bird-or animal-head foot is
most
thecommon
type (pi. 3, t, u).The
painted
ware
is not very wellmade, and
the designs are usually badly eroded.A
small proportion of unpaintedand
afew
painted sherds have either heavily incised or raised geometric designs (pi. 4, q, s-v, x-s) in the interior.These were
apparentlymade by some
sortof a stamp. In one case the raised design leftby
thestamp was smoothed down and
its outer border carved for emphasis.Three
plain sherds
show
finelywoven
textile designs impressedon
their inner surface (pi. 4, n-p). Sherds with incised designs also occur(pi. 4, r).
On
the whole,Naco
ceramics consist of thesetwo
wares, the plainand
the painted,butinexcavations atmound
I,two
intrusive types occurred.The
first of these, consisting oftwo
fragments ofEuropean
crockery (pi. 4,m),
has already been mentioned.The
second type consisted of three sherds of well-made, highlypohshed and
paintedware which
apparentlybelongtoprehistoric ceramic seriesfrom
other earlier siteson
theChamelecon and Ulua
Rivers.Incensario fragments
from Naco
are of the usual fryingpan
shape(pi. 4, a) with the distinctive
Naco
painted designs.Two
candelarios (pi. 4, iv) are crude but unique.They
aremade
of unslipped coarse potteryand
havetripod supports.They
represent the only typefound
by us atNaco. Spindlewhorls are quitecommon
atNaco and
arewell decorated with incised designs similar to those paintedon
pottery(pi. 4, i,j).
Undecorated
"bobbins", probablyto hold cotton thread, are evenmore common
(pi. 4, /).The
occurrence of spindle whorls, bobbinsand
textile-marked pottery bears witness to the importance of clothmanufacture
in aboriginal Naco.No
distinctive type of figurinewas
noted atNaco.The
various pottery heads, rangingfrom
simple to complex,and
the "speakno
evil"monkey,
are illustrated (pi. 4, h-f). Whistlesseem
rare at this site.Only
one specimenwas found
(pi. 4, /i)and
thisanimalform
suggests Chiriqui,although the redand
black paint design is in theNaco
style.The
only other artifacts notedwere
the ubiquitous obsidian prismatic flake knives (pi. 4, k),and
fragmentary legged metatesand manos
of lava.At
Naco,as elsewhereinHonduras,
thereappearsto have beenan amaz-
ing emphasis on pottery incomparison
withany
other type of non- perishable artifact. Textilesand wooden
implements have left only indirectevidences of theirprobable importance.NO. I
HONDURAS —
STRONG, KIDDER,AND PAUL
35mound group and
is one of thefew
in theUkia-Chamelecon
region that can be photographed to advantage (see Strong, 1937, fig. 70).The main
features are four largemounds forming
arough
square, with another lowmound
in the center.The
largestmound,
to the north, is about 2 meters in height, 27 meters in length,and
12 meters in width.The
othersare slightly smaller, those to the eastand
south beingrounded
rather than rectangular.The
easternmound had
a trench,made
byworkmen from
Manacal, in theeast side.The
centralmound
is about i meter in height with a diameter of 8 meters. It isconnected with the eastern
mound by
a low neck.The
fourmain mounds
roughly correspond with the cardinal points, but there isno
exact orientation.A
low, stone-coveredmound
is located about40
meters to the west.The
entiregroup
is located on anopen
strip of high, flat land,flankedon
theeastby
a deepgullyand on
the southand
west by the steep river banks.An
artificial terrace of river boulders borders the site to the south.Behind
the site rise rolling pine-covered hills,and
between itand
the river proper is a denselywooded
flood plain.No
artifacts occuron
the surface other than a veryfew
sherds of plainbrown
ware.A rounded
boulderinthe centralplazasuggested an ape's headsomewhat
similar to thatshown
in plate 16, figure 3, butwe were
unable to determine whether the stonehad
been actually worked.The men who had dug
thedeep trench in the easternmound
encountered nothing but stones
and
brokenpottery. Potteryis visible in the cut to a depth of 2.5 meters.We
ran a trench through the heart of the lowcentralmound
reaching a depth of i^ meters in the center.The
upper meter consisted of soil withmany
large boulders, stones,and
afew
pieces of plaster; below thiswas
hard gravel.A
few
lava metateand mano
fragmentsand
a considerableamount
of plain,brown
pot sherdscame from
the upper meter.The Las Vegas
ceramic remains are predominantly ofan
unslippedbrown ware
indistinguishablefrom
cookingware
atNaco and
inUlua Polychrome
sites.
However,
afew
polishedand
slipped sherds occur,and some
of these have linear designs in redand
black.A few
sherds of dull orangeware
with red stripes, a small orange rim with redand
blackmonkeys, and
a hollowround
tripod legwere
also found.TRES PIEDRAS
According
to ourworkmen,
this site received itsmodern name
"because it is a place
where
they catchmany
fish ", a puzzling ex- planation unless one isaware
that thename
"Tres Piedras"may
be given to
any
person or place of particular potency. In a senseTres
Piedras is a very miniatureCopan
since theChamelecon
River has nicely cross-sectioned it (pi. 2, fig. 4). It is located less than a kilometerdown
streamfrom Las Vegas and on
thesame
or westernbank (map,
fig.2).Originally, the site
must have
resembledLas Vegas
inoutward
appearance, having fourmounds
enclosing a central plaza. In the photograph (pi, 2, fig. 4)two
of thesemounds
can be seen in cross- sectionon
the rightand
left of the cut; the rearmound
is visible to the left of the figures, but the fourth or nearestmound
has been completelywashed away
except for themany
boulders deposited in the river channel.A
fifthmound,
likewise cross-sectioned, occurs tothe west. UnlikeLas
Vegas, the plazaat Tres Piedrashad
a series of three plasterfloors, thehighest at a depth of 1.5 meters below the present surface, the lowest at a depth of 2 meters.The
materialwas
a thick, white "mezcla" or plaster.The
upper floor appeared to be flat, but thetwo
lower floors eachhad
one step rising to the east.From
our limited excavations itwas
impossible to tellhow
extensive these floorsoriginally
may
have been.Along
the riverbank
they extended for about 10 meters,and
a considerableamount
of broken plasterwas
visible elsewhereon
this general leveland
in the talusdepositat the foot of thebank. Itseems
probablethat the entire court or plazabetween
themounds was
once paved, butuntil adequate excavations aremade
here this cannot be proved, nor can the nature of the steps ormound
approaches be determined.Over
the plaster to a depth of three-fourths of a meter is a thick deposit of large river boulders.These may
haverolleddown from
themounds
ormay
have been placed here laterto raise the level.Among
the vast quantity of stones deposited inthe river bedfrom
the portion of the site that has beenwashed away
aremany
that indicatehuman workmanship. The most
tantalizing of these are a considerablenumber
of large lava blocks that strongly suggest sculpture in the round.None,
however, are definiteenough
for certainty, but they do give an impression of either a dying or a nascent sculptural drive.The
"ape's head"from Las Vegas
is of this typeand may
have been transported therefrom
Tres Piedras.In addition, there are
numerous
squared blocks of limestone or gray- green schist, one circular block with abrupt edges,and
several thick slabs with holes drilled through them. Metateand mano
fragments, as well as lapstones without legs, occur. Stones are particularly concentrated in the river bed belowwhat was
once the position of the eastmound. With them
occur large fragments of plaster flooring.This flooring often contains boulders or
shows
themolds from which
NO.'I
HONDURAS—
STRONG, KIDDER,AND PAUL
37 boulders came. Structurally, theTres
Piedras site appears to have beenmore
pretentiousthanthemajorityof sitesinthevicinity,and
the remaininghalf iswellworthy
of completeexcavation.We made two
small stratigraphic cuts, the firstwest of the centralmound group between
thatand
the outlyingmounds
tothe west.The
secondwas
in the heart of the plaza.Both
sectionswere on
the face of the riverbank and
eachwas
5 meters longby
i meter broad, extendingdown
to sterile soil.The
first excavation yieldedsome
potteryat 10centimetersand
reachedbarren soilatabout 1.70 meters.The
secondcutpassed throughthreeplaster floorsand
reached barrensoil at 2 meters.
The
first yielded themost
potsherds although even here theywere
not overly abundant.Gray
to red cookingware was most abundant
in each of the five 30-centimeter levels.A
veryfew
sherds ofMayoid polychrome
occurred in all but the.bottom level.Above
I meter all fragments of this typewere from
pots with buff to orange slips covered with florid, conventionalized, red, purplish,and
black designs.Below
i meter thesame Mayoid
types occurred, but in association withmore
realistic designs havinghuman
head panels.At
thissame
level occurred fragmentsof an excellentMayoid
vessel with a panel of square, grotesque heads
around
the rim and, below this,an intricately carved design.The
designhad
been carved after firing. Associated with these lowerMayoid
typeswere
afew
sherds suggesting orange over buff negative painting;and
cookingware
with dull, dark red line decoration.The
second excavation in the plaza yieldedfew
but similar pot sherds.However,
the occurrence of a small, restorable imitationUlua
marblebowl
just above the upper floor at a depth of i^ meterswas
significant.Maya
carvedware
occurred at thissame
depth in the first excavation.The
three plaster floors in this second excavation have already been mentioned.
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