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The Uprising of the Marginalized Society and Its Relation with Knowledge

in The Hunger Games: Catching Fire by Suzanne Collins

THESIS

Submitted in Partial Fulfillment of the Requirements for the Degree of

SarjanaPendidikan

Fiona Ferdiana

112009009

ENGLISH DEPARTMENT

FACULTY OF LANGUAGE AND LITERATURE SATYA WACANA CHRISTIAN UNIVERSITY

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Fiona ii

The Uprising of the Marginalized Society and Its Relation with Knowledge

in The Hunger Games: Catching Fire by Suzanne Collins

THESIS

Submitted in Partial Fulfillment of the Requirements for the Degree of

SarjanaPendidikan

Fiona Ferdiana

112009009

ENGLISH DEPARTMENT

FACULTY OF LANGUAGE AND LITERATURE SATYA WACANA CHRISTIAN UNIVERSITY

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The Uprising of the Marginalized Society and Its Relation with Knowledge

in The Hunger Games: Catching Fire by Suzanne Collins

THESIS

Submitted in Partial Fulfillment of the Requirements for the Degree of

SarjanaPendidikan

Fiona Ferdiana

112009009

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Fiona iv

COPYRIGHT STATEMENT

This thesis contains no such material as has been submitted for examination in any course or accepted for the fulfillment of any degree or diploma in any university. To the best of my knowledge and my belief, this contains no material previously published or written by any other person except where due reference is made in the text.

Copyright@ 2013. Fiona Ferdiana and Danielle Donelson-Sims, M.A

All rights reserved. No part of this thesis may be reproduced by any means without the permission of at least one of the copyright owners or the English Department, Faculty of Language and Literature, SatyaWacana Christian University, Salatiga.

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PUBLICATION AGREEMENT DECLARATION

As a member of the SatyaWacana Christian University (SWCU) academic community, I verify that:

Name : Fiona Ferdiana

Student ID Number : 112009009

Study Program : English Education

Faculty : Faculty of Language and Literature

Kind of Work : Undergraduate Thesis

In developing my knowledge, I agree to provide SWCU with a non-exclusive royalty free right for my intellectual property and the contents therein entitled:

The Uprising of the Marginalized Society and Its Relation with Knowledge in The Hunger Games: Catching Fire by Suzanne Collins

along with any pertinent equipment.

With this non-exclusive royalty free right, SWCU maintains the right to copy, reproduce, print, publish, post, display, incorporate, store in or scan into a retrieval system or database, transmit, broadcast, barter or sell my intellectual property, in whole or in part without my express written permission, as long as my name is still included as the writer.

This declaration is made according to the best of my knowledge.

Made in : Salatiga

Date : July 31, 2013

Verified by signee,

Fiona Ferdiana

Approved by:

Danielle Donelson-Sims, M.A. Suzana Maria L.A.F.,M.Hum.

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The Uprising of the Marginalized Society and Its Relation with Knowledge in The Hunger Games: Catching Fire by Suzanne Collins

Fiona Ferdiana

Abstract

Analyzing Catching Fire by Suzanne Collins, this paper draws on postcolonial theory, paying particular attention to the work of Edward Said about power and knowledge, to analyze the districts‟ uprising. Postcolonial criticism generally examines the relationship between the center and the marginalized. Edward Said, in his theory Orientalism, examines how the center sees the marginalized in the networks of power and its inseparable relation with knowledge. In Catching Fire, the Capitol is the center and seen

as superior and theDistricts in Panem are the marginalized and seen as inferior. Based on the theory above, applying it to the novel set in the future,

will make us think not only about how Said‟s theory about power and knowledge is not always true with the presence of humanity, but also how the

existence of colonialization is still happening and will present in the future.

Keywords: Postcolonial, The Hunger Games, Catching Fire, Said, Power, Knowledge, Humanity.

I. Introduction

In March 2012 I watched a movie entitled The Hunger Games due to my curiosity in the novels‟ popularity in the United States. A news article in Jezebel stated that the Hunger

Games trilogy of novels has surpassed J.K. Rowling's Harry Potter saga as the best-selling

books (in both print and digital formats) of all times on Amazon.com. Publisher, Scholastic,

has also said that, as of July 19, 2012, the books had sold over 50 million copies (23 million

copies of The Hunger Games, 14 million of Catching Fire, and 13 million of Mockingjay) of

Collins' books around the U.S (Barry-Jezebel).Of course, it has been one of the hottest topics

on the internet as well, as the movie reached $672 million at the worldwide box office

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However, after watching The Hunger Games, I didn‟t really get the attraction of why

the novel was overwhelmingly popular. I believe that when there are films based on novels,

usually the judgment goes to the book as being better since it has more clarity and detailed

explanations. Therefore, I decided to read the trilogy and found it really interesting that it begins in a future U.S. In the movie, the history and other important details weren‟t clearly

explained and those who haven‟t read the novel might find the movie confusing or even

boring. After reading the books, I re-watched the movie and it seems to make more sense than before. It‟s interesting to learn the kind of government, different lifestyles, conditions

and rules, along with the totally new tradition that they convey.

The tale of KatnissEverdeen, who is the narrator and the protagonist in the trilogy,

grabbed my interest. I like her personally for she is a tough first born child with a strong

survival ability and is very protective of her family, that consists of her little sister and her mother. Reading through, I deeply followed Katniss‟ actions and thoughts in her adventures

and struggles, and it prompted me to think critically about her surroundings. Actually, if

you read the trilogy, the injustice and huge gap between the Capitol and the 12 districts under its reign can‟t be missed. The Districts are clearly marginalized with the capitol‟s

government at the center of the oppression. Realizing the gap of power presented, the first

theory that crossed my mind was Postcolonialism Theory which in this case happens in the “future”. It‟s funny to think that if „Post‟ means „after‟, how can this be applied to the

future? Why do we never pass it and still have possibilities to continue struggle with it in

the future? However in this paper, we will see more of the relationship between power and

knowledge in Catching Fire through a Post-Colonialist reading.

The pioneer of Postcolonialism, Edward Said, stated that power and knowledge are

inseparable. That makes sense because when you have at least a higher level of knowledge

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the trilogy, this statement keeps bothering my mind. It is quite obvious in the third book,

Mockingjay, that as Katniss‟ knowledge about the government of the Capitol increases, her

power in rebelling also increases. However, Katniss‟ situation is very different in the first

and second book where she knows nearly nothing about Capitol‟s government and how to

rebel against it but her actions give a huge impact to trigger an uprising among the Districts

to stand against the Capitol which is very disturbing and upsetting for President Snow.

Before she realized it, Katniss was already powerful enough to create quite a stir in the

Capitol and even Panem. The second book, Catching Fire, interests me the most since in

this book the main character is actually set to be the main part of the rebellion without

knowing she is involved in the plan.

This thesis will examine the second book of The Hunger Games Trilogy, Catching

Fire, and excavate answers to the following question: How is it really possible for one to

have power to fight for an equal place in society without having proper knowledge about

gaining power? I will also make use of Postcolonialism theory to investigate the possible

answers. Furthermore, since academic papers about Postcolonialism in Catching Fire are

extremely rare compared to its first book, The Hunger Games, I believe that this research is

badly needed. The trilogy was released in 2008, so it is not surprising that there has been little

research done and theories applied to the trilogy. However, since its popularity remains high

and the Catching Fire movie will be released in November 2013, research about it is

important. Moreover, the study of Post-Colonialism continues to develop to suit the diverse

modernity in our era and the era after us. Therefore, this paper may prove useful for other

people in the future who are interested in the similar theme and aim to study a text with

post-colonial studies, for it is important since we live in the world of inequality where huge gaps

exist between races, the rich and the poor, men and women, also the Western and Eastern

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II. Literature Review

Postcolonialismhas become one of the most exciting, expanding and challenging areas

of literary and cultural studies today. The world today is a world of inequality and much of

the difference falls across the broad division between a center group of people who are

dominant and other groups who are marginalized. As an example, Western countries are

placed in the dominant group and other countries in Middle and Far East areas are classified as „Other‟ or „Orient' or, in another word, marginalized. From this, a study called Orientalism

emerged (Khan, p. 2). As a founding text of Post-Colonial studies, Orientalism examined the

Western depictions of the Orient.

Orientalism was first defined by Edward Said, who was also the originator of the term

Postcolonialism. Orientalism is the term used by Edward Said for the assessment of the

attitudes and perspectives of Western scholars or Orientalists to legitimize colonial

aggression against intellectually marginalized and dominated Eastern peoples (Khan).

Orientalism itself is a discourse that raised the issues of power, knowledge, representation

and various other Postcolonial issues. Postcolonialism, however, is more applicable to other

colonial discourse, a theory which analyses the discourse of colonialism and colonialisation;

which demonstrates the way in which the theory points out the deep ambivalence of as well

as the way in which the criticismconstructs both colonising and colonized subjects (Ashcroft,

p. 15), and other marginalization cases whether one side is West and the other is East or not.

Orientalism is more likely to compare the dominant group somewhere in the West and the

marginalized group somewhere in the East, while Postcolonialism is broader than that being

concerned with how marginalization can happen in the West itself, not always outside the

West. Also, Orientalism is no longer used because it is seen as racist and less appropriate.

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explain that Postcolonial studies starts from Orientalism and both of them were first brought

up by the same person: Edward Said.

The ground of Post-colonial studies would not be what it is today without Edward Said‟s work. His work made a very influential statement on the nature of identity formation

in the Postcolonialism that people know today. The term Postcolonialism means to propose

both resistance to the colonial and its discourses continue to form cultures whose revolutions

have overthrown formal ties to their former colonial rulers (Khan). It is not surprising if

Post-Colonial Theory is often used to analyze the marginalized and exploited side in making

revolutions. Moreover in an unequal world, it is no wonder that this theory developed so well

and thus other Postcolonial critics like Gayatri C. Spivak, Homi K. Bhabha, and Frantz Fanon

have appeared, influenced and transformed the theory (Khan, p. 1).

Postcolonial criticism has embraced a number of aims: most fundamentally, to

reexamine the history of colonialism from the perspective of the colonized; to determine the

economics of both the colonized people and the colonizing power (Habib, p. 738). Marxist

theory, which stated that money means power, has also been closely related to Postcolonial

criticism. Both theories have been used to investigate literary works; such as Oliver Twist,

Jane Eyre, Mansfield Park, etc. to examine their processes of „colonialisation‟. In The

Bedford Glossary of Critical and Literary Terms, Ross Murfin and Supryia M. Ray stated

that an analysis of literary texts produced in countries and cultures that had come under the control of colonial powers at some point in their history is involved in „Postcolonial

Criticism‟. Postcolonial Criticism, therefore, often examines countries and previously

colonized places in both past and present times, and probably will continue to do so in the

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Yet, the theory has continued to expand. This is because there are various groups of

people that are still marginalized at the time the theory was developed; for example the slaves

in the past, the poor people, the immigrants, and also other oppressed members of society that still exist today. However, with the theory expanded it doesn‟t mean that colonialization has

been overcome; it still happens nowadays in many ways and in many forms and the end is

still nowhere to be seen. Moreover, in this case, The Hunger Games Trilogy is written in a

futuristic setting and colonialization is even represented there. It shows that the power of

colonialization, related to knowledge, is not just something that happened in the past but is

still a very real problem for humanity which often happens and will likely continue to happen

in the future. In this paper, therefore, I will apply postcolonial criticism based on Edward Said‟s theory, examining the interrelation between power and knowledge in the uprising of

the colonized group in Suzanne Collins‟ Catching Fire, the second book of The Hunger

Games series.

If we discuss about power in accordance with the philosophies of Michel Foucault and

Edward Said, that knowledge should be considered along the line of power. They established

that power and knowledge are the inseparable components of the intellectual binary

relationship, and so the applied power of such cultural knowledge allowed Europeans to

re-name, re-define, and thereby control Oriental peoples, places, and things, into imperial

colonies (Orientalism, p. 208).The power–knowledge binary relationship is conceptually

essential to identifying and understanding colonialism in general. It is basically said that

along with knowledge, the colonizer could control the colonized people which then gave the

colonizer more power to obtain the knowledge they needed and control which knowledge is

for their private use and which is allowed to be shared to others. Without proper knowledge

about gaining power, one cannot gain power that matters from the other party. Without power

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knowledge. Therefore, power and knowledge always work in mutual directions in order to

obtain control of colonized people.

As stated before, Said established how power and knowledge are the inseparable

components of the intellectual binary relationship (Orientalism). Indeed those who have

higher knowledge have higher chances to control the others because they know how to do it. Therefore, those who have power of controlling others‟ knowledge usually have political

privilege too. The circle goes between acquiring knowledge, gaining power, controlling others to gain more knowledge and oppressing the others‟ knowledge, and so gain more

power to monopolize information to become more powerful and so on. This circle generally

explains the mutual relationship between power and knowledge. However, that is not entirely

applicable to every single case of colonization outside the European colonization. There are

other aspects that draw power as strong as knowledge and draw knowledge as delicate as

power. Those are strong will, humanity, courage, and others. Thereby, this study is taking its

concern by looking at some special cases where the mutual relationship between power and

knowledge is not conceptually essential.

For Said, the willingness to acquire knowledge is the key and he argues that it is essential

to know and distinguish between the wish to understand and enable peaceful co-existence and

the use of knowledge to dominate and for malevolent ends (AmalTreacher). Now, apart from

what motivations and consequences there are to acquire knowledge, the question is: Is

knowledge the only key to gain power?

The intention of this research is to analyze the colonized people, the oppressed ones,

who are dehumanized in the The Hunger Games: Catching Fire against their rulers called

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theory, I will examine how far knowledge influenced their power in the process to stand up

against the Capitol. The point of view of the book is taken from the perspective of the

colonized, but this paper is first going to verify the way they are mistreated by also analyzing

how the Capitol and its government maintain their power. Then secondly, to answer the

following questions: How far is the role of knowledge inseparable with power in the uprising

of the rebels? Is there any avenue to gain power other than knowledge?

III. Summary of the Text

The Hunger Games Trilogy takes place in an unidentified future time period in North

America after it is destroyed and replaced by a totally new nation known as Panem. The story

of the protagonist, KatnissEverdeen, starts in the first book, entitled The Hunger Games and

builds more complicated conflicts and actions in the second book, Catching Fire. This thesis

will apply the theory of Postcolonialism to analyze the rebels in the second book of The

Hunger Games Trilogy: Catching Fire, where the uprising of the oppressed districts ignites.

There are some details from the first book that are important to know before we begin

to look at the second book. Panem, the new nation that replaced North America in an

unidentified future, is led by the Capitol which is surrounded by 12 districts that are forced to

produce different resources for the Capitol. Once, the districts rebelled against the Capitol but

the twelve of them were defeated and the thirteenth was allegedly destroyed. As punishment

and commemoration for the districts and as entertainment for the Capitol, one boy and one

girl between the age of twelve and eighteen from each districts must participate annually in

the Hunger Games, either being selected in a lottery or volunteering as a tribute in an event called „the reaping‟. The rules of the Game are simple, being released in a dangerous outdoor

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his/her district will be rewarded by the Capitol. The Games are televised nationally and the

whole of Panem must watch it from the beginning to the end.

Coming from District Twelve, 16-year-old KatnissEverdeen volunteers as a tribute in

the 74th Hunger Games to replace her sister who had originally been chosen.Katniss is taken

along with PeetaMellark, who has had a secret crush on Katniss since they were kids, and

they are both mentored by an alcoholic, Haymitch Abernathy, District 12‟s only living victor. Haymitch later demands Katniss and Peeta to act as if they‟re lovers to capture the sponsors‟

sympathy because it is only from sponsors that the tributes can receive all the help needed

during the Games. In the arena, Katniss does an impromptu memorial when her one and only

ally is killed which is seen as an act of defiance against the Capitol. The Gamemakers later

change the rules so that if both tributes from the same district survive to be the final two standing, they‟ll both be declared as victors. Katniss then teams up with Peeta; they both

spare each other lives and are the final two standing from District 12 when the rule changes

back so that there can only be one victor. Unexpectedly, Katniss gives Peeta some nightlock

(poisonous berries) to commit double-suicide. It urges the Gamemakers to declare them both

to be victors even though then their act is seen as a huge defiance.

In the second book, Catching Fire, 9 months has passed since Katniss and Peeta were

declared victorious. Everything at home in District 12 has changed, including Katniss'

relationship with Gale Hawthorne, her best friend and hunting buddy. Also, she and Peeta

still have to pretend they're in love because before the “Victory Tour” of the country,

President Snow threatens Katniss that he will hurt the people she loves if she can‟t convince him and Panem‟s citizens that the nightlock action was nothing like a rebellious action. If

Panem sees it merely as done because they‟re both madly in love, the Districts will not be

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In the fourth chapter of the first part – „The Spark‟ of Catching Fire, Katniss and Peeta‟s

first stop in the Victory Tour was in District 11. It was the District where Rue and Thresh

were from, so there was much for Katniss to say since Rue, who reminded Katniss of her

sister, was the first alliance she had in the Games and Thresh once spared Katniss‟ life in the

Games. Rue and Thresh both were killed by other tributes.

After saying a scripted thank-you provided by the Capitol, Peeta gave personal comments

about Rue and Thresh and how Katniss and him were indebted to them. Then he added that

he would like for Rue and Thresh‟s families to receive one month of Katniss‟ and his own winnings every year for the duration of Katniss and Peeta‟s lives. A month of tribute

winnings could easily provide a family for a year, which means that, as long as Katniss and

Peeta live, they will not hunger. It made the crowd gasp and murmur. This attitude of

gratitude has never been done before and no one knew whether that was legal or not.

The ceremony continued and when it was about to end, Katniss stumbled forward because

of a sudden realization that she would be accursed if she said nothing and let Peeta do the

whole speech. Her impromptu speech was unexpectedly touching as she was very thankful

for Rue and Thresh, and also for how District 11 sent her bread during the Games.

After a long pause, someone whistled Rue‟s four-note mocking-jay tune and then, in

complete unison, every person in the crowd pressed the three middle fingers of their left

hands against their lips and extended them to Katniss. It was the District 12 sign of the last

good-bye Katniss gave Rue in the arena. Katniss‟ speech of gratitude unintentionally

provoked the districts. She had elicited something dangerous: an act of dissent from the

people of District 11 when she was supposed to be defusing any kind of rebellious action as

President Snow had threatened that she must do. Realizing the effects she might cause,

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mayor had taken over, leading Katniss and Peeta back toward the doors. Katniss turned

around as she remembered she forgot her bouquet and saw a pair of Peacekeepers dragging

the old man who whistled to the top of the steps, forcing him to his knees before the crowd

and put a bullet through his head.

Katniss and Peeta do what they can do; Peeta even proposes to Katniss at the end of

the tour, but still, the sparks of rebellion are now catching the fire and the Mockingjay pin she

wears in the arena has becomes the symbol of the rebellion itself without her knowing.

District by district begin to stage uprisings against the Capitol. One day, Katniss encounters

some runaways from District 8 who believe that District 13 is not entirely banished but they

live underground instead. These runaways are surprised that Katniss, the rebels‟ main inspiration whom many Districts call as The Mockingjay, doesn‟t even have a clue about it.

There is also this Quarter Quell which is held every 25 years which is a special edition

of the Hunger Games. In this 75th Hunger Games, the 3rd Quarter Quell, the 24 participants

will be reaped from the living past victors as a reminder to the rebels that even the strongest

among them cannot overcome the power of the Capitol.

Katniss and Peeta come back to the arena. At Haymitch‟s urging, they agree to team

up with some of the victors and later form the more skilled ones called Career Tributes. What they don‟t know is that the tributes they team up with are all rebels undercover that have

planned their escapes from the arena with their alliances outside. Just before the helps come, things get mess up and make Katniss panics which causes her to blow the arena‟s force field

on her own without knowing the rebels‟ plan.

The book ends with Katniss, along with FinnickOdair from District 4 and Beetee from

District 3 being rescued by the rebel forces from District 13. All of them have actually

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the survivors that consists of Peeta, Johanna Mason from District 7, and Enobaria from

District 2 are captured by the Capitol. On the very last page, Gale comes to visit and informs

Katniss that, though he got their families out in time, District 12 is now completely destroyed.

IV.

Analysis

A. Power, Knowledge, and Control: Capitol

Following Foucalt‟s belief, Said stated in his book, Orientalism, that power and

knowledge are inseparable. Both Foucalt and Orientalism have been highly influential in

Postcolonial studies and, for some cases, the statement above makes sense. The one that has

power and knowledge can control and colonize, and if we are talking about the one who has

both power and knowledge,like the colonizer in Catching Fire, we are definitely talking

about the Capitol.

The Capitol got power because they also attained and controlled knowledge. In the Capitol‟s case, not only did they control the districts people‟s knowledge about each other,

but they also seized the district people‟s rights in order to colonize the districts. These are

some examples of the previous statement. First, Peeta had the scripted thank-you under the

supervision of the Capitol instead of his own words (Collins, p. 94). That limitation clearly shows that Capitol did control the knowledge and seized people‟s rights. The Capitol

controlled the districts‟ knowledge for the sake of maintaining their power by seizing Peeta‟s

freedom of speech because his speech was broadcasted to all of the districts.

Second, Katniss had to regret her effort of expressing her personal thanks to Rue and Thresh‟s families because a powerful party sees it as a rebel encouragement (Collins, p. 99).

The Capitol seized Katniss‟ right by giving ultimate judgment that what she did, speaking out

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we say the right of his very life, because it leads to our third example, how the old man in

District 11 was killed.

The man who started the unifying act was killed because his attitude was seen as a trigger

of rebellion that affected district people to follow his courage and united (Collins, p. 100). That powerful party, the Capitol‟s government, wouldn‟t allow freedom of speech or

anything in the Districts that may threaten their power and authority. They made themselves the „highest‟ by stomping the Districts down, seizing their right to speak and even to live if

they dared to stand against them.

Another example of seizing Districts people‟s rights to know what happened is when they

limited the information broadcasted. The Victory Tour was supposed to be broadcasted

nationally from the beginning to the end, but the footage was cut off when the unifying act

happened, so when the old man got shot, it was also off the record (Collins, p. 99-100). If the

other districts knew what happened, it would be a kind of encouragement to stand against the

Capitol, according to the government. This is also evidence that the colonizer also controls

the knowledge of the colonized so that the colonizer can stay in its powerful position.

Thus, Said‟s statement that power and knowledge are inseparable is right in the case of

the Capitol. The Capitol must obtain and control all knowledge to keep the power to colonize

and their knowledge in order to maintain their advantage in colonizing; they should have the

power to do so. This discussion of the link between power and knowledge leads into the

focus in the next section; the main discussion being on how the districts could do an uprising against the Capitol with limited information, which is in contrast to what Said‟s theory

suggested.

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Postcolonial theory is partly a response to, and a resistance against, the endurance of

colonialism and is unashamedly political with its intent to change political, cultural and social

structures to enable democratic societies for all (AmalTreacher). It basically says that

Colonizers often do not allow democratic societies to develop among the colonized side or

between the colonized and the colonizer. The Capitol ruled the whole of Panem, redefined

their cultures and social structures, and thereby controlled them by monopolizing their

resources to benefit the Capitol; Panem is obviously not a democratic society. However,

when the oppressed society has been suffering for so long, when to live is harder for them than to die, they no longer have a fear of death and it‟s only a matter of time until someone

gives the spark and an uprising is inevitable. Now what does a person need to give that spark

of rebellion? I imagine Said would answer that if you want to produce power then the

knowledge of how you are doing it shall be a necessity. However, all examples from Katniss,

interestingly, show the opposite.

Katniss and her speech in District 11 was one example of a circumstance when a spark of

power wasproduced by someone who wasn‟t even aware of or had knowledge about any

rebellion. From the colonized party, we have Katniss and Peeta, teenagers from District 12

who had never been close to the Capitol, its concerns and anything related to it. Even until

they were chosen as tributes in the 74th Hunger Games, being in the Games once would not help them to gain any more knowledge about the Capitol‟s system of government or the

„inflammable‟ situation around the Districts after the Game. According to Said‟s theory, one

is supposed to know either about how to plan an uprising or execute and organize a rebellion

to gain power.However in contrast, Katniss and Peeta didn‟t know how to unite people or

start an organized rebellion. The only thing they knew at that time was that President Snow

had threatened Katniss. Therefore, they acted in-love to prove that the night-lock action was

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they gave in the District 11 was also their first personal speech ever and they had no idea how

to do it in a provocative manner. However, as a result of their speech, they created trouble for

the government in the Capitol by unintentionally giving the spark, the power, to rebel.

This Peeta and Katniss‟s case in Catching Fire, especially Katniss who unintentionally

created a strong response of unity among the people in District 11, is the first evidence of

how power can be obtained by the colonized side without them having any adequate

knowledge on how to make it happen. She didn‟t even know that the rebellion had started

everywhere, but she succeeded in encouraging the rebels even more. The man indeed got shot

because of the Capitol‟s power to control the masses, but before that, innocent Katniss had made unexpected trouble for the Capitol‟s government.

The second example, which also proves that power doesn‟t always necessarily go with

knowledge, comes along with the runaways from District 8 when they met Katniss. The

rebels had made her Mockingjay pin as their symbol, so that whenever they see the symbol,

they automatically have Katnissin mind. Even though the whole of Panem knew that, Katniss didn‟t.

When the runaways from District 8 showed Katniss the symbol printed on bread, the

following is her first response:

It‟s a Mockingjay. It makes no sense. My bird baked into bread. Unlike the stylish renderings I saw in the Capitol, this is definitely

not a fashion statement. “What is it? What does that mean?” I ask harshly, still prepared to kill. (Collins, p. 212)

Up to that point, she only knew that her pin was used for fashion purposes. Even after

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“It means we‟re on your side,” says a tremulous voice behind me. I didn‟t see her […] “That cracker in your hand. With the bird.

What‟s that about?” I ask. (Collins, p. 214)

The mockingjay bird became a mascot for Katniss and she herself became the mascot

of the rebellion towards the Capitol. Apparently, Katniss did not recognize the mockingjay to

be used as anything other than a fashion statement in the Capitol. To confirm it further,

below is Katniss‟ response after one of the runawaysquestioned her knowledge about the

rebellion, mockingjay and all.

“Don‟t you know, Katniss?” Bonnie appears genuinely surprised. They recognized me. Of course they recognized me. My face is uncovered and I‟m standing here outside of District 12 pointing arrow at them. Who else would I be? “I know it matches the pin I

wore in the arena.

“She doesn‟t know,” says Bonnie softly. “Maybe not about any of it.” (Collins, p. 215)

She definitely didn‟t have any clue about her pin being a symbol of rebellion as

Bonnie stated it clearlyin the last quotation. Katniss still knows nothing about the power she

actually possesses to lead, or at least ignite, the rebels. The other case that is related to the

second example is in the interview with Caecar when Katniss wore her burnable wedding dress that Cinna, her stylist, managed to design it so that when she‟s spinning the true design

could be revealed. Caecar, the interviewer, helps us to imagine what the true design is.

“Feathers,” says Caecar. “You‟re like a bird.”

“Mockingjay, I think.” I say, giving my wings a small flap. “It‟s the bird on the pin I wear as a token.” (Collins, p. 391)

Now we know that the true design actually made her similar to a Mockingjay. Just at

this time Katniss realized something big was about to happen.

“A shadow of recognition flickers across Caecar‟s face, and I can tell he knows that the Mockingjay isn‟t just my token. That

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Fiona 17

What she does not quite get is that the Districts rebellion is going on already. Above all,

she thought Cinna was disappointed because Katniss had to join the Games two times in a

row that he conveyed the message of disappointment through his work. She never thought

she really was the Mockingjay, the bird that mocks the Capitol, flying free and voicing

rebellion throughout Panem. She was the one who was in the real danger.

[…]and suddenly I am so afraid for him. What has he done? Something terribly dangerous.An act of rebellion in itself. I remember his words.. “Don‟t worry. I always channel my emotions into my work. That way I don‟t hurt anyone but

myself.” (Collins, p. 391-2)

Interestingly, her having a little knowledge about the connection between Mockingjay

and Rebellion still didn‟t make her realize that she had the power to ignite the districts‟

uprising. She could not be convinced yet that she was the districts‟ Mockingjay. She sensed that her Mockingjay seemed to have significance, but that didn‟t make her feel like she was

even involved, let alone to believe that she was the spark of the rebellion.

The last example is taken from the moment Katniss went back to the arena. At Haymitch‟s urging, Katniss and Peeta agreed to team up with some of the victors. What they

didn‟t know was that the tributes they teamed up with were all rebels undercover who had

planned their escapes from the arena with their alliances outside, including people from the

supposedly destroyed District 13. Katniss had an advantage of knowing about the force field‟s chink, and just before the help came, Katniss panicked and blew the force field on her

own to save Peeta without knowing the rebels‟ plan (Collins, p. 587). It made the rescue only

half succeed with the other three survivors captured by the Capitol. Haymitch was so angry at Katniss for messing up the rebels‟ plan without knowing.

In this example, to clarify both situations of Katniss and the rebels, there are two

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outside which are equipped with knowledge. On the other side is Katniss who relies on her

instincts. She had no certain knowledge to plan a good escape nor did she know about the

undercover rebels, but her spontaneity helped her through. Unfortunately, their plans collided without any of them knowing each other‟s plan so both goals failed. I can‟t say which group

is better in this case, because their methods are different. A group of adults in the colonized group had the knowledge in order for there to be power for the Districts‟ uprising, but we

have to keep this in mind that before Katniss showed up, they didn‟t dare to make a move at

all. The rebels needed Katniss to continue giving the spark, because she was the Mockingjay

and if she lived, the revolution lived. In light of the crucial role of Katniss, it is she whom we

will focus on.

With our focus on Katniss, who had the tendency to do things with her own conscious, we noted that in this example Katniss blew the rebels‟ plan. Things didn‟t end

well and Haymitch was angry at her for being reckless. Then how exactly is this being an

example of power produced without knowledge? It seems like an example of her failure from her lack of knowledge and so there won‟t be uprising produced as the outcome. However,

such a point of view is too short-sighted of Katniss, because this reckless action then became the start of Katniss‟ blatant rebellion to inspire all rebels throughout Panem. The rebels were

actually planned to blow the force field, Katniss did it a bit too early and caused Peeta and

two others to be captured by the Capitol first. At the risk of spoiling the story‟s development in the next book, Katniss‟ reckless action draws the strongest powerful effect as the districts‟

sympathy grows when they learn Katniss will do everything to save Peeta, including openly

fight against the Capitol, which leads to the biggest encouragement for the Districts to revolt

and so, rebellion continues and is even stronger in the next book.

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Fiona 19

Having recognized that knowledge is not always required to have the power to rebel,

another follow up question appears: then how would the districts ever rise up and fight back

against the colonizer as they would have no or limited knowledge if the Capitol controls the

knowledge? There is certainly another aspect in Katniss‟ case that draws power as delicate as

knowledge and draw knowledge as strong as power. Said implied that to have the power to

trigger or even be a symbol of a rebellion, one must have a proper knowledge about what

he/she is doing: organizing a careful planning and making it happen. Or does it? If we look

back to the beginning, the triggers Katniss made without knowledge or a plan to revolt are

following this sequence: the impromptu memorial when Rue was killed, the nightlock suicide

attempt, and the impromptu speech in District 11. All of which were done out of human

spontaneity to express a certain feeling to other humans.

The answer to the question above is relatively simple; it‟s because there is another aspect

that is as strong or probably stronger than knowledge. In the Catching Fire case, that aspect is

humanity, as in to humanize other humans, respect their rights and treat them like what they

are, human beings. This could override the belief in Said‟s statement because it demonstrates

that power and knowledge do not always have to be present to create a mutual relationship

for the colonized to ever hope to fight against the colonizer.

Katniss‟ sense of humanity is the reason why she did the impromptu memorial in the

arena when Rue was killed, the nightlock suicide attempt, and the impromptu speech in

District 11. Katniss showed an appreciation tohonor Rue because she was a dead human child

and not just a dead tribute. Next, one should have other choice than just to kill his/her partner

because a party makes a rule which says so. The suicide attempt was also a sincere human

response to show that the Capitol doesn‟t own them; they are more than just a piece in the Capitol‟s Games (Collins, p. 141-2).Both Katniss and Peeta have the rights to refuse to kill

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also an act of showing her attitude of humanizing the dead friends‟ family after being forced

to congratulate the victors of the Game who were probably responsible for the death of their

children. Therefore, her sincereact was against the colonizer, the Capitol, which always

dehumanized the colonized, and this draws a powerful response without her even knowing about the Districts‟ uprising.

Humanity turns out to be a powerful force to draw power as well as (or probably stronger

than) knowledge. Once again, do not get this wrong. To make clear, this is not about pointing

out that Said‟s statement is one big mistake, but to think beyond that by also looking at cases

where his statement does not work out; thatin some cases it is true, but in others it is too big a

generalization that must be made more specific and contextualized depending on the

examples. In other words, power and knowledge‟s relationship can be mutual in some contexts, but this is not the case with humanity. Humanity can be a power but one doesn‟t

have to have power first to have humanity.

V. Conclusion

Using Postcolonial perspective, this study has analyzed Catching Fire which is set in

the future, yet it happens to show us that colonization is there as well as in our era. To make

this conclusion section organized, the aims for this study will be divided into three parts. First is for the readers to not only absorb what is presented in today‟s popular culture, but also to

think critically using another perspective about what is beyond each literary work. It is

recommended because the greater the popularity of a story, the more it reflects both change

and stability in our culture (Popular Culture). In other words, it tells us what society we are

now, what we have been in the past, and where the two overlap to define what we may always be. It‟s like a saying I once heard from my literature lecturer, Danielle D. Sims, “Art

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Fiona 21

also to be seen from different theories, to switch our view while we try to see the story in a way we‟ve never done before as the popular story reflects our society.

The second purpose of this study is to remind the readers of the possibility that

colonization, in various forms, is still an issue and will likely be a problem in the future. It is

interesting to point how even in future times, like the setting for The Hunger Games, they are

still addressing the same issues/problems. If only people think of this as a cause and effect

situation, it will cross our mind that because people in our era and before our era closed their

eyes and turned their head away from the gaps within our society, the center and

marginalized society will always be here in our era and there in the era after us. This research

is done with a hope that it will eventually move the reader, in whatever society they are, to

uphold humanity as a means of power too. If only there is one thing that the colonizer and the

colonized can have in common, it should be humanity. As long as both sides have humanity,

their gap can be minimized until there is no center or marginalized side anymore. Knowledge

that is acquired without humanity will result in greed of power and power that is acquired

without humanity will result in dehumanizing others. Definitely, greed of power and the act

of dehumanizing others are not making a better world for us and our offspring to live in.

Finally, the third purpose of this study is for the sake of future research. As stated before,

Postcolonialism is still a developing theory; this paper is intended to contribute to that

development. This research is necessary because of the intellectual needs that are changing,

especially in this twenty-first century, where education systems are wider and more diverse and theories from the 1960‟s are not so suitable anymore. As for future research suggestion, a

Marxist theory can be used as a tool to examine The Hunger GamesTrilogy. It is particularly

suggested to analyze Catching Fire using Marxist Theory to examine the class status there based on money, because in this book, Katniss and Peeta‟s families were moved to live in the

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Katniss‟ sense of humanity interestingly minimized the class status gap between her and her

former neighbors and acquaintances. However, her relationship with her best friend, Gale

Hawthorne, was changed as she moved from one social status to another. It could also be suggested that Feminist Theory be used to examine Katniss‟ equality or superiority in the

story. However, it is most suggested to use Post-Colonialism to analyze the third book,

Mockingjay, as some people might still wonder if Katniss‟ humanity is enough. If the undercover rebels hadn‟t planned the breakaway nor have the knowledge about District 13,

would the rebellion have been possible? It is still debatable. The knowledge that the rebels

had about the existence of District 13, which specialized in nuclear technology and mining

graphite, only lead them from one form of dehumanizing to another because, at the risk of spoiling the story‟s development in the next book, District 13 had become an underground

district that accepted refugees as breeding stock. With a very strict lifestyle, the people were made thrifty by a dictator President. Eventually, it was again Katniss‟ humanity that

eventually put an end to the dehumanizing. Therefore, it will not be exaggerating if we say, again, that the districts‟ uprising is stronger if based on humanity than if based on knowledge.

For the final word, hopefully this research moves the readers to think more critically

toward literary works, increase their awareness of the marginalized people, create better

understanding about our society and later prove that humanity can change the broken world,

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Fiona 23

Acknowledgement

I would like to express my deep gratitude to my thesis supervisor,Danielle Donelson-Sims, M.A. and

my thesis examiner,Suzana Maria L.A.F.,M.Hum. for their patient guidance, enthusiastic

encouragement and helpful critiques and comments of this research work. I would also like to thank

Duncan and Emily for their advice that has been a great help in keeping my progress, correcting the

technical mistakes in my practical learning andwritten terms. My grateful thanks are also extended to

my big family members for their material supports, preventing me from any kind of shortages so that I

could focus on completing my study well.Oma, Aunt Lily, Uncle Hian, Uncle Sien, Aunt Lucy, Mom,

P. Agung and Fender, I can‟t thank you enough.

I would also like to offer my special thanks to my friends whoarelike a family to me now for giving

me support and encouragement throughout my study. Thank you Liz and Dwi for being there in my

four years of university and sharing the most precious and unexpected sisterhood I‟ve ever had. Thank

you my fellow ailurophile Danielle and Brandon Donelson-Sims for teaching me critical thinking and

lighting up everyone‟s world with your overflowing excitement and kindness. Thank you Duncan,

Alison, and Janti for ears that listen and the loving hearts, also for offering a warm home. Thank you

Mariana, Amanda,Jessyca, Diane, Rut, Donna, Winona, Emily,Yurinaand other girl-friends I made

here and from my hometown for the mood-booster. I also thankAland, Herman, Steve, Alvin,

Thomas,Don, Daniel, Adityaand other guy-friends too for the brotherhood and strength-booster. My

thanks are also extended to Niners, all FBS students in my year, 2009, for the togetherness and the

helping hands.

Finally, I wish to express my gratefulness to God for all of his blessings in my life. I thank You for

giving me strength and being a wonderful grip and provider, also for giving me chances to know

myself better from the people you sent and making me a bigger person at heart and mind. Now I‟m

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References

Ashcroft, Bill and Pal Ahuwalia.Routledge critical thinkers: Edward said. New York: Routledge Publication, 2007. Print.

Barry, Dough. The Hunger Games Trilogy Has Now Outsold All the Harry Potter Book. Web. 20 Oct. 2012.

Bennett, Andrew; Royle, Nicholas.An Introduction to Literature, Criticism and

Theory (Third Edition).Great Britain: Pearson Education Limited, 2004. Print.

Cain, William E., et al. The Norton Anthology of Theory and Criticism. New York: W. W. Norton & Company, Inc., 2001. Pdf.

Chrisman, Laura; Parry, Benita.Postcolonial Theory and Criticism Essays and Studies. Woodbridge: Boydell& Brewer Ltd, 2000. Pdf.

Collins, Suzanne. The Hunger Games. New York: Scholastic, 2008. Pdf. ________. Catching Fire. New York: Scholastic, 2009. Pdf.

________. Mockingjay. New York: Scholastic, 2010. Pdf.

Habib, M.A.R. A History of Literary Criticism: From Plato to the Present Age. New Delhi: Atlantic Publisher and Distributors, 2006. Print.

Jazeel, Tariq. "Postcolonialism: Orientalism and the Geographical Imagination. "Primary Geography 97.1 (2012): 4-11. Education Research Complete.Web. 21 Oct. 2012.

Jezebel. 20 Aug. 2012. Web. 6 Dec. 2012. <http://jezebel.com/5936436/the-hunger-games- trilogy-has-now-outsold-all-the-harry-potter-books>

Khan, PathanWajed.The Oriental Issues and Postcolonial Theory.India: A publication of Pinter Society of India, 2011. Print.

Nayar, Pramod K. Growing Up Different(ly): Space, Community and the Dissensual Bildungsroman in Suzanne Collins’The Hunger Games. Journal of

Postcolonial Networks. JPN Reviews, 8 May. 2012. Web. 20 Oct. 2012. <http://postcolonialnetworks.com/2012/05/08/nayar_on_collin/>.

The Hunger Games.IMDb. April. 2012. Web. 21 Oct. 2012. <http://www.imdb.com/title/tt1392170/>.

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