light. Remember, we still have so many

big dreams to chase. My sincere thanks also goes to my one of a kind brotha Rizky

Aldiyansyah, for helping me with no doubts whenever and wherever I need you. To

my beautiful consellour Toyya Winata for your life motivation and support, hugs and

kisses. To the 8th letter of alphabet, thank you for sweet chit-chats we have these few

months, keep calm and let it be!

Biggest thanks to my English Literature mates especially to Yudi, Anok,

Ulan, Eby, Wina, Filza, Boy, Denny, Petrus, Dicky, Hanni, Apri, Zega, Cindy, Hetty,

Elsye, Yuni, and the rest of ‘10. Also to IMSI’s family especially to Mak Qiqi, Bang

Gullit, Bang Izal, Dimaz, Wahyu, Abel, Bang Yuda, Bang Bayu, Kak Dinda, Bang

Ady Wak, Zara, Refi, Kevin, Ossy, and the other that I can’t mentioned one by one,

thank you for our great moments. Last but not least thank you to my hometown fellas

Yana, Yani, Amel, Indah, Sari, Agung, Fadhel, Abil, Yudi, Momo for being my

reminder in finishing this thesis.

Finally, may this thesis have many benefits and advantages to those who read

it even though it is still far from outstanding. May Allah SWT always bless us

throughout our journey. Amin Ya Rabb. Thanks once again.

Medan

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v ABSTRAK

This Is England adalah sebuah film drama Inggris tahun 2006 yang ditulis dan

digarap oleh Shane Meadows. Cerita berfokus pada kaum skinhead muda di Inggris tahun 1983. Menggambarkan bagaimana pekerja buruh muda berjuang mencari identitas mereka, bagaimana kemaskulinan dan kekerasan saling berhubungan dan bagaimana Englishness memiliki makna berbeda untuk setiap karakter. Studi dalam film ini berkonsentrasi pada Englishness dari sudut pandang pekerja buruh, dan termasuk pula tema-tema seperti kekerasan, kemaskulinan serta identitas nasional. Beberapa konsep dari ilmu budaya digunakan untuk menginterpretasikan film ini seperti identitas, negara, subkultur, dan golongan. Metode kualitatif deskriptif dipilih untuk menganalisis film ini. Hasil analisis ini diharapkan bermanfaat bagi pembaca untuk dapat mengambil pelajaran atau pengalaman yang terkandung dalam film ini yang masih terjadi dalam realita sekarang.

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vi ABSTRACT

This Is England is a 2006 British drama film written and directed by Shane

Meadows. The story centres on young skinheads in England in 1983. It depicts how young working class struggling to find their identity, how masculinity and violence are correlated and how Englishness means different things to different characters. The study on this film concentrates on Englishness from the point of view of working class, and includes such themes as violence , masculinity and national identity. Various concepts of cultural studies are used to interpret the film such as identity, nation, subculture and class. Descriptive qualitative method is chosen to analyze this film. The result of this analysis are expected to benefit the readers to be able to take any lessons or experiences contained in the film that still exists in today’s reality.

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vii 1.1 Background of the Study………....1

1.2 Problem of the Study………..4

1.3 Objective of the Study………4

1.4 Scope of the Study………..5

1.5 Significance of the Study………...5

CHAPTER II : REVIEW OF LITERATURE 2.1 Sociology of Literature………...6

2.2 Identity...7

2.2.1 National Identity...9

2.2.1.1 Nation and Nationality in General...9

2.2.1.2 Nation and Nationalism in Britain...10

2.3 Cultural Behaviour...………..………...…...12

2.3.1 Subculture as a Social Identity...12

2.3.2 Skinheads...15

2.4 Englishness...18

2.5 Class...21

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viii

3.2 Data Sources……….………23

3.3 Data Collection……….…24

3.4 Data Analysis………...24

CHAPTER IV : ANALYSIS AND FINDINGS 4.1 The Depiction of Englishness ………..…………...27

4.1.1 Idea of Community………...……27

4.1.2 Activities..………...…...….30

4.1.3 Masculinity...31

4.1.4 The Diversity of Englishness...33

4.1.4.1 Skinheads Versus the White National Front...33

4.1.4.2 White Working Class Versus “Foreigners”...41

4.2 Symbol of Englishness...44

4.2.1 Landscape...44

4.2.2 Music...45

4.3 Aggressive Behaviour ...48

4.3.1 Violence Towards Friend...48

4.3.2 Violence Towards Material Goods...50

4.3.3 Violence Towards Non English People...50

CHAPTER V : CONCLUSION AND SUGGESTION 5.1 Conclusion………57

5.2 Suggestion………58

REFERENCES………...59

APPENDICES

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