REFERENCES
Angel, Michael. 2003. Seven Steps of Library Research. New York: Cambridge University Press
Bratton, Amanda G.2004.Antihero: Jung and the Art of Storytelling. Wesleyan.
Illinois Wesleyan University
C. Lamont, Rosette.2011. Sacred narrative, readings in the theory of myth.
Berkeley:University ofCalifornia Press
Cassuto, L. 2009.Hard-Boiled Sentimentality. New York: Columbia University Press
Cecilia Mancini 2013.The Anti-Hero and the Femme Fatale in Neo-Noir. HIB House
Christodoulou, Hogan. 2015.The Mind and Its Stories: Narrative Universals and Human Emotions. Cambridge: Cambridge
Corlett, Bargh and C.S. Pearson. 2003. “Automaticity of social behavior:
Directeffects of Trait Construct and Stereotype Activation on Action”
inJournal of Psychology
Dostoevsky, Fyodor. 2008. Underground Man. New York: Dutton
Fawkes, J. 2010. The Shadow of excellence: A Jungian approach to public relations ethics. Review of Communication, 10(3)
Friedman, Bauman& Schustack.B.2009 .Identity: Conversations with Benedetto Vecchi. Cambridge: Polity.
Gavriilidou, S. 2002. The Difficult Profession of The Classic Hero.Thessaloniki:
University Studio Press
Hede, Anderson.J. R. 2007.CognitivePsychology and Its Implications. San Francisco:Freeman
Horsley, L.2010. A Companion to Crime Fiction. Oxford: Wiley-Blackwell
Jacobsen., C. G. 2010. The Essential Jung. Princeton,NJ: Princeton University Press
Jones, D., & Watkins, T. 2000. A Necessary Fantasy? The Heroic Figure in Children’s Popular Culture. New York: Garland vol.1, pp.19
Kendrick, Matthew G. 2010.The Heroic Ideal, Western Archetypes from the Greeks to thePresent. North Carolina, Mefarland Company
Kothari, C.R. 2008. Research Method, Method, and Technique. New Delhi: New Age International Publisher
Marr, M., & Pearson, C. S. 2001. The Hero and The Outlaw: Building Extraordinary Brands Through the Power of Archetypes. New York:
McGraw-Hill.
Nikolajeva, M.2002. The Rhetoric of Character in Children's Literature. Lanham:
Maryland & London
Nishi,Yoshiya. 2010.A Study of Anti-heroism: A Character Analysis of Holly Martins from the film The Third Man
Pearson, C. S., & Marr, H. K. 2002. Introduction to Archetypes: A Companion forUnderstanding and Using the Pearson-Marr Archetype Indicator inPersonality and Social Psychology Journal
Platsidou, M. 2001. The Heroic StandardsinThe Psychological Structure and Pedagogical Role. Vol. 99, pp. 147
Pyrhönen, Lilian R. 1998. “Romantic Hero or is He an Anti-Hero.” In The Anti- Hero: His Emergence and Transformations, page. 53-66. Georgia State UP: Atlanta
Rajasekar. 2013. Research Methodology. New Delhi: Bhratathidasan University Rupprecht, Carol.2005.On Social Representations of Emotional
ExperienceStereotypes, Protoypes, or Archetypes? InSocial Representations and The Social Bases of Knowledge. Ashland, OH:
Hogrefe & Huber
Sollod, Jadot, L. 2009. “The Structures of The Imaginal World: Theoretical Introduction toThe Archetypes Test”in Revue de Psychologie et desSciences de l’Education vol.10
Spivey, Cartlige andKnowlton Neil.2008.Heroes and Anti-heroes in Medieval Romance,. Cambridge: D.S. Brewer
Strauch, Anthony. 2001. Archetype: A Natural History of the Self. London:
Routledge & Kegan Paul
Wilson, Richard.2012.The Hidden Revolution in Leadership & Change. New York: Osca Agency Ltd Osca.
Wimsatt,Lewis, C. N.2007. Archetypally Influenced Perception andRorschach Symbolism inBritish Journal of Projective Psychology, 39, 1–9.
