Rowland, B.
Seckel, D.
2aehner, R. C.
Art and Architecture of India Penguin Lonaon Art of Buddhism in Arts of Mankind Series Hinduism O.U.P. 1962
Further specified article reading and bibliographies will be issued by the Fuie Arts Department.
ASSESSMENT
Assessment in this elective subject is cumulative from the results of two 3,000 word essays chosen from different areas of the course, one visual test plus one oral examination on aspects of the course studied.
SYLLABUS
This subject is the third part of a major sequence in garment construction and fashion design which includes the craft skills as used in garment construction and tailoring.
Students develop their own original designs from sketches and make patterns by use of a basic block to own measurements. Basic pattern drafting.
BOOKS
Textbooks and other requirements will be indicated during the year, however, the following are useful references:
Chaudhry, A. G.
Gouldbourn, M.
Ireland, P. J.
Margolis, A. P Mori, M.
Morris, M.
Stanley, H.
Sytner, S.
Whife, A.
Current Fashion Magazines:
Burda English Vogue Linea Italia L'Officiel ASSESSMENT
A folio of practical work will form the basis of the final assessment.
GARMENT CONSTRUCTION D 18 points
Twelve hours a week throughout the year. This is an elective study offered to fourth year students.
Prerequisite: Garment Construction C SYLLABUS
Students must undertake construction of garments at an advanced level to own designs. Students must prepare fashion sketches of designs and undertake supervised research with construction techniques and pattern cutting.
BOOKS Reference:
Bray, M. Dress Pattern Designing Crosby Lockwood Lon-
, M. don 1967
Bray, More ore Dress Pattern Designing Crosby Lockwood London 1968
Kopp, E., Rolfo, V. and Zelin, B. How to Draft Basic Patterns Fairchild U.S.A. 1968 Kopp, E., Rolfo, V. and Zelin, B. Designing Apparel through the Flat Pattern 1971 Kopp, E., Rolfo, V. and Zelin, B. New Fashion Areas for Designing Apparel through
the F/at Pattern 1972
Moulton, B. Garment Cutting and Tailoring for Students Bats- ford London 1967
Books related to selected designs will be available.
Designing and Cutting Modern Leisure and Cotton Garments for Men Tailor & Cutter
Introducing Pattern Cutting, Grading and Modell- ing Batsford London 1971
Fashion Design Drawing Batsford London 1970 The Complete Book of Tailoring for Women who
like to Sew Doubleday New York 1964 Basic Pattern Cutting Batsford London 1970 Cutters' Practical Guide 12th edition Tailor & Cutter Modelling and Flat Cutting for Fashion. From
Design to Pattern Hutchinson London 1972 The Art of Fitting Gentlemen's Garments Tailor &
Cutter
A First Course in Gentlemen's Cutting Tailor &
Cutter
188
Overseas and local fashion magazines, including the following:
Burda Linea Italia English Vogue L'Officiel ASSESSMENT
Assessment will be based on a folio of work to be presented at the end of the year.
GRAPHIC COMMUNICATION
GRAPHIC COMMUNICATION B 3 points
A subject of three hours a week for twenty-seven weeks.
Prerequisite: Design A SYLLABUS
Lectures, tutorials, practical classes and research assignments in which methods of representation, semiotics, basic charting devices, communication design, visual perception, drawing procedures and conventions, and visual aids are examined.
BOOKS
Full details of references will be provided at the start of the subject.
ASSESSMENT
Students' progress through the subject will be determined by progressive assessment of selected projects and assignments.
GRAPHIC COMMUNICATION C 6 points
A subject of six hours a week for twenty-eight weeks.
Prerequisite: Graphic Communication B SYLLABUS
Tutorials, practical classes and individual research assignments in which program planning, history and philosophical aspects, consumer graphics, objective drawing and rendering, technical drawing, statistical graphics, photographics, visual aids and publications design are examined.
BOOKS
Full details of references will be provided at the start of the subject.
ASSESSMENT
Students' progress will be determined by progressive assessment of selected projects and assignments.
GRAPHIC COMMUNICATION D 18 points
A subject of twelve hours a week for thirty-one weeks.
Prerequisite: Graphic Communication C SYLLABUS
Tutorials, field work and individual research and practical projects in which sociological aspects of communication, community needs, program planning, visual literacy, objective drawing and rendering, reprographics, film graphics, publications design and exhibition design are examined.
189
BOOKS
Full details of references will be provided at the start of the subject.
ASSESSMENT
Students will be required to present selected projects for assessment at the completion of the subject.
METALCRAFT
METALCRAFT B 3 points
Three hours a week throughout the year. This is an elective subject offered to all second year students.
SYLLABUS
A logical development and extension of work covered in Studio Practice—Crafts.
Further tuition in techniques and processes will be offered to enable students to develop and expand more fully their personal concepts. The subject will be less structured than in the first year and students will be able to follow personal directions.
Instruction in the correct and safe use of equipment will be given as required.
BOOKS Reference:
Bovin, M.
Bovin, M.
Choate, S.
Clarke, G.
Gooden, R.
Meyerowitz, P.
Morton, P.
Seller, M.
Story, M.
Ulrich, H.
Untracht, O.
Untracht, O.
Von Newman, R.
Willcox, D.
Willcox, D.
ASSESSMENT
Students will be assessed progressively throughout the year by submitting each unit of work, as it is completed, to their lecturers. Participation and involvement are essential and fundamental to achieving a satisfactory assessment. There will not be a final examination.
Students whose final assessment is considered unsatisfactory by their lecturer shall have their work also assessed by a second lecturer and the Head of Department and they, in conjunction with the group lecturer, shall make a final decision.
Centrifugal or Lost Wax Casting Bovin New York 1971
Jewelry-making for Schools, Tradesmen, Crafts- men Enlarged and revised edition Bovin New York 1971
Creative Casting, Jewellery, Silverware, Sculpture Allen & Unwin London 1966
Technique of Enamelling Batsford London 1967 Silversmithing O.U.P. London 1971
Jewelry and Sculpture Through Unit Construction Studio Vista London cl967
Contemporary Jewelry—A Craftsman's Handbook Holt, Rinehart & Winston New York 1970 The Art of Enameling: How to Shape Precious
Metal and Decorate it. Van Nostrand Reinhold New York cl969
Centrifugal Casting as a Jewelry Process In- ternational Textbook Co. Scranton, Penn. cl963 Creative Metaicraft Batsford London 1968 Enameling on Metal Chilton Philadelphia 1957 Metal Techniques for Craftsmen Doubleday New
York cl 968
The Design and Creation of Jewelry Pitman Lon- don 1966
Body Jewelry Regency Chicago 1973
New Design in Jewelry Nostrand Reinhold 1970
190
METALCRAFT C 6 points
Six hours a week throughout the year. This is an elective study offered to third year students.
Prerequisite: Metalcraft B SYLLABUS
An intensive program in which students have opportunity to develop and extend selected aspects of the subject in depth, Illustrated lectures will be given on specific techniques and processes relating to student needs and, generally, students will be encouraged to develop and research personal concepts. Work direction (lecturer or student initiated) may encompass one or more of the following:
1. Jewellery objects 2. Functional objects
3. Non-functional objects—two dimensional 4. Non-functional objects—three dimensional
Some emphasis will be placed on twentieth century development of art concepts, materials and associated technologies.
BOOKS
Refer to Metalcraft B ASSESSMENT
Students will submit their work at the conclusion of the year for assessment by a panel of Metalcraft staff chaired by the lecturer in charge of the year.
METALCRAFT D 18 points
Twelve hours a week throughout the year. This is an elective study offered to fourth year students.
Prerequisite: Metalcraft C SYLLABUS
A variety of materials and approaches will be presented to cater for the differing backgrounds of students, but general requirements for successful completion of the subject will be the same.
Generally, the needs of the course require students to:
1. Design and execute a number of objects employing metal and associated materials, and
2. Prepare research material on a selected aspect of metalcraft or associated technology.
The nature of the works produced or the research is to be negotiated with the lecturer responsible.
PRACTICAL WORK
A number of well conceived and imaginatively produced art forms, executed to a high degree of finish will be expected. Experiments and proto-types will have limited assessment value.
RESEARCH PROJECT
Presentation of evidence of research into any aspects of metalcraft or an associated technology. e g. processes, historical, educational, experimental or investigatory. This project will be prepared in presentation form—slides, booklet, photographs, thesis, drawings. It is expected that presentation will be of a standard consistent with a fourth year of study.
191
.
BOOKS
Refer to Metalcraft B ASSESSMENT
Practical Work-80 per cent Research Work-20 per cent
To be carried out by a panel of lecturers from the Metalcraft area, convened by the lecturer responsible for the particular group.