AFRICAN MUSIC
JOURNAL OF THE INTERNATIONAL LIBRARY OF AFRICAN MUSIC
VOLUME 10 2015 NUMBER 1
CONTENTS
FROM THE EDITOR ...4 CAPE VERDEANS IN THE ATLANTIC: THE FORMATION OF KRIOLU MUSIC AND
DANCE STYLES ON SHIP AND IN PORT
Susan Hurley-Glowa ...Cape Verde Island ...7 AZAWAN: PRECOLONIAL MUSICAL CULTURE AND SAHARAWI NATIONALISM IN
THE REFUGEE CAMPS OF THE HAMADA DESERT IN ALGERIA
Luis Gimenez Amoros ...Algeria ... 31
“MA LA MA WIE GA” (“I WILL SING AND SPEAK GA”): WULOMEI AND THE ARTICULATION OF GA IDENTITY IN STYLIZED FORM
Gavin Webb ...Ghana ...52 THOMAS MAPFUMO AND THE POPULARIZATION OF SHONA MBIRA
Banning Eyre ...Zimbabwe ...84 A TALE OF TWO MBIRAS
Tony Perman ...Zimbabwe ...102 THE SYSTEM OF THE MBIRA
Andrew Tracey ...Zimbabwe ... 127 FROM PAUL TO PENNY: THE EMERGENCE AND DEVELOPMENT OF TSONGA
DISCO 1985–1990s
Ignatia Madalane ...South Africa ... 150 THE VOICE OF A PRISONER: RECORDINGS OF JOSEPH NTWANAMBI IN THE
RUHLEBEN PRISONER OF WAR CAMP, BERLIN, 1917
Dave Dargie ...South Africa ...180
BOOK REVIEWS
Review Essay: Graeme Counsel, Mande Popular Music and Cultural Policies in West Africa. Griots and Government Policy Since Independence; Ryan Thomas Skinner, Bamako Sounds. The Afropolitan Ethics of Malian Music; Andy Morgan, Music Culture and Conflict in Mali.
Veit Erlmann. ...200
Suzel Ana Reily and Katherine Brucher, eds., Brass Bands of the World: Militarism, Colonial Legacies, and Local Music Making Andrew-John Bethke ... 206
Thomas A. Hale and Aissata G. Sidikou, eds., Women’s Voices from West Africa: An Anthology of Songs from the Sahel; Thomas A. Hale and Aissata G. Sidikou, eds., Women’s Songs from West Africa. Andrew-John Bethke ... 208
Janet Topp Fargion, Taarab Music in Zanzibar in the Twentieth Century: A Story of ‘Old is Gold’ and Flying Spirit. Luis Gimenez Amoros ...211
Kathryn Olsen, Music and Social Change in South Africa: Maskanda Past and Present. Luis Gimenez Amoros ...214
CONTRIBUTORS TO THIS ISSUE ... 218
ANNUAL SUBSCRIPTION RATES ... 220
PUBLICATIONS OF ILAM ... 221
TRACKLIST ... 231 The opinions expressed by contributors are personal and are not necessarily those of
the International Library of African Music.
