• Tidak ada hasil yang ditemukan

An IMC Approach to Creating a Music Personality - SMBHC Thesis Repository

N/A
N/A
Protected

Academic year: 2023

Membagikan "An IMC Approach to Creating a Music Personality - SMBHC Thesis Repository"

Copied!
96
0
0

Teks penuh

The technology and popularity of social media has empowered consumers and provided direct access to artists, changing the traditional approach to music artist exposure and the inherent needs of music fans. The purpose of the focus groups was to gain insight into specific personality traits and qualities that members of the millennial generation value and relate to on social media. The researcher then created an integrated digital marketing campaign for the artist and applied the IMC communication model to a social media strategist experiment over a four-month period.

Social media content was developed and tested to measure the effect the messages have on the audience. The success of the campaign was measured by comparing Kynlie's presence and following on social media, songs sold on iTunes and total listens on streaming services, before and after the campaign. The results showed that a social media strategist is a must to build a millennial fan base whether that person is employed by a music industry entity or is employed by the artist.

THE MILLENNIAL MUSIC CONSUMER

Rachel Cooper, a consumer insights professional at VH1, analyzed the results of a survey conducted by The Music Group titled, "The Music Experience in 2014". Presented in Figure 7 below, 78.8% of millennial superfans admitted to checking their social media news feed hourly in the millennial music fan survey. Justin was twelve at the time and had around 70,000 hits on the social media platform.

In the 2015 RIAA report entitled “Labels at Work: The Music Business in the Digital Age,” the RIAA emphasizes the fact that labels are finding as many artists as possible. In the post-streaming, social media era of music, independent artists like Chance can thrive. The following case study demonstrates the role of the social media strategist in an experiment to position and brand an independent aspiring artist.

In conclusion, Kynlie said: "I'm basically sitting on a shelf over there." The only marketing advice Kynlie received was to limit her Instagram posts to music posts only, which completely ignores the researcher's hypothesis. Related Results: Women are more active on social media than men (Millennial Music Fan Survey, 2017). Finally, after watching Kynlie's music video for her original song "So-Called Friend", the participants were convinced that the way she was dressed, ie.

A one-page creative brief for Kynlie's social media campaign can be found in Figure 22 on the next page. Take photos for a new media website and post them on social media and website to position Kynile as your "drama-free best friend". Although the website was updated, there was no promotion of the website on social media or an email campaign.

The post's one-day reach showed a dramatic increase due to the Facebook and Instagram ad created by the social media strategist. In addition to positioning, an increase in brand awareness and brand love resulted from the social media strategist creating monthly content and performing extensive data analysis at the end of each month. Kynlie's social media following and Spotify following and streams simultaneously increased, validating the music industry's two-way communication model.

The researcher created a 15 question survey titled "Millennial Music Fans". The survey was intended for all generations of persons over the age of 18 and asked general questions about music listening and social media habits. Moderate fan - follower of social media accounts, more interested in the artist's music than their personal and social life.

Figure 1: Results from The Nielsen Company’s 2013 Survey (Nielsen, 2013). The line  above denotes the three “fan” categories
Figure 1: Results from The Nielsen Company’s 2013 Survey (Nielsen, 2013). The line above denotes the three “fan” categories

THE MUSIC INDUSTRY IN THE DIGITAL AGE

THE NEW MUSIC INDUSTRY COMMUNICATION MODEL

The following figures, figures 8, 9 and 10, demonstrate the revolution of the new communication model as a direct-to-consumer model through social media. Social media has replaced traditional advertising as a new direct-to-consumer marketing tool. This standard model is a collision of the old mass communication business model with the advent of broadcasting and social media.

In an interview with Forbes, Scooter Braun credits all of Bieber's success on the social media video sharing website, YouTube. Justin Bieber's career and instant fame prove that millennials and social media are a force to be reckoned with. Like Justin, his career has created a new business model, the independent business model, creating a new direct-to-consumer route for fans through social media and streaming services.

He used a combination of social media and traditional marketing to create an interactive, multimedia marketing campaign. The artist's overarching goal should be to create brand love, which means capturing the attention of a passive audience through social media and turning them into fans. The researcher suggests that these goals can be achieved with a branding agent or 'social media strategist'.

The role of the Social Media Strategist is to apply the principles of IMC as defined by the Meek School of Journalism and New Media, University of Mississippi. The social media strategist must learn the attitudes, interests, opinions, and lifestyles of an artist's target market in order to successfully sell his or her music to the intended audience. If a label were to hire a social media strategist, this would apply to A&R in addition to artist development.

After signing an artist, the social media strategist should develop the artist by researching, planning, communicating and evaluating a clear brand identity.

Figure 9: The standard music industry communication model
Figure 9: The standard music industry communication model

A CAMPAIGN TO CREATE A MUSIC PERSONALITY

The website is a sufficient home base for her online brand and includes hyperlinks to all her social media ie. she is consistent across all platforms and often shares her Instagram posts on the fan page, but does not include a direct hyperlink to her other social media platforms on the fan page. Most importantly, Kynlie develops a unique brand identity that is often expressed through a prominent voice across all social media platforms.

Kynlie is excited about this opportunity to grow her audience by working with a social media strategist. However, frequency or lack of is not the only difference between genders and their social media habits. It is typical for people of both genders to describe themselves as moderate music fans, fans who follow an artist's social media accounts but are more interested in the music than the artist's personal or social life.

The cross-tabulation, shown on the next page in Figure 17, is a comparison of the percentages of female and male respondents who answer the question "How likely are you to follow a music artist on at least one social media account or like it after ..." ( a certain condition is mentioned). Finally, after watching Kynlie's music video for her original song "So-Called Friend", the contestants were determined that the way she was dressed, i.e. Female millennials, social media enthusiasts who are an interactive and intimate relationship want with the artists they listen to.

After uncovering insights from primary and secondary research, the researcher developed the creative strategy and will implement this strategy as Kynlie's social media strategist. The researcher will present a social media calendar for the next 4 months: December, January, February and March, related to relevant media topics and upcoming events. The success of the campaign will be analyzed by comparing Kynlie's social media presence and followers using Facebook and Instagram Insights, website traffic using Google Analytics, songs sold on iTunes and total listens on streaming services, prior to the campaign and after the campaign has been implemented.

Kynlie is humble and empathetic with her audience, who introduces herself on social media by thanking and advising and using blushing and smiling emojis.

Figure 11: Kynlie’s original website media pre social media strategy
Figure 11: Kynlie’s original website media pre social media strategy

EVALUATING THE SUCCESS OF A SOCIAL MEDIA STRATEGIST

For Instagram, the first month of social media strategy confirmed the researcher's assumption that Kynlie's target market values ​​a follower-to-follower relationship. The social media strategist was very strategic about the time of post, which was Sunday evening. In addition to NoiseTrade, the social media strategist sent an email campaign that generated 47 visits that day.

For Twitter, January showed her “follows” and “unfollows” increasing .. concurrently with posting frequency, making it a much more difficult social media platform for her to gain followers. The social media strategist used Facebook's Ads Manager feature to target 18-24-year-old women living in Nashville, Knoxville. Total Spotify followers increase this month), (27.4% increase in total) Because the social media strategist's campaign ended on March 31, an evaluation of the month was not necessary.

Thus, the social media strategist concluded the case study with a final final evaluation of the digital integrated marketing campaign and its effect on Kynlie's online brand. Kynlie's followers, discoveries and social media engagement all increased after her brand identity was established and implemented by the social media strategist. Social media and streaming, which has given millennials a platform to publicly express their opinions and personalities regarding music, i.e.

Nevertheless, with the right social media strategy, which involves identifying an audience, developing a brand persona and. Digital - a social media expert, discovers music on social media and is interested in music that is trending or popular. Super Fan - interactive with artist on all social media platforms and interested in all aspects of his/her daily life.

Take turns, which social media platform is the most expressive or expressive of a music artist's true self. How likely (on a scale of likely, somewhat likely, and not likely) you are to follow or like a music artist on at least one social media account afterward. This focus group discussion is designed to understand how the millennial generation perceives music artist brands, especially on social media.

Figure 23: December Instagram profile: New profile picture engages audience with eye  contact and bio is more expressive of Kynlie’s background
Figure 23: December Instagram profile: New profile picture engages audience with eye contact and bio is more expressive of Kynlie’s background

Gambar

Figure 1: Results from The Nielsen Company’s 2013 Survey (Nielsen, 2013). The line  above denotes the three “fan” categories
Figure 2: What type of music fan best describes you? (Millennial Music Fans  Survey, 2016)
Figure 3: How do millennials listen? (Millennial Music Fans Survey, 2016).
Figure 4: Millennials and degree of artist fandom (Millennial Music Fans Survey, 2016)
+7

Referensi

Dokumen terkait

54 Theory and test peak acceleration at 30mm diameter cylinder 예상대로 큰 차이를 보이는 실험 값과 이론 값을 관찰할 수 있다.. 이제, 해당 결과와 관련된 고찰을