Chapter VII Conclusion Discussion and Suggestion
1. Conclusion
1.1
According to the first research objective, from the current situation and development of Hua'er folk songs, the singing form of Hua'er folk songs has changed from a single singing to two people singing in pairs or three people singing together and chorus. The form of accompaniment is also from unaccompanied to today's erhu accompaniment, three string accompaniment and even piano accompaniment. It has continuously carried out the Hua’er Folk Song Festival, established the Hua’er folk song radio station, opened the Hua’er folk song tea house, led the Hua’er folk song into the campus, spread the charm of the Hua’er folk song, and sang the Hua’er folk song live on the Internet. Holding Hua’er folk song singing competition for Hua’er folk song singers not only improves the singing skills of Hua’er folk song singers, but also drives more people to understand Hua’er folk songs.79
Figure 28 Summary of the first research objective. The contemporary status of Hua'er folk song Make: Yang Qifei
1.2 According to the second research objective, through the analysis of the musical characteristics of Hua'er folk songs and the study of singing skills, it is concluded that Hua'er's tunes are very rich. No matter which nationality or region Hua'er is, its basic style is high pitched, loud, long and bright. On this basis, it also shows the distinctive personality of each nation. The research shows that the most important component of Hua’er folk song is its rotation characteristics. Many kinds of Hua’er folk songs are characterized by the fact that they often take the Zhi tone as the tonic of the mode, become the center tone of the melody, and other sounds
The contemporary
status of Hua'er folk
songs
Stage
Accompaniment form of Hua’er
folksong
Hua’er Folksong
Festival
Radio station of Hua’er
folksong
Hua’er folksong Teahouse
Hua’er folksong into
the campus
Hua'er folk songs through the Internet
Hold competition
80 move around it. Hua'er folk song is mainly divided into five tone Zhi mode Hua'er folk song, five tone Shang mode Hua'er folk song, five tone Yu mode Hua'er folk song and alternating mode.
The lyrics of Hua’er folk songs have their specific and inherent rules and regulations. Music has its unique style and color. Hua'er folk songs's singing method also has its special skills and artistic expression. The main singing methods are high voice singing, flat voice singing and low voice singing. These special singing methods and skills are directly related to the production and labor, customs, national psychology, personality, religious belief, language characteristics, geographical environment and other conditions of the people of all ethnic groups in the area where the Hua’er folk song spread.
Five tone Zhi tune Five tone Shang tune Five tone Yu tune Alternating mode Two sentences Four sentences
Polyphonic structure sentences The stress cycle beat
Three beats Compound beat Simple rhythm Dotted rhythm Syncopation rhythm High qiang
Ping qiang Ai qiang
Figure 29 Summary of the second research objective. Characteristic of Hua'er folk songs Make: Yang Qifei
Musical tonality of
Hua’er folksong
Musical form of Hua’er folksong
Various form of Hua’er folksong
Rhythm of Hua’er
folksong
Singing style
81 1.3 According to the third research objective, through the questionnaire interview and data access of people from all walks of life in Qinghai Province, this chapter concludes that Hua'er folk songs need to be protected and recorded, which has been greatly supported by people's learning, and summarizes the basic route and specific measures for the protection of Hua'er folk songs.
The basic line of protecting Hua’er folk songs is: Establish correct national values;
Make a good job in the diversified protection of Hua’er folk songs Pay attention to national individuality
It should be combined with the theme of the times;
It should be based on the spiritual and cultural needs of the people It should be combined with cultural innovation.
The specific measures to protect Hua’er folk songs is:
Establish protection engineering organizations based on cultural centers at all levels
Study and formulate protection regulations
The cultural department will take the lead in establishing a talent pool of Hua’er folk songs
Set up Hua’er folk song art team in cities and towns
Comprehensively manage the environment of Hua'er Folk Song Festival Using modern technology to preserve Hua’er folk songs
Regularly hold lectures and classes on Hua'er folk songs Hua’er folk song contest is held regularl
82 Establish correct national values
Make a good job in the diversified protection of Hua’er folk songs Pay attention to national individuality
It should be combined with the theme of the times
It should be based on the spiritual and cultural needs of the people It should be combined with cultural innovation
Figure 30 Summary of the third research objective. The basic line of protecting Hua’er folk songs
Make: Yang Qifei The basic line
of protecting Hua’er folk
songs
83 Establish protection engineering organizations based on cultural
centers at all levels
Study and formulate protection regulations
The cultural department will take the lead in establishing a talent pool of Hua’er folk songs
Set up Hua’er folk song art team in cities and towns
Comprehensively manage the environment of Hua'er Folk Song Festival
Using modern technology to preserve Hua’er folk songs Regularly hold lectures and classes on Hua'er folk songs
Hua’er folk song contest is held regularly
Figure 31 Summary of the third research objective. The specific measures to protect Hua’er folk songs
Make: Yang Qifei The specific
measures to protect Hua’er
folk songs
84