This thesis, submitted by Ms. Yang Qifei, has been unanimously approved by the Examination Board in partial fulfillment of the requirements for the PhD in Philosophy of Music at Mahasarakham University. Mahasarakham University has approved acceptance of this dissertation in partial fulfillment of the requirements for the PhD in Philosophy of Music. ADVISORS Assistant Professor Sayam Chuangprakhon, Ph.D. DIPLOMA Doctor of Philosophy MUSIC UNIVERSITY Mahasarakham University YEAR 2022.
The singing form of Hua'er folk songs has changed from a single singing form to a two-person duet or a three-person choir. Continue to carry out the Hua'er Folk Song Festival, establish the Hua'er folk song radio station, open the Hua'er folk song teahouse, introduce the Hua'er folk song to the campus, spread the charm of the Hua'er folk song and sing the Hua'er folk song on the Internet. The meticulous style of the professors has always been an example in my work and studies.
INTRODUCTION
- Background of research
- Objective of research
- Question of research
- Benefit of the research
- Scope of the research
- Definition of terms
- Conceptual framework
Qinghai Hua'er is flourishing with the development of society and progressing with the progress of the nation. Governments at all levels should use such a sense of responsibility and historic mission to increase support for all local cultures, including Hua'er. It is at this point that the old information about the Hua'er national anthem is obscurely visible.
However, since there are not many people in modern society who can sing and understand the Hua'er folk song, people do not understand Qinghai culture well. The current state of Hua'er folk songs is a lack of innovation, which can no longer attract the attention of the audience. The third is that because Hua'er folk songs are sung in local dialects, there are language restrictions. The final problem is that cultural protection and heritage are not enough.
Hope to show the charm of Qinghai Hua'er to more people and give full play to the social function of Hua'er folk songs. As one of the Qinghai culture, Hua'er folk songs need more people to understand and publicize.
LITERATURE REVIEW
Types of Chinese folk songs
General Knowledge about Qinghai Province, China
The traditional human customs in Qinghai Province
The theory uses in this research
The document and research related
Of course, not all of Yiliang's songs are in the Hua'er folk song form. Song Ci may have had a positive influence on the development of Hua'er folk song. The Ming Dynasty is most likely to form the manifestation of the Hua'er folk song.
Wang Hao's Song of Foreign Poetry and New Hua'er Folk Song in the Sea. Recently, re-reading the Sanqu of the Yuan Dynasty reminds me of the Hua'er folk songs of Qinghai. It is tentatively suggested that Hua'er folk songs originated in the prosperous Tang Dynasty 1300 years ago Imagine.
These simple yet highly expressive languages practically make the theme of the Hua'er folk song glow. Liu Kai, 1995) Wei Mingzhang's survey of Hua'er folk songs in the past half century. This is the first book of Hua'er folk songs printed by an official organization in the province.
This book is a selection of new Qinghai folk songs, including Qinghai Hua'er folk songs.
RESEARCH METHODS
Research Scope
Research Process
The contemporary status of Hua’er folksong in Qinghai, China
Singing form of Qinghai Hua’er folk song
Accompaniment form of Qinghai Hua’er folk song
Performance and communication forms of Qinghai Hua’er folk songs
Competition of Qinghai Hua’er folk singers
Analyze selected example of Hua'er folk songs in Qinghai, China
Musical characteristics of Hua'er folk songs
Singing pronunciation and style skills of Hua'er folk songs
Propose the guidelines of preservation of Hua'er folksong in Qinghai, China
The basic line of protecting Hua’er folk songs
Specific measures to protect Hua’er folk songs
They hope that more people can learn from Hua'er folk songs and are willing to teach. For the protection of Hua'er folk songs, we must also take active measures and follow the law of its development. Second, it is determined by the characteristics of the continuation of Hua'er folk song culture.
They are the heirs from generation to generation, connecting the lifeline of the continuation of the Hua'er folk song culture. The protection of Hua'er folk song culture should be combined with the theme of the times. The protection of Hua'er folk song culture should take people's spiritual and cultural needs as the starting point and foothold.
71 In the light of innovation, we should also hold a variety of Hua'er folk song competitions or activities. Record and record all Hua'er folk singers, and establish personal art archives to protect them. The protection and inheritance of Hua'er national anthem should no longer be a difficult scene.”.
Whether they participate in competitions or daily duets, their Hua'er national anthem has heritage and market. However, it is difficult to start the "Hua'er folk song selection course" in colleges and universities. Do a good job in the diversified protection of Hua'er folk songs Pay attention to national individuality.
The culture department will take the lead in establishing a talent pool of Hua'er folk songs. Comprehensively manage the environment of Hua'er Folk Song Festival by using modern technology to preserve Hua'er folk songs. Regularly hold lectures and classes on Hua'er folk songs Hua'er folk song competition is held regularly.
Conclusion Discussion and Suggestion
Conclusion
No matter what nationality or region Hua'er is, his basic style is loud, loud, long and bright. The research shows that the most important component of Hua'er folk song is its rolling characteristics. Many types of Hua'er folk songs are characterized by the fact that they often take the Zhi tone as the mode tonic, become the central tone of the melody and other sounds.
Hua'er folk song is mainly divided into five notes Zhi mode Hua'er folk song, five notes Shang mode Hua'er folk song, five notes Yu mode Hua'er folk song and alternating mode. The lyrics of Hua'er folk songs have their specific and inherent rules and regulations. These special singing methods and skills are directly related to production and work, customs, national psychology, personality, religious beliefs, linguistic characteristics, geographical environment and other conditions of the people of all ethnic groups in the area where the Hua'er folk song spread.
81 1.3 According to the third research objective, through questionnaire interview and data access of people from all walks of life in Qinghai province, this chapter concludes that Hua'er folk songs should be protected and recorded, which is supported a lot by the people. lesson, and summarizes the basic path and specific measures for the protection of Hua'er folk songs. It should be based on the spiritual and cultural needs of the people. It must be combined with cultural innovation. Using modern technology to preserve Hua'er folk songs Hold regular lectures and classes on Hua'er folk songs.
Discussion
85 characteristics of Qinghai Hua'er folk songs and understand the cultural history of Qinghai in the classes of junior middle school, senior high school and university such as learning Western music. Some scholars believe that there is no need to bring Hua'er folk songs into the scope of students' learning. In the Qinghai Hua'er forum written by Lv Xia in 2014, it was pointed out that the Hua'er folk songs could not enter the campus for students to learn because some of the Hua'er folk songs described love , which is not suitable for students to learn and sing.
However, in my field investigation, I found that many foreign students, including local students in Qinghai, want to understand the charm of Hua'er folk songs, but there are few opportunities for this kind of learning. Therefore, I think that it is an important way to spread Qinghai culture to make more students on campus understand Hua'er folk songs.
Suggestion
Statistics of opinions of workers from all walks of life on the protection of Hua'er folk songs in Qinghai. At present, the protection, heritage and research results of "Hua'er folk songs" and intangible heritage in China are good. Living heritage is to protect and inherit in the environment of generation and development of Hua'er folk songs, The way of inheritance of inheritance and development in the process of production and people's life plays a protective role through inheritance.
As a folk oral cultural heritage, Hua'er folk song can better reflect the precious cultural wealth contained by all ethnic groups in Qinghai. As a cultural broadcaster, we have the obligation to take the lead in showing Qinghai's traditional culture and traditional song mode to everyone. Hua'er folk songs are intangible cultural heritage that must be strongly supported and protected.
Relying on cultural centers and stations at all levels, establish a top-down organization for the hierarchical protection project of Hua'er folk songs, to integrate the protection of Hua'er folk songs into the daily work of cultural departments at all levels. As a staff engaged in the protection of intangible cultural heritage at the grassroots level, Qinghai Huaer's folk songs are an important part of Chinese culture. Inherit and carry forward, make Hua'er folk songs known to more people, and make Hua'er folk songs go to all of China and the world.
Currently, the heritage and protection of Qinghai Hua'er folk songs is facing serious problems. There are few spare talents, many song orders are almost lost, publicity is not enough, the form is relatively single and there is no innovation, which leads to the fact that Hua'er folk songs cannot go out. National is the world, so it is very necessary to protect and inherit Qinghai Hua'er folk songs.
