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A portrayal of a seminarian`s decision in responding the call through the main characters in Paulo Coelho`s by The River Piedra, I Sat Down and Wept.

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S T N E M E G D E L W O N K C A

Frislty , Iwould ilke t o t hank Jesu sCh irs,t t he Greates tMoitvato rfo rme m a I n e h w s m e l b o r p y m g n i v l o s n i e m g n i p l e h d n a s g n i s s e l b s i H r o f , y a d s i h t li t n u

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S to my parents ,fo rthei rsuppo tr ,thei r y m k n a h t d l u o w I . e m r o f e v o l g n i d n e r e v e n r i e h t d n a , e c n e it a p r i e h t , n o it n e tt a

t n u

a and my cousin sfo rthei rsuppo tr ,advice and thei rcare when Iwa sin a I

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d also would ilket o t hank my wholefamliy fort hei rhelp and .

s i s e h t e t a u d a r g r e d n u s i h t g n i h s i n if n i tr o p p u s

h

T ridly , Iwould ilke to thank my advisor ,Advenitna Pu rtanit , S.S,. e

c n a d i u g r e h d n a e c n e it a p r e h r o f , . m u H .

M when Iwas doing my t hesi swtih so

m e l b o r p y n a

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i s e h t e t a u d a r g r e d n u y m n o k c e h c d n

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k n a h t l a i c e p s y

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a m m E , it p e S , li r p A , r e h t s

E and Chocofo rallt hei rsuppo tri n my study and also d

n A . e fi l l a n o s r e p y m n

i t o al lmy f irend stha t Icanno tmeniton one by one s

r e tt e L h s il g n E n i s d n e ir f y m y ll a i c e p s

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k n a h t g i b y m t s a e l t o n t u b t s a l e h T . tr o p p u s s s e l d n e s i h d n a r e y a r

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f or tand praye r fo rme .And my l ast t hank i sfo rsomeone t ha tha s s

s e n i p p a h y m k c a b t h g u o r

b andr aisedmyhope.

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ii i v

H A I M L I A Y R A K I S A K I L B U P N A U J U T E S R E P N A A T A Y N R E P R A B M E L

S I M E D A K A N A G N I T N E P E K K U T N U

a

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a m a

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N :064214036

n a a k a t s u p r e P a d a p e k n a k ir e b m e m a y a s , n a u h a t e g n e p u m li n a g n a b m e g n e p i m e D

s h a i m li a y r a k a m r a h D a t a n a S s a ti s r e v i n

U ayayangbejrudu :l

A OP RTRAYALOFASEMINARIAN’SDECISIONI NRESPONDING L

L A C E H

T THROUGHTHEMAINCHARACTERSINPAULO S

O H L E O C

T P E W D N A N W O D T A S I , A R D E I P R E V I R E H T Y B

n a k ir e b m e m a y a s n a i k i m e d n a g n e D . ) a d a a li b ( n a k u lr e p i d g n a y t a k g n a r e p a tr e s e B

P a d a p e

k erpustakaan Universtia s Sanata Dharma hak untuk menyimpan , n a l a k g n a p k u t n e b m a l a d a y n a l o l e g n m , n i a l a i d e m k u t n e b m a l a d n a k h il a g n e m

t e n r e t n i i d a y n n a k i s a k il b u p m e m n a d , s a t a b r e t a r a c e s a y n n a k i s u b ir t s i d n e m , a t a d

p n a t s i m e d a k a n a g n it n e p e k k u t n u n i a l a i d e m u a t

a a pelru meminta i zin dar isaya

a y a s a m a n n a k m u t n a c n e m p a t e t a m a l e s a y a s a d a p e k i tl a y o r i r e b m e m n u p u a m

.s il u n e p i a g a b e s

. a y n r a n e b e s n a g n e d t a u b a y a s i n i n a a t a y n r e p n a i k i m e D

a tr a k a y g o Y i d t a u b i D

: l a g g n a t a d a

P 11J anuair 12 3 0 n

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Y T I L A N I G I R O S K R O W F O T N E M E T A T S

h t s i h t t a h t d e r a l c e d y lt s e n o h

I esis ,A Portraya lo fASeminarian’ sDecision i n s o h l e o C o l u a P n i s r e t c a r a h C n i a M e h T h g u o r h T l l a C e h t g n i d n o p s e

R Byt he

t p e W d n a n w o D t a S I , a r d e i P r e v i

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. d l u o h s r e p a p c if it n e i c s a s a , s e c n e r e f e r

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x E L B A

T OFCONTENTS E

G A P E L T I

T ... E

G A P L A V O R P P

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G A P E C N A T P E C C

A ... E

G A P O T T O

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G A P N O I T A C I D E

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T N E M E G D E L W O N K C

A ... I

S A K I L B U P N A A T A Y N R E P R A B M E

L ... Y

T I L A N I G I R O S K R O W F O T N E M E T A T

S ... S

T N E T N O C F O E L B A

T ... T

C A R T S B

A ... K

A R T S B

A ... i

ii ii i

v i v

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ii i v x

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ii i x N

O I T C U D O R T N I : I R E T P A H

C ... .

A Backgroundoft heStudy ... .

B ProblemFormulaiton. ... .

C Objecitve soft heStudy. ... .

D Deifniitono fTerm s... 1 1 5 5 6 W

E I V E R L A C I T E R O E H T : I I R E T P A H

C ... .

A Reviewo fRelatedStudy. ... .

B Reviewo fRelatedTheo ire s... .

1 Theoryo fCharacte randCharacteirzaiton. ... .

2 Theoryo fConfilct. ... .

a Interna lConfilct. ... .

b Externa lConfilct. ... .

C Theoreitca lFramework. ... 7 7 9 9 1 1

2 1

3 1

5 1 Y

G O L O D O H T E M : I I I R E T P A H

C ... .

A Objec toft heStudy. ... .

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6 1

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8 1 S

I S Y L A N A : V I R E T P A H

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A TheAuthor’ sDescirpitonaboutt heMainCharacters. ... .

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B TheConfilct soft heMainCharacters. ... .

1 Pliar’ sConfilct. ... .

2 Pliar’ sChlidhoodF irend’ sConfilcts. ... .

C Porrtaya l o f A Seminairan’ s Decision in Responding the Cal l .. .. .. .. . d n e ir F d o o h d li h C r e H d n a r a li P n e e w t e b s t c il f n o C e h t h g u o r h t

0 2

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O I S U L C N O C : V R E T P A H

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H P A R G O I L B I

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o y r a m m u S e h

(13)

ii x

T C A R T S B A

I T S E M A R P A K I R A I S E R E H T A I R A

M . A Portrayal fo A Seminarian’ s

Deci ison ni Responding et C llh a Through The Main Character si Pn aulo Coelho’ sByt heRive rPiedra, ISatDownandWept .Yogyakatra :Depatrmen to f

1 0 2 , y ti s r e v i n U a m r a h D a t a n a S , s r e tt e L h s il g n

E 3.

d e lt it n e l e v o n s ’ o h l e o C o l u a P s e s s u c s i d s i s e h t e t a u d a r g r e d n u s i h

T By t he

a r d e i P r e v i

R ISa tDown and Wept. Thi snove lis i nteresitng t o discus sbecause thi sbook presentst heromanitc love between awoman and a seminairan .And i t

s n i a t n o

c the confilct s tha t porrtay how a seminairan make s a decision in ll

a c e h t g n i d n o p s e

r .

s i t s ri f e h T . y d u t s s i h t n i d e s s u c s i d e b o t s m e l b o r p e e r h t e r a e r e h

T the

t u o b a n o it p ir c s e d s ’ r o h t u

a themain characters .Thesecond problem i saboutt he s

r e t c a r a h c n i a m e h t f o s t c il f n o

c .The thrid problem is op rrtaya la semina iran in d n a r a li P n e e w t e b s t c il f n o c e h t h g u o r h t ll a c e h t g n i d n o p s e r n i n o i s i c e d a g n i k a m

d n e ir f d o o h d li h c r e

h ast hemaincharactersi nt hi snov . el

e h t d n if o t d n a a t a d e h t t c e ll o c o t h c r a e s e r y r a r b il e h t s e s u r e ti r w e h T ir o e h

t e sand r eferencesf ort hestudy .Thewrtie rusest heformailsitcapproach t o e

b app iled in thi sthesis .The wrtie r think s tha tthe formailsitc approach i s o

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a thestudybecauset hewrtierf ocuse sont hei nt irnsicelement soft he l e v o n e h t m o r f n e e s e b n a c t a h t s t c il f n o c e h t d n a s r e t c a r a h c e h t e r a h c i h w l e v o n

.l e v o n e h t e d i s t u o m o r f n o it a m r o f n i l a n o it i d d a y n a t u o h ti w f l e s

ti

ti r w e h t , y d u t s e h t f o t l u s e r e h t s

A e rmake sconclusion fo rthi sstudy . y

lt s ri

F , t hemain characters i n t hi sstory a re Plia rand he rch lidhood firend .The g n i n n i g e b e h t n i n o s r e p k a e w a s i o h w r e t c a r a h c d n u o r a s a r a li P d e b ir c s e d r o h t u a

h d li h c s ’ r a li P . n o s r e p h g u o t a s e m o c e b d n a y r o t s e h t f

o oodf irendi sdescirbeda sa

. y r o t s s i h t n i n a ir a n i m e s a s i e H . n o s r e p t n a ti s e h d n a s u o ir u

c Secondl ,y thewrtie r

n i a l p x

e s abou tthe confilct so fthe main characters .Plia rha sconfilc twtih he r i

s i c e d s i h t u o b a t c il f n o c s a h d n e ir f d o o h d li h c r e h d n a , d n i

m o n. Thridl sy i abou t

e h t h g u o r h t ll a c e h t g n i d n o p s e r n i n o i s i c e d a g n i k a m n i n a ir a n i m e s a f o l a y a rt o p

. d n e ir f d o o h d li h c r e h d n a r a li P n e e w t e b s t c il f n o

c Theconfilct sbetweenPlia rand

r o t s e d i c e d n a ir a n i m e s a w o h f o l a y a rt o p e h t s w o h s d n e ir f d o o h d li h c r e

h espond

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t Int heend oft hestory ,hemake sadecision whichi sagood decisionf o r .

(14)

ii i x K A R T S B A . I T S E M A R P A K I R A I S E R E H T A I R A

M A oP rtraya l o f A Seminarian’ s

ll a C e h t g n i d n o p s e R n i n o is i c e

D Through The Main Characters in Paulo s ’ o h l e o

C BytheRive rPiedra, ISa tDownandWept .Yogyakatra :Jurusan Sasrta 1 0 2 , a m r a h D a t a n a S s a ti s r e v i n U , a rt s a S s a tl u k a F , s ir g g n I 3. g n a y o h l e o C o l u a P a y r a k l e v o n h a u b e s g n a t n e t s a h a b m e m i n i s i s e T l u d u jr e

b By the Rive rPiedra , ISa tDown and Wept .Nove ltersebu tsanga t a n e r a k i ti l e ti d k u t n u k ir a n e

m noveli n imengisahkan t entang certiacintar oman it s a g u j i n i l e v o n m a l a d i d n a D . m a m i n o l a c g n a r o e s n a g n e d a ti n a w g n a r o e s a r a t n a m a m i n o l a c g n a r o e s a r a c n a k r a b m a g g n e m g n a y k il f n o k g n a t n e t n a k a ti r e c n e m p e k h a u b e s t a u b m e

m utusandalammenanggap ipanggliannya. a g it t a p a d r e

T rumusan permasalahan yang akan dibaha sdalam peneilitan i

n

i . Rumusan masalah yang petrama adalah cara pengarang menggambarkan h

o k o

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u h a t n i g n i a s a r i a y n u p m e m g n a y g n a r o e s e s i a g a b e s n a k r a b m a g i d r a li P l i c e k a s a m u g a r g n a y g n a r o e s e s n a

d -ragu. Diamerupakaseorang calon i mam .Yang kedua, k il f n o k g n a t n e t n a k s a l e j n e m s il u n e

p -konfilkyangt ejrad ipadat okoh-tokohutama . a s a m n a m e t n a k g n a d e s i ri d n e s a y n n a ri k i p n a g n e d k il f n o k i a y n u p m e m r a li P .l i b m a a i d h a d u s g n a y n a s u t u p e k g n a t n e t k il f n o k i a y n u p m e m a y n li c e

k Yang

t a a s n a s u t u p e k l i b m a g n e m m a l a d m a m i n o l a c g n a r o e s n a r a b m a g i a n e g n e m a g it e k f n o k i u l a l e m a y n n a li g g n a p i p a g g n a n e

m ilk antaraPlia rdan t eman masakeclinya . n o l a c g n a r o e s a r a c g n a t n e t n a r a b m a g g n e p n a k k u j n u n e m a k e r e m a r a t n a i d k il f n o K a n e m n a d n a s u t u p e k l i b m a g n e m m a l a d m a m

i nggap ipanggliannya .Pada akhi r

a ti r e

(15)

1 I R E T P A H C

N O I T C U D O R T N I

.

A Backgroundoft heStudy

Att hef ris titmewhent hewrtie rwantst o ifndoutt hede ifniitonofl tierature , e m o s m o r f e r u t a r e ti l f o n o it i n if e d e m o s e r a e r e h T . d e s u f n o c s t e g r e ti r w e h t

il t u o b a w e i v f o t n i o p n w o r i e h t e v a h y e h T . s r o h t u

a teraturebu tactuallyt heyhave e

m a s e h

t idea. s i e r u t a r e ti

L group o f ifciton ,poem ,and plays .Mos to fltierary works e

b ir c s e

d et h reailite sof l fie .They show sadness ,happines ,s l ove ,death ,murder , t

c e lf e r y e h t s e m it e m o S . e r o m y n a m d n a , ri a f f

a wha thappen i n l fie .“Ltieraturei s e

v a h t a h t n o it a u ti s n o d e s a b e b y a m t I . e fi l n a m u h f o s h t u rt e h t o t d e t a l e

r occurred

8 9 1 , s b o c a J & t r e b o R ( ” .r u c c o r e v e n y a m h c i h w d n

a 7 :2) .Reading l tieraturecan

. d lr o w s i h t t u o b a e c n e ir e p x e d n a e g d e l w o n k r u o h c ir n e

g n i d r o c c

A to Rober tand Jacobs ,Ltierature ha srelaiton wtih human l fie. I t e h t f o n o it p ir c s e d a e b n a c e r u t a r e ti L . d n i k n a m u h f o e fi l h t u rt e h t e b ir c s e d

n o it a u ti

s tha thappens ,ha shappened ,wli lhappened ,o rneve rhappens .Someitme s e

h t s a d e s u e b n a c e r u t a r e ti

l ciritcismoft hecondiitoni nace trainera. e

r a y e h T . s e r n e g n i a m e e r h t s a h e r u t a r e ti

L ifciton ,poerty ,anddrama. They r

i e h t e v a

h o wnspecialtyt ha tmake speoplei nterested t or eadi .t I n t hist hesi ,st he l

e v o n a e z y l a n a o t s e d i c e d r e ti r

w insteado fotherl tierary work sbecausenove sli e h t d n a , m e l b o r p e h t , r e t c a r a h c e h t g n i b ir c s e d n i d e li a t e d d n a e t e l p m o c e r o m

(16)

2

n i s t c e p s a e m o s e r a e r e h T . t o l p a f o t r a p e h t n i ll it s s i y d u t s s i h t f o c i p o t e h T

. y r o t s a n i e r u t c u rt s a e k a m t a h t t o l p

a Robetr sandJ acobss tatedt hatt hereare ifve s

t n e m e l

e inasrtuctureo faplo.t I nt hei rbookenitltedFiciton :AnI ntroducitont o )

n o it i d E d n o c e S ( g n it i r W d n a g n i d a e

R , t hereareexposiiton ,compilcaiton ,cirsis , .

n o it u l o s e r d n a , x a m il

c Robe tr sand Jacob salso stated abou tthe impo trance o f .t

o l p a n i t c il f n o c

e h t ,t c il f n o c n I .t c il f n o c s i t o l p f o , e c n e s s e e h t ,t n e m e l e t n a c if i n g i s t s o m e h T

e e r g e d t s e h g i h r i e h t o t t u o t h g u o r b e r a s e s n o p s e r n a m u

h . In ti s mos t

m r o f l a t n e m e l

e ,aconfilcti st heopposiiton o ftwo people .They may ifght , r

e h t o h c a e p l e h t s il n e , e u g r

a ,and otherwise carry on thei ropposiiton . t

s i x e o s l a y a m t c il f n o

C between large rgroups ,atlhough in imaginaitve e

l b a if it n e d i e r o m e r a s l a u d i v i d n i n e e w t e b s t c il f n o c , e r u t a r e ti

l and t herefore

n i e r o

m teresitng (Robe tr sandJ acobs ,1987: )9 . 9 s b o c a J d n a s tr e b o R , e v o b a n o it a t o u q e h t m o r

F stated tha tconfilc ti sthe

n e p p a h n a c t c il f n o c e d i s e B . t o l p a n i t n e m e l e t n a tr o p m i t s o m e h t d n a e c n e s s e

g r a l n e e w t e b n e p p a h n a c t c il f n o c y r o t s a n i , e l p o e p o w t n e e w t e

b e r groups .

n e e w t e b s t c il f n o c e h t , s p u o r g r e g r a l n e e w t e b n e p p a h n a c t c il f n o c h g u o h tl A

e r o m e r f a s l a u d i v i d n

i interesitng. i a m e h t o s l a s i t c il f n o

C n elementi n asrtuctureo faploti n astory .Robetr s d

e t a t s s b o c a J d n

a aboutt hei mpo trantr oleo fconfilcti naplo.t

o w t e c n o t a h t s i t o l p a n i t n e i d e r g n i r o j a m e h t s i t c il f n o c t a h t n o s a e r e h T

, t b u o d e h T . e m o c t u o e h t t u o b a t b u o d e b y a m e r e h t , n o it i s o p p o n i e r a s e c r o f

d o r p , s e t c a r a h c e h t h ti w d e g a g n e d n a d e t s e r e t n i s e m o c e b r e d a e r e h t

fi uce s

n e t o s l a d n a y ti s o ir u

c s (ion Robe tr sandJ acobs ,1987: )9 . 9 a n i t n a tr o p m i o s s m e e s t c il f n o c , t n e m e t a t s t a h t o t g n i d r o c c

A plo tbecause the

t c il f n o

c s betweent wooppostief orce ,si ndividuals ,o rgroup scanbulidt hei nterest o

s l a d n a s r e d a e r e h t f o n o i s n e t e h t d n

(17)

y e h t e li h w n o it o m e ’ s r e d a e r e h t e c n e u lf n i n a c t c il f n o c f o e c n e t s i s x e e h t , y lt c e ri d n I

. y r o t s e h t d a e r

e h t s t n e s e r p e r l e v o n a “ , e n ir r e P y b d e t a t s s

A imtiaitononman’ sdayl fieand e

r f o e g a m i n a s r e f f o d n a y a w l a r u t a n a n i s r e n n a

m al l fie.”(Perirne ,1966: 76) ,

s a h o s l a h c i h w e fi l y r a n i d r o s ’ e l p o e p t u o b a s ll e t l e v o

n confilcts ,feeilngs ,and

e r a y e h T . y r o t s e h t f o c i p o t e h t o t g n i d r o c c a s e p y t y n a m s a h o s l a l e v o N . s m e l b o r p

, n o it c if e c n e i c s , r e ll ir h t , e c n a m o

r and many more .Every novel ha s ti s own q

i n

u uenes saccording to the authors ’way to expres sthe idea. One o fthe good s

r o h t u

a whohave rwittenmanygoodnovelsi sPauloCoelho. s

i o h l e o C o l u a

P aBraziilanauthor .Hei soneof theauthor swho wrtieal o t s

i h f o t s o M . s l e v o n t a e r g f

o novel sbecome best-selilng book sso the wrtie r t

s e b s i h f o e n o s e s o o h

c -selilng bookst o beanalyzed .Among hi sfamou snovels , s

e s o o h c r e ti r w e h

t Byt heRive rPiedra ISa tDownandWepttoanalyzef u trhe.r ,

k o o b s i

H By the Rive rPiedra ISa tDown and Wept ,i sfris tpubilshed in s

i ti e s u a c e b d e z y l a n a e b o t k o o b s i h t s e s o o h c r e ti r w e h T . 4 9 9

1 very i nteresitng

y r e v d n a k o o

b interesitngs tory .Thi sbooki sabou tas weetl oves tory andhowt he .

r a e f r e h m o r f s e l g g u rt s r e t c a r a h c n i a m

t u o b a s ll e t k o o b s i h t y lt s o

M theconfilc tof t hemain characterto ifnd thei r e

fi l f o e s o p r u

p . tIi sal ovestoryaboutt wochlidhood f irend swhowereseparated r

o

f long itmeand nowt heymee tagain t ogaint heril ove.Thewrtie r ifndsl ot so f b

a s ll e t m o d s i w e h T . l e v o n s i h t n i m o d s i

w outl ove,s acir ifce ,devoitont oGod ,and .

(18)

4

e s o o h c r e ti r w e h t , e v o b a s n o it a n i a l p x e e m o s e h t o t d e t a l e

R s toanalyzet ha t

d e lt it n e l e v o

n ByTheRive rPiedra ISa tDownandWep .tA tfert hewrtierr eadt he r

o t s e l o h

w y,t hewrtie rcanseetheconfilc tbetweenPlia randhe rchlidhoodf irend g n i d n o p s e r t u o b a n o i s i c e d a g n i k a m n i d n e ir f d o o h d li h c r e h e c n e u lf n i y ll a n if t a h t

s e b ir c s e d r o h t u a e h t w o h t u o b a g n it s e r e t n i s i r e ti r w e h T . n a ir a n i m e s a s a l l a c e h t

i h c r e h d n a r a li

P ldhood f irend i n t he wholestory .This t opicwli lbeanalyzed by .

r e ti r w e h

t I s ti interesitngt obeanalyzed . o

t s s i h t n

I ry ,Pliar i sdesc irbed a saperson who i sl ack o fcon ifdence .She s

a p e h t n i y r o t s e v o l c it a m u a rt a s a

h t ,bu tshei srtyingt obet ough .Thewrtie rwli l f

o n o it p ir c s e d e h t e v r e s b

o theautho rabou tPlia ra soneoft hemain charactersi n .

l e v o n e h

t The wrtie r also want s to know wha t happen s to Plia ra tfe r he r s

n e p p a h t a h w d n a r e h t f e l d n e ir f d o o h d li h

c when11yearsl ate rdesitnyb irngst he .

n i a g a r e h t e g o t s r e v o l

r a li P , g n i n n i g e b e h t n

I i sdescirbed a saweak person who ha sa rtaumaitc h

g u o t e b o t g n i y rt s i e h s , n e h T . t s a p e h t n i y r o t s e v o

l .11 year slate rwhen she

. r o f g n it i a w s i e h s m o h w d n e ir f d o o h d li h c r e h h ti w n i a g a s t e e

m The confilct

n i d n e ir f d o o h d li h c r e h t e e m o t n o i n i p o r e h d n e f e d o t s tr a t s r a li P n e h w s n i g e b

. d ir d a

M The confilc t happen s to he r along he r journey accompanying he r d

n e ir f d o o h d li h

c hast augh ther t o bet ough .Then, t hrough her j ourney wtih he r h

t y n a m s n r a e l e h s , r e v o

l ings .Through the journey ,Plia ralso can change he r .

n o i s i c e d s ’ d n e ir f d o o h d li h

c In t he beginning i tseem sdfiifcul tfo rPliari fshe i s .

n a ir a n i m e s a e b l li t s l li w e h d n a d n e ir f d o o h d li h c r e h y b n i a g a t f e

l Finally ,he r

n a y r a n i m e s s e v a e l d n e ir f d o o h d li h

(19)

.

B ProblemFormula iton

s ’ r e ti r w e h t f o n o it c e ri d e h t e n i m r e t e d l li w s n o it s e u q g n i w o ll o f e h T

: s i s y l a n a

.

1 Howdoest heautho rdescirbeP lia randhe rchlidhoodf irend? .

2 Wha taret heconfilct so fP lia randhe rchlidhoodf irend? .

3 How do the confilct sbetween Plia rand he rchlidhood firend p r yo rt a a a

g n i k a m n i n a ir a n i m e

s decisioni nr espondingt hecall?

.

C Objecitves oft heStudy

s a h y d u t s s i h

T three problem formulaitons ,so i talso ha sthree objecitves . t

u o d n if o t s i e v it c e j b o t s ri f e h

T how t heautho rdescirbe sthemain characters i n y

r o t s e h

t ,PauloCoelho’ sByt heRive rPiedra ISa tDown andWept .Int hi sstory d

n e ir f d o o h d li h c r e h d n a r a li P e r a s r e t c a r a h c n i a m e h

t .Thesecondobjecitvei sto

t u o d n

if theconfilct soft hemain character sin t hi sstory .Themaincharactersi n . t c il f n o c l a n r e t x e d n a l a n r e t n i e v a h , d n e ir f d o o h d li h c r e h d n a r a li P , y r o t s s i h

t The

e h t t u o d n if o t s i e v it c e j b o d ri h

t po rtaya lo fasemina iran i n making adecisioni n e

w t e b s t c il f n o c e h t h g u o r h t ll a c e h t g n i d n o p s e

r en Plia rand he rch lidhood firend . n

o i s i c e d s i h e c n e u lf n i ll i w t c il f n o c s i h

T inr esponding t hecal la saseminairan. I t e h t d n o p s e r o t n o i s i c e d a e k a m o t s a h e h n e h w n a ir a n i m e s a f o l a y a rt o p a e b n a c

.t s e ir p a e b o t ll a

(20)

6

.

D Deifni itono fTerms

e r a e r e h

T t ow termst ha tareused i n t he itlteand t heproblemformulaiton . r

e t c a r a h c : e r a y e h

T andconfilct. .

1 Character r e t c a r a h

C s aremos to tfenusedt or efe rapersoni nas toryandcharacter sare e

w s a , s t h g u o h t d n a , t c e l a i d , n o it c a r i e h t h g u o r h t d e t n e s e r p y ll a u s

u l la sby

, g n i e b n a m u h f o n o it a t n e s e r p e r s ’ r o h t u a “ n a o s l a s i r e t c a r a h c A . n o it p ir c s e d

s t c a e r l a u d i v i d n i n a w o h e n i m r e t e d t a h t s e it il a u q r e n n i e s o h t f o , y ll a c if i c e p s

t n e m n o ri v n e s i h r o r e h e p a h s o t s t p m e tt a s n o it i d n o c s u o ir a v o

t .”(Robetrs ,

9 6 9 1 : )45 .

2 Confilct

“Confilc ti sa srtuggle which grow sou to fthe interplay o ftwo opposing t

o l p a n i s e c r o

(21)

7

I I R E T P A H C

W E I V E R L A C I T E R O E H T

.

A Reviewo fRelatedStudies

a f o t n e m p o l e v e d r e t c a r a h c t u o b a s s u c s i d d n a e ti r w o s l a e l p o e p e m o S

e h t , y d u t s s i h t n I . s y a w t n e r e f fi d n i d n a s l e v o n t n e r e f fi d m o r f r e t c a r a h c n i a tr e c

w s e i d u t s r e h t o h ti w y d u t s r e h e r a p m o c l li w r e ti r

w hichhavesimliart opicwtiht he

s i h w r e ti r w e h t h ti w c i p o t r a li m i s e v a h t a h t s i s e h t o w t s e s o o h c r e ti r w e h T . r e ti r w

t u o b a s

i confilct .The fris tone i sthe undergraduate thesi sfrom Sr iSaraswat i d

e lt it n

e The Inlfuence o fConfilct sUpon the Main Characte rDevelopmen tin m

a il li W e e s s e n n e

T The Roman Sp irng o fMr .sStone .The Second one i sthe m

o r f s i s e h t e t a u d a r g r e d n

u Heirbetru s Vendykurniawan Purta enitlted The n i t n e m p o l e v e D y ti l a n o s r e P s k c i H l a m a J d r a w o t s t c il f n o C f o n o it u b i r t n o C

s s r e y M n a e D r e tl a

W Scorpions.

it a w s a r a S i r

S (2006 )discussed abou tthe in lfuence o fconfilct supon the t

n e m p o l e v e d r e t c a r a h c n i a

m in hert hesi senitltedTheI nlfuenceo fConfilct sUpon

s m a il li W e e s s e n n e T n i t n e m p o l e v e D r e t c a r a h C n i a M e h

t The Roman Sp irng o f e

n o t S .s r

M .In he rstudy ,she used a work of ltierature by Tennessee Wliilam d

e lt it n

e TheRoman Spring o fMrs .Stone. In her t hesis ,shediscussed about t he n

i a

m characte rdevelopmen twhichisi n lfuencedbyconfilct shappenedt ohe.r

t t s o m l a s i y d u t s f o s u c o f r e

H hesamewtiht hewrtier’ sstudy .Shediscussed .s

t c il f n o c f o e c n e u lf n i e h t t u o b

a Thedfiference sareont heobjec to fstudyandt he e

r a t a h t s t c il f n o

(22)

8

n i d n o p s e r n i n o i s i c e d s i h g n i k a m n i n a ir a n i m e s a e c n e u lf n

i g the call. But ,Sr i

i t a w s a r a

S explained abou t the in lfuence a f the whole confilct s toward the t

n e m p o l e v e d r e t c a r a h

c .

it a w s a r a S i r

S (2006) explained moreabout t he confilct shappened t o Mrs . t

e b t c il f n o c e h t d e n i a l p x e e h s , t c il f n o c l a n r e t x e e h t r o F . e n o t

S ween Mrs .Stone

o l o a P d n a e n o t S . s r M o s l a d n a , d n a b s u h r e h d n a e n o t S . s r M , y t e i c o s r e h d n a

) 5 3 : 6 0 0 2

( .In he rconclusion ,she stated tha tthe way Mrs .Stone solved he r .s

c it s ir e t c a r a h c r e h d e t c e f f a d e c n e ir e p x e d a h e h s t c il f n o c

t u P n a w a i n r u k y d n e V s u tr e b ir e

H r a (2011) studied abou tcontirbuiton o f t

n e m p o l e v e d y ti l a n o s r e p s ’ r e t c a r a h c n i a tr e c d r a w o t s t c il f n o

c in Watle r Dean

’ s r e y

M Scorpions .The itlteo fhist hesisi sTheContribuiton o fConfilctst oward

s r e y M n a e D r e tl a W n i t n e m p o l e v e D y ti l a n o s r e P s k c i H l a m a

J sScorpions .Inhi s t

n e m p o l e v e d y ti l a n o s r e p e h t t u o b a d e n i a l p x e e h , y d u t

s a s the resul t o f the

. s t c il f n o

c He irbetrusf ocusedont hemaincharacter ,Jama lHicks .Heanalyzedt he lf n o c l a n r e t x e d n a l a n r e t n i e h t t u o d n u o f d n a s k c i H l a m a J f o n o it a z ir e r e t c a r a h

c ict s

e H . s k c i H l a m a J f

o alsodiscussedaboutt her oleo fconfilctsi nt hedevelopmen t e

z y l a n a e H . y ti l a n o s r e p r o s c it s ir e t c a r a h c s ’ r e t c a r a h c n i a tr e c f

o d the role o f

. t n e m p o l e v e d y ti l a n o s r e p s ’ r e t c a r a h c a n i s t c il f n o c

e e w t e b y ti r a li m i s a s i e r e h t h g u o h tl

A nhi sstudy andt hewrtier’ sstudy ,bu t e h t d n a , y d u t s e h t f o t c e j b o e h t , y d u t s e h t f o h c a o r p p a e h t n i t n e r e f fi d e r a y e h t

g n i s u y b t n e m p o l e v e d y ti l a n o s r e p e h t n o d e s u c o f y d u t s s ’ a rt u P . y d u t s e h t f o s u c o f

r e ti r w e h t r e h t e h w h c a o r p p a l a c i g o l o h c y s

(23)

y d u t s s i h n I . h c a o r p p a c it s il a m r o

f Purta analyzed the interna lconfilct sand s

t c il f n o c l a n r e t x

e fo the main characte rwho i sJama lHicks .In he rstudy ,the r e h d n a r a li P e r a o h w s r e t c a r a h c n i a m o w t f o s t c il f n o c e h t d e z y l a n a r e ti r w

i h

c ldhoodf irend.

. t c il f n o c t u o b a d e s s u c s i d s i s e h t s ’i t a w s a r a S d n a s i s e h t s ’ a rt u P h t o B

y e h t , y d u t s s ’ r e ti r w e h t h ti w d e r a p m o

C discus sabou tthe in lfuence o fconfilc t t

n e m p o l e v e d y ti l a n o s r e p d n a t n e m p o l e v e d r e t c a r a h c d r a w o

t .In he rstudy ,the

s e if i c e p s r e ti r

w the confilc t tha t in lfuence sthe decision o fa seminairan in r e t c a r a h c s ’ r a li P t u o b a n i a l p x e o s l a r e ti r w e h t h g u o h tl A . ll a c e h t g n i d n o p s e r

, t n e m p o l e v e

d tii snott hemainpoin toft hiss tudy.

.

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o t s e ir o e h t e m o s s e il p p a r e ti r w e h

T explain and answe r the problem

: e r a s e ir o e h t e h T . s n o it a l u m r o f

.

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e r u t a r e ti l f o k r o w a f o s t n e m e l e c i s n ir t n i c i s a b e h t f o e n o s a s r e t c a r a h C

m a r b A . e g a s s e m a g n ir b y ll a u s

u s in hi sbook ,A Glossaryo fLtieraryTermssays o h w , k r o w e v it a r r a n r o c it a m a r d a n i d e t n e s e r p s n o s r e p e h t “ e r a s r e t c a r a h c e h t t a h t

d n a , l a n o it i s o p s i d , l a r o m h ti w d e w o d n e g n i e b s a r e d a e r e h t y b d e t e r p r e t n i e r a

. o d y e h t t a h w y b d n a y a s y e h t t a h w n i d e s s e r p x e e r a t a h t s e it il a u q l a n o it o m e

(24)

0 1

n i s d o o W d n a r e g r e b r h o

R Reading and Wriitng abou tLtieraturestatet ha t t

t p e c c a t s u m s r e d a e r e h t t a h t o s e l b i d e r c e b t s u m s r e t c a r a h

c hem a sbeilevable

: 1 7 9 1 ( e l p o e

p 20) . Atlhough the characte r i s a ifcitona l character , the a

b y ll a u s u s i c it s ir e t c a r a h

c sedon t her ea lpersoni nt hewo lrd. I n othe rword ,st he .

y ti l a e r n i g n i e b n a m u h f o n o it a ti m i e h t e r a s r e t c a r a h c

t li u b s i r e t c a r a h c t a l F . r e t c a r a h c t a lf d n a r e t c a r a h c d n u o r e b n a c r e t c a r a h C

o h ti w d n a e n il t u o n i d e t n e s e r p d n a y ti l a u q r o a e d i e l g n i s a d n u o r

a u tmuch

e l g n i s a n i d e b ir c s e d y l e t a u q e d a y lr i a f e b n a c o s d n a , s li a t e d g n i z il a u d i v i d n i

n i x e l p m o c s i r e t c a r a h c d n u o r , e li h W . ) 1 2 : 1 8 9 1 , s m a r b A ( . e s a r h p r o e c n e t n e s

. y lr a l u c it r a p e lt b u s h ti w d e t n e s e r p e r s i d n a n o it a v it o m d n a t n e m a r e p m e t

w o r i e h t e v a h e l p o e

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y r o t s e h t n i r e t c a r a h

c In thei rbook enitlted Ltierature fo rComposiiton :Essay , ,

a m a r D d n a , y r t e o P , n o it c i

F Sylvan Barnet ,WliilamBu tro ,and WliilamE .Cain c

t e k s r e t c a r a h c a h tr o f g n it t e s t u o b a l l e

t h anddescirbing someperson i nt hestory . l e v o n e h t n i r e t c a r a h c a g n i b ir c s e d n i s y a w t c n it s i d r u o f d e t a t s o s l a y e h T . l e v o n r o

: e r a y e h T

.

a TheCharacter’ sSpeechandThought

e h t f o t x e t n o c l a t o t e h t r o n o it a u ti s e h t r e d i s n o c d l u o h s s r e d a e r e h T

A . t n e m e t a t

s personmigh tchangef romadespai irngpersoni ntoabette ronef rom g n i s s e r p e d y a s t h g i m r e t c a r a h c g n ir i a p s e d A . s e h c e e p s e h t f o t n e m p o l e v e d e h t

e h t e t a c i d n i d l u o h s s e h c e e p s ,t l u s e r a s A . d n e e h t n i s g n i h t y p p a h t u b t s ri f t a s g n i h t

c a r a h c e h t f o n o it c e lf e

(25)

.

b TheCharacter’ sAciton

, s s e n k a e w l a n g i s w o h s y a m s n o it c a e h t t a h t d n if l li w s r e d a e r e h T

. n o it c a s ’ r e t c a r a h c n i a m e h t h g u o r h t e r u t a m d n a , g n o rt s n e v e r o , y t s e n o h s i d

.

c TheOthe rCharacter sWhoSayabou tThem e

m it e m o s , e fi l n i s a , s e ir o t s n

I peoplet alk abou tothe rpeople .Theopinion e h t r o s c it s ir e t c a r a h c e h t d n a t s r e d n u o t s r e d a e r e h t p l e h l li w s r e t c a r a h c r e h t o m o r f

.r e t c a r a h c n i a tr e c a f o y ti l a n o s r e p

.

d TheOthe rCharacters ’Aciton

r e t c a r a h c n i a tr e c f o s c it s ir e t c a r a h c e h t d n if n a c s r e d a e r e h

T from t he othe r

.r e t c a r a h c t a h t o t t s a rt n o c n i e r a h c i h w n o it c a ’ s r e t c a r a h c

y fi t n e d i o t d e s u e b n a c s y a w e s o h

T andt o ifnd ou tthecharacterisitc so facetrain .

r e t c a r a h c

.

2 Theoryo fConfilct

e b l li w y r o t s e h T . y r o t s r o l e v o n a n i t c il f n o c a s y a w l a s i e r e h

T meaningles s

o n s i e r e h t fi y r o t s o n e k il l e e f l li w l e v o n A . y r o t s t a h t n i t c il f n o c o n s i e r e h t fi

e l g g u rt s a s i t c il f n o c “ t a h t d e t a t s n a m l o H . s u o n o t o n o m e b l li w t I . ti n i t c il f n o c

f o y a l p r e t n i e h t f o t u o s w o r g h c i h

w twoopposingf orcesi naplot” (Holman ,1960: y r o t s e h t n i t c il f n o c A . l u f g n i n a e m d n a g n it s e r e t n i y r o t s a e k a m l li w t c il f n o C . ) 8 1 1

n i n e p p a h l li w t a h w w o n k o t y ti s o ir u c d n a n o it a n i g a m i ’ s r e d a e r e h t p o l e v e d n a c

. d n e y r o t s e h t li t n u y r o t s e h t d a e r o t o s l a d n a y r o t s e h t f o d n e e h t

a h t s e t a t s n a m l o

H t“Confilcti st hemajo rpar to fal lplotsi nl tierarywork .sI t t i r o f , y r o t s a s a e n o b k c a b e h t s i ti e c n i s t o l p f o s t n e m e l e t n a tr o p m i e h t f o e n o s i

f o s t n e m e l e e h t s e d i v o r

(26)

2 1

a n i e l o r t n a tr o p m i n a s a

h story .I ti san impo tran taspec tin a story .Arp and t

e t a t s y e h T . t c il f n o c t u o b a n o i n i p o n w o r i e h t e v a h n o s n h o

J hei ropinion i n t hei r

d e lt it n e k o o

b Perrine’ sLtierature :Structure ,Sound ,andSense( TenthEdiiton) .I t ,

t a h t d e t a t s s i

,r e v e w o h , y li r a n i d r O

“ both the surface exctiemen trequried in commercia l e m o s f o t u o e s ir a n o it c if y r a r e ti l n i d n u o f g n i n a e m t n a c if i n g i s e h t d n a n o it c if

t c il f n o c f o t r o

s – a clash o facitons ,ideas ,desries ,o rwill .s”(Arp and ,

n o s n h o

J 2009:104) a t a h t d e t a t s n o s n h o J d n a p r

A confilc ti sa dispute in acitons ,ideas ,desries ,o r .

ll i

w Theyalsoexplainabou texterna lconfilc tand i nterna lconfilct .Theysayt ha t ,

n o s r e p f o p u o r g r o n o s r e p r e h t o t s n i a g a t c il f n o c e v a h n a c r e t c a r a h c

a pysica l

t t s n i a g a t c il f n o c r o , y t e i c o s , e r u t a

n heenvrionment .Theconfilc tcan bephysical , .l

a r o m r o , l a n o it o m e , l a t n e m

d e lt it n e k o o b r e h n i e n ir r e P o t g n i d r o c c

A Storyand Structure ,shesayst hat , l a c i s y h p t s n i a g a , n a m t s n i a g a t c il f n o c n i e b n a c l e v o n e h t n i r e t c a r a h c n i a m e h t “

a f r o y t e i c o s , e r u t a

n te ,and t he confilc tagains thi sown nature such a sphysical , :

6 6 9 1 , e n ir r e P ( ” l a r o m r o , l a n o it o m e , l a t n e

m 59) .From Perirne’ sstatement ,the :

e r a y e h T . y r o t s a n i t c il f n o c f o s d n i k o w t e r a e r e h t t a h t s e d i c e d r e ti r w

.

a Interna lConfilct

s i t c il f n o c l a n r e t n

I a confilc tbetween a characte rand hersel/fhimsel fto n o s r e p a , e fi l e u rt n I . o d o t s t n a w e h / e h s t a h w e d i c e d o t r o e s o p r u p s i h /r e h h c a e r

l a o g s i h /r e h g n i h c a e r n i s s e c o r p n i s i e h / e h s e li h w s m e l b o r p y n a m t n o r f n o c l li w

s r e h h ti w t c il f n o c e v a h l li w e h / e h s d n

a el/fhimsefl .She/hewli lbei nacompilcated .l

(27)

, r a li P , r e t c a r a h c n i a m e h t n e h w n e e s e b n a c l e v o n s i h t n i t c il f n o c l a n r e t n I e k a t o t s t n a w e h s r e h t e h w e s o o h c o t n o it a u ti s t l u c if fi d a n i s

i a irsk o rnot .She

s i s d n e ir f d o o h d li h c r e h d n a r e h n e e w t e b e v o l e h t t a h t s k n i h t e h S . d e s u f n o c s t e g s e v o l ll it s e h s tr a e h t s e p e e d r e h n i t u b d o o h d li h c r i e h t n i s s e n h s il o o f n a h t e r o m t o n e v o l s ’ d n e ir f d o o h d li h c r e h h ti w n i a tr e c n u s l e e f l li t s o s l a e h S . m i

h to her .Shei s

. y l s u o ir e s ti t u o b a s k n i h t e h s fi t r u h g n i e b f o d i a r f a .

b Externa lConfilct

f o e d i s l a n r e t x e e h t t s n i a g a s r e t c a r a h c e h t f o t c il f n o c a s i t c il f n o c l a n r e t x E t c il f n o c e h t g n i d u l c n i y t e i c o s d n a e r u t a n t s n i a g a t c il f n o c s a h c u s , s e v l e s m e h t e h t g n o m

a characters .The meaning and the complextiy o fthe externa lconfilc t a o t e r u s s e r p s e v i g t a h t t c il f n o c l a n r e t x e e h t ,t u B . t c il f n o c l a n r e t n i e h t m o r f e m o c .s e g n a h c d n a s e c i o h c l a n r e t n i e k a m o t r e t c a r a h c ri f e h T . s t c il f n o c l a n r e t x e f o s d n i k l a r e v e s e r a e r e h

T s tone i sthe confilc t

r e t c a r a h c a n e e w t e

b and t henature .She/hecanno twin agains tnaturebecauset he t u b e t a d a o t o g l li w n a m g n u o y a : e l p m a x e r o F . d e ti m il s i g n i e b n a m u h f o r e w o p a c e b t c il f n o c a e b l li w e r e h T . m r o t s d a b a s i e r e h t e s u a c e b o g t o n n a c e

h usei none

r e v o l s i h e k a m o t t n a w t o n s e o d e h d n a e t a d e h t o t e m o c o t s t n a w e h e d i s . y a w s i h s k c o l b m r o t s e h t e d i s r e h t o e h t n i t u b , d e t n i o p p a s i d t c il f n o c a y ll a u s u , n o s r e p r e h t o n a t s n i a g a e l g g u rt s e h t s i e n o d n o c e s e h T . t s i n o g a t n a d n a t s i n o g a t o r p n e e w t e

b Fo rexample :a couple want sto have an a s i e r e h t o s , p i h s n o it a l e r ri e h t h ti w s e e r g a s i d s t n e r a p r i e h t f o e n o t u b , t n e m e g a g n e e h t s i t c il f n o c l a n r e t x e f o d n i k t s a l e h T . t n e r a p e h t d n a e l p u o c e h t n e e w t e b t c il f n o c : y t e i c o s e h t d n a r e t c a r a h c a n e e w t e b t c il f n o

(28)

4 1

d o o g a d a h s a h d n a , k n u r d a g n i e b p o t s o t , e g n a h c o t s e d i c e d e h n e h t t u b , k n u r d

. e g n a h c r e v e n d n a k n u r d a s y a w l a s i e h t a h t s k n i h t ll it s y t e i c o s e h t n e h t t u b , b o j

t c il f n o c f o e l o r e h t t u o b a d e t a t s s b o c a J d n a s tr e b o

R in aplot .Confilct sand

. t o l p f o t n e m e l e t n a tr o p m i e h t d n a e c n e s s e e h t s i t c il f n o C . d e t a r a p e s e b t o n n a c t o l p

. t o l p a f o e r u t c u rt s a n i t c il f n o c f o n o it i s o p e h t w o h s o s l a s b o c a J d n a s tr e b o

R In

d e lt it n e k o o b r i e h

t Ficiton :An Introduciton to Reading and Wriitng (Second )

n o it i d

E ,Robe tr sandJacob sstated ifveelementsi n t hesrtuctureo faplo.t They :

e r a

.

1 Exposiiton n o it i s o p x

E i sthe ealry descirpiton abou tthe characters ,the backgrounds , .

e r u t a r e ti l f o k r o w e h t n i s l a ir e t a m e h t d n

a tI i s ilke t hei nrtoduciton oft he .

y r o t s e h t f o n o it a u ti s e h t d n a r e t c a r a h c .

2 Compilcaiton

t c il f n o c e h t t r a p s i h t n I . y r o t s a n i t c il f n o c g n i n n i g e b e h t s i n o it a c il p m o C

e h t f o t e s n o e h t r o y r o t s e h t n i t c il f n o c r o j a m e h t f o t e s n o e h t s ii t I . s tr a t s

i n o g a t n a e h t ,t r a p s i h t n I . t o l

p s tand t he protagonis tshows t heri i dea sand .s

e u l a v .

3 C irsis

d e n e p p a h s a h t a h w n e e w t e b s e t a r a p e s tI . y r o t s a n i t n i o p g n i n r u t e h t s i s i s ir C

.t a h t r e tf a n e p p a h l li w t a h w d n

a C irsisi san aciton t o r esolvet heconfilc.tI t i

n if o t n o i s i c e d a e b n a c y ll a u s u s

(29)

.

4 Cilmax x a m il

C ist het op oft heaciton . tIi st hehight ension oft heconfilct . tIi st he r

o h t u a n a , tr a p s i h t n I .t c il f n o c e h t f o n o it c a p o

t set sallt her es toft heaciton .

y l m ri f .

5 Resoluiton ,o rDénouement n o it c a f o t e s a s i n o it u l o s e

R stha twillt aket hestoryt ot heconclusionoft he .

y r o t s e l o h

w Int hi spatrt heconfilc tha smett hedecision andsoluiton .Tha t .

y r o t s e l o h w e h t f o n o i s u l c n o c a o t n i m e h t g n ir b l li w

o c t u o b a g n i s s u c s i d e s u a c e b t o l p t u o b a y r o e h t e m o s s t u p o s l a r e ti r w e h

T nfilc t

.t o l p t u o b a g n i s s u c s i d h ti w d e t a r e p e s e b t o n n a

c Confilc tha sani mpo trantr olei na g n i e e s t u o h ti w y r o t s a f o t c il f n o c t u o b a s s u c s i d t o n n a c e w , o S . t o l p a f o e r u t c u rt s

. y r o t s t a h t n i t o l p a f o e r u t c u rt s e h t

.

C Theoreitca lFramework

e v o b a s e ir o e h t e h

T areusedt oanswert heproblemf ormulaitoni nt hiss tudy . a g n i b ir c s e D n i s y a W t n e r e f fi D r u o F t u o b a y r o e h t t s ri f e h t s e s u r e ti r w e h T

r a li P f o s c it s ir e t c a r a h c e h t n i a l p x e o t l e v o N e h t n i r e t c a r a h

C and he rchlidhood

d n e ir

f a sthe main characters in this .The second theory i sabou tthe Theory o f t

c il f n o

C .Thist heory i sused t o i ndicatet heconfilc twhich i sundergoneby Plia r d

n e ir f d o o h d li h c r e h d n

a along t eh i rjourney .They ge tinterna lconfilc tand o

i s i c e d s ’ n a ir a n i m e s a y a rt r o p l li w t a h t t c il f n o c l a n r e t x

(30)

16

I I I R E T P A H C

Y G O L O D O H T E M .

A Objec toft heStudy

d e lt it n e l e v o n a s i y d u t s e h t f o t c e j b o e h

T Byt heRive rPiedra ISa tDown t

p e W d n

a .Theo irgina litlteoft henoveli sNa margem de iro Piedra eusente ie i

e r o h

c .The o irgina lversion i s i n Po truguese l anguage .I twa sfris tpubilshed i n n i e k r a l C . R n a l A y b n o i s r e v h s il g n E o t n i d e t a l s n a rt s a w l e v o n e h T . 4 9 9 1 n i li z a r B

y li a d a e k il m r o f e h t n i s i r e t p a h c e h t d n a s e g a p 0 8 1 f o s t s i s n o c l e v o n e h T . 6 9 9 1

a s u o m a f a s i e H . o h l e o C o l u a P s i l e v o n s i h t f o r o h t u a e h T . y r a i

d utho rwhowrtie s

e h s e m it e m o S . e g a u g n a l l u fi t u a e b a n i y r o t s h c a e e t o r w e H . s k o o b t a e r g y n a m

. ) 5 0 0 2 , i p a s s a H ( m s il o b m y s d n a , e s o r p c it e o p , s d r o w d o o g e m o s s t u p

e d o i R f o y ti c e h t n i 7 4 9 1 n i n r o b s a w o h l e o C o l u a P r o h t u a n a il i z a r B e h T

a c i d e d e r o f e B . o ri e n a

J itng his l fie completely t o l tierature ,he worked as t hearte y n a m r o f s c ir y l g n o s e t o r w o h l e o C . t s il a n r u o j d n a t s i c ir y l , r o t c a d n a r o t c e ri d

s i h t e Y . e e L a ti R d n a a n i g e R s il E s a h c u s , c i s u m n a il i z a r B n i s r e m r o fr e p s u o m a f

ll e w t s o

m -knownworkha sbeendonewtihRau lSeixas .Togethert heywrotes uch s

e s s e c c u

s a sEu nasc ihá de zmi lano satrás( Iwa sbornt ent housand year sago) , l a u ti ri p s e h t h ti w n o it a n i c s a f s i H . s g n o s 0 6 r e h t o t s g n o m a , e n o p a C l A d n a a ti G

d e ll e v a rt e h n e h w , s y a d e i p p i h s i h o t k c a b s e t a d t s e u

q the wo lrd l earning abou t

e i c o s t e r c e

s ites ,o irentalr eilgions ,etc .

. k o o b y r a i d s ’ r a li P e k il s i l e v o n s i h t e s u a c e b r a li P s i l e v o n s i h t f o r e t n e c e h T

s ll i b e h t y a p y l e r u s l li w t a h t r e e r a c e n a d n u m a n o s e s u c o f o h w t n e d u t s a s i r a li P

f a s o t r e h r e v u e n a m d n

(31)

s i r a li P n e h W . s d r a c t s o p d n a s r e tt e l h g u o r h t r a li P h ti w t c a t n o c n i s p e e k e h , e n o g

r a n i m e s a t a t e e m o t r e h s k s a d n e ir f d o o h d li h c r e h , s e i d u t s r e h n o d e s u c o f y lr e tt u

Z n i s e v il r a li P . a n o l e c r a B r a e

n aragoza .A tfe rtha tmeeitng ,Plia rget smany t a h T . d n e ir f d o o h d li h c r e h h ti w y e n r u o j r e h g n o l a s e ir o t s d n a s e c n e ir e p x e

n i e g n a h c f o y ti li b i s s o p e h t n e p o d n a t h g u o h t r e h e c n e u lf n i s e ir o t s d n a s e c n e ir e p x e

h n e e w t e b t c il f n o c e m o s s a h r a li P , y r o t s s i h t n I .r e

h e rmindandhe rhear.t

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e h t e z y l a n a o t h c a o r p p a c it s il a m r o f s e s u r e ti r w e h t , l e v o n e h t e z y l a n a o T

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a Formailsitcapproach i s

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r o t c a f c i s n ir t n I . ti f o r o t c a f c i s n ir t x e e h t t u o h ti w f l e s ti k r o w e h t r o y ll a c i s n ir t n i

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u aracter .

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d e lt it n e k o o b s i h n i n ir e u G . L d e r fl i W y b d e t a t s s A . l e v o n a e z y l a n

a AHandbook

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8 1 t o n o d l li t s e w , s t x e t n o c r e h t o m o r f w o n k e w s s e l n U . m e o p a d a e r e v a h e W h t ,r o h t u a e h t f o e m a n e h t w o n

k enaitonaltiy ,ort heeraoft hecomposiiton . e W . r e k a e p s e h t f o x e s e h t n e v e t o n , s i r e k a e p s e h t o h w w o n k t o n o d e W l a e r a s n r e c n o c m e o p e h t fi w o n k t o n o

d -lfie stiuaton o ra t otally ifcitve l a e r r a li m i s e m o s k o o t r o h t u a e h t r e h t e h w w o n k t o n o d e W . e n

o - il fe

a o t n i e t u m s n a rt d n a d e t p a d a n e h t e h s r o e h t a h t t n e d i c n i r o n o it a u ti s ( .. .. .f l e s ti m e o p e h t y l n o w o n k e w . m e o

p Gueirn ,1999 :7 3)

r e h t o e h t r o f d e t n e s e r p e r s a h t i , e l p m a x e e h t s a m e o p a s e s o o h c n ir e u G h g u o h tl A l p m a x e e h t f o e n o s i m e o p A . s k r o w y r a r e ti

l e .Themain poin i swhen weanalyze k r o w e h t t s u j s i w o n k e w t a h w , h c a o r p p a c it s il a m r o f e h t g n i s u k r o w y r a r e ti l a . k r o w y r a r e ti l e h t f o s t n e m e l e c i s n ir t n i e h t d n a f l e s ti s i h t n I . y d u t s e h t f o c i p o t e h t e z y l a n a o t e t a ir p o r p p a s i h c a o r p p a s i h T r w e h t , y d u t

s tie rwantst o analyzet hecharacte rdevelopmen to fPlia rast hemain s ’ o h l e o C n i r e t c a r a h

c Byt he Rive rPiedra ISa tdown and Wept .Thewrtie rwli l . r a li P f o t c il f n o c l a n r e t n i e h t g n i v r e s b o y b t n e m p o l e v e d s c it s ir e t c a r a h c e h t e z y l a n a w t e b t c il f n o c s a h r a li

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T ltierature.I n

s c it s ir e t c a r a h c e h t e z y l a n a o t h c a o r p p a s i h t e s u l li w r e ti r w e h t , y d u t s s i h

t o fPliar

r e t c a r a h c n i a m e h t s

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a beused t o analyzet het opicoft hestudy which i sstli l .s c it s ir e t c a r a h c d n a t o l p e r a h c i h w e r u t a r e ti l f o s t n e m e l e c i s n ir t n i e h t o t d e t a l e r .

C Methodoft heStudy

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t The wrtie rneed ssome book swhich are e h t n i r e w s n a e h t n i a l p x e o t s k o o b e m o s o s l a d n a y d u t s e h t f o c i p o t e h t o t d e t a l e r

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r f o s l

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p study .The thrid

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