I
J% • I
• I
Riley newborns—Where there’s life, there’s hope
in the sou thee at cor
mt oo tb i third floor of the James Whitcomb Riley Hospital for Children is a brightly lit unit flUed with incubators and yal low Ringed cribs surrounded by I V. stands, wheeling pumps and ventilators Nurses in white and yellow gowns study room tors and hover over criucaily-ill premature infanta
Recently, the Riley Hospital Newborn Special Care Unit, an 18.3 million addition that has re
ceived annual recognition ae a model for regional cars of high risk infanta, celebrated the 8th anniversary of its opening. Con tinuing to serve ae e prototype for similar centers in other parts of the state and the Midwest, the Newborn Unit has the cape
city to cars for 36 infants from birth to two months of age
The unit is divided into three areas or modules Modules I and II are eight-bed intensive care units Module III has 20 pro- greeeive care beds.
The patients, who generally suffer from premature-related problems, cardiac, genetic or surgical maladies, are referred to the unit by a hotline accessible to physicians and nurses all over the state. The hotline is also used to request advice about the management and care of high risk Uhu-s
Modes of moving patients to the hospital include the Rile>
Newborn Intensive Care Mobile Unit. an ambulatory unit with a special transport team made up (continued on page 3)
Head Nurse Rebecca Burks administers a noon- through the mouth of the baby into his stomach time feeding of formula by a plastic tube inserted (Photo by Susen J. Ferrer)
Pten now for your Spring vocation et scenic Now York Street Can
yon. Donkey trek tours end helicopter rtdee will soon be avsRebie through the fUPUl Chamber of Commerce. (Photo by Susan J.
Farrar)
Classroom contracts approved
IUPUI N*»» Buiiau
Contracts totaling S7.307.846 to build two wings of a new classroom building on the IUPUI campus w e approved bv the IU trustees last Friday Tne board acted during a special meeting in the Union Building
The general construction con tract was awarded to Glenroy Construction Co. of Indianapolis for S6.216.600. the mechanical contract to Frank E. Irish Co of Indianapolis for $1,446,782. and the electrical contract to Ermco
Electric Co. of Indianapolis for
$646,663 Each was the lowest bid in its category
This construction, expected to begin immediately, will extend the four-story School of Busi ness School of Public end En vironmental A ffairs'building south to New York Street The building, with about 120,000 square feet, will house offices and classrooms for the IU School of Education (now at 902 N. Meridian Streetl end the IU School of Social Work (now in
Cavanaugh Hall!
The estimated time to com
plete the first two wings is two years
Now designated as Classroom Budding II. the project eventu ally will include a gymnasium on the South aide of New York Street (et the Blake Street inter section) with en overhead walk way connecting it to the con
struction on the north side of the street The gymnasium will be the center of the School of Physi cal Education (now at 1010 W 64th Street!
C -C C o u n c il in te rn sh ip s offered
A student internship program with the Indianapolis City- County Council will begin this
■m atter through IUPUI s Poll tical Science Department
The one-semester internship will return three hours of ace demic credit for an average of eight hours' work with the Coun
cil per week Students from
schools and departm ents outside Liberal Arts and Politi
cal Science may apply
At-large Council woman Paula Parkers, a part-time IUPUI stu
dent herself, was the program s chief sponsor as it passed through the regular legislative procedures of the Councd Re
presenting the Political Science
Department in establishing the internship was Dr Robert V.
Kirch
Interested students should contact Dr Kirch. Cavanaugh Hall Room 503 L. 264 7547. or Dr Richard A Fred I and Cava
naugh Had Room 503 K. 264 3855. for further information re
garding application
M d « Perhaps you have already no
— Nawi... .. .paga 2 ticed that the type In today's Shorts... ...paga 2 Issue la a bit larger than It was Opinion...
Thg Ltiturg
paga# 4, 5 Monday. This Innovation was thg result of gye-atrain caused Tlm#t... . pages 6-9 by attempting to decipher the Rally i Duka... smeller type In dlmly-llt corri
Claaaiflads...paga 11 dors. Whatcha think?
- ... J
J
2 Sagam ore 1/16/80
/hortz
Drop/add.
Drop/Add will be held on Friday, Jan. 18, from 2 p.m. to 7 p.m., and on Monday, Jan. 21, from 9 a.m. to 3 p.m. This activity will be held in the Cavanaugh-Lecture Hall complex.
Baseball...
IUPUI Varsity Baseball team will have an important meeting Monday, Jan 21,5 p.m., at the School of Physical Education. Tne schedule will be discussed.
IV C F meeting...
This semester s first meeting of the Inter-Varsity Christian Fellowship is planned for Friday, Jan. 18, at 7:30 p.m. in the Union Building. Mezzanine Floor. All interested students are invited to attend.
Chem seminar...
A chemistry seminar on "Laser Photochemistry—The Synthe
sis and Chemistry of Biradical Derived Peroxides" will be pre
sented by University of Cincinnati Professor Marshall Wilson on Friday, Jan. 18, at noon in Krannert Building Room 225,38th Street Campus. Interested students may attend.
Korea.
"The Art and Cultural Heritage of Korea " will be presented by the Indiana State Museum Society on Sunday. Jan. 20, at 3 p.m.
in the State Museum auditorium, Planned as a preview to the traveling Korean exhibit at the Art Institute of CRkeego this spring, tne lecture program will be presented by Mrs. Frank Lambertus. Also featured will be a small exhibit of Korean costumes, jewelry and art objects.
Alien info...
Foreign students and faculty are reminded that Alien Address Report forms must be filed at the first of the year. Forms are available from the Main Branch Post Office, or from the Office of
International Services, Allied Health Building Room 228.
Nonresident aliens employed in the US are subject to federal and state income taxation and must file Form 1040 on or before Tuesday, April 15.
Further information on the Alien Address Report or the nonresident alien income tax is available from International Services, 264*7294.
Riley benefit...
A Charity Ball to benefit Riley Cancer Research for Children, Inc. will be held Saturday, Jan. 19, at 9 p.m. at the downtown Hilton Hotel. Senator Birch Bayh and Mrs. Beth Bowen will serve as honorary chairpersons for the event, which is sponsored by Epsilon Lambda Chapter of ESA, Inc. Tickets are $15 per couple, and may be purchased by sending checks payable to Charity Ball, P.O. Box 19229, Indianapolis, IN 46219. All funds received will go directly to cancer research for children.
MLK dinner
IUPUI's Black Student Union will sponsor its annual Martin Luther King Memorial Dinner on Sunday. Jan. 20, at 6 p.m. in the Hoosier Room of the Union Building. Keynote speaker for the event will be Purdue Professor Lamont Yeakey, and the
presentation of the "I Have a Dream" Award for outstanding contribution by a BSU member will be featured.
Admission to the buffet dinner and program is $7 per person.
Reservations will be accepted at the BSU office. Cavanaugh Hall Room 001-B. until tomorrow, Jan. 17. For more information, contact Cathaieen Henard at 204-2279 or 264-2519.
Riteris award planned
Present and former IUPUI students are invited to apply for or nominate other students for the John M. Riteris Memorial Award, to be presented at the School of liberal Arts Awards Convocation next Spring. Pre
sented in recognition of "contri- butioins to the advancement of medical ethics." the amount of
the award will be determined on the basis of contributions to the Memorial Fund. Deadline for re
ceipt of applications and nominations is Feb. 1.
The kinds of contributions which may be considered Include research reports, formal or creative writing, documented ac
counts of projects, activities or
endeavors, films, videotapes or other creative work products.
These contributions may also have been submitted for credit to a university course. Submit a description of projects or the projects themselves to Professor Mary Mahowald, Department of Philosophy, Cavanaugh Hall, Room 504-C.
Prof. Kirk examines economy
IUPUI News Buuau
Despite unstable economic conditions and an uncertain world, Indianapolis area resi
dents may be able to take com
fort in the knowledge that they experienced the least percentage increase in their cost of living from 1969 to 1977 among 38 metropolitan areas for which tike Bureau of Labor Statistics com
piles data, according to prelim
inary reports.
Among major Midwestern metropolitan areas, Indianapolis ranked as one of the largest in terms of percentage increases in real per capital personal income from 1969 to 1977.
Figures developed by Dr. Rob-*
ert J. Kirk of the IUPUI economics department place the area slightly behind St. Louis and ahead of Milwaukee. Nat
ionally. Houston had the larg
est real per capita income in
crease and New York the least.
Indianapolis’ increase in money per capita personal income was slightly below the national average.
Looking to the year ahead.
Kirk commented that a reces
sion in the first half of 1980 has been widely advertised: the
question is how severe the reces
sion will be.
The IMEX (Indianapolis Met
ropolitan Economic Index) turn
ed downward in the first quarter of 1979 and remained at lower levels for the next two quarters.
In the past two recessions, the IMEX has turned downward three or four quarters before the national recession.
Indianapolis and Indiana ex
perienced a gasoline-related con
traction in auto and auto-related activity in the second quarter of 1979. The policy change announced by the Federal Re
serve Board on Oct. 6 raised int
erest rates and is expected to slow housing in the first half of
1980.
Data on Indianapolis housing permits issued since the Federal Reserve policy change are not available, but the local money supply adjusted for inflation declined in November, which ia consistent with the reduction in the growth of the national money supply.
"Whether we have a severe recession depends primarily upon the spending habits of consumers. Their personal saving rate is low. Higher income households are still sav- -
ing and buying (an indication of
■pending being the sales re
ceipts of Nieman-Marcus which are reported excellent), suggest
ing that moderate income house
holds may be assuming signifi
cant debts." Kirk said.
"If recent demand for loans reflects unanticipated inventory accumulation, then we could see u n e m p lo y m e n t e x te n d in g beyond the automobile and con
struction industries in the first half of 1980, " he added.
It is being speculated that the federal government may take some sort of action in an election year if the unemployment rate exceeds 7 percent, Kirk obser
ved: "We need to increase pro
ductivity and promote capital formation to reduce inflationary pressure." he continued. "This would suggest a tight fiscal poli
cy to minimize the government’s demand for loanable funds.
"Instead, we may ast a larger federal deficit and a tighter monetary policy due to internat
ional pressures on the stability of the dollar. Although there will be hearings in Congress this year on tax cuts and reform, the actual effects of any cuts may not be felt until next year," Kirk concluded.
calendar central
January 17
Divorce Workshop, sponsored by the School of Social Work (Jan. 17 ana ie), 8:30 am-4:30 p.m., Krannert Science Building, 38th Street Campus
January 18 Drop/Add
Midwest Photography Exhibit Ends, Herron Gallery
Women's Basketball, IUPUI vs. Franklin. 7 p.m., Westlane Jr. High School
Sculpture Indiana: Breath and Beauty (Jan. 18 through Feb. 29). Herron Gallery
January 21 Drop/Add
January 22
Men's Basketball, Metros vs. Hope College, 7:30 p.m., at Wood High School
January 23
Women’s Basketball, IUPUI at Indiana Cen
tral, 7 p.m.
January 24
Student Activity Board Film, "Murder by Decree," 8:15 p.m., Union Building
Women's Basketball, IUPUI vs. Indians State.
7 p.m., at Westlane Jr. High School January 25
Ski Trip, sponsored by Student Activity Board, through Jan. 27
Film, "Murdet by Decree," sponsored by Stu
dent Activity Board, 8:15 p.m., Lecture Hail Men's Basketball. Metros vs. Indiana Tech. 5 p.m., Market Square Arena
Beginning Interviewing 8kills Workshop,
■pon-eored by School of Sodal Work, 8:30 a.m.- 4:30 p.m., Krannert Science Building, 38th Street
Campus January 26
Student Organisations Budget Workshop, 9 a.m., Union Building
Women's Basketball. IUPUI at University of Evansville, 2 p.m.
• Men's Basketball, Metros vs. Wright State University, 7:30 pjn., at Wood High School
January 27 SU Trip Ends
January 28
Women's Basketball, IUPUI vs. Marian. 7 p.m., at Westlane Jr. High School
January 29
~ Women's Basketball, IUPUI at Hanover, 7 p.m.
January 90
Workshop on Delinquency, sponsored by Black Student Union: Drugs & Alcohol Addiction, Union Building
Rollerskating Activity Board
January 31
Party, sponsored by Student
J • a • a • • # • I
More Riley'
pirttory live mot
loottiiM d from page 1) of t doctor. a nurse and a
f therapist Patients who lan 76 mike from Indianapolis generally arrive by helicopter or plane
While comparable newborn in
tensive care units are located in Ft. Wayne. Lafayette and Evansville, bed-space at Riky ia in constant demand According to Unit Director Rebecca Burks.
R.N . “The demand for this unit is relatively great As soon as we can get the patient past the acute phase of his illness, we transfer the baby back to the ipital because of an i long convalescence i added that convalescence in a hometown hospital ia far better for the family that would otherwise have to travel perhaps hundreds of make to visit The average stay in the unit ia ap
proximately seven days. Some infants stay as long ss two months.
The family, which will have the ultimate responsibility of caring for the child, is an integral part of unit care Par m U are allowed to visit their baby at any time. They are also encouraged to call at anv time
“ If we save the babies awd don't get that family unit to
gether, we're not sure what we nave accomplished.'' explains Head Nurse Burks The family gig important to the child; you
can t aa^arate that."
Marry Jo Kina, mother of a Riky Special Newborn, com
mented that the “parent teach
ing"-how to handle them, how to take care of them —is ex tremely helpful, especially when
"you're afraid to touch " Both grandmothers of baby girl King chirped in that they loved the visiting policy
“I can come any time 1 want."
added one. explaining that the M O u r visitation privilege af
forded her a chance to bathe, feed and rock "the littk fighter"
after her working hours
Burks explained that fathers are usually the first to come in contact with the baby since the mothers are probably still recu
perating Unit nurses and doc
tors discuss the baby's condi
tion with the father and explain the maintenance apparatus a t
tached to the baby.
Since “babies have a lot of problems maintaining their tem
perature. the parents may ex
pect to see the infant in an I so- let te or incubator, a temporary
“home' thaSsome babies require to keep Kem warm, remarks Burks Infants that must be kept outside an incuba
tor are kept warm with a large overhead warming hood Bili htaa or whits lights are used in (kcreakng or preventing hyper bilimbtnemia — jaundice.
Infudon pumps maintain IS cc an hour of intravenous feed
ing. "but you can’t put be
ed
automatic pilot; you have to on top of these thinea," add
Burks Blood veestk on the baby s scalp are one of the safest and more comforts bk spots in which to give I.V. Parents may
■
Marry Jo King, mother of a unit patient ia one of several mothers who pertlcipete In the cere of their special newborn. (Photo by
Susan J. Ferrer) x
skin behind the ear where a small plastic catheter is insert ed.
Other babies receive continu
ous drip feeding of formuks by a plastic tube inserted through the nose or mouth into the atom sch In other cases, the tube is placed directly into the stomach through s surgical incision
It s vary likely that the baby s respiration will be monitored
“Hyaline membrane disease is the most common problem -an immature lung development,"
surmises Burks These patients also frequently have cardiac problems To determine heart rate, respirations and tempera ture. leads are wrapped about the baby's wrists and ankles
Any dramatic change in rate triggers an alarm, and the nurses must quickly determine whethto there k a real pmhkm % or simply an oversensitive moni
tor reacting to the baby 's move
ment Sometimes the nurse will have to flip s lever on the leo- lette that jerks the bed. gently reminding the infant to breathe again.
Ventilation, continuous air pressure being pupnped through the lungs, is often required, and a blood gas test is taken every four hours to determine the eul ficiency of oxygen in the blood Blood is either extracted from the umbilical artery or by prick ina the baby 's heels or fingers
Burks cooduded that "every
thing th a t’s done on these babies k baaed on them."
The nurses are specially train
ed to deal with the problems that plague premature infants as young as 24 weeks and ss small as 600 grama. Registered nurses are schooled in the a«xl fliw ifl aspects of the unit for two months ^U ff development coordinators pro vide ongoing education. Three
n e o n s ts lo g is ts d o c to rs special iaed in newborn medicine-train
The unit alto has two staff social workers because “having a baby on this unit is a very streeeful time for families Any
time you have a patient on this unit, there's a family in crisis."
explained Burks. “ Nobody in the world expects to have a sick baby."
The nurses work sight-hour shifts round the clock, and on each shift a nurse-patient match ia determined. Optimally, there are two patients to every nurse, but as Burks explained, the Riley Newborn Unit is not immune to the current shortage of nurses. Staffed by 35 profes sionsl nurses, the unit is defi cient bu-fhout 33, and some bed- space has been doeed in order to provide
for thee:
the best care possible for the existing petients. accord ing to Burks
What motivates a nurse to work on the Newborn Unit?
Linde Rettia, R N , explains that she couldn't work anywhere e k e - “what we do for them de
termines whether they get bet
ter."
Nova Ann Smith. R.N., staff dev elo p m en t c o o rd in a to r, remarked, "1 like making the contribution What better place to start than at the beginning?
Rebecca Burks has been on the unit since its inception, and her dedication shines like her smile
The James Whitcomb Riley Hospital for Children admitted its first patient in 1924. servic
ing children from birth to I f years of age
'T h a t they may have life and have it abundantly'’ k quoted on the rcmimemocs t i v plaque In the original Riky^ l^ b y These behind all units in the hospital especially the Riky Hospital Newborn Special Cars Unit, a unit that ia saving the lives of rho would surely have died less than a decade ago
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Opinion
our v ie w
Go for gold
If only the world were as it should be, and the sun shone brightly for the pure of heart, then perhaps the Olympic spirit would be recognizable as one of brother
hood amon^ nations on the Held of athletic endeavor.
Instead* it seems that politics and dollars are oblitera
ting such noble thoughts by turning the games into
afor
um for conflict and capitalism among competing coun
tries. It is this distortion which now threatens to destroy the Games completely, via a boycott by the US and other nations of this year’s Summer Games in Moscow.
The events which have led to this situation are by no means to be taken lightly or ignored. The Soviet invasion of Afghanistan is of critical importance to the people of that country, and by its implied aggression, to the world as a whole. As a threat to world peace, it rates our out
rage and meaningful action such as United Nations sanc
tion and whatever reasonable economic pressure we can apply. But we maintain that the Olympics are not an ef
fective or appropriate arena in which to voice this world
wide concern.
Not only would such a boycott represent a personal blow to American athletes who have dedicated a great portion of their lives and fortunes in preparing for the Games, but its impact upon the Soviet Union in any sig
nificant sense is quite doubtful. We don’t understand how such a move could help the Afghanistan situation or reverse the unfortunate events that have occurred. Nor, to our knowledge, would a boycott have any devastating effect upon the Russian economy. Talk of boycott seems to be simply another demoralizing and empty US threat.
In fact, the US could find itself greatly embarrassed if
* our “allies,” when forced to choose sides between the so- called Superpowers, elect to cross our international picket line.
But there is another issue which must be addressed when discussing such a boycott: Who, in fact, has the ri^ht to order American athletes to boycott the Moscow Olympics?
Unlike many countries, America's athletes must pay their own way or accept private sponsorship or donations—they are not federally subsidized through training, travel, or other compensation. Does President Carter therefore have a moral right to decide that they will not have a chance at a medal because our government is unhappy with the government of the host country? Or would he simply “ask” that they choose not to compete, thus leaving those who pursue their dreams to be brand
ed as “traitors?” Both situations would be tragic.
Perhaps we are being overly idealistic in believing that some things are simply above politics. But it seems that our national morale would benefit much more by coming home from the USSR with some hard-earned gold than by staying home and playing politics instead.
•4
tv.•41
letter/
Hooter plots policy abroad
To the Editor:
Hey. when ere we gonna git off our red, white, and blue butte end do something about this Iranian stuff? Seems to me that it's been aoin on a God-awful long time. 1 think we need to go on over there and kick every one of them monkeys in the butt all the way to Japan and then hunt down that •% -! monkey-faced Khomeini and make him stand
still while pull all the hair out of his face one at a time with our bare hands. Ihen we need to pump out all that oil before them Russians git across the border and take it all away. But instead, we're just sittin here on our butts and not doing a thing about it except maybe talk and threats. W hat’s this here country made of anyway? What happened to room, baseball, and
apple pie? 1 think old Jimmy smiley-face ought to just go on over there and trade hiaself for the hostages Then ha can just
•tart talking to them and pretty soon them Iranians would be more than happy to give him back to us.
Love it or leave it, Eari Billy Joe Hooter, American
you Awfckffltf GW W
/ a g o m o r e
The SiQmnof a published by students of Irxflana views do not neceeeerfy reSsct those of the student University-Purdue University at todtonapols Views body , admttisirston or faculty of IUPUI The Separnore expressed are those of the editor* staff or of toe « a semi-wealdy (weeMy during toe summer) nswe- individual whose name appears in toe bySna Those magazine pubSahed el 926 W Michigan St
Indianapoie, 94 46202
Editor* phone. 284-4006. advertisement f*one. 264-3460. buetoees phone
2642630
Editor In Chief Sports Editor Ciedtt end Colecttone Staff Witters Contributors Buetoees Production
Susan J. Ferrer Ann Miller Paul Ragan Ndunga K. Balakuitma PauiDloboM Diana Adams Mary S. Andaraon
Manegwig Editor Advertising Manager rrOOUCDOfi-- »- ■ -* *--- William A. Barton Jana M. Smethsra Gary Jtffsdsa Cathy Saviors
K. L Wegner John Em ley Dale W altar U , Cooper Kavin Strunk
rufilr nettinia
Entertainment EdHor Buemeea Manager wflwWf Wan*^ —»- Ronald MeOoiiaM
David Edy Alta Welch ! Jodi MMlatte
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i
1/16/80 Sagam ore 0
<
letter/
Sandy has the very last word
To the Editor:
The comment about the fair
ness and logic of my final exams made by Mr. Vann Seawall, Dr.
Donald Coffin and Professors Victor Wallis and Patrick McGeever is an ad hominum at
tack with no bearing on the issue of the effectiveness of a faculty union.
It is not contradictory while arguing that a union would have little success in raising salaries, to point out that any funds for higher salaries would have to come from either the state legis
lature, higher tuition or at the expense of other university ser
vices. I never said that the ad
ministration was doing “the best possible job in representing the university" at the state leg
islature; I merely questioned whether a faculty union could do any better.
th e statement that "student and faculty interests on class sixes and the frequency of course offerings are diametrically op
posed to those of the administra
tion" reflects a good guy-bad
guy image of the university that
g
rossly sim plifies reality.tud ents, faculty and the administration all have an inter
est in prooMling the exchange of ideas allowed in small classes and in having courses offered at convenient times.
These groups also have ad
ditional in terests and they would rank the importance of those goals differently . A differ
ent ranking does not imply dia
metrical opposition. When my wife was an elementary school teacher, she was represented by a union that negotiated a wage increase paid for by allowing larger class sixes. At the time it did not appear that the students and the teachers were lined up on one side of the class sixe issue and the school board on the other.
The basic premise of economics is not th a t individuals are “self interest in
come maxi mixers." If this pre
mise were true people would al
ways take the highest paying available job no matter how
hard or disagreeable and work every day until they dropped The correct premise is the indiv
iduals are utility maximixers Individuals chose the combin
ation of income, leisure, security and goods produced at home that will give them the most sat
isfaction I have not limited “the focus of this controversy to the issue of wages and one would only expect th at economics would limit the discussion to wages, if one had a mistaken no
tion of economic theory."
The letter by Coffin. Sea well.
Wallis and McGeever states
“there are rational grounds for supporting a union I n addition to those of self-interest. " Since they did not state what those grounds are, I cannot criticize them, but my experience with my wife's union leaves me skep
tical. That union took the public position that ita primary objec
tive was improving education.
Those statements proved to be no more that pious cant.
Sincerely.
Robert Sandy
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SPRINQ BREAK IN DAYTONA BEACH BY THKIUPUI STUDENT ASSEMBLY
MARCH 21-30,1980 Trip Includes:
• Round trip motor coach transportation leaving March 21 and returning March 29 Plenty of partying all the way there!
• Seven nights accomodations at the Ptaza Hotel of Daytona Beach. Florida
A c c o m o d a t i o n s I n c l u d e :
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The Lel/ure Time/
vinyl —
Village People make alterations
L iv t and Sltaxy Village People (Casablanca NBLP-2-7183)
by David Edy The past year has been a pro
ductive one for the Village People. First came Cruisin’ and Oo W eit, then a whirlwind tour of the U.8. end now their new al
bum. L iv t and Sltaxy.
The new album represents a slight change in their music and group—a change which may coat them a few fans.
L iv t and Sltaxy is actually two albums in one; record one U a live recording of their recent tour and record two is the new studio album.
While the live record merely rehashes what has been done in the past, Sltaxy introduces the changes that have been mads.
Victor Willis, the group's lead singer, is no longer with tbs group.
His replacement comes in the form of Ray Simpson. Simpson gives the group a different feel.
They still produce hard-core disco, but Simpson doesn't dominate the way Willis used to.
Simpson's vocals blend better with those of the chorus line and he doesn't torture his voice. He sings, he doesn't shout.
He also doesn't sing lead too often. He shares the job with David "Scar" Hodo (the con
struction worker) snd Alex Briley (the 0.1.1.
Hodo's song. "Sleaxy" is the first singls from ths album. The title of ths song describes it rather well. Hodo poses as "the stud out on the make," and he knows "that I'm more than you can take."
The man struts and poses throughout, scream ing th s lyrics over the usual Village Peo
ple chorus line.
"Sleazy" also Incorporates more of a rock sound behind H odo's tortured shrieks.
Electric guitars scream over ths usual disco trappings.
Another change of pace comes in the form o fT'8ave Me." the first ballad to be recorded by the V illage People. A lex Briley sings lead on this one and does a commendable job of it. His vocals add a subtle sensuality to the sound of ths group.
Missing is ths overwhelming sexuality that is common to almost all their songs. The fact that it is missing adds a great deal to tbs song. If Casablanca could bring th em selves to release a non-disco song, "Save Ms" might possibly do well as a single.
The L iv t album, unfortun
ately is nowhere as "successful"
as the Sltaxy album. The record is a compilation of their past hits recorded on tour last sum
mer. A lthough the crowds surely appreciated ths perform
ances, little of the apparent fire
translates to vinyL
At ths time of the tour, Victor Willis was still with the group, and he sings all lead vocals on the album. He opens each song with a shouted countdown, teasing ths audience into a frenzy. All the lead vocals are delivered in Willis' usual shout.
The songs on ths L iv t record tend to blur Into one another, sounding the same and droning on constantly. Not that this matters to ths audience.
They have the visual effects to distract them, to keep them from noticing the sameness.
E verytim e som eone in ths chorus line wiggles, bumps, grinds or removes a shirt, ths audience simply melts.
L iv t and Sltaxy is not one of the Village People’s beet efforts.
Ths live record eervee as a mon
otonous "greatest hits" collec
tion th at Is som ewhat unnecessary. Sltaxy is a bit better and it doee introduce some real changes in their sound.
For the first time rock’n'roll is Integrated into their disco sound. And ths monotony of one lead shouter is removed.
But the "new" Village People are not really settled Into the changes. Perhaps after they do settle and oscom s more Integrated they might produce a great album.
1/16/80 Sagam of 7
cinema
‘Cuba’ wastes talent, bucks
Cuba assassin that couldn't hit ths Uy and bar huaband (Chria
(United Artiata) broad aida of a barn. (Ths movia Sarandon) is an attract!v« lush by Suaaa J. Farrar ia not supposed to ba funny.) Thara ian't any auapanaa; the Tha violent daya of tha Batia- Tha filin'* acora ia distracting, romanca atorylina ia not original ta regime in Cuba could have and tha dialogue ia painfully and tha charectara era not avan bean an excellent vehicle for an bad. The aaaaonad talents of vary likeable Nothing ia daval action-romance film. Unfortu- Sean Conner/^Mnd Martin oped. In fact, tha romance of tha nately, Cuba la a big diaappoint- Balaam and the young premier debonair Connary and the strik- mant, wasting talent and thia of Brook* Adama and Chria ing Adams la a cheap ripoff of reviewer's admiaaion money. Sarandon couldn't aav* thia Aim the Bogart Bergman romance in Overkill ia a fitting daecrip- . if they triad. Casablanca The stilted dialogue tion of the director * attempt to Connary portrays a soldier of prevents a believable relation capture the corruption, chaoe fortune hired by the Batista ship.
and violence of those days pre government to crush the Fidel The only good thing about the ceding Castro's takeover. Moat 1st insurrection Unfortunately. movie ia the on-location ahot* in of tha action ia aanaalasaly ha arrives on the scene too lata Spain, but on-location shots smeared with blood. Soma of tha tojphange the course of history. don't make a movia. Good wri- atory is incredibly stupid. At f l o a t of his Urn* is spent in ting, good directing, and good one point, an American Buai- pursuit of a former love played us* of talent are the ingredients neesman finds himaalf steering a by Brooke Adama. She has mar- to a good film. Cuba falls short tank. Aleo, there's a would-be ried into a powerful Cuban fam- on all counts.
Ian’s best sin ce ‘Between’
Night Rain, Janie Ian (Columbia JC-36139)
by David Edy S ig h t Bains would appear to represent some sort of change for Janis Ian. In the past, her material has been rather melan
choly or Just plain depressing.
Hare she sounds bright and cheerful, almost on the brink of happiness.
Ian even admits that aha enjoyad making the record, which ia a minor miracle in itself. Perhaps marriage suits her.
Another reason for her appar
ent happiness may be due to the :t that ahe produced this
f, with th fact
album herself, with the help of Ron Prangipane and Giorgio Moroder. Shaking off th* yoke of her previous producer*
opened a new world for Ian.
She does what she wants, and ah* apparently wants to stop depressing people.
We wanted to produce some
thing that would outlast this season's vogue and give people something they'd want to hear over and over again,” says Ian.
And ah* has been more or lees successful at reaching thia goal although th* album does have its nods at the current vogues—disco and unadorned rock'n'roll.
"Fly Too High" is disco, but with th* Ian touch. Th* beat is soft, almost unobtrusive. It reliee heavily on light unmech
anical synthesisers. Ian stays at the front and navsr allows her
self to be buried.
Of course, her lyrics do not suffer because th* song leans toward disco. Rather, it would appear as if "Fly Too High" was written as a conventional Ian song, and then rearranged for disco.
“Lay Low" explores an area never before traversed by Ian on record-modern day rock’n'roll.
Although she did want to stay away from current popular styles, she does have an ulterior motive for doing this sort of material. “The only reason I never sang like this is that no one would let me!" Producing her own album has apparently allowed her to branch out in dif
ferent directions.
But aside from these two trendy songs, th* material on S ig h t Bains is still very much in line with what Janis Ian has done in th* past. Th* new cheer fulneea exists only on th* sur- face—her lyrics remain solemn.
Only her style of singing and playing has changed. This
fans, but many people will con
tinue to be put off by her stoic approach.
S ig h t Bains does have its shortcomings, but it ’s much bet
ter than her. past few albums.
Ian has not been quite as convin
cing since B stu ssn ths U rn s Her career peaked with that masterpiece, end she has never been able to reach that same height.
In is <---1 attempt almost reaches that evasive pinnacle, because it reveals more about Janis Ian than her previous three albums.
S ig h t B a in s- i t gives us a complete person...* person living in th* present, with one
Janis Ian— 'tha brink of happlnaaa'
ju>r*hUT poctoft
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HIGHLAND HEIGHTS EY - TUES . JAN 22 Northern Kentucky University
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Abe and Ray’s
Barber and Beauty Shop
Precision-cut hair styling is now available for men and women at our convenient
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Y o u ’v e g o t a f a c e t h a t s h o u l d b e I n t h e S a g a m o r e
Yes, and a lot of other faces should be appearing In our pages. T h e problem Is, we just don’t have enough photographers to cover everything that goes on.
S o all you budding photographers should gather all your filters and lenses together and come down to our office (or call) and see If you can help us out. W e don't pay a lot (we do provide film and a darkroom, though), but you will have the chance to get your work published.
cinema
‘Horseman’ a simple success
The Electric Horseman (Universal Pictures)
by Susan J. Ferrer Tbs team of Robert Radford and Jane Fonda possesses a chemistry reminiscent of the Bogart-Bacall, Tracy Hepburn miieo, and The Electric Horse' man- a guy. a gal. and a horse story—is an irresistible throw
back to the comedy-adventure- romances of the '40s
Radford portrays an ex-rodeo champ on the lam who drowns his discontent in booze and earns a living promoting Ranch Breakfast cereal. The symbol of the corporation that produces the cereal is a former race horse.
A Las Vegas promotion push teams the cowboy and the horse and serves as the adventure story's catalyst.
Incensed because the horse has been drugged to keep it docile, Radford rides the racer
down the strip and into the desert, like corporation c h a rm theft, and the chase begins. Not only is the law after the well meaning horse thief, but Fonda as a sophisticated TV reporter is hot on his trail for an exclusive story
Eventually, she becomes, a burdensome tag-along, and pre
dictably. their mutual animosity gives way to romance. The ulti
mate outcome of the storyline is entertaining and touching **
Horseman is simple, and tAls is the success of the movie.
anti-corporate message is n&t beaten to death and there are no earthshaking messages. It is simply a good romantic comedy about a guy, a g a l and a bores.
It's good to aae Bedford back in the saddle where he belongs.
His good looks, the glint in his blue eyes and his easy delivery continue to make him a heart throb.
Fonda is a delight P lying a part that is quite a switch from her recent hard-hitting per for mances in Coming Home and The China SytiErome, she moves from drama to comedy with no apparent difficulty
The supporting cast of charac
ters has excellent depth. Willie Nelson is a natural as Radford's friend and companion Valerie Perrins portrays Radford's ex wife with touching concern, and John Saxon is perfect as the cold, calculating corporate exec
utive.
The Radford-Fonda contrast is perfect -sh e in her dee i m r
r
oe and high-heel boots and he his practical cowboy attire.Their eventual attraction is very
The Electric Horseman is a lighthearted treat for the whole family.
/tage
‘South Pacific’ revival emerges
South Pacific
(Beef 'n' Boards Dinner Theatre) by Susan J. Ferrer It has been predicted that the Eighties will be a decade of musical revivals. And the Beef
’n’ Boards Dinner Theatre has begun the new year in fitting fashion with what is perhaps the best Rogers and Hammerstein musical—South Pacific.
In 1950, South Pacific gar
nered virtually every stage award imaginable. It also re
ceived the Pulitzer Prize for drama. The movie version of this songfeet received rave reviews in 1968. The revival of this masterpiece is universally wel
comed. and particularly timely now so recently after the pas
sing of its composer Richard i story revolves around the romance between Emile de Becque. a cultured Frenchman, and Nellie Forbuah, an
American hick. They are thrown together on a South Sea island during the Second World War.
Nellie is an army nurse and de Becque is a plantation owner.
Their future together is jeopar
dized by his past, her small-town ideology, and a life-threatening military mission for which he volunteers.
Debby Wats seek charms the audience with her kooky rendi
tion of Nellie. She shines to “ A Cockeyed Optimist." "Honey Bun," and ther memorable " I ’m Gonna Wash That Man Right Outa My Hair."
Ronald Knight is excellent as the French Emile. His fine voice is well-suited for the musical’s sophisticated tunes-"Som a En
chanted Evening" and "This Nearly Was Mine."
R. Bruce Elliot portrays the capitalizing Luther Blllis with equal amounts of humor and heart He along with the other
servicemen render "Bloody Mary' and "There Is Nothing Like a Dame" in an appropriate
ly rousina manner.
’ With realistic tropical island inflection, Ja n Uillory, as Bloody Mary, sings a show-stop
ping "Bali Ha i" and an endear mg "Happy Talk." Her stage daughter Liat (Nancy Shelton) does a fine job of signing the lyrics to "Happy Talk" and in
spiring Monte Stone (L t Joe Cable) to sing "Younger Than Springtime." The rest of the cast makes for fine depth and T C i . of the dinner theatre lands to the personal character of the production. The direction is simple and the aisles are put to good use. Pianist Jennifer Malady tackles a difficult score with apparent skill
This fine production of South Pacific runs through Feb. 17 at Beef’n’ Boards Dinner Theatre.
= S
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1/16/80 Sagam ora •
‘A Toby Show’
delights youth
A Toby Show
IUPUI Children s Theatre Company
by W ilttaa A. Bartoa Theatre is always aomathing special. Theatre for children is even more so. Add to that the
•pedal problems of touring the- had U atre and you have a phenomenon r*M i which can be tnilv mainiificient. with ( which can be truly
Such is the
surprising
with * ceilini it
the chil
dren’s play currently being tour
ed by the IUPUI Childrens The
atre Company, A Toby Show by Aiirand Harris.
A Toby Show is based on a character that developed as a stock figure in early traveling tent shows in Indiana and else
where. The Toby character was a
"hayseed” who would stumble into the various stories being played out. affecting the out
come with his rural "wit and wisdom."
Harris’ A Toby Show places
Toby in a modern day Cinderella wJJlwu story, complete with a Prince
who’s an airplane pilot. Toby is the handy man at the Van Undersquire mansion, the scene of the play's action. Mrs. Van Undersquire is the villainess of the piece who. as Cindy's evil steptnbther, has stolen the girl's inheritance and is trying to marry off her own daughters to the Prince.
Complications occur when Toby is mistaken for the Prince and vice versa. This gives the Princess chance to meet and fall in love with Cindy, who has been forced by her stepmother to ] as a maid. Further
arise when the Prince's only kin.
half-dead old Colonel Dinwiddie arrives with his invisible dog.
Ulysses. The Colonel wants to make sure the Prince marries a Van Undersquire so he can win his own inheritance.
How the wise-cracking Toby unwinds the threads o f deceit and saves the day makes for an amusing and often
story.
This reviewer was fortunate enough to be allowed to go along with the Children’s Theatre Company on one of their shows to see the whole touring process in action. I was truly amiued at the efficiency of the dozen mem
bers of the Company in their handling of all the aspects of the pUy.
In addition to playing a role in either the main play or the brief entr'actes, each Company mem
ber had a positive function in setting up the play. The Com- ny carries its own scenery, j, sound, and even its own portable costume and make
up shop. Everything is function- I watched, fascinated, as trunks became sofas and chairs, as boxes yielded costumes, telephone, mirrors, a wall safe, and a spotlight. Plain flats be
came arched. 10th century
ve rooms. Light poles filtered moonlight onto a teTThce. In lees than two hours, a bare gymnasi
um was transformed Into the Van Undersquire mansion.
Company members have to be versatile in their set-up. They’ve had to set up a variety of rooms ranging from an auditorium with a 160 foot proscenium to a
•mall, dirt-floored basement ceiling so low the arches
> be left off the flats.
the play itself, the acting was every bit ee profee atonal as the set-up. AD cast members did an excellent job of portraying their characters, e task th a tls often more difficult in e children’s play than in one for adults.
Dale Crabtree as T<
just the right amount
saad quality" to hit character.
Toby was likeable but not over- with his wisecracks.
Molly Koester was very be
lievable as the nasty Mrs. Van Undersquire, and Charlotte Bat- tin and Susie Schoch gave ap
propriately "groteeaue perfor
mances as her "beauteous’’
daughters, Sophia and Maud erina.
Diane Smith and Eric Bryant were also very competent as the young lovers. Cindy and Prince Burtock, who seem destined never to be united, yet triumph in the end with the help of Toby.
Perhaps the moot humorous performance was givan by James Berry in the role of Col.
Dinwiddie, whose deefness, con
stant perversions of the name
"Van Undersquire" and his habit of falling asleep at the drop of s glass slipper never fail
ed to draw laughter from the young audience.
E n tr’actes, performed while the main play was switching scenes, featured Mark Deesauer as Marko the Magician.
"Marko" amazed the kiddies with his sleight of hand, aided by stage manager Stacey Fields.
Company manager Teresa Wainscott and Michael Rends entertained the children with a number of songs. Rends also
K
ed the voice of the invis- sees.All in all. A Toby Show is a first class production. But the real proof of the quality of any children’s play is in how weU the children like it. At this particu
lar performance, the children loved it! They besieged the ac
tors for autographs after the play, and some even tried to go back stage to hunt for Ulysses.
The IUPUI Children’s The
atre Company wiU be touring A Toby Show throughout the spring semester. If you'd like
of the performances, contact Dr.
Dorothy Webb or Ttfesa Wain
scott in the IUPUI Theatre Department.
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