PERSON DEIXIX AS FOUND IN THE LYRICS OF GREEN DAY.

RSRSON DEDIIS AS FOIUND IN

TM

LYRICB OF GIT@T D,! Y

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ENGIISE DEPARTMENT . FACULTY OF I;OTTERS ANDAT,AS I]MVERSTTY

PADAN(:

ABSTRAK

Drl,m skipsi ini, _nciulh mcmbanas dciksis pcNonB

A.^D,

/.n,

dal.n emp.r lagu

ciptla

airzc,i/,r

yai ll

Gu s, Anerjcan ldiot, Wak rte up rhe Sepknb.r enA

^d

Mihoritr. Tujuan peneliii$ ini adalrh

u

tul nrcnde\kriFikrl

tipe dciksis p€so.r, mcnenlukan luigsi dciksis pcMna bcrd6lr[an konlek drn ncn8hubungkannya dengan mrlna laan. Dal! dikumPlka. nmgAunatrm mctodc sihak bcbas 1ib6 carap

f,o,

_P,rtirjPan!

^szfldion

netho4)

.lsnsan teknik cal.r (tutcttknE

bthhi'jk)-

Selanjltiya dala dianllisk dengM

ncnlaunak

t.rod? ,zl?ar praarar,*

&n

nenc€pku

to

deik is

lcMna

4lch sicphcn

c

Levin$i (193:l)senar6ri konleksir0asiolch CeolfteyI-eech (1931).

Dei penelnid

inidnemuk

riF€ tipc dsiksis pesonayang i$diri dai dcikris

onn|petran

(16r

dtn

dci,is), deiksis

.tue

kedua

fs?.ddp?6o" ./eir,,

dm deiLsis omns keliga

f/

t

/

p.^,, z/s;t

pad. kccmpat lae! resebur"l ipc dciksis pcs.na

ysgp.lina

sringdignakan ulalah deiksisorangkedua

*bayak

28 (51.35 %). k.mudian diikuri dciksisoians petufra sebanyak 2il (44.45 %)dmdcikrisonng keriga sebtryak 2 (i,70 %). Dari empar lirik lagu _Fng dianalisa lasl beiudul 2l

Cuni' lebih

bdval

mengunakan deiklk peson! yliLu seba _tak 25 lerllams sekali deiksh oranC kcdu4 kenudian

Minority

sebanytk

l?,

wake Me LP wh.r seplember

Ends sebaya[

3

dan

"Ancdc

ldioa

sebanv.k

4.

PcnLlis 'nenyimpulkm 6ahwa sm0a dcikrh per$na yng

ada ti.p lagu mengaju padr .cuan,

y.itu

kata

gdri

.tanl

penanz

(frr!

Prrlok

_11/o,o!,s1, kau santi

oms

kedua

CIIAPTER

I

Bicklround of tbe

R6drch

Re.enrly, the developncnl of the dusic industry is on hi8! lever jn rbc Ro.ld Matry kinds

ol

music genrts such

s

jv,.

ock

pu.k rccll" R nB.

rd

por caf be enjoycd b, people lthoush the sonEs _{have some aentos, each} oflhe song usutll, has a relerence th3t h ussl bt the conPos.. to convcv mesages ro lhc lisrcnd The

rclcrcnce.lthesong may includervh.n rhe sonA is refened lo, a.d to whul sc(nrg il h inteidcd which need lo be incl?dcd by the Lktene^ to catch the toeaning ol lhc sotrB. Musicalrcadyb€concspanof lileolhuman being. !vl1a $m..ne

ffrlsina

bad mood, by LisleninAtorhe tuvdrilcmusic heorshecan becone calfr md happv

SonCs aE oien used lo eRpress the emolions of rhe human being and rhcl are

n€dcd in daily

lile.

Song is the combination ol word md music thar are bcaulilul!v compoed. For the composr, a song h the renecaon ol his or her feeling lowad somerhinq q'.h as death.lovc. crirjc. waror conflict. whe.e,s tbr lhe lislener a ene

ln

rhc ly.ics 01 thc song, sone inlea.ekrion can be

n'alc

The, hare mc$agc mJ herning. Mary kinds ollinguistic study in rclatlon ro pru-smrri$ tud discoutse can bc lound in the lyn.s

ol

lhc

eDg.

lhe sludy deixis helm8s

r.

pEgmarics. Dcixis relea 1o tho plEtromenons rhnr undcAhJ

llt

rneanine.lc€tuln

w..ds

dd

phrses in an

firennce

Howcvf.

it

rcquircs conrexrull inlom.rion Deixis

fe

cenain lhose lvords in a ian8uage that enrirtly depe.lcDl oD .onlcxl (frcnikin

l99l.p.

162). lr neans $al lhe speakerand lisrcncr should bc known

b

nrenrdt dcixis

ir

the Llrics oflhe sons Contcit includcs who is speaking. rhc rimc or nlace

.l

spcaking- lhe _-sesltrrcs

ol

the sFrker, Md

$c

curenl l@rion in thc

di{ours.

Thesignilicatrceoldeixis is poinling or spccifying lion thcpenpccilveof r panicip.nt ir an lct drspccch orrvritinC, asPea ofa panicipanr in dn acr ol spccch

or wririrs, aspecrs knoqledce or thc coitcxt in whlch ihe c.hfrunicalion occurs Sonc lypes oldeixh include are _teson dcixh, rime deixis,

Plre

dcixis, di$oude

f

frhemore rhcrc isa lem thal iscallcd lhedeitic

$ord

Dcitic word isone

lhailakessomcclemenrorism€ninsromthecontcxrorsituation(iethespcaker,

$c addressee, rhc lime and rhc pLace) _{ol the} urlertn.e in which it is usJ (rlurlord, llerslev.

Snilh

2007,

p.66).

ln

rhh

cnsc, deiclic

wod i5

needed

in

our communicalion. l he rem oldeiclic lvo'd h.lps lhc

hce(

to identify thc tolerence

of

a rcletrins erpre$ion. lh€rtrorc, dciclic sord is vcry inpotunl in communication

Afle. aml)zine rhe ddra.

rhc*.n.r

linds oufthat nor al]rvpes ofieBon deirh fouDd in thc four

sofesof

crccn

')ay\".

Ihc pc^on dcilic sods which dc lbund

tr the yrics are firet pe6on deixis 1

,,.

ond

,ri

tne porson plural deixis is

lp:

second person deixisrreLo,!ndlo,r:and the rhiil pcrson dcixisonltone and lhis

Dtiig

d.t..n.itsis.

Ihc wrnci fidds out thxt in rhe iyrics oathe tuur (trccn

l)0,

son8s- there aE vlrious [inds or pe6on deixh found,

.speiall]

ri^l

pcMn

d.i\ls

i.

$hic[ ir poin6

b

$e compos$ Bascd on de analysis in chaptcr thrcc.

il

crn he concltrdeJ thal lhe conrerr gives clues and flnctons ro detemifc rhc doi.ric $ord5mdthe.eLdtunshipbrheheanin!ollhesone. lhesnuariononvidcoclipol

Ftumkin, v. Rodman, I I, I lyams _,N (1991). ,4n Inbndktuh 1.

La43r!".

l honp$n

Wadslvonh O.laddo: H.rcoun Brace lovanolich ColLcge

Heaner Brcndan, rrudord Jam€s

R,

Smilh Michael

B.

_\2047)

S(aunti.t

,1

C.,/.vn,,[

xc$

York: Cambridge Univerity lrcss

rniso Mora rsabcr. (2004). O,

l,e

Uv

af

lere

al

lrarcun

Vt

it'

(onnmitit\:

.bunnl

olh

_t!0Ae and

P.lilir\3).2152

K.s*anij PuRo, B.nrbanq. (1984) Deki\ daldn Boh&r

hno,rrlir

Jakada: Br

ri

Korenah. Alysid Michelle _QanS) ThL

dtsr

dnn

of shokLlp.ar.

\

mrha

W.tds'

Grdh'nar,

Li,suiijr

Enountc^

d,./ /rc

xdtr,/

p3..,

_fcited, April 10'r',

htDs://Lsnrce.libin.ulo.onto.ct...fiolcnrsh

Alvrir

M

?0031

I

PhD dcsis r!17. i.,ro,ror Depadmcnl olErslhh, Univc6ity olToronio

L]'otrs. John. (1977).

srd,r/l!r:

Cmhridge: clmbridg€ univenity Prcss.

t,eech, Georiey

(r981).&u,,rta

Th!

slutolLtumjns

Ncw Yort: Loncman Levinson, S C (1931). Pruardrr.s. Cambridge: Cambridae

ljiire^ny

Press