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i v

T C A R T S B A ir

a t s e

L , Agatha Tr i Agung Budi . 2012. Revea ilng the Sefl-actuailzaiton o f e

v o L , y a r P , t a E f o r e t c a r a h C n i a M e h t , t r e b li G h t e b a z il

E . Yogyakatra: Engilsh

s tr A d n a e g a u g n a L f o t n e m tr a p e D , m a r g o r P y d u t S n o it a c u d

E Educaiton, Facu tly

. y ti s r e v i n U a m r a h D a t a n a S , n o it a c u d E d n a g n i n i a r T s r e h c a e T f o

s e s s u c s i d y d u t s s i h

T Eat , Pray, Love, a ltierary work w irtten by an ,t

s il e v o n n a c ir e m

A Eilzabeth Glibetr .T his nove ltell sabou tEilzabeth Gliber’t s o

t y e n r u o j l a u ti ri p

s threecountires , tIaly,I ndiaandI ndonesiat oactuailzehersefl. e

e s o t s i y d u t s e h t f o e v it c e j b o e h

T one’ ssefl-actuailzaiton a sseen in l

e v o n r e h f o r e t c a r a h c n i a m e h t ,t r e b li G h t e b a z il

E Eat ,Pray ,Love.Therearet wo

t s s i h t n i d e r e w s n a e b o t s m e l b o r

p u dy(1 )“howi sEilzabeth,t hemaincharacte ro f ”

? d e y a rt r o p , l e v o n e h

t and (2) h“ ow i sEilzabeth’ ssefl-actuailzaiton revealed i n y

a r P , t a

E , Love? ” t a d y r a m ir p e h

T aoft hiss tudyi st henove ltisefl .Thes econdarydataare ,

s k o o b d e t a l e r m o r f n e k a

t encyclopaedia ,dicitonary ,and t heInternet .Thisstudy r

e t c a r a h c f o s e ir o e h t e h t s a h c u s s e ir o e h t s e s

u da n characte irzaiton, whlie the

. h c a o r p p a l a c i g o l o h c y s p e h t s i h c a o r p p a

.l e v o n e h t g n i s y l a n a r e tf a d e d u l c n o c e b n a c t a h t s g n i h t o w t e r a e r e h

T Frist ,

Eilzabeth i sporrtayed a scaree ro irented ,outgoing ,kind ,humorous ,wor ired , n

e p o d n a , e v it a k l a

t -minded .Second ,Eilzabeth actuailzes hersel fby becoming a fl

e s r e H . e b d l u o h s y ll a it n e t o p e h s n o s r e

p -actuailzaiton can be seen from the

l e s f o s c it s ir e t c a r a h

c f-actuailzed person tha tshe has met .She i sable accep t .s

i ti y a w e h t s a e r u t a n d n a e l p o e p r e h t o , fl e s r e

h Shei sspontaneou sand creaitve . t o n b o j r e h s e e s e h S . y l s u o it n e t e r p n u t h g u o h t d n a s n o it o m e r e h s e s s e r p x e e h S

e h r o f y e n o m n r a e o t s n a e m a s a y l e r e

m rilvingbu tshecanseeherj oba samean s o

y ti l a u q a s a h e h S . t n e l a t r e h y ll a i c e p s e f l e s r e h p o l e v e d o

t fdetachmen tand

e c n e d n e p e d n

i .She constanlty show she rappreciaiton to he rexpeirence swtih .

e r u s a e l p d n a s s e n h s e r

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i h s n o it a l e r e s o l c d n a r e p e e d s a h e h S . s r e g n a rt

s wtih people around he rand he r

e p il e F , e v o

l .She i sa democraitc person .She can dfiferenitate between wha ti s s

a h e h S . d a b d n a d o o

g a grea tsenseo fhumour .However ,sher esist sherseflf rom .

n o it a r u tl u c n e e h t

s a d e s u e b n a c l e v o n e h

T the mate ira l to teach Cros s Cutlura l g

n i d n a t s r e d n

U (CCU )clas sin Engilsh Depa trmen tStudy Program o fSanata .

y ti s r e v i n U a m r a h D

: s d r o w y e

(2)

ii v A R T S B A K ir a t s e

L , Agatha Tr i Agung Budi . 2012.. Reveailng the Sefl-actuailzaiton o f e v o L , y a r P , t a E f o r e t c a r a h C n i a M e h t , t r e b li G h t e b a z il

E . Yogyakatra: Engilsh

, n o it a c u d E s tr A d n a e g a u g n a L f o t n e m tr a p e D , m a r g o r P y d u t S n o it a c u d

E Facu tly

d n a g n i n i a r T s r e h c a e T f

o Educaiton ,SanataDharmaUniverstiy. l e v o n s a h a b m e m i n i i d u t

S Eat ,Pray ,Love ,sebuah karya sasrta seorang n a l a jr e p u t a u s g n a t n e t n a k a ti r e c n e m i n i l e v o N . tr e b li G h t e b a z il E , a k ir e m A s il e v o n ir i p

s tua lEilzabeth Gliber tke itga negara yatiu ltI aai ,India and Indonesia untuk . a y n ir i d n a k i s a s il a u t k a g n e m tr e p e s ir i d i s a s il a u t k a u t a u s n a k u m e n e m k u t n u h a l a d a i n i i d u t s ir a d n a u j u T i r e t g n a

y il hat pada Eilzabeth Gliber,t t okoh utama dalam nove lEat ,Pray ,Love . u t s m a l a d b a w a ji d n a k a g n a y h a l a s a m a u d a d

A d iin i(1 )“bagaimana Eilzabeth , m a l a d n a k p a k g n u i d h t e b a z il E i ri

d Eat ,Pray ,Love?” dan (2 )“bagaimana sefl -m a l a d n a k p a k g n u i d h t e b a z il E i s a s il a u t k

a Eat ,Pray ,Love? ”

n a h a b m a t r e b m u S . ir i d n e s u ti l e v o n h a l a d a i n i i d u t s i r a d a m a t u r e b m u S i r a d l i b m a i

d buku-buku yang berkatian ,ensiklopedia ,kamus ,dan Internet .Stud i n a k g n a d e s , n a i s a s ir e t k a r a k g n e p n a d r e t k a r a k i r o e t a p a r e b e b n a k a n u g g n e m i n i . i g o l o k i s p n a t a k e d n e p h a l a d a n a k a n u g i d g n a y n a t a k e d n e p . l e v o n s i s il a n a g n e m h a l e t e s n a k l u p m i s i d t a p a d g n a y l a h a u d a d

A Petrama ,

a k u s , n a a jr e k e p a d a p n a k i s a t n e r o r e b g n a y g n a r o i a g a b e s n a k r a b m a g i d h t e b a z il E , a u d e K . a k u b r e t n a d , a r a c i b a k u s , n a ri t a w a h k , s ir o m u h , it a h k i a b , l u a g r e b i a u s e s g n a r o e s e s i d a j n e m n a g n e d a y n ir i d n a k i s a s il a u t k a g n e m h a l e t h t e b a z il E k A . a y n i s n e t o p n a g n e

d tuailsasinya dapa tdiilha tdar ikarakteirsitk seorang yang a y n ir i d a m ir e n e m a s i b a i D . a y n ir i d a d a p a d a g n a y i ri d n a k i s a s il a u t k a g n e m h a l e t g n a y g n a r o h a l a d a a i D . a y n n a a d a e k n a g n e d i a u s e s m a l a n a d n i a l g n a r o , ir i d n e s e p n a k p a k g n u g n e m a i D . fi t a e r k n a d n a t n o p

s rasaandanpikriannyat anpamenutup . a y n i p u t u

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b tia s dan mandiir . Dia secara kosntan menunjukkan apresiasinya pada n a m a l a g n e

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L , Agatha Tr i Agung Budi . 2012. Revea ilng the Sefl-actuailzaiton o f e

v o L , y a r P , t a E f o r e t c a r a h C n i a M e h t , t r e b li G h t e b a z il

E . Yogyakatra: Engilsh

s tr A d n a e g a u g n a L f o t n e m tr a p e D , m a r g o r P y d u t S n o it a c u d

E Educaiton, Facu tly

. y ti s r e v i n U a m r a h D a t a n a S , n o it a c u d E d n a g n i n i a r T s r e h c a e T f o

s e s s u c s i d y d u t s s i h

T Eat , Pray, Love, a ltierary work w irtten by an ,t

s il e v o n n a c ir e m

A Eilzabeth Glibetr .T his nove ltell sabou tEilzabeth Gliber’t s o

t y e n r u o j l a u ti ri p

s threecountires , tIaly,I ndiaandI ndonesiat oactuailzehersefl. e

e s o t s i y d u t s e h t f o e v it c e j b o e h

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e v o n r e h f o r e t c a r a h c n i a m e h t ,t r e b li G h t e b a z il

E Eat ,Pray ,Love.Therearet wo

t s s i h t n i d e r e w s n a e b o t s m e l b o r

p u dy(1 )“howi sEilzabeth,t hemaincharacte ro f ”

? d e y a rt r o p , l e v o n e h

t and (2) h“ ow i sEilzabeth’ ssefl-actuailzaiton revealed i n y

a r P , t a

E , Love? ” t a d y r a m ir p e h

T aoft hiss tudyi st henove ltisefl .Thes econdarydataare ,

s k o o b d e t a l e r m o r f n e k a

t encyclopaedia ,dicitonary ,and t heInternet .Thisstudy r

e t c a r a h c f o s e ir o e h t e h t s a h c u s s e ir o e h t s e s

u da n characte irzaiton, whlie the .

h c a o r p p a l a c i g o l o h c y s p e h t s i h c a o r p p a

.l e v o n e h t g n i s y l a n a r e tf a d e d u l c n o c e b n a c t a h t s g n i h t o w t e r a e r e h

T Frist ,

Eilzabeth i sporrtayed a scaree ro irented ,outgoing ,kind ,humorous ,wor ired , n

e p o d n a , e v it a k l a

t -minded .Second ,Eilzabeth actuailzes hersel fby becoming a fl

e s r e H . e b d l u o h s y ll a it n e t o p e h s n o s r e

p -actuailzaiton can be seen from the l

e s f o s c it s ir e t c a r a h

c f-actuailzed person tha tshe has met .She i sable accep t .s

i ti y a w e h t s a e r u t a n d n a e l p o e p r e h t o , fl e s r e

h Shei sspontaneou sand creaitve . t o n b o j r e h s e e s e h S . y l s u o it n e t e r p n u t h g u o h t d n a s n o it o m e r e h s e s s e r p x e e h S

e h r o f y e n o m n r a e o t s n a e m a s a y l e r e

m rilvingbu tshecanseeherj oba samean s o

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t fdetachmen tand

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e r u s a e l p d n a s s e n h s e r

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i h s n o it a l e r e s o l c d n a r e p e e d s a h e h S . s r e g n a rt

s wtih people around he rand he r

e p il e F , e v o

l .She i sa democraitc person .She can dfiferenitate between wha ti s s

a h e h S . d a b d n a d o o

g a grea tsenseo fhumour .However ,sher esist sherseflf rom .

n o it a r u tl u c n e e h t

s a d e s u e b n a c l e v o n e h

T the mate ira l to teach Cros s Cutlura l g

n i d n a t s r e d n

U (CCU )clas sin Engilsh Depa trmen tStudy Program o fSanata .

y ti s r e v i n U a m r a h D

: s d r o w y e

(10)

ii v A R T S B A K ir a t s e

L , Agatha Tr i Agung Budi . 2012.. Reveailng the Sefl-actuailzaiton o f e v o L , y a r P , t a E f o r e t c a r a h C n i a M e h t , t r e b li G h t e b a z il

E . Yogyakatra: Engilsh

, n o it a c u d E s tr A d n a e g a u g n a L f o t n e m tr a p e D , m a r g o r P y d u t S n o it a c u d

E Facu tly

d n a g n i n i a r T s r e h c a e T f

o Educaiton ,SanataDharmaUniverstiy. l e v o n s a h a b m e m i n i i d u t

S Eat ,Pray ,Love ,sebuah karya sasrta seorang n a l a jr e p u t a u s g n a t n e t n a k a ti r e c n e m i n i l e v o N . tr e b li G h t e b a z il E , a k ir e m A s il e v o n ir i p

s tua lEilzabeth Gliber tke itga negara yatiu ltI aai ,India and Indonesia untuk . a y n ir i d n a k i s a s il a u t k a g n e m tr e p e s ir i d i s a s il a u t k a u t a u s n a k u m e n e m k u t n u h a l a d a i n i i d u t s ir a d n a u j u T i r e t g n a

y il hat pada Eilzabeth Gliber,t t okoh utama dalam nove lEat ,Pray ,Love . u t s m a l a d b a w a ji d n a k a g n a y h a l a s a m a u d a d

A d iin i(1 )“bagaimana Eilzabeth , m a l a d n a k p a k g n u i d h t e b a z il E i ri

d Eat ,Pray ,Love?” dan (2 )“bagaimana sefl -m a l a d n a k p a k g n u i d h t e b a z il E i s a s il a u t k

a Eat ,Pray ,Love? ”

n a h a b m a t r e b m u S . ir i d n e s u ti l e v o n h a l a d a i n i i d u t s i r a d a m a t u r e b m u S i r a d l i b m a i

d buku-buku yang berkatian ,ensiklopedia ,kamus ,dan Internet .Stud i n a k g n a d e s , n a i s a s ir e t k a r a k g n e p n a d r e t k a r a k i r o e t a p a r e b e b n a k a n u g g n e m i n i . i g o l o k i s p n a t a k e d n e p h a l a d a n a k a n u g i d g n a y n a t a k e d n e p . l e v o n s i s il a n a g n e m h a l e t e s n a k l u p m i s i d t a p a d g n a y l a h a u d a d

A Petrama ,

a k u s , n a a jr e k e p a d a p n a k i s a t n e r o r e b g n a y g n a r o i a g a b e s n a k r a b m a g i d h t e b a z il E , a u d e K . a k u b r e t n a d , a r a c i b a k u s , n a ri t a w a h k , s ir o m u h , it a h k i a b , l u a g r e b i a u s e s g n a r o e s e s i d a j n e m n a g n e d a y n ir i d n a k i s a s il a u t k a g n e m h a l e t h t e b a z il E k A . a y n i s n e t o p n a g n e

d tuailsasinya dapa tdiilha tdar ikarakteirsitk seorang yang a y n ir i d a m ir e n e m a s i b a i D . a y n ir i d a d a p a d a g n a y i ri d n a k i s a s il a u t k a g n e m h a l e t g n a y g n a r o h a l a d a a i D . a y n n a a d a e k n a g n e d i a u s e s m a l a n a d n i a l g n a r o , ir i d n e s e p n a k p a k g n u g n e m a i D . fi t a e r k n a d n a t n o p

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(14)

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s m r e T f o n o it i n if e D .

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(15)

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(16)

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l e v o N e h T f o t x e t n o C .

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Y G O L O D O H T E M . I I I R E T P A H C

y d u t S e h t f o t c e j b O .

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y d u t S e h t f o h c a o r p p A .

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y d u t S e h t f o d o h t e M .

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S I S Y L A N A . V I R E T P A H C

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(17)

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(18)

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(19)

1 I R E T P A H C

N O I T C U D O R T N I

s i h

T chapteri sdivided i nto ifvepatrs .They areBackground oft heStudy ,

d n a y d u t S e h t f o s ti f e n e B , n o it a l u m r o F s m e l b o r P , y d u t S e h t f o e v it c e j b O

. m r e T f o n o it i n if e D

s i tr a p t s ri f e h

T background oft hestudywhichpresentst hedescirpiton o f

e v it c e j b o e h t s i d n o c e s e h T . n e s o h c s i c i p o t s i h t y h w n o s a e r e h t o s l a d n a c i p o t e h t

e b ir c s e d t a h t y d u t s e h t f

o sthe aim o fconducitng the research. The thrid i sthe

y l a n a e b l li w t a h t s m e l b o r p h c r a e s e r o w t h ti w s l a e d t a h t n o it a l u m r o f m e l b o r

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d n a r e h c r a e s e r e h t r o f t if e n e b e h t ,l a r e n e g n i s r e d a e r e h t r o f s ti f e n e b e h t y fi t n e d i

s m r e t f o n o it i n if e d e h t t u o b a s i tr a p t s a l e h T . r e h c r a e s e r e r u t u f e h t r o f ti f e n e b e h t

e s

u d in thi s study and thei r explanaiton used to avoid the readers ’

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y d u t S e h t f o d n u o r g k c a B . A

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,s u h T . e r o f e b n e e s t o n e v a h s r e d a e r e h t t a h t e c n e ir e p x e f

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(20)

ri e h t w o h t c e lf e r o t d n a e e s o t m g i d a r a p w e n r o e r u s a e l p r o f k o o

l lfiegoes .They

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i s really close to human being . In rea l lfie , people wli l ge t ou t from thei r

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w tenitally wli lbecomei nstead o ffollowing t he cu tlure

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(21)

e n i g a m

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e h S . a i s e n o d n I d n a a i d n

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p s to an acto rwhose name David .However ,thei rrelaitonship

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f e h

s eel smore reilef .She meets a Bailnese heale rnamed Ketu tLiye rwho has

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(22)

c it s ir e t c a r a h

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d n o c e s e h t d n a l e v o n e h t s a e c r u o s y r a m ir

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o y r o e h t e k il s e ir o e h t g n it r o p p u s e m o s s e s u y d u t s s i h

T f characte r and

c it s ir e t c a r a h c d n a y r o e h t s d e e n f o y h c r a r e i h s ’ w o l s a M m a h a r b A , n o it a z ir e t c a r a h c

fl e s f

o -actuailzi ng people .The explanaiton o feach theory i spresented in the

. o w t r e t p a h c

.

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fl e s s ’ e n o e e s o t s i y d u t s e h t f o e v it c e j b o e h

T -actuailzaiton a sseen in

l e v o n r e h f o r e t c a r a h c n i a m e h t ,t r e b li G h t e b a z il

E Eat ,Pray ,Love.

C .ProblemFormula iton

o w t e h t n i s e s u c o f r e ti r w e h t , y d u t s e h t f o s e v it c e j b o e h t f o w e i v n I

o it a l u m r o f s m e l b o r

p ns .Theyaref ormulatedasf ollows:

.

1 Howi sE ilzabeth,t hemaincharacte roft henovel ,porrtayed?

.

2 Howi sE ilzabeth’ss efl-actuailzaitonr evealedi nEat ,PrayLove?

s ti f e n e B h c r a e s e R . D

t u o b a r e tt e b d n a t s r e d n u n a c r e h c r a e s e r e h t l e v o n s i h t g n i y d u t s y

B thi s

fl e s r e h d n a t s r e d n u d n a l e v o

n .She uses psychologica lapproach to analyse the

(23)

r e h s n e d a o r b o s l a h c r a e s e r s i h T . p ir t r e h g n ir u d s c it s ir e t c a r a h c n o it a z il a u t c a

il t u o b a e g d e l w o n

k terary and psychology ,especially abou tcharacteirzaiton ,the

fl e s d n a s d e e n f o y h c r a r e i

h -actuailzi ng people .Fort her eader soft hist hesi ,s t hey

r i e h t g n il li fl u f m o r f d e z ir e t c a r a h c e r a y e h t w o h n o e g d e l w o n k e m o s n i a t b o y a m

m e h t e z il a u t c a o t w o h d n a s d e e

n selves .Thisr esearchi sexpectedt ogiver eference

e v i g l li w s l a ir e t a m d e n g i s e d e h T . s r e h c r a e s e r t x e n e h t r o f n o s ir a p m o c d n a

. n e v i g c i p o t e h t n i d e t s e r e t n i o h w s r e h c a e t h s il g n E r o f e c n e r e f e r

s m r e T f o n o it i n if e D . E

e h t d e if ir a l c r e h c r a e s e r e h t , g n i d n a t s r e d n u s i m d n a n o i s u f n o c d i o v a o T

. y d u t s e h t n i d e s u s m r e t c if i c e p s

r e t c a r a h C . 1

n

I Merriam Webster’ sEncyclopedia o fLtierature (1995) ,characte ri s

a e v it p ir c s e d a s a d e n if e d s i ti , t s ri F . s n o it i n if e d e m o s n i d e t a t

s nalysi so fahuman

n i d e t n e s e r p s i t a h t y ti l a n o s r e p e n o o t s r e f e r r e t c a r a h c , e n o d n o c e s e h T . e u tr i v

. a m a r d r o n o it c

if The thrid de ifniiton o fcharacte ri san individua lo fdrama o r

. m r e t d n o c e s e h t n o s e s u c o f y d u t s s i h T . y a l p

n o it a z i r e t c a r a h C . 2

m o r

F A Handbook o f Ltierary Terms characteirzaiton deifne s a s the

(24)

d n a s e it il a u q n a m u h ’ s r e t c a r a h c e h t e t a c i n u m m o c n a c s r o h t u a e h t n o it a z ir e t c a r a h c

e h t d n a t s r e d n u o t s r e d a e r e h t d a e

l humant hemeporrtayedi nt hework .

fl e S .

3 -actuailza iton

a

M slow state s tha t “sefl-actuailzaiton i s the reailzaiton o f al l one’ s

d n a t s i e F ( ” d r o w e h t f o e s n e s l l u f e h t n i e v it a e r c e m o c e b o t e ri s e d a d n a , l a it n e t o p

o b s ’ r e l g e i Z d n a e ll e j H n I . ) 9 0 0 2 , t s i e

F ok (1976) , Maslow deifne s sefl

-g n i m o c e b f o e l b a p a c s i e n o t a h t g n i h t y r e v e e m o c e b o t e ri s e d e h t “ s a n o it a z il a u t c a

fl e s , h c r a e s e r s i h t n I .s d e e n n a m u h f o l e v e l t s e h g i h e h t s i tI . ) 3 7 3 . p (

“ -actuailzaiton

l a it n e t o p s ’ e n o e z i m it p o o t s r e f e

r ,s killandcreaitvtiyt obecomeonedesriet obe.

a l a M a p a J . 4

n

I Merriam Webster’ sOnilneDicitonary ,japa malai sdeifned a sase to f

e b r e y a r

p ad spopulari nI ndiaand Tibet . tIi scommonlymadef rom108bead .s I t

a rt n a m a g n it a e p e r y ll a t n e m r o , g n it n a h c , g n it i c e r e li h w t n u o c g n i p e e k r o f d e s u s i

r a l u c it r a p a f o s e m a n r

o divintiy ,apracitceknowni nSansk ir ta sjapa.

a g o Y . 5

o t g n i d r o c c

A Merriam Webster’ s Onilne Dicitonary, “yoga i sHindu

l a u ti ri p s t c e f r e p f o e t a t s a r o f s s e n s u o i c s n o c e h t g n i n i a rt t a d e m i a e n il p i c s i d

r h t d e v e i h c a s i t a h t y ti ll i u q n a rt d n a t h g i s n

i ough the three path s o f acitons ,

n o it o v e d d n a e g d e l w o n

(25)

g n it a v it l u

c one’ s human potenital ’ and ulitmately aimed a t achieving ‘sefl

-’. n o it a s il a e

r tIi ss eena sawayofl fier athert hanreilgiouspresupposiiton.

n o it a ti d e M . 6

n o d e s a

B Merriam Webster’ sOnilne Dicitonary ,medtiaiton is a p irvate

r o n o it o v e d s u o i g il e

r menta lexercise ,in which technique so fconcenrtaiton and

d e s u e r a n o it a l p m e t n o

(26)

8 I I R E T P A H C

E R U T A R E T I L D E T A L E R F O Y R O E H T

f o c i p o t e h t e z y l a n a o t d e s u e r a t a h t s e ir o e h t e h t h ti w s l a e d r e t p a h c s i h T

f o s t s i s n o c t r a p t s ri f e h T . s tr a p e e r h t o t n i d e d i v i d s i r e t p a h c s i h T . y d u t s s i h t

e h T d n a y r o e h T s d e e N f o y h c r a r e i H , n o it a z ir e t c a r a h C d n a r e t c a r a h C f o y r o e h T

fl e S f o s c it s ir e t c a r a h

C -actuailzing Person . The second par t i s Theoreitca l

. l e v o N e h t f o t x e t n o C s i tr a p d ri h t e h T . k r o w e m a r F

.

A Reviewo fRelatedTheories

.

1 Theoryo fcharacterandcharacteriza iton

a .Theoryo fCharacter

s i r e t c a r a h

C a n individual presented in a dramaitc o rnarraitve work a s

n i d e t a t

s A Glossary o fLtierature Terms ,9th Ediiton. Referirng to thi sbook , n

I . e s o r p a n i d e h c t e k s s i o h w n o s r e p f o e p y t a s a d e n if e d o s l a r e t c a r a h

c Merriam

e r u t a r e ti L f o a i d e p o l c y c n E s r e t s b e

W (1995), characte r i s stated in some e h T . e u tr i v n a m u h a f o s i s y l a n a e v it p ir c s e d a s a d e n if e d s i t i , t s ri F . s n o it i n if e d

r o n o it c if n i d e t n e s e r p s i t a h t y ti l a n o s r e p e n o o t s r e f e r r e t c a r a h c , e n o d n o c e s

. a m a r

d Thet hriddeifniitono fcharacteri sani ndividua lo fdramaorplay. nS t ta on

) 5 6 9 1

( propose scharacte rast hei ndividual swhoappeari nt hes tory.

e k a m s r e t c a r a h c f o s n o it a e r c e h T . y r o t s a o d o h w s n o s r e p e r a s r e t c a r a h C

h g u o r h t y e v n o c o t s t n a w r o h t u a e h t t a h w e c n e ir e p x e d n a d n a t s r e d n u s r e d a e r e h t

. g n i e b n a m u h e h t f o n o it a t n e s e r p e r e h t s i r e t c a r a h c e c n i s s k r o w r i e h

(27)

i c s a t e n n e B d n a d l o n r

A tedi n AHandbooko fLtieraryTerm ,s “thef oundaiton o f r

e t c a r a h c s i n o it c if d o o

g -creaiton and nothing else” .Theevent so fastory would .

d e v l o v n i s r e t c a r a h c e h t m o r f y ll a r u t a n w o lf

b .Theoryo fCharacteriza iton

m o r

F A Handbook o f Ltierary Terms characteirzaiton deifne s a s a a

h c g n i y a rt r o p f o e u q i n h c e

t racte rin a work .Henkle (1977 ,p .86 )state stha t

n a m u h ’ s r e t c a r a h c e h t e t a c i n u m m o c n a c s r o h t u a e h t n o it a z ir e t c a r a h c h g u o r h t

n i d e y a rt r o p e m e h t n a m u h e h t d n a t s r e d n u o t s r e d a e r e h t d a e l d n a s e it il a u

q the

. k r o w

9 0 0 2 ( n o s n h o J d n a p r

A , p . 62 ) propose two kind s o f character s

s n o it a t n e s e r

p .They are d riec tpresentaiton and indriec tpresentaiton .In driec t

t a h w , r e t c a r a h c a t u o b a s r e d a e r e h t g n il l e t t u o t h g ir e m o c s r o h t u a e h t , n o it a t n e s e r p

a r e t c a r a h c e h

t re ilke drieclty o r from othe r characters . Whlie in indriec t

o t s d e e n r e d a e r e h T . e k il s i r e t c a r a h c e h t w o h s w o h s y l n o r o h t u a e h t , n o it a t n e s e r p

r e t c a r a h c e h t t a h w , s e o d r e t c a r a h c e h t t a h w g n i z y l a n a y b r e t c a r a h c e h t t u o e r u g if

w r e t c a r a h c r e h t o m o r f r o s y a

s hodescirbe she ro rhi .s

, t s ri F . r e t c a r a h c a d n a t s r e d n u o t s y a w e n i n s t s e g g u s ) 1 6 1 . p , 2 7 9 1 ( y h p r u M

e h t m o r f r e t c a r a h c s ’ e n o f o n o it p ir c s e d e m o s t e g n a c e

w persona ldescirpitonst ha t

.r o h t u a n a y b n e v i g e r

a The autho rmay descirbe one’ sappearance sand the

s e h t o l

c .Theappearance sdea lwtihwha twecans ees uchast hebulid,t hef ace,t he

d n a , s e s s e r d r e t c a r a h c e h t w o h , r a c s e h t ,s d n a h e h t ,r i a h e h t ,r u o l o c n i k s e h t ,s e y e

. s e h t o l c s i h r o r e h f o e l y t s e h

(28)

h

t rough ou rsigh tonly bu talso from t hesense o fsmelilng ,senseo fheairng and

h

t esenseoft ouching .Thecharacte rmaybepresentedbyhi ssmell ,hi sodour ,hi s

. o o t d n u o s s i h d n a h c u o t

f o d a e t s n I “ . r e h t o n a y b n e e s s a r e t c a r a h c e h t m o r f s i d n o c e s e h T

d n a s e y e e h t h g u o r h t m i h e b ir c s e d n a c r o h t u a e h t y lt c e ri d r e t c a r a h c a g n i b ir c s e d

t a h w d n a s e e s r e h t o n a t a h w , r e v e w o H . ” ) 2 6 1 . p , y h p r u M ( r e h t o n a f o s n o i n i p o

n o i n i p o r e h r o s i h d n a t h g i s r e h r o s i h e c n i s e u rt s y a w l a t o n l li w s k n i h t r e h t o n a

s i h y b s e c n e u lf n

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d n a s e y e e h t m o r f r e t c a r a h c s ’ e n o g n ir r e f n i n i s g n i h t e s e h t r e d i s n o c o t t n a tr o p m i

.r e h t o n a f o s n o i n i p o

h

T et hrid i sf romt hespeech .Peoplecommunicateeachothe rwtih speech .

d n a s y a s e h s r o e h t a h w h g u o r h t n o s r e p s ’ e n o f o r e t c a r a h c e h t s t n e s e r p r o h t u a e h T

r o e u g o l a i d y r e v e n i e u l c e h t g n i v i g s i r e t c a r a h c e h T . s k a e p s e h s r o e h w o h

v n i e h s r o e h n o it a s r e v n o

c olved .I tcan be dialogue wtih him o rwtih another .

o i c o s d n a n o it a c u d e s ’ r e t c a r a h c e h t r e f n i n a c e w , s y a s r e t c a r a h c e n o t a h w m o r

F

-g n i k n i h t s i r e t c a r a h c e h t t a h w d n if o s l a n a c e w , r e v o e r o M . d n u o r g k c a b l a r u tl u c

c e W . s e k il s i d r o s e k il r e t c a r a h c e h t t a h w d n

a an seehe ro rhi semoiton from t he

. d e s u e h s r o e h t a h t e n o t

o t s e u l c e v i g l li w e fi l t s a p r e t c a r a h c e h T . e fi l t s a p m o r f s i h tr u o f e h T

m o r f d e l a e v e r s i s i h T . r e t c a r a h c s ’ e n o d e p a h s e v a h t a h t s t n e v

e thedriec tcommen t

h t r e t c a r a h c s ’ e n o r o r o h t u a e h t y

b oughtt hrough t heconversaiton ort hrough t he

(29)

a o t s e u l c e v i g l li w r o h t u a e h T . s r e h t o f o n o it a s r e v n o c e h t m o r f s i h tf if e h T

y a s y e h t s g n i h t e h t d n a e l p o e p r e h t o f o s n o it a s r e v n o c e h t h g u o r h t r e t c a r a h c s ’ e n o

p n e h W . r e t c a r a h c s ’ e n o t u o b

a eoplet hinkabou tothe,rt heyo tfengiveclue sabou t

. t u o b a g n i k l a t e r a y e h t t a h t r e t c a r a h c s ’ e n o

s ’ e n o o t e u l c a s u e v i g o s l a n a c r o h t u a e h T . n o it c a e r e h t m o r f s i h t x i s e h T

. s t n e v e d n a s n o it a u ti s s u o ir a v o t s t c a e r e h s r o e h w o h h g u o r h t r e t c a r a h

c The

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. r e t c a r a h c e h t f o s e it il a u q l a r o m e h t d n a l a t n e m e h t

h t u a e h T . t n e m m o c t c e ri d m o r f s i h t n e v e s e h

T o rcandescirbeo rcommen t

n i n o s r e p f o d n i k t a h w d n a t s r e d n u y li s a e s r e d a e r e h T . y lt c e ri d r e t c a r a h c s ’ e n o n o

. t n e m m o c t c e ri d e h t h g u o r h t l e v o n e h t

e g d e l w o n k t c e ri d s r e d a e r e h t s e v i g r o h t u a e h T . t h g u o h t m o r f s i h t h g i e e h T

t o n o d e W . s i h t o d t o n n a c e w e fi l l a e r n I .t u o b a g n i k n i h t s i r e t c a r a h c e n o t a h w f o

n i ,r e v e w o H . t u o b a g n i k n i h t e r a e l p o e p t a h w w o n

k anove lweare ilke ilsteningt o

e t c a r a h c e h t t a h

w rt hough.t

The ninth i sfrom manneirsm .The autho rdesc irbe sone’ smanneirsm ,

r e t c a r a h c s ’ e n o t u o b a g n i h t e m o s s u l l e t o s l a y a m h c i h w s e i s a r c n y s o i d i r o s ti b a h

.s e v a h e b e h s r o e h w o h m o r f r e t c a r a h c s ’ e n o r e f n i ll i w r e d a e r e h T . ) 3 7 1 . p (

l s a M m a h a r b A .

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(30)

e s o p o r

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i v r u

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c in high esteem

(31)

n o s r e p a e m a f r o , n o it i n g o c e r , e g it s e r p e h t f o n o it p e c r e p e h t s i tI . n o it a t u p e r d e ll a c

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fl e S f o n o it i n if e D .

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y b d e t a v it o m e b l li w l a u d i v i d n

i beingneeds o rB-mo itvaitons .These B-mo itve s fl

e s e h T . s s e n d o o g d n a , y t u a e b , y t s e n o h , h t u rt s a h c u s s e u l a v e r

a -actuailzaiton

fl e s e d u l c n i s d e e

n -fuflliment ,the reailzaiton o f one’ s potenita l and desrie to

it a e r c e m o c e

b ve. In othe r words , sefl-actuailzed individua l are no longe r

i c if e d y b d e t a v it o

m encie sinstead moitvated t o grow and becomeal lheo rshe i s f

o e l b a p a

c becoming( Pert,i1981 ,p .305) .Theseneed swillmoitvatei ndividualt o

d n a p x

e thei rablitiy,t alent ,capactiyandpotenitaltiy .

fl e S f o s c it s i r e t c a r a h C .

b -actua ilzingPeople

e v e il e b w o l s a

M s tha tal lhumanhavet hepotenitalf ors efl- actuailzaiton

, t s i e F d n a t s i e F

(32)

r e m r o f r u o f e h t d e if s it a

s need sregulalry .Maslow i denitife ssome characteirsitc s

fl e s f

o -actuailzingpeople .Theyareasf o llowedbelow:

e r u t a N d n a s r e h t O , fl e S f o e c n a t p e c c A ) 1

fl e

S -actuailzingpeoplecanacceptt hemselves ,other sandnaturea st he

e r a y e h t y a

w . flS - ue act ailzingpeopleareno tworiredandcomplainingaboutt hei r

n k a e

w esse sandtherii mperfecitons .Heors heacceptt hei rnaturea stii s .

fl e

S -actuailzer od se regre twtih thei rnegaitve characteirsitc stha tcan be

, r e p m e t f o s s o l , s s e n i z a l s a h c u s e v o r p m

i though ltessness , and jealousy . c

s e s s e n k a e w e s e h t w o h g n i d n a t s r e d n

U an bet hei robstaclef ort hei rdevelopment ,

t e v o r p m i o t y rt l li w y e h

t hemselve sto be bette rperson .Thei rfaliure wli lno t

v i g s e v l e s m e h t e k a

m e upbutt heycanl earnhowt oge toverf romt herif aliureand

. n i a g a m e l b o r p e m a s e h t n o l i a f o t t o n

y ti e n a t n o p S ) 2

fl e

S -actuailzi ngpeoplet ends tobespontaneousi n both t hei rthought sand .

s n o it c

a He o rshe expresse s thei remoiton sand t hough tin openly and drieclty .

fl e

S -actuailzer si highly ethica lperson.Heo rshei sbehavingaccordingly t o t hei r

n a h t r e h t a r s y a w n w

o society usually does .I tmake ss -eflactuailzi ng people i s

(33)

3 )ProblemCentring

fl e

S -actuailzing people g s ive thei r atteniton to the problem s outside s

d n a p x e c it s ir e t c a r a h c s i h T . s e v l e s m e h

t hi s o r her purpose o f ilving . S -efl

r e z il a u t c

a g s ive concern son t hei rwork .Heo rshe ese shi sor rh e job no tmerely

n r a e o t s n a e m a s

a money for ilving bu the o rshe can see job a sa mean sto

p o l e v e

d especiallyhi so rhe rtalen ton ti .

4 )Detachment

9 0 0 2 ( t s i e F d n a t s i e

F ,p .292 )state tha tsefl-actualizing people has a f

o y ti l a u

q detachment t ha tallows t hem t o be alone wtihou tbeing l onely .H re o

s e o d e h

s no tdepend onotheri n ordert ogett hei rsaitsfaciton .Heo rsheremains

x a l e

r andcomfor twhethe raloneo rwtihother .

fl e

S -actuailzers behaviours are srtongly sefl- edri cted and sefl-cen rted by

s n a e

m they are no tbothered by wha tother sexpected from them. They tend to

. s n o it a u ti s ri e h t f o n o it a t e r p r e t n i n w o r i e h t n o s u c o f

5 )Autonomy:I ndependenceo fCutlureandEnvironment

fl e

S -actuailzing people i s independent .S -efl actuailzers are able to use

r i e h

t potenitailite sfo rgrowthanddevelopmen twtihou tdependingont hephysica l

o f e r e h T . t n e m n o ri v n e l a i c o s d n

a re, t hey haveahigh degree o fs -efl drieciton and

(34)

6 )Con itnuedFreshnes so fApprecia iton

fl e

S -actuailzer sshowt hei rappreciaitont ot hei rexpeirence swtihnewness , h

t s e n it u o r l a u s a c r i e h t t s u j e s o h t h g u o h tl a e r u s a e l p d n

a a t they have done

a w l a e r a y e h T . y l d e t a e p e

r y sgratefulf o rwhatt heyhaveandwhatt heyexpeirence .

y b d e ti c s

A Feis tand Feis t(2009) ,Maslow stated tha t“sefl-actuailzing people

o t y ti c a p a c l u fr e d n o w e h t e v a

h appreciate again and again ,freshly and naively ,

, e fi l f o s d o o g c i s a b e h

t wtihawe ,pleasure ,wonder ,andevenectasy”( p .293 .)

7) ThePeakExperiences

n e t n i f o s t n e m o m o t s r e f e r m r e t s i h

T seexctiemen tandhight ensiona swel l

e l b m u h e r o m h t o b l e e f y e h T . s s e n l u f s s il b d n a s s e n l u f e c a e p , n o it a x a l e r f o e s o h t s a

. e m it e m a s e h t t a l u fr e w o p e r o m d n

a

8 )SocialI nterest

fl e

S -actuailzingpeopleposses shighs ociali nterest .Heors hehas akindo f

n e v e e l p o e p r e h t o d r a w o t e d u ti tt a g n ir a

c srtangers .Maslow state ss -eflactuailzer a

h s genuine interest i n helping other seven t hough t hey are srtanger sa swel la s

s d n e ir

f (Feis tandFeist ,2006,p .292) .

9)I nterpersona lRela itons

fl e

S -actuailzingpeoplef orms qutiedeepandi ntensepersona lrelaitonship .

s i e h s r o e

H more i ncilned t o associate closely wtih other so fsimlia rcharacter ,

(35)

0

1 )Democra itcCharacterStructure

fl e

S -actuailzers basically respec tal lpersons .They are wliilng to learn e

h T . m e h t h c a e t o t e l b a s i o h w y d o b y n a m o r

f y rtea tal lhumanbeingequally.

1

1 )Discrimina itonbetweenMean sandEnds

fl e

S -actuailzer shave the ablitiy t o dfiferenitate between end sand mean s

. s d n e r i e h t g n i v e i h c a r o

f They enjoy the mean swhich are the processe s o f

l a o g r i e h t g n i u s r u

p s .Fu trhermore ,they show les sconfusion ,inconsistency ,and

t c il f n o

c thancommonpeopleusuallydoabou twhati s irght ,o rgoodo rbad .

2

1 )Senseo fPhliosophica lHumour

fl e

S -actuailzer s have f irendly sense o f humour . They do joke

g n i k o v o r p s i ti , s u h T . y e v n o c o t g n i h t e m o s s a h s y a w l a e k o j ri e h T . y l s u o e n a t n o p s

.r e t h g u a l o t n i t s r u b o t n a h t r e h t a r e li m s o t r e h t o

3

1 )Crea itveness

e h s s e n e v it a e r

C rede ifne sast hewaypeopleperceiveandr eactt o thei r

y li a d r i e h t n i s r a e p p a y ti v it a e r c s i h T . e fi

l lfiea sanexpression oft hei rpersonaltiy

.s u o e n a t n o p s d n a e v it p e c r e p s i h c i h w

4

1 )Resistancet oEncutlura iton

h s a d e b ir c s e d s i c it s ir e t c a r a h c s i h

T aving sense o fdetachmen tfrom the

t o n s e o d t I . y a w r a l u c it r a p a d n e c s n a rt o t g n i d n u o r r u

(36)

r e v e w o H . l a i c o s it n a e r a e l p o e

p ,when a speciifc issue arouse they wli llook fo r

c o s t s i s e r o t e g n a h c l a i c o

s iety’ sattempt sto encu tlurate them based on thei r

. s m o t s u c e h t t s n i a g a t u o h ti w d r a d n a t s

.

B Theoreitca lFramework

e m o s s e s u r e h c r a e s e r e h t , s n o it a l u m r o f m e l b o r p e h t r e w s n a o t r e d r o n I

ir o e h t e h T . s e ir o e h

t e stha thave been w irtten in the previou sp atr are used to

e h c r a e s e r e h t tr o p p u

s r’ sanswerst ot hoseproblemf ormulaitons .

" s i n o it s e u q t s ri f e h

T How i h st emajo rcharacter ,Eilzabeth, porrtayed i n l a e v e r o t d e s u e b l li w n o it a z ir e t c a r a h C d n a r e t c a r a h C f o y r o e h T e h T ” ? l e v o n t a h t

s s e c o r p e h t n i r e h c r a e s e r e h t e d i u g l li w y r o e h t s i h T . n o it a z ir e t c a r a h c s ’ h t e b a z il E

. s e ir o e h t e s o h t n o d e s a b s t c e p s a y n a m h g u o r h t r e t c a r a h c n i a m e h t g n i s y l a n a f o

s y a w e n i n f o s y a w n e v e s s e k a t h c r a e s e r s i h

T o fcharacteirzaiton .They

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