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Focal Press Filming The Fantastic A Guide To Visual Effects Cinematography Jun 2007 ISBN 0240809157 pdf

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Figure 1.1: The pinhole camera.
Figure 1.5: This is a typical depth of fi eld table for a 50 mm lens. For my work, I usually choose the 1/500 inch circle of confusion.
Figure 1.16: away from the center of rotation of the tripod. The camera was positioned so that the center of the lens My camera is bolted so that it can slide forward and backward in the slot toward and is atop the pivot point of the tripod
Figure 2.1: The double-exposure or superimposition effect. This is one of the rare cases in which mismatched lighting can be tolerated in an effect
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Focal Press Filming The Fantastic A Guide To Visual Effects Cinematography Jun 2007 ISBN 0240809157 pdf

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