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P TheLas tSamura ikaryaJohn Logan sebaga iobyek i r a d r i h k a n a b a w a j a w a j n e m k u t n u n a a y n a tr e p a g it n a k s u m u r e m s il u n e P . i d u t s i r a d i s a s ir e t k a r a k g n a t n e t n a k a r a c i b m e m a m a tr e p h a l a s a m n a s u m u R . i n i i d u t s n a p e J t a k a r a y s a m i s a t n e s e r p e r i a g a b e s h il i p r e t r e t k a r a k a p a r e b e
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. ij i e M r a s i a K a r e i d g n a p e J l a i s o s r a t a l i s a t n e s e r p h a l a d a a y n t u j n a l e s h a l a s a m i g a b i s a s i n r e d o m i r a d k e f e g n a t n e t n a k a r a c i b m e m r i h k a r e t h a l a s a m n a s u m u R r e t k a r a k a d a p t a h il r e t g n a y i tr e p e s g n a p e J t a k a r a y s a
m -karakte rdanl atar .
a k a n u g g n e m s il u n e
P n metode peneilitan pustaka untuk menyelesaikan r e b m u S . i n i i d u t
s -sumbe runtukstudii n iadalah buku-buku ,ensiklopedia ,aritkel -r e b m u S . g n ir a d l a n r u j n a d , l e k it r
a -sumbe r tersebu t be irsikan teo ir-teor i yang r o e t n a k a n u g g n e m s il u n e P . i n i i d u t s k u t n u g n it n e
p ikarakte rdan karakteirsasi , . g n a p e J i d l a i s o s i s a s i n r e d o m i r o e t a y n s u s u h k , i s a s i n r e d o m i r o e t n a d , r a t a l i r o e t l a r u tl u k o i s o s n a t a k e d n e p n a k a n u g g n e m s il u n e
P -histo irka luntuks tudii n.i
e f e n a k a p u r e m g n a p e J r e ti li m n a n a p a m e k h a l a d a i n i n a it il e n e p i r a d l i s a H k g n i s a m n o p s e r n a k i s a t n e s e r p e r e m k u t n u h il i p i d r e t k a r a k a g i T . i s a s i n r e d o m i r a d , i s a s i n r e d o m k a l o n e m i a r u m a s i a g a b e s o t o m u s t a K . i s a s i n r e d o m p a d a h r e t g n i s a m r a s i a K n a d , u r a b n a r u t a t a u b m e p n a d n a h a t n ir e m e p a t o g g n a i a g a b e s a r u m O s a g u j , g n a p e J a r a g e n i a g a b e
s ebaga i pencetu s ide . Responnya adalah n a u j a m e k n a d , u r a b n a r u t a n a k a l o n e p i a g a b e s , i a r u m a s m u a k n a k a t n o r e b m e p a n e m o n e f , a y n li s a H . g n a p e J i d i m o n o k
e -fenomenat ersebu tmembua tkemlitieran , a k e r e m n a g o l s i tr e p e s , n a p a m g n a p e
1 I R E T P A H C
N O I T C U D O R T N I
y d u t S e h t f o d n u o r g k c a B . A
t p ir c s e i v o m d o o g a d e e n e w , e i v o m d o o g a e k a m o t t n a w e w n e h
W ,o r
y a l p n e e r c s s a d e ll a c o s l
a . Ascreenplayisr egardeda saworko fatr ,andi ndeed ,a d n a e r u t a r e ti L “ d e lt it n e y a s s e s i h n i s e t a t s t s a M d l a r e G . s y a d a w o n k r o w y r a r e ti l
, ” m li F
s k r o w e r a s m li
F – indeed work so far t– sequenital ,patterned, t empora l i
s s e r g o r p , d n a d n e d n a n i g e b t a h t s e l o h
w ng from beginning to end , , s e t a n i m u ll i t a h t e l y t s f o d n i k e m o s n i t n e t n o c f o d n i k e m o s e t a r o b a l e
, s y a l p o t s u o g o l a n a e r a s m li f ,s k r o w s A . t n e t n o c t a h t s l a e v e r r o , s t c e lf e r
e h t y b d e il p m i s k r o w f o s d n i k c if i c e p s e h t , s y a s s e d n a , s m e o p , s l e v o n
y d u t s l a r e n e
g ofl tierature.( Mast ,1982:285)
a g n i d a e r , s u h
T screenplay i salso a sinteresitng a sreading any othe r r a li m i s e h t s a h o s l a t i e c n i s s m e o p r o , s l e v o n , s y a l p s a h c u s s k r o w y r a r e ti l
a s s e m , s r e t c a r a h c , g n it t e s ,s e m e h t s a h c u s s e it r e p o r P . m e h t h ti w s e it r e p o r
p ge ,plot ,
e h t n i d n u o f e r
a screenplay .Readingagoodandclearscreenplayhelp t her eader s .f
l e s ti e i v o m e h t f o g n i d n a t s r e d n u l l u f a n i a g o t
e h t m o r
F scirp to fThe Las tSamurai ,we can learn abou tthe Japanese .
s 0 7 8 1 n i y t e i c o
s tIi sbecauseTheLas tSamura iha sascirp twhichclealrydepict s .
n a p a J n i r o r e p m E i ji e M f o a r e e h
t TheLas tSamuraii sw irttenbyJohnLogan i n x o B e c if f O p o T e h t s a h c u s , s d r a w a y n a m n o w s a h f l e s ti e i v o m e h t d n a , 3 0 0 2
t s e B e h t s a , s d r a w A c i s u M n o i s i v e l e T d n a m li F P A C S A n i s e i v o
s e ir o g e t a c l a r e v e s r o f d e t a n i m o n o s l a d n a , y m e d a c A e s e n a p a J f o s d r a w A e h t m o r f
. A S U , s d r a w A y m e d a c A n i
i a r u m a S t s a L e h
T i saboutt her ebelilonofJ apanese’ ssamuraii n t heerao f ,
a r e s i h t n I . n o it a r o t s e R i ji e
M Emperor Meji itired to make Japan equa lwtih n
r e t s e
W countires ,whichheknewast hegrea tmoderncountires .Hehadadvisors , ,
s r o t s e c n a e h t m o r f n o it i d a rt e h t d l e h l li t s o h w e n o y l n o t u
b whichi st hes piir to fa
. o t o m u s t a K s i e m a n s i H . ) e v r e s o t : s n a e m ( i a r u m a
s Theproblemwa ,stheEmperor e h t f o e n o e b o t e l c a t s b o e h t e b l li w i a r u m a s t a h t t h g u o h t s r o s i v d a r e h t o e h t d n a
l li t s y e h t e c n i s d e r r u c c o i a r u m a s e h t m o r f n o il l e b e r e h t , o S . s n o it a n n r e d o m t a e r g
. n o it i d a rt d l o m o r f s e u l a v d n a s m r o n e h t d l o h
s e v il o t o m u s t a
K wtih othe rsamura iin the village .A tthe Meji iera ,the , n a p a J f o a e r a c i h p a r g o e g e h t f o e s u a c e b s i ti ; t n a s a e p y l n i a m s i y t e i c o s e s e n a p a J
t a h t n o it a p u c c o e h t s i g n i m r a f , o S . e r e h w y r e v e s d l e if y d d a p h ti w o g a l e p i h c r a n a
. m e h t g n o m a e v il i a r u m a s e m o s d n a , e v a h y e h t
n i , e li h w n a e
M the ctiy ,samura ii sno longe rrespected since the word l li w e w , o d E f o y ti c e h t n I . s u t a t s l a i c o s f o t n e m e g n a r r a e h t s e c a l p e r ” n r e d o m “
, r o d a s s a b m a , r e d ir w a h s k c ir , a h s i e g s a h c u s , s n o it a p u c c o f o d n i k r e h t o n a d n if
t a h T . c t e , n a m e c il o
p aw swhy ,in the sc irpt ,when samura icame ,only severa l e
l p o e
p s witll b o to the samurai ,and the othe rwere insulitng them and thei r .
e c n a r a e p p a d n a s e d u ti tt a l a n o it i d a rt
e h t d a e r o h w e n o y n a o t e l p m a x e d o o g a s i i a r u m a s e h t f o t ir i p s e h T
y h w d n a t s r e d n u o t e l p m a x e d o o g a o s l a s i t I . d a h y ll a n i g ir o n o it a n e h t h c i h w
tr o p m i n a h c u s s i y r o t s i
h an tthing to be remembered. History ,especially fo ra t i e c n i s , y r o t s i h e h t t e g r o f t o n d l u o h s e n O . t n e m e l e t n a tr o p m i n a h c u s s i n o it a n
d n e f e d d n a t h g u o f d a h o h w s r o t s e c n a e h t o t s u d n i m e r ll i
w e dthenaiton .Wewli l
o s s e n e u q i n u e h t e s o l ll i w , y ti t n e d i e s o
l fcutlure ,andl oset henaturall andscape,i f .
y r o t s i h e h t t e g r o f e w
f o t c e f f e e h t t u o b a t u o d n if l li w r e ti r w e h t ,s i s e h t e t a u d a r g r e d n u s i h t n i , o S
n h o J h g u o r h t , y t e i c o s e s e n a p a J e h t d r a w o t a r e r o r e p m E i ji e M n i n o it a z i n r e d o m
s ’ n a g o
L screenplay ,TheLas tSamurai.
n o it a l u m r o F m e l b o r P . B
e r a w o l e b s n o it s e u q h c r a e s e r e h t , d e z i n a g r o y d u t s e h t e k a m o t r e d r o n I
: d e s s u c s i d e b l li w t a h t t c e j b u s e h t f o n o it a ti m il d n a e d i u g e h t s a d e t a l u m r o f
.
1 Howarethecharacter sast her epresentaitono fJapanesesocietydescirbed ?
t p ir c s e h t n i .
2 How i s t he socia lsetitng o fJapan i n Meji iEmpero rerapresented i n t he ?
t p ir c s .
3 Wha taret heeffect so fmodernizaitont owardt heJapanesesociety a sseen g
n it t e s e h t d n a s r e t c a r a h c e h t n
i ?
y d u t S e h t f o s e v it c e j b O . C
l p m o c a n i a g o t r e d r o n
n o it a z i n r e d o m y b d e c n e u lf n i e r a h c i h w s r e t c a r a h c e h t e r a o h
w da n who arestli l
s e u l a v l a n o it i d a rt r i e h t g n i d l o
h . Thestudy wli lalso analyzet hesocia lsetitng o f w o n k o t y r a s s e c e n s i tI . d e n e p p a h n o il l e b e r e h t n e h w , s 0 7 8 1 n i y t e i c o s e s e n a p a J
e r a e s o h t d n a , s y a w d l o e h t n i d e v il h c i h w y t e i c o s e h t n e e w t e b n o it a it n e r e f fi d e h t
t d a h o h
w o ilvei nt hemodern ways .Finally atfe ransweirngt hosequesitons ,we o
t d e e
n identfiy t heeffectsof t hemodernizaiton tisefli n t heJapanesesociety a s g
n it t e s e h t d n a s r e t c a r a h c e h t n i n e e
s int hes cirpt .
s m r e T f o n o it i n if e D . D
r w e h t , y ti u g i b m a d i o v a d n a e lt it e h t d n a t s r e d n u o
T tie r wli l give
.s i s e h t e h t n i d e t n e s e r p s m r e t e h t t u o b a n o it a n a l p x e
.
1 Modernizaiton
f o d a e t s n i , n a p a J n i n o it a z i n r e d o m f o t p e c n o c e h t e k a t y l n o l li w r e ti r w e h T
n o it a z i n r e d o m f o t p e c n o c l a r e n e g e h t t u o b a g n it ir
w inl tierarywo lrd.I nChanging f
o s n o it p e c n o
C theModernizaitono fJapan , tii smen itonedtha t“ouri dea sabou t g
n i e b o t n i e m a c t i h c i h w y b s s e c o r p e h t d n a y t e i c o s n r e d o m f o e r u t a n e h
t – fit he
e t e r c s i d f o t e s a n a h t r e h t o s m r e t n i d e s s u c s i d e b o t s i n a p a J f o y r o t s i h t n e c e r
) 8 : 5 6 9 1 , ll a H ( ” .s e u g o l o n o
m Stli lin the same aritcle ,Hal lquotes Yanaihara s
i h c i h w , n a p a J n i n o it a z i n r e d o m t u o b a g n i b ir c s e d s ’ o a d a T
f o n o it a li m i s s a d n a n o it a tr o p m i s ’ n a p a J s e v l o v n i n a p a J n i n o it a z i n r e d o M
. s e t a t S d e ti n U e h t d n a e p o r u E f o e r u tl u c d n a , y g o l o n h c e t , s n o it u ti t s n i e h t
e h t o t t n e l a v i u q e s i ti d e t a t s y l p m i
S Westernizaiton o fJapan’ ssociety and f
o y a w e h t t o n s i t i t u b … e r u tl u
c the wo lrd tha tJapanese society should e h t y b d e h c ir n e e b o t s i e r u tl u c d lr o W . t s e W e h t f o t a h t e k il y lt c a x e e m o c e b
n i s e l p o e p s u o ir a v f o s e r u tl u c e h t f o s e c n e r e f fi d d n a s c it s ir e t c a r a h c r a il u c e p
l l a H , k o o b e m a s e h t n i ll it
S arrange sdeifniiton so fmodernizaiton ,alongwtih e h t f o e e r h t d n a , n o it a z i n r e d o m f o n o it p e c r e p e m a s e h t n i a g o t s r e ti r w r e h t o
e h t d n a s e it i c n i n o it a l u p o p f o n o it a rt n e c n o c h g i h y l e v it a r a p m o c A “ e r a s n o it i n if e d
n a b r u y l g n i s a e r c n
i -centerednes s o f the tota l society ; widespread ltieracy f o n o it a t n e ir o , c if it n e i c s y l g n i s a e r c n i d n a , r a l u c e s a f o d a e r p s e h t y b d e i n a p m o c c a
y l g n i s a e r c n i e h t d n a , y rt s u d n i , s s e n i s u b , t n e m n o ri v n e s i h o t l a u d i v i d n i e h t
) 9 1 : 5 6 9 1 , ll a H ( ” .s n o it u ti t s n i h c u s f o n o it a z i n a g r o c it a r c u a e r u b
.
2 Meji iEmperor aE r
, d o ir e p e s e n a p a J f o a r e n a s i tI . a r E n o it a r o t s e R i ji e M e h t d e ll a c o s l a s i tI
y b d e l s a w h c i h
w Emperor M eiij (1852-1912) . In Encyclopedia o f Japan : i
r o Z o t s u c a b A m o r f , e r u tl u C d n a y r o ts i H e s e n a p a
J ,Empero rMeiiji s“The122nd p
m E g n i n g i e
r ero r(tenno )in the rtadiitona lcount ;he reigned 1867-1912 .The n w o n k e m a c e b e h h t a e d s i h r e tf a t u b , o ti h u s ti M s a w e m a n n e v i g s ’ r o r e p m E i ji e M
. ) 8 0 2 : 1 9 9 1 , s n i k r e P ( ” . e c a e P d e n e t h g il n E “ , ij i e M , n g i e r s i h f o e m a n e h t y
b T he
6 8 1 n i d e n e p p a h f l e s ti n o it a r o t s e
r 8 .Encyclopediao fJapan :JapaneseHistoryand i
r o Z o t s u c a b A m o r f , e r u tl u
C states Meji iRestoraiton a s“the restoraiton o f
o t y ti r o h t u a l a c it il o
p the Emperor ;the beginning o fthe modern era o fJapan.” .)
8 0 2 : 1 9 9 1 , s n i k r e P (
.
3 Japaneses ociety
n i , y t e i c o
S Oxford Advanced Learner’ sDicitonary i sdescirbed a s“[1 ] f o y ti n u m m o c r a l u c it r a p a ] 2 [ s e it i n u m m o c n i r e h t e g o t g n i v il , l a r e n e g n i e l p o e p
” . c t e , s w a l ,s m o t s u c e m a s e h t e r a h s o h w e l p o e
, e l p o e p e s e n a p a J s i y t e i c o s e s e n a p a
J who ilve together ,and shairng the same n I . e l p o e p n a ir a r g a y l n i a m s i y t e i c o s e h t , a r E r o r e p m E i ji e M n I . c t e , s w a l ,s m o t s u c
l a i c o s e h t d n a s r e t c a r a h c e s e n a p a J r e v o c y l n o l li w y t e i c o s e s e n a p a J , k r o w s i h t
. n e v i g g n it t e s
.
4 Screenplay
o t g n i d r o c c
A Understanding Movie ,s a screenplay i s “A w irtten a r e m a c s e d u l c n i y ll a n o i s a c c o h c i h w , n o it c a d n a e u g o l a i d s ’ e i v o m a f o n o it p ir c s e d
7 I I R E T P A H C
W E I V E R L A C I T E R O E H T
s e i d u t S d e t a l e R f o w e i v e R . A
s i h n i ,s w e i V l e e R m o r f c it ir c m li f e n il n o n a c ir e m A n a , il l e n i d r a r e B s e m a J
f o w e i v e
r TheLas tSamura icommenitngtha tthemoviei samoviewtih powerfu l a
b c i p e f o x i
m tlte and human interes ttha tso rarely show sup on movie screen s
y a d e s e h
t .Thef limi si nmanyway saboutt heclashbetweent heoldway s t(hose n
a c ir e m A e h t y b d e y o l p m e e s o h t( w e n e h t d n a ) i a r u m a s e h t f
o -rtained rtoops) .
t a h t d e t a t s o s l a i ll e n i d r a r e B
li h
W ehistorymakest her esutl spredictable( sixdecadesl ater ,at horoughly e h t h ti w t n e m e v l o v n i r u o s i ti , ) r o b r a H l r a e P k c a tt a d l u o w n a p a J n r e d o m
g n it ti s f o e c n e ir e p x e e h t s e z i g r e n e t a h t s n o it a u ti s r i e h t d n a s r e t c a r a h c
n o c l a c ir o t s i h e h T . e i v o m s i h t h g u o r h
t tex tmaybeestabilshed ,bu twedon' t f o , s i e r e h T . s r e h t o d n a , a k a T , o t o m u s t a K , n a h t a N o t s n e p p a h t a h w w o n k
y l s s o r g a h c i h w n i s e ir o t s t u o b a c it a m a r d y ll a n o it p e c x e g n i h t e m o s , e s r u o c
. e s n e f e d , d e m o o d y l e t a m it l u t i e b l a , t n a il a v a p u s t u p p u o r g d e r e b m u n t u o
Thats' t hereason why histo irca lbatlte s ilket he Alamo and Thermopylae n
i d e c n e r e f e r y lt i c il p x e s i h c i h w
( The Las t Samurai ) have become e
k il s m li f y h w d n a , y r a d n e g e
l Braveheartare so well-received . Thi s s
e v i g t n e m e l
e TheLas tSamuraimucho f ti spowe randpassion . tIi si nt he n
o it i d a rt g n il l e t y r o t s d n a r
g oft heunderdogachievingglory.( Berardinelil , )
3 0 0 2 ” w e i v e R e i v o M A , i a r u m a S t s a L e h T “
e h
T fris treview o fthe movie oc ntains a whole concep to fthe story . t
e s d n a , t o l p , s r e t c a r a h
C itng are being highilghted ,and also quesitoned .Fo r il
l e n i d r a r e
B ,setitngi nt hestoryi smuchmorei mpo trantt hant hedevelopmen to f .
s i s e h t e t a u d a r g r e d n u n a n i e l p m a x e n a s e k a t r e ti r w e h t , n o s ir a p m o c a s A
y h d a m ir P y b e n o
d Wicaksono ,enitlted The In lfuence o fBushido on Nathan e h T t p i r c S e i v o M s ’ n a g o L n h o J n I n e e S s A t n e m p o l e v e D y ti l a n o s r e P s ’ n e r g l A
. i a r u m a S t s a
L In hi sthesis ,Wicaksono focuse son the personaltiy o fNathan t
n a p a J o t t h g u o r b o h w n i a t p a c n a c ir e m A e h t , n e r g l
A o rtain the modernized
. s p o o rt e s e n a p a
J Algren had a very miserable past ,and he wa shaunted by hi s y
n a m d e ll i k e h n e h w , t s a
p people in the batlteifeld .Tha ti swhy he had the y
a p o t , e d i c i u s o t y c n e d n e
t fo rhisf autl ,and t of reef romt heguitl .A smenitoned 3
4 e g a p n o o n o s k a c i W y
b
n o it a s r e v n o c a s a h e h n e h w n e e s e b n a c o s l a e i d o t s s e n g n il li w n e r g l A
e k a m d n a t s a p e h t n i s e lt t a b y n a m t h g u o f d a h e H . o t o m u s t a K h ti w
, e n o d s a h e h t a h w y a p o T . n a i d n I e h t o t e s i m o r p s i h g n i k a e r b y b s e k a t s i m
b t a h t s k n i h t n e r g l
A yhi sdeathhecanbef reef romhi sguli.t”( Wicaksono , )
3 4 : 7 0 0 2
When he stayed wtih Katsumoto in hi svillage ,Algren studied many e
h t t u o b a y ll a i c e p s e , s g n i h
t samura i ilving ,o ro tfen called bushido .Heknewt he y
h w n o s a e
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d n a e r u tl u c ” d e tr o p m i “ e h t , n o it a z i n r e d o m f o e s a h p e h t n i ,t a h t s n a e m s i h T
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l a i c o s a f o s n o it i n if e d e h t t u o b a k c a l B . E . C d n a , d o o w k c o L m a il li W , e r o D d l a n o R
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y fi t n e d i o t s l a u d i v i d n i r o f y c n e d n e t g n i n e s s e l a ; s n o it c n u f c if i c e p s n i a tr e c m r o f r e p
e c a f l l a m s d r a w o t y tl a y o l l e e f d n a h ti w s t s e r e t n i r i e h
t - ot -face groups , wtih ,
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) 1 2 : 5 6 9 1 , ll a H ( ” .s p u o r g l a n o s r e p m i ,r e g r a l
e h t f o h c a e d n a , t p ir c s e i v o m e h t n i d n u o f o s l a e r a s n o it i n if e d e s o h T
e r a s e g n a h C . n a p a J f o a r e w e n e h t d e n i a l p x e s a h n o it i n if e
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. a r e t a h t n i n a p a J f o t c e p s a y r e v e
n o il l e b e R a m u s t a S d n a n o it a r o t s e R i ji e M n o w e i v e R . C
t n a tr o p m i o w t e s u l li w r e ti r w e h t , d n u o r g k c a b l a c ir o t s i h e h t g n i w e i v e r n I
r o t s e R i ji e M e b l li w e n o t s ri f e h T . s 0 7 8 1 a r e n i n a p a J n i d e n e p p a h s t n e v
e aiton ,
e i v o m e h t f o t p ir c s e h t h ti w y r o t s r a li m i s a g n i v a h e b o t d i a s s i n o il l e b e R a m u s t a S
. n a g o L n h o J y b n e tt ir w
n i n e tt ir w s a , n o it a r o t s e R i ji e
M Encyclopedia o fJapan :JapaneseHi tsory i
r o Z o t s u c a b A m o r f , e r u tl u C d n
a stated Meji iRestoraiton a s“therestoraiton o f o
t y ti r o h t u a l a c it il o
p the Emperor ;the beginning o fthe modern era o fJapan.” i
ji e M e h t , a r e s i h t n I .) 8 0 2 : 1 9 9 1 , s n i k r e P
( Emperor’ sgivennamewa sMtisuhtio , t
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E ,EmperorKomei ,hisf ather .Meji iEmperorruledJ apanf rom1867-1912 , p
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a ened in the yea ro f1868 .He moved the captia lfrom n a p a J e z i n r e d o m o t w o h n o d e t a rt n e c n o c d n a ) o d E y lr e m r o f ( o y k o T o t o t o y K
h g u o r h
t Western model .Heseirously t ook hi sroleast hehighes tcommande ro f n
o i s i c e d t n a tr o p m i e m o s e d a m o s l a e h d n a y r a ti li m e h
t swtih Japanese ofifcer s
o n i S , s r a w s u o m a f o w t e h t g n ir u
d -Japanese Wa rin 1894-1895 and the Russo 4
0 9 1 n i r a W e s e n a p a
J -1905 .
d l u o c y ti li b a p a c y r a ti li m l u f r e w o p a y l n o t a h t d e v e il e b s r e d a e l ij i e M e h T
d r a u g e f a
s thenaiton’si ndependence .Themostf amou sslogan t ocovert ha tbeile f s
a
w fukokukyouheiwhichmeans‘ irchcounrty,s rtongarmy’ .
n o it p e c n o c y ll u f e h t n i a g o t d a o r b a y d u t s o t e s e n a p a J f o y n a m t n e s i ji e M
n r e d o m f
o izaitont hrough Western styleand alsomany f oreigner scamet o Japan , y
b d e ti v n
, tr a p s i h t n I . s li p u p e s e n a p a J r i e h t y b d e c a l p e r g n i e b y ll a u d a r
g Western gavebig
s i a r n i p l e
h ingJapanese’si ntellectualtiy .CambridgeEncyclopediao fJapanstate s y e h t , y d u t s e n il p i c s i d d n a d e t a c i d e d f o y h tr o w e r u tl u c a s a n a p a J g n it a e rt y b “
h t n i e g it s e r p l a c it il o p d n a l a r u tl u c s ti e s i a r o t s tr o f f e n w o s ’ n a p a J d e t n e m e l p m o
c e
r w o B ( ” . e d i s t u o d lr o
w ing ,1993:79 )
e h t t h g u o r b h c i h w , a r E i ji e
M Westernidea sadoptedt oEasternminds ,wa s d n a g n i d a e r p s f o k s a t e h T . s e i x o d o h tr o r e m r o f d n a s f e il e b d l o o t e g n e ll a h c a
, w e n g n it o m o r
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r o f d n u o r g k c a b l a u t c e ll e t n i e h t s a d e v r e s h c i h w , )t n e m n e t h g il n e d n a n o it a z il i v i c (
. n o it a m r o f s n a rt i ji e M e h
t CambridgeEncyclopediao fJapanalsowrotet ha t
t a h W . s t s e r e t n i d n a s e v it c e p s r e p n i g n ir e f fi d , p u o r g e s r e v i d a e r e w y e h T
t u o h ti w , t a h t f e il e b d e r a h s a s a w e m it s i h t t a n o m m o c n i d a h y e h t
d l u o w y m o n o c e e h t d n a y t e i c o s n i s e g n a h c , t n e m p o l e v e d l a u t c e ll e t n i
p r e h ti
e rovemisguidedorg irndt oahal.t( Bowirng ,1993:83)
tl
A hough he wa s “obsessed” wtih the Western modernizaiton, he w o ll a t o n d i d d n a , s e ti s l a c ir o t s i h d n a l a r u tl u c e s e n a p a J l a n o it i d a rt n i d e n r e c n o c
i n o m e r e c d n a s e ti r l a n o it i d a rt e h t d e n n a b t n e m n r e v o g e h
t e spefrormed by the
r o r e p m
E .TheMeji iEraended i n 1912 ,wtih t he death o fEmperorMeiij ,which d e m r o f s n a rt s a w n a p a J h c i h w y b s s e c o r p e h t f o n o i s u l c n o c e h t d e z il o b m y s o s l a
. n o it a n n r e d o m a o t n i
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M atsuma
e ti s e h t s a w a m u s t a S . s d n a l s i e s e n a p a J n i a m r u o f e h t f o t s o m n r e h t u o s e h t , u h s u y K
o t a t o p t e e w s e h t g n i d u l c n i , n a p a J d e r e t n e s e c n e u lf n i n g i e r o f y n a m e r e h w
(Satsuma- oim ) ,Western friearms, and t heCh irsitan reilgion .Satsumaand Chosu o g i a S 7 7 8 1 n I . t n e m n r e v o g w e n e h t n i s n o it i s o p t n a tr o p m i t s o m e h t d l e h s r e d a e l
o s e h t n i i a r u m a s t e s p u e h t d e l i r o m a k a
T -called Satsuma Rebelilon agains tthe .t
n e m n r e v o g i ji e M
n
I Encyclopedia o fJapan :JapaneseHistoryandCu tlure , rfom Abacust o i
r o
Z ,Satsuma Rebelilon descirbed a s“the larges tand las tarmed up irsing by
i ji e M w e n e h t y b d e t c a n e s e i c il o p e h t t s n i a g a s s a l c i a r u m a s e h t f o s r e b m e m
a w n o il l e b e r s i h T ) 4 9 2 : 1 9 9 1 , s n i k r e P ( ” .t n e m n r e v o
g sled by Saigo Takamo ir ,a
e h t w o r h tr e v o o t y m r a e h t d e l ir o m a k a T , t s ri f t A . e c n i v o r p a m u s t a S m o r f i a r u m a s
e h t ,i ji e M f o a r e e h t n I . a r e n o it a r o t s e R i ji e M o t n i e t a n u g o h S a w a g u k o
T daimyo ro
o t s n i a m o d r i e h t r e v o d n a h o t d e d a u s r e p n e e b d a h m o h w s d r o l l a d u e
f the Meji i
e h t , n r u t e r n I . n a p a J n i s e r u t c e f e r p e t a e r c o t , t n e m n r e v o
g daimyo were made
y e h t h tl a e w r o f n o it a s n e p m o c n e v i g , d e l u r e c n o y e h t s e c n i v o r p e h t f o s r o n r e v o g
d e k r o w e c n o h c i h w , i a r u m a s e h T . 5 8 8 1 n i m l a e r e h t f o s r e e p e d a m d n a t s o l d a h
e h t r o
f daimyo ,did no tfare a swell .They wereforced t o becomearmy of ifcers ,
. y c a r c u a e r u b t n e m n r e v o g r o e c r o f e c il o p e h t d e r e t n e
Tha tcondiitonwa sno tgiving any advantaget o t hesamurai .Thepromise s
m u s n e k o t h ti w d e g n a h c s a w s n o i s n e p m e h t e v i g o t t n e m n r e v o g m o r
f o fmoney .
m o r f m e h t e d a b r o f h c i h w s e l u r w e n e h t h ti w d e d n e f f o s a w i a r u m a s , r e v o e r o M
t a h t d n a , i a r u m a s e h t f o l u o s e h t s a d e r e d i s n o c , s d r o w s l a n o it i d a rt o w t e h t g n i y r r a c
p o t r i e h t p u e v i g o t m e h t d e ri u q e
r e h tr u
f angered by t henewconscirpiton systemdeveloped by YamagataArtiomo .
y m r a e h t o t n i s s a l c t n a s a e p o t s r e b m e m t h g u o r b h c i h w
o t s p o o rt t n e s d n a n o il l e b e r a d e t c e p s u s t n e m n r e v o g i ji e M e h t 7 7 8 1 n I
g a K n i d r a y y v a n d n a t o p e d y m r a n a t a d e r o t s n o it i n u m m a e v o m e
r oshima .
o y k o T n i n o il l e b e r e h t d e l t u b e c i o h c o n d a h i r o m a k a
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i a r u m a s g n u o y y b s p o o rt t n e m n r e v o
g .The batlte wa slasted in 50 days .The s ti t h g u o f d n a d e f f u b e r s a w y m r a l e b e r e h t d n a d e t c u rt s e d s a w e lt s a c o t o m a m u K
s r e i d l o s 0 0 4 g n i n i a m e r e h T . a m i h s o g a K o t u h s u y K n r e h t u o s h g u o r h t k c a b y a w
a rt e h T . e d i c i u s d e tt i m m o c i r o m a k a T d n a , e g r a h c l a n if r i e h t e d a
m diitona lsamura i
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