THEI NFLUENCEOFKOREANCULTURA LBACKGROUND N
U ’ H C N
O -HYANG’SLOVERELATIONSHIPASSEENI NSAMUEL S
’ M M I
K THEPURE-HEARTEDLADY ,CH’UN-HYANGSTORY
ASARJANAPENDIDIKANTHESIS
s t n e m e ri u q e R e h t f o t n e m ll if l u F l a it r a P s a d e t n e s e r P
e h t n i a t b O o
t SarjanaPendidikanDegree n o it a c u d E e g a u g n a L h s il g n E n i
y B
a y a r o S s a m I a c s i c n a r F
4 1 2 1 7 0 : r e b m u n t n e d u t
S 0 18
M A R G O R P Y D U T S N O I T A C U D E E G A U G N A L H S I L G N E
N O I T A C U D E S T R A D N A E G A U G N A L F O T N E M T R A P E D
N O I T A C U D E D N A G N I N I A R T S R E H C A E T F O Y T L U C A F
Y T I S R E V I N U A M R A H D A T A N A S
A T R A K A Y G O Y
i
THEI NFLUENCEOFKOREANCULTURA LBACKGROUND N
U ’ H C N
O -HYANG’SLOVERELATIONSHIPASSEENI NSAMUEL S
’ M M I
K THEPURE-HEARTEDLADY ,CH’UN-HYANGSTORY
ASARJANAPENDIDIKANTHESIS
s t n e m e ri u q e R e h t f o t n e m ll if l u F l a it r a P s a d e t n e s e r P
e h t n i a t b O o
t SarjanaPendidikanDegree n o it a c u d E e g a u g n a L h s il g n E n i
y B
a y a r o S s a m I a c s i c n a r F
4 1 2 1 7 0 : r e b m u n t n e d u t
S 0 18
M A R G O R P Y D U T S N O I T A C U D E E G A U G N A L H S I L G N E
N O I T A C U D E S T R A D N A E G A U G N A L F O T N E M T R A P E D
N O I T A C U D E D N A G N I N I A R T S R E H C A E T F O Y T L U C A F
Y T I S R E V I N U A M R A H D A T A N A S
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m a r g o r P y d u t S n o it a c u d E e g a u g n a
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t Cho Kyuhyun
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. e fi l y m n i t n e m o m t a e r g d n a s e c n e ir e p x e
u ti t a r g y m s s e r p x e I , y lt s a
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u s s e l b d o G y a M . e fi l y m f o t r a p d n a e r e h t g n i e b r o f e n o y b e n o
i x
S T N E T N O C F O E L B A T
e g a P . . … … … … … … … … … … … … … … … … … … … … … … … … E G A P E L T I
T i
. .. .. … … … … … … … … … … … … … … … … … … … … S E G A P L A V O R P P
A ii
. … … … … … … … … … … … … … … … … … … … … … E G A P N O I T A C I D E
D vi
… … … … … … … … … … … … Y T I L A N I G I R O S ’ K R O W F O T N E M E T A T
S v
I S A K I L B U P N A U J U T E S R E P N A A T A Y N R E P R A B M E
L ………... iv
… … . … … … … … … … … … … … … … … … … … … … … … … … T C A R T S B
A iiv
K A R T S B
A ……….… iiv i …
… … … … … … … … … … … … … … S T N E M E G D E L W O N K C
A …….…... xi
.. .. … … … … … … … … … … … … … … … … … … … S T N E T N O C F O E L B A
T ix
. … … … … … … … … … … … … … … … … … … … … S E C I D N E P P A F O T S I
L x iv
N O I T C U D O R T N I .I R E T P A H
C 1
.
A Backgroundoft heStudy……….….…… 1 .
B ProblemFormulaiton……….………… 4 .
C Objecitve soft heStudy………..… 4 .
D Benefti soft heStudy………. 4 .
E Deifniitono fTerm s……… 5
E R U T A R E T I L D E T A L E R F O W E I V E R . I I R E T P A H
C 7
.
A Reviewo fRelatedTheo ire s……….…………. 7 .
1 Socio-cutlural-histo irca lApproach ………..…… 7 .
2 Characte randCharacteirzaiton……….……… 8 .
ii x .
4 Reviewo fKoreanCutlure …… ………...…………. 31 .
5 LoveRelaitonship …… ………..……..….…… 71
.
B Theoreitca lFramework……… 91
Y G O L O D O H T E M . I I I R E T P A H
C 2 0
.
A Objec toft heStudy……… 02 .
B Approachoft heStudy………. 22 .
C Methodoft heStudy………. 22
S I S Y L A N A . V I R E T P A H
C 2 4
.
A Ch’un-hyang’ sCutlura lBackground………. 42 .
1 KoreanFamliyValue s……… 42 .
2 FamliyRelaiton s…...……… 72 .
3 Beilefsi nAncesto randGod……… 92 .
4 TheConcep to fKibun………..… 13 .
B Ch’un-hyang’ sLoveRelaitonship………...……… 43 .
1 PassionateLove………..……...……… 43 .
2 CompanionateLove………..………..……. 53 .
3 FatihandFatihfulnes s……….………. 73 .
C The In lfuence o fCh’un-hyang’ sCutlura lBackground on He r … … … … … … … … … … … … … … … … … p i h s n o it a l e R e v o
L 24
.
1 BeingAblet oKeept heFamliyValues……… 24 .
2 BeingaFatihfu lWfie……….…. 54 .
ii i x
S N O I T S E G G U S D N A N O I S U L C N O C . V R E T P A H
C 5 0
.
A Conclusion………..…… 05 .
B Suggesiton s……….……… 35 .
1 Suggesitonf o rFutureResearcher s………..………. 35 .
2 Suggesiton f o rEngilsh LanguageEducaitonStudy Program … … … … … … … … … … … … s r e r u t c e L 2 g n i d a e R c i s a
B 45
. … … … … … … … … … … … … … … … … … … … … … … … … … S E C N E R E F E
v i x
S E C I D N E P P A F O T S I L
e g a P 1
x i d n e p p
A Summaryoft heNovel……….………..……….…….. 06 2
x i d n e p p
A Biographyo fSamue lKimm………..……….…….. 26 3
x i d n e p p
A LessonPlan...………. 46 4
x i d n e p p
e r n e g c if i c e p s n i t s e r e t n i r e h / s i
h o fnove.l I tgivespleasurewhlier eading l tierary
p o e P . l e v o n s i t a h t s k r o
w lewho l ovet or eadabou tclassicnove lo rmodernnove l
t i d n if y li s a e n a
c nowadays .Peoplewho ilke ifcitonnove,ll ovestory,r elaitonship
y n a m m o r f t i d n if n a c l e v o n f o d n i k r o e r n e g r e h t o y n a m r o , y d e g a rt , y r o t s
.r o h t u a s u o m a f y b n e tt ir w s e ir t n u o
c Therearealsosomeauthor swhor ecreateold
e r o m y n a m y b n w o n k t i e k a m d n a l e v o n a o t n i y r o t s l a c ir o t s i h r o y t e i c o s a n i y r o t s
. e l p o e p
e r u P e h
T -Hearted Lady ,Ch’un-hyang Story si one story o fan ancien t
y b y g o li rt n a e r o
K Samue lKimmthati spubilshed i n 1998. Hei saKorean autho r
e r u P e h T ; y g o li r T n a e r o K t n e i c n A d e t a e r c e r d n a d e h s a h e r o h
w -Heatred Lady
n u ’ h
C -hyang Story ,The Fiila lDaughte rShim Ch’ong Story ,and The Story o f
l o N : s r e h t o r B o w
T -buandHung- ub .Fort hef ris tstory ,her ehashedandr ecreated
e h
T P -ureHeatred Lady Ch’un-hyang Story which tell sabou tCh’un-hyang lfie
g n o M s d r a w o t e v o l s i h f o e s u a c e
b -ryong. Thi snove ltell sabou tCh’un-hyang’ s
g n o M s d r a w o t y r o t s e v o
l -ryong i n Choson dynasty .Then , tit ell sCh’un-hyang’ s
o r p n i e l g g u rt
s tecitng hersefl ,and he rlove relaitonship toward she rhusband ,
g n o
M -ryong who lef the rbecause o fhi sparents ,when there wa sanothe rman
. e t u ti t s o r p a s a r e h e v a h o t d e t n a w o h w
g n it s e r e t n i s i tI . y t e i c o s e h t n i s g n i h t t n a tr o p m i t s o m e h t f o e n o s i e r u tl u C
n o a e r o K n i s i l e v o n s i h t f o g n it t e s e h T . y t e i c o s n i a tr e c a f o e r u tl u c e h t y d u t s o t
s y a w l a r e ti r w e h T . o g a s r a e y 0 0 6 n a h t e r o m n i d e n e p p a h s i h c i h w y t s a n y d n o s o h C
e h t y d u t s o t r e ti r w e h t s e z ir e m s e m t I . n a e r o K t u o b a w o n k o t g n it s e r e t n i ti s d n if
tl u c n a e r o
r i e h t o t d e t a l e r y t e i c o s ri e h t n i s e l u r l a n o it i d a rt d n a , m r o n , e r u tl u c r i e h t t c e p s e r d n a
. e r u tl u
c Therei sas pecialt hingf romKoreancutluret ha tdfiferenitatest hi scutlure
e r u tl u c h ti
w in othe rcountires .I ti sthe concep to fkibun. Kibun doe sno thave
n i d e t a t s s a t u b d r o w h s il g n
E Kwintessenita l stie
(h ttp://www.kwintessenita.lco.uk/resources/global-eitquette/south-korea-country
-l m t h . e li f o r
p ),t hemeaningof k nibu ist hef eeilng ,p irde ,face ,mood ,andalsostate
, a e r o K n I . d n i m f
o kibun i sreallyi mpo tran tand every person i n t hesociety wli l
r e h t o h c a e r i e h t f o e r a c e k a t s y a w l
a kibun.
e r u tl u c n a e r o K w o h r e v o c s i d o t s i y d u t s s i h t f o e s o p r u p e h t , e r o f e r e h T
e c n e u lf n i n a
c Ch’un- yh ang’sl over elaitonship. Lovei sno tasimplet hing .There
y r e v e y b d e c n e ir e p x e h c i h w e v o l y r e v e d n i h e b y r o t s g n it s e r e t n i e b s y a w l a l li w
. e v o l t u o b a e r o m l a e v e r o t r e ti r w e h t r o f t s e r e t n i f o n o it a ti m il o n s i e r e h T . n o s r e p
o s u c o f y l n o l li w y d u t s s i h t ,s u h
T n Ch’un-hyang as t he main character ,Korean
n i r e h e c n e u lf n i e r u tl u c e h t y a w e h t d n a y t s a n y d n o s o h C n i e r u tl u
c acti nr esponse
. p i h s n o it a l e r e v o l r e h t c e p s e r d n a
Therearesometheo ire sappiledi n t hi sstudy .Theyare othe ryo fcu tlure
p i h s n o it a l e r e v o l y r o e h t , e r u tl u c n a e r o K f o w e i v e r d n
a , and also theory fo
n o it a z ir e t c a r a h c d n a r e t c a r a h
c . The approach o f thi s study i s socio-cutlural
-h c a o r p p a l a c ir o t s i
h .Theory o fcu tlure and review o fKorean cutlureareused t o
y r o e h t e li h w y t s a n y d n o s o h C n o y t e i c o s n a e r o K e h t n i e r u tl u c n a e r o K e h t l a e v e r
p i h s n o it a l e r e v o l f
o i susedt ounvei lCh’un-hyang’sl over elaitonshipt oward she r
g n o M e e L , d n a b s u
l a e v e r o t r e ti r
w Ch’un-hyang’ scharacte rrelated to he rlove relaitonship .T us ,h
s i h
t studyi sexpectedtobewo trhwhliefo ral loft hereaders.
.
B ProblemFormula iton
, d n u o r g k c a b e h t d n a l e v o n e h t n o d e s a
B thewrtierwould ilket opresen ta
h c i h w m e l b o r
p i sgoingt obeanalyzed i nt hist hesis .Theproblemi swha taret he
r u tl u c n a e r o K f o s e c n e u lf n
i a lbackgroundonCh’un-hyang’ slover elaitonship?
.
C Objecitve soft heStudy
o t d e t c u d n o c s i y d u t s s i h
T answert hequesiton presented i n t heproblem
d n if o t s k e e s t i e r o f e r e h T . n o it a l u m r o
f the in lfuence o fCh’un-hyang’ sKorean
r u tl u
c a lbackground in Choson dynasty o n Ch’un-hyang’ srelaitonship wtih he r
r e v o
l inSamue lKimm’ snovel ,ThePure-HeartedLady ,Ch’u -n hyangStory.
.
D Benefti soft heStudy
s r e d a e r e h t d n a s t n e d u t s e h t r o f l a i c if e n e b e b o t d e t c e p x e s i y d u t s s i h
T to
y d u t s y r a r e ti l f o e g d e l w o n k e h t h c ir n
e .Through l tierary work ,reader scan l earn
e h
t cutlura lvalue sin Korean tha thappened in Choson dynasty .Based on the
p l e h y d u t s s i h t , n o it a l u m r o f m e l b o r
p s the reader sto ifnd ou tthe in lfuence of
y t s a n y d n o s o h C n i e r u tl u c n a e r o
K o nCh’un-hyang’sr elaitonshipt oherl over.
o t m e h t g n i g a r u o c n e n i s e t u b ir t n o c y ll u f e p o h y d u t s s i h t ,s t n e d u t s e h t r o F
e h t d n a t s r e d n u o t m e h t p l e h n a c t a h t m u i d e m a s a e r u t a r e ti l e k a
t cutlura lvaluesi n
y t s a n y d n o s o h C d n u o r a y t e i c o s n a e r o
g n i c it c a r p n i k r o
w thei rEngilsh skli le.g .reading and understanding ltierary
s k r o
w , i ncluding poem ,more from t hi snovel .Thi sstudy i salso expected t o be
s a t h g u a t e b n a c o s l a t i d n a s k r o w y r a r e ti l g n i h c a e t n i s r e r u t c e l r o f l a i c if e n e b
d n a y rt e o
p reading exercise .s The wrti er hope thi sstudy wli lgive a valuable
l a u m a S n o y d u t s a t c u d n o c o t t n a w o h w s r e h c r a e s e r r e h t o d r a w o t n o it u b ir t n o c
. y t e i c o s n a e r o K n i s e u l a v l a r u tl u c r o l e v o n s ’ m m i K
.
E De ifniitono fTerms
r o f n o it u l o s e r t c il f n o c d n a t c il f n o c f o s m r e t e h t w o n k o t t n a tr o p m i s i tI
: e r a y e h T . t n a c if i n g i s e r a y e h t e s u a c e b y d u t s s i h t n i t n e m e v e i h c a
.
1 In lfuence
e c n e u lf n
I accordingt o Oxford advanced Learner’ sDicitonary ( 2007 )ist he
t c e f f a o t r e w o
p somebody’ s acitons , characte ro r beilefs especially by
r o n o it a ri m d a r i e h t g n i n n i w , w o ll o f o t m e h t r o f e l p m a x e n a g n i d i v o r p
. e e r g a s i d o t d i a r f a m e h t g n i k a
m (p .825)
n a e v a h o t r e w o p s n a e m e c n e u lf n i y r a n o it c i D n a m g n o L o t g n i d r o c c a d n A
s k n i h t r o , s e v a h e b , s p o l e v e d g n i h t e m o s r o e n o e m o s y a w e h t n o t c e f f e
g n i s u t u o h ti
w driec tforce o rcommand s(2001) .From those de ifniitons ,
e e n o e m o s g n it c e f f a n i r e w o p e h t s n a e m e c n e u lf n
i lsebehaviou randt heway
n i h t f
o kingwtihou tdriecti nteraciton(p .933).
s u h
T , in thi sthesi sthe in lfuence tha twli lbe the focu so fthe study the
n u ’ h C n o d n u o r g k c a b e r u tl u c n a e r o K f o e c n e u lf n
.
2 Cutlura l
e r u tl u
C , according Longman dicitonary (2001) ,i sbelonging o rconnected
, s m o t s u c , s a e d i o t d e t a l e r s i tI . e fi l f o y a w s ti d n a y t e i c o s r a l u c it r a p a h ti w
. e m it g n o l a r o f y t e i c o s r a l u c it r a p a n i d e t s i x e e v a h t a h t c t
e
tl u c n a e r o K t u o b a s i r e t a l d e s s u c s i d e b l li w t a h t m r e t e h
T ura lbackground
r u o i v a h e b r o s ti b a h e h t g n i n r e c n o
c in Korean society on Choson dynastyi n
l e v o n s i h
t .
.
3 Lover elaitonship
n i e l p o e p o w t n e e w t e b n o it a i c o s s a l a u x e s r o g n i v o l a s i p i h s n o it a l e r e v o L
: 5 9 9 1 ( y r a n o it c i D s ’ r e n r a e L d e c n a v d A d r o f x
O p .996) .Thus i n t his t hesi s
e b l li w t a h t p i h s n o it a l e r e v o l e h
t the focu sof t hestudy i sbetween Ch’un
-g n a y
7 I I R E T P A H C
E R U T A R E T I L D E T A L E R F O W E I V E R
f o w e i v e r s i t s ri f e h T . s c i p o t b u s 2 o t n i r e t p a h c s i h t s e d i v i d r e ti r w e h T
r o e h t f o t s i s n o c t a h t s e ir o e h t d e t a l e
r y fo psychological approach and socio -l
a r u tl u
c -histo irca lapproach ,theory fo characte rand characteirzaiton, theory o f e
r u tl u
c and review o fKorean cu tlure ,and thel asti stheory o flove relaitonship . .
k r o w e m a r f l a c it e r o e h t s i e n o t s a l e h T
.
A Reviewo fRelatedTheories
li w t a h t y d u t s e h t o t d e t a l e r s e ir o e h t t n e s e r p l li w t r a p s i h
T lbe usefu lto
. m e l b o r p e h t r e w s n a o t d e s u s i t a h t n o it a m r o f n i e h t h c r a e s e r d n a l a e v e r
.
1 Socio-cutlural-historica lapproach
s d o o W d n a r e g r e b r h o
R (1971 )deifne sciviilzaiton ast he atttiude sand e s e h t s e k a t e r u t a r e ti l t a h t t u o t n i o p d n a e l p o e p f o p u o r g c if i c e p s a f o s n o it c a
t s i h l a n o it i d a rt e h T . r e tt a m t c e j b u s s ti s a s n o it c a d n a s e d u ti tt
a o irca lapproacht o
t c e p s a e m o s c i s a b s ti s a s e k a t y ll a u s u e r u t a r e ti
l of t hesocio-cutlura lframe o f s a l l e w s a l a c i h p a r g o i b e h t n i t s e r e t n i n a h ti w t i g n i n i b m o c , e c n e r e f e r
( y r o t s i h y r a r e ti l n i t s e r e t n i d n a f o e g d e l w o n
k p ).9 .
o i c o
S – cutlura lhisto irca lapproachconcern sont hes ociety ,cutlureand o
w y r a r e ti l f o l a c ir o t s i
h rks .Phliosophy ofl fie and how people behavecan be n
o i s s e r p x e e h
n u h C , h c a o r p p a s i h t y B . d o ir e p t c a x e e h t n i y t e i c o s d n
a -hyang cu tlura l
tl u c n a e r o K e h t n o d e s a b d e l a e v e r e b l li w d n u o r g k c a
b urei nt heKoreansociety n
o Chosondynasty.
.
2 CharacterandCharacteriza iton
. y r o t s e h t n i s r e t c a r a h c e h t d n a t s r e d n u d n a w o n k o t t n a tr o p m i s i t I
s m a r b A o t g n i d r o c c
A inA Glossaryo fLtieraryTerms(1999) ,themeaningo f r
e t c a r a h
c s aret heperson spresented i n adramaitco rnarraitvework ,who are l a n o it i s o p s i d d n a l a r o m h ti w d e w o d e g n i e b s a r e d a e r e h t y b d e t e r p r e t n i
y a s y e h t t a h w n i d e s s e r p x e e r a t a h t s e it il a u
q (thedialogue) and wha tthey do (theaciton) (p .32- )3 . 3 Thereforecharacter sarei mpo tran telements int hes tory l a r u tl u c s ’ r e t c a r a h c n i a m e h t n o s i s y l a n a e h t n o s e s u c o f y d u t s s i h t y ll a i c e p s e
. d n u o r g k c a b
n
I An Introduciton o fFiciton (1965) ,Stanton state stha tcharacte ri s s
y a w o w t n i d e s u y l n o m m o
c .Thef rist ,character si individua lwhoappears in d
n o c e s e h T . y r o t s e h
t ,characte rrefer sto the mixture o finterests ,desries , . s l a u d i v i d n i e s e h t f o h c a e p u s e k a m t a h t s e l p i c n ir p l a r o m d n a , s n o it o m e
s w o h s r e t c a r a h
C hi so rhe remoitonsi nthes toryandgive sacetrains tiuaitono r e
c n a t s m u l c ri
c int hes tory(para .17). n
i r e t s r o
F Aspect soft heNovel(1974 )state s“wemaydividecharacter s d
n u o r d n a t a lf o t n
i ” (p .46) .I t explain s lfa tcharacter stha twere called ’
s r u o m u h
. d n u o r e h t s d r a w o t e v r u c e h t f o g n i n n i g e b e h t t e g e w , m e h t n i r o t c a f e n o n a h t
“One grea tadvantage o f lfa tcharacter si stha tthey are easliy recognized n
i e m o c y e h t r e v e n e h
w – recognized byt her eader’ semoitona leye ,no tby t he e
m a n r e p o r p a f o e c n e r r u c e r e h t s e t o n y l e r e m h c i h w e y e l a u s i
v ”( p .47).
n i e li h
W How to Analyze Ficiton , Kenney explain s simple (lfat ) r
e t c a r a h
c s a scharacterst ha tareeasyt o ber ecognized becauset her eader ssee e h t o t s e p y t r a il i m a f e r a s r e t c a r a h c e s e h t d n a s r e t c a r a h c e h t f o e d i s e n o y l n o
e b t o n n a c s r e t c a r a h c ) d n u o r ( x e l p m o c , n e h T . r e d a e
r descirbed o nly in one
e h t f o e s u a c e b s r e d a e r e h t g n i s ir p r u s n i y ti li b a p a c e m o s e v a h y e h T . e s a r h p
r e t c a r a h c r i e h t n i s e g n a h
c s.
s d o o W d n a r e g e b r e b r h o
R (1971)statet ha tcharacter shaveani mpo tran t e h t n i y l s u o ir a c i v e t a p i c it r a p o t s r e d a e r e h t p l e h y e h t e c n i s y r o t s a n i e l o r
f o s e it i v it c a e h t r o s g n il e e f e h t y l e v it a n i g a m i g n ir a h s y b y r o t s e h t r o e c n e ir e p x e
s r e t c a r a h c e h
t int hes tory ( .p 1 9 .) a e r o m d n a t s r e d n u o t r e d r o n
I boutt hecharacte rtisefl ,weneedt oknow n
o it p ir c s e d l a c i s y h p r o y g o l o h c y s p r i e h
t s o f the character . I t i s called .
n o it a z ir e t c a r a h
c According to Murphy in Understanding Unseens: nA n
o it c u d o r t n
I to Engilsh Poetry and the Englsih Novel fo rOversea sStudents )
2 7 9 1
( ,the autho rha ssome way sto make the reader sunderstand abou tthe r
e t c a r a h
c izaiton .Thoseare: .
a Persona ldescirpiton: t heautho rcan descirbeaperson’ sappearanceand .
s e h t o l
c W e are given the telilng detalis :the face ,skin ,eyes ,and the .
.
a Mateira lcutlure
a h t ,s t c a fi tr a r o , s t c e j b o l a c i s y h p e h t ll a f o s t s i s n o c t
I tpeople makeand
d e d i u g d n a , s e h c r u h c , s l o o h c s , g n i h t o l c , s k o o b o t g n i n a e m h c a tt a
w e f a t s u j e m a n o t ,s e li s s i
m (para .80) . .
b Nonmateira lcu tlure
s t c e j b o l a c i s y h p n i d e i d o b m e t o n e r a t a h t s n o it a e r c n a m u h f o s t s i s n o c t I
s ,s m o t s u c , s e l u r ,s f e il e b , s e u l a v
( ystem so fgovernmen,tt hel anguage swe )
h tr o f o s d n a , k a e p
s (para .80). ,
r e v e w o
H based on Light ,Keller ,and Calhoun (1989 )element so f a
l ,s m r o n , s e u l a v o t n i d e d i v i d e b n a c e r u tl u
c nguage ,knowledge ,and symbol s :
w o ll o f s A . s d n i k l l a f o
.
a Values i e u l a v
A sa genera lidea tha tpeople shareabou twhat i sgood o rbad , . n o it a u ti s r a l u c it r a p e n o y n a d n e c s n a rt s e u l a V . e l b a ri s e d n u r o e l b a ri s e d
e r a s e u l a V . e fi l f o y a w l l a r e v o r i e h t r o l o c o t d n e t d l o h e l p o e p s e u l a v e h T
y a d l a i v ir t y l g n i m e e s n i n e v e d e t c e lf e
r - ot - yd a behaviors(para .81). .
b Norms
e l p o e p w o h s y a s t a h t e l u r a s i ti ; n o it c a r o f e n il e d i u g c if i c e p s a s i m r o n A
e d a m e r a s m r o n s e m it e m o S . s n o it a u ti s r a l u c it r a p n i e v a h e b d l u o h s
l a c il b i b r o s w a l n e tt ir w n i s a , ti c il p x
e commandments .Bu tmore o tfen , u
e r a s m r o
n nspoken custom stha tpeople impilcilty know and follow )
2 8 . a r a p
l a b o l g / s e c r u o s e r / k u . o c .l a it n e s s e t n i w k . w w w // : p tt
h -eitquette/south-korea
-y r t n u o
c -proflie.html), ti i sstated tha tin Korean society and cutlure there are n a e r o K , m s i n a i c u f n o C , s e u l a v y li m a f n a e r o K e r a h c i h w s e u l a v c i s a b r u o f
b i K f o t p e c n o c e h t d n a , s r o t s e c n
A un .Thesef ou rvalue saredeeplybeilevedby .
y t s a n y d n ô s o h C n i e l p o e p n a e r o K
.
a Koreanf amliyvalues , y t e i c o s n a e r o K n
I famliy i st he most i mpo tran tpar to fl fie. On Choson n
i ll it s e r a e l p o e p n a e r o K , y t s a n y
d Confucian rtadiiton ,whenthef atheri s e
h e h
t ad o fthe famliy .The head o fthe famliy ha sresponsiblitiy to f o s e g a ir r a m e h t e v o r p p a o t d n a , r e tl e h s d n a g n i h t o l c , d o o f e d i v o r p
.s r e b m e m y li m a
f The eldes tson also ha sspecia lduite sin the famliy. h
T o sespecia lduite sarer elatedt o,fris thi sparent ,st hent obrothersf rom s i h o t y lt s a l d n a , e fi w s i h o t n e h t , s n o s s i h o t n e h t , r e g n u o y o t r e d l o
.s r e t h g u a
d
f “ t a h t d e t a t s s i ti , e ti s s i h t m o r
F amliy weflare i smuch more i mpo tran t .l
a u d i v i d n i e h t f o s d e e n e h t n a h
t Member soft hef amliy are ited t o each e h t f o t s e r e h t n o t c e lf e r r e b m e m y li m a f e n o f o s n o it c a e h t e s u a c e b r e h t o
y li m a
f ”( “Kwintessenital”). n
I A Handbook o fKorea by Korean Oversea sInformaiton Service s ( 91 78 )ha sdescirbedt hef amliycustomi nKoreans ociety:
it i d a r
T onally ,in a Korean home the head o fthe famliy wa s y li m a f l l A . y ti r o h t u a f o s e c r u o s e h t s a d e d r a g e r s a w d e d r a g e r
e h t y b d e ri s e d r o s r e d r o s a w t a h w o d o t d e t c e p x e e r e w s r e b m e m
. r u m e d t u o h ti w d e y e b o e b o t e r e w s n o it c u rt s n i t c ir t S . d a e h y li m a f
e v a h d l u o w t
.
B Theoreitca lFramework
e h t n i d e t a t s s m e l b o r p e h t f o r e w s n a e h t d n if o t d e t c u d n o c s i y d u t s s i h T o r
p blem formulaiton .The t heo irest ha thave been explained i n t hepreviou spar t o t d n a n o it a l u m r o f m e l b o r p e h t n i d e t a t s m e l b o r p e h t e z y l a n a o t l u f e s u y r e v e r a
h t f o r e w s n a e h t l a e v e
r e problem . Because thi sstudy focused on the main it
a l e r e v o l r e h , r e t c a r a h
c onship and the Korean cutlure ,the theory o fsocio -l
a r u tl u
c -histo ircal approach i s used .Socio-cutlural-histo irca lapproach h s elp to .
y t s a n y d n ô s o h C n i y t e i c o s d n a e r u tl u c n a e r o K e h t l a e v e
r Theoryo fcharacte rand o t d e t a l e r n o it a n a l p x e d n a g n i d n a t s r e d n u e r o m g n i v i g n i p l e h o s l a n o it a z ir e t c a r a h c
n u h
C -hyang’ scharacter .Next ,theory o fcutlure and review o fKorean cu tlure y
t e i c o s d n a e r u tl u c t u o b a e r o m l a e v e r o t p l e
h especiallyi nKorea.Thi sstudyalso y d u t s s i h T . n o it a l u m r o f m e l b o r p e h t r e w s n a o t p i h s n o it a l e r e v o l f o y r o e h t s e s u
n u h C h ti w s l a e
d -hyang’sl over elaitonship wtih he rhusband ,Mong-ryong ,which h
t y h w s
i i s theory can help the wrtie rto revea lmore abou tChun-hyang’ slove s
d r a w o t p i h s n o it a l e
r he rhusband. These theo ires help the wrtie rto revea lthe n
u h C n o y t s a n y d n ô s o h C n i d n u o r g k c a b e r u tl u c n a e r o K f o e c n e u lf n
i -hyang’sl ove
0 2
I I I R E T P A H C
Y G O L O D O H T E M
. y d u t s s i h t n i d e s u e b l li w t a h t y g o l o d o h t e m e h t s e s s u c s i d r e t p a h c s i h T
d n o c e s e h T . y d u t s e h t f o t c e j b o s i tr a p t s ri f e h T . s tr a p e e r h t s r e v o c r e t p a h c s i h T
h t f o d o h t e m s i t r a p d ri h t e h t n e h T . y d u t s e h t f o h c a o r p p a s i t r a
p e study .The
k r o w e h t t a h w d n a d e i d u t s e b o t k r o w e h t s e b ir c s e d y d u t s e h t f o t c e j b
o i s
e h t n i d e y o l p m e h c a o r p p a e h t s t n e s e r p y d u t s e h t f o h c a o r p p a e h T . t u o b a y ll a r e n e g
o t p u g n i d a e r m o r f k r o w e h t g n i z y l a n a n i n e k a t s p e t s e h t ,t r a p t s a l e h t n I .s i s y l a n a
c e
r ordingt he ifndingsi sdescirbed.
.
A Objec toft heStudy
s i s e h t s i h t n
I the wrtier would ilke to examine the nove lenitlted The e
r u
P -Hearted Lady ,Ch’un-hyang Story which wa swirtten by Samue lKimm . s
i l e v o n s i h
T thef ris tnove lo fAncien tKoreanTrliogyby Samue lKimmwhichi s 1 5 2 s i h T . a e r o K f o c il b u p e R , e s u o H g n i h s il b u P A S I J l I y b 8 9 9 1 n i d e h s il b u p
. e u g o li p e e h t g n i d u l c x e s r e t p a h c 6 1 s a h l e v o n s e g a p
f o y r o t s e v o l e h t t u o b a s ll e t l e v o n s i h
T Ch’un-hyang ,the daughte ro f r
e m r o
f kisaeng, Korean geisha,and Mong-ryong, t heson oft heMagisrtateoft he n
w o
t .From t hi snovel ,the wrtier would ilke t o discuss t he in lfuence o fKorean y
t s a n y d n o s o h C t a y t e i c o
s in Ch’un-hyang’sl ove relaitonship .Ch’un-hyang wa s g
n o M d n a , y ti c e h t n i lr i g l u fi t u a e b t s o m e h t s a n w o n
k -ryongwast heonewhof el l
r e h h ti w e v o l n
-g n a y
h and go tpermissionf romCh’un-hyang’ smother ,PinkMoon ,hedecided t o y
r r a
m Ch’un- ahy n . g
g n o M , e li h w a r e tf a , y l e t a n u tr o f n
U -ryong’ sparent swho came from t
p e c c a o t t n a w t o n d i d y li m a f t a r c o t s ir
a Ch’un-hyang who wa sthe daughte ro f r
e m r o
f ksiaeng a sthei r daughter- ni -law . Then ,Mong-ryong should j oin hi s s
d n a n w o t r e h t o o t e v o m o t s t n e r a
p tudied hard in orde rto pas sthe naitonally a b e m o c o t d e n n a l p e H . n o it a rt s i n i m d A l i v i C n i m a x E e t a t S l a y o R s u o m a
f ck t o
, r e v e w o H . d e d e e c c u s r e tf a e fi w s i
h a tfe rthei rfamliy moved a new magisrtate e
m a
c tot het own .
s ti f o s u o m a f s a w h c i h w y ti c e h t , n o w m a N r o f e t a rt s i g a M w e n e h T g n e a s i
k ,wa sMaste rPyon Hak-to .Hewa sacrue lman who did nott akecare o f e
h t f o l l a h ti w d n u o r a d e y a l p t s u j d n a y ti c e h
t kisaengint het ownevent houghhe e
fi w a d a h y d a e rl
a .He had heard abou tthe mos tbeautfiu llady named Ch’un -g
n a y
h and wanted t o mee ther .In fact ,hej us twanted t o haveCh’un-hyang and .
r e h h ti w t h g i n e h t t n e p
s Ch’un-hyangwhohadf atihwtihhi shusbandpreferredt o e
h s l it n u d e h s i n u p e
b diet han f ufllit henew magisrtate’ swish t ospend t henigh t h
ti
w he.rI nhe rmind ,shestli lhad husbandevent houghshedid no tknow where g
n o
M -ryong w .as Ch’un-hyang became ap irsone rof t het own and ready t o t ake g
n o M n e h w t n e m h s i n u p h t a e d r e
h -ryong who wa sa Roya lEmissary came to y
P r e t s a M t s e r r
a on Hak-to .From t hi snovel ,thewrtierwould ilket o analyzethe f
o e c n e u lf n
i Korean cutlureinChosondynastyto Ch’un-hyangin r eacitngt o he r p
i h s n o it a l e r e v o l r e h g n it c e t o r p n e v e d n a , e v o l r e h g n i s s e r p x e , r e v o
.
B Approachoft heStudy
y d u t s s i h t g n i z y l a n a n i d e s u h c a o r p p a e h
T w as socio-cutlural-histo irca l h
c a o r p p
a . The wrtie r used so -cio cutlural-histo irca lapproach since thi s study e
h t n o s n r e c n o
c Korean cutlure in Chosun dynasty and ti s in lfuence on Ch’un -g
n a y
h ’sl over elaitonship .Thi sapproachhelpedt hewrtieri nr eveali ngtheKorean e
h t l a e v e r o t r e d r o n i e m it t a h t t a e r u tl u c r i e h t d n a y t e i c o
s in lfuenceon t hemain
r e t c a r a h
c .Byusingthi sapproach ,thei n lfuence fo Koreancutlura lbackgroundon n
u ’ h
C -hyang’ srelaitonshipt oherl overisr evealed .
.
C Methodoft heStudy
y r a r b il a s a w y d u t s s i h
T studyf ort hist hesi sandThePure-HeartedLady , n
u ’ h
C -hyangStory ,anove lw irttenbySamue lKimm aw st hep irmarys ource .T he r
e ti r
w tooksomestepstoanalyzet henovel .Thef ris tstep w sa thewrtierreadt he ,
e m it t s ri f e h t n I . s e m it l a r e v e s r o f l e v o
n the wrtier read t henovelt o understand ,
g n i d a e r g n i w o ll o f e h t n i , n e h T . y r o t s e l o h w e h
t thewrtierfocused ont heKorean r
u tl u
c e tha ti sdescirbed in thi snove land how Ch’un-hyang’ slove relaitonship n
e p p a
h e d in thi s novel . The nex tstep wa s taking note to every detai land e
h t f o n o it p ir c s e
d lover elaitonship ofthet wo main characters ,Ch’un-hyang and g
n o
M -ryong .Then thewrtiertired to reveal t hemain character ,Ch’un-hyang , ‘s p
i h s n o it a l e r e v o l r e h o t e r u tl u c n a e r o K f o e c n e u lf n i e h t d n a r e t c a r a h
c .thewrtier
m e l b o r p e h t g n ir e w s n a n i d e s u e b n a c t a h t n o it a m r o f n i e r o m l a e v e r o t d e ir t
g n i y rt s a w p e t s t x e n e h
T to ifnds omel tierarybookandothers ourcest ha t e
z y l a n a o t l u f e s u e b n a
c Korean cutlure in Choson dynasty and the love p
i h s n o it a l e
4 2
I R E T P A H
C V
S I S Y L A N A
o t n i r e t p a h c s i h t s e d i v i d r e ti r w e h
T three pa trs .The fris tpa tri s Ch’un -g
n a y
h ’ scutlura lbackground .Thesecond patri sCh’un-hyang’sl over elaitonship . s
e z y l a n a t r a p t s a l e h
T thei n lfuenceo fCh’un-hyang’ scutlura lbackgroundonhe r .
p i h s n o it a l e r e v o l
.
A Ch’un-hyang’ sCutlura lBackground t
r a p s i h
T discusse s the descirpiton o f Ch’un-hyang’ s cu tlura l d
n u o r g k c a
b .The wrtie rfocuse son t he Korean Cutlure i n Ch’un-hyang’ sfamliy e
fi
l .Using t het heory o fKorean Cutlureand also characte rand characteirzaiton , e
z y l a n a l li w r e ti r
w Ch’un-hyang’ scu tlura lbackground.
.
1 KoreanFamliyvalues n i d e b ir c s e d s
A Kwintessen ita lstie ,famliy i s t hemost i mpo tran taspect e
fi l n a e r o K n
i (http://www.kwintessenita.lco.ukr/esources/global-eitquette/south -a
e r o
k -country-proflie.html) .Fatheri s t he head of t he famliy and responsible fo r e
r u tl u c n a e r o K n o d e s a B . s d e e n y li m a f e l o h w e h
t , famliy needi smorei mpo tran t h
e h t o s , d e e n l a u d i v i d n i n a h
t ead of t hefamliy should care fo revery member i n .
y li m a f e h
t Based on Korean Oversea sInformaiton Service s(1987), al lfamliy t c ir t S . d a e h y li m a f e h t y b d e ri s e d r o d e r e d r o s i t a h w o d o t d e t c e p x e e r a s r e b m e m
.r u m e d t u o h ti w d e y e b o e b o t e r a s n o it c u rt s n
s s a p o t tl u c if fi d s a w f l e s ti m a x e e h T . n o it a rt s i n i m d A l i v i C n i m a x E e t a t S l a y o R
. e m a f e d i w n o it a n d n a s s a l c t s ri f t h g u o r b o s l a d n
a
g n o
M -ryong said t o Pink Moon ,“Mother , Iwould ilke t o have a nigh t h
ti
w Ch’un-hyang !Shei san unmarired vrigin and Iamal adoft hehighe rsocia l r
e v e w o h ; a t a rt
s ,wecanno tbepubilclymarired” (p .35) .Becauseoft hoser eason n
u ’ h
C -hyangagreedt omarryMong-ryongsecrelty .Mong-ryongwouldbeahead , t e y d e ir r a m t ’ n e v a h y e h t h g u o h t n e v E . s e h s i w s i h f o e n o s i s i h t d n a , y li m a f e h t f o
t u
b Ch’un-hyang saw i ta sonecondiiton t o accep tMong-ryong a she rhusband. g
n o M o t y r r a m o t d e t p e c c a e h s e c n
O -ryong ,sheaccepted him t o bet hehead o f n
o d e s a B . y li m a f e h
t Korean Oversea sInformaiton Service s(1987) t ha treview s n
a e r o K t u o b
a famliy values ,Ch’un-hyang should conside rMong-ryong’ sneed . e
d i h d l u o h s d n a e g a ir r a m c il b u p e v a h o t t o n e e r g a o t d a h e h
S thef actt hats hewa s
g n o M f o e fi w e h
t -ryongf romhi sparent .sI nhe rpoin to fview ,nothingwa swrong .
d n a b s u h s i h r o f t n a tr o p m i s a w t i e s u a c e b n o it a u ti s t a h t h ti w
c il b u p a o t n i u o y e c r o f t o n l li w I , e m r o f e v o l e u rt a s s e f o r p u o y f I “
” . y n o m e r e c e g a ir r a
m Ch’un-hyang’ sdecision wa sabsolute t o Mong-ryong ,who p
o h o t d e r a d t o n d a
h eshewouldgiveherseflt o him (p .35) .Even t hough pubilc g
n o M m o r f n o i s s i m r e p d n a y n o m e r e c e g a ir r a
m -ryong’ sparent sarei mpo trant ,bu t n
u ’ h
C -hyangacceptedi tbecauses hehadt oconside rMong-ryong’ sneedsands he g
n o M y e b o o t s a
h -ryonga sawfie .Shehad t o do tij us t ilkenormsi nt hesociety )
9 8 9 1 ( t h g i L o t g n i d r o c c a h c i h
w i saspeciifcguideilnef o raciton ; tii sar ulet ha t r
a l u c it r a p n i e v a h e b d l u o h s e l p o e p w o h s y a
s stiuaitons .Shecouldnotforcehimt o g
n o M . c il b u p n i e g a ir r a m r i e h t e t a r b e l e c n e v e r o s t n e r a p s i h l l e
n e h
W Ch’un-hyang tlf e happy a tfe rshe spen tthe fris tnigh twtih he r g
n o M , d n a b s u h r e h , r e v o
l -ryong ,sheshowedhe rhappines sandj oyfu lbypraying g
n a w h g n o S n i e n ir h s n a i d r a u g e h t o
t -dang ,a place in he rhouse ,which she .
n a i d r a u g s ’ y li m a f r e h s a d e v e il e
b Jus t ilke in geomancy method ,Ch’u -n hyang g
n a w h g n o S n i t a h t d e v e il e
b -dang she could pray to the god sand he rguardian . e v a h o t s s e n i p p a h e h t t l e f e h s s a s d o g e h t o t l u f e t a r g r e h w o h s o t d e w o b e h S
g n o
M -ryonga she rhusband.
” .t h g i n d i m y r e v e e n ir h s e s u o h e h t t a m i h r o f p i h s r o w d n a y a r p u o Y “
, n e h t e c n i
S Ch’un-hyang used to bathe he rbody in cold wel lwate ra t .
p i h s r o w o t e n ir h s s ’ d o g n a i d r a u g o t t n e w d n a t h g i n d i
m (p .54)
…
o d t ’ n o d ; m i h r o f e n ir h s s ’ d o g n a i d r a u g e h t t a p i h s r o w u o y t a h t ti e t a h I “
n e v e S .
ti -Blessing sDetiy neve rhelp syou .Our God help sonly people r o f g n i y a r p y b e n ir h s e h t e t a r c s e d t ’ n o D . r e h t o n a e n o o t e n a m u h e r a o h w
) 7 5 . p ( ” . m i h …
) 8 6 . p ( .s y a w l a s a g n i y a r p , e n ir h s e h t o t e g a m o h d i a p e h s t h g i n h c a E
, s n o it a s r e v n o c e s o h t m o r
F thewrtie rwantst ot ellt her eader showCh’un -y
h a ngbeingr eilgiou swhliewaiitngf o rhi shusbandandpassedt hrought het ough .s
e m
it She beileve sin he rancesto rand god .s From the fac ttha tCh’un-hyang ,s
r o t s e c n a d n a s d o g n i d e v e il e
b thewrtierr evealst hati tmean sCh’un-hyangwa sa e h s n e h W . g n i h t e m o s g n it c e p s e r d n a , g n i v e il e b , g n i p o h n i y ti li b a d a h o h w n a m o w
o s l a t i , s d o g o t d e y a r
p show stha tCh’un-hyang hoped fo rsomething and she t
a h t d e v e il e
b i twould begranted .I tshowst ha tshewa skind o fperson who wa s f
e il e b o t e l b
d n a l i a j n i s a w e h s n e h w n e v E . y a w a g n il e e f tr u h e h t d n a g n il e e f d a b e h t n w o r h t
e
d a lwtih thepunishmen twhich could ber eally bad ,which could makehe rdied , t
a e r g e h t f o e s u a c e
b kibun ,shefetl t he grea thappines sand good atmosphere i n r
e
h surrounding .s
f o t p e c n o c e h
T kibun i sthe uniquenes so fKorean cutlure .There i s no t
n u o c r e h t
o ryt ha thast hi sconcepti nt hei rcutlure .Fromt hi snovel ,Ch’un-hyang e l b a l li t s o h w e l p o e p f o e l p m a x e e h t s e m o c e b e h s d n a n u b i k f o t p e c n o c e h t s d l o h
. t p e c n o c e h t d l o h o
t Whereas,t hemagisrtate, whoi salsoaKorean,i st heexample s
k a e r b o h w e l p o e p f
o thecutlurebyviolaitng t heconcept .Hewa saKorean who g n it c e p s e r e r e w e l p o e p d n a y t e i c o s e h t n i n u b i k f o t p e c n o c a s a w e r e h t t a h t w e n k
s ’ r e h t o h c a
e kibun .However ,he stli lasked ,even forced ,Ch’un-hyang t o spend f
o w a l e h t w e n k e H . m i h h ti w t h g i n e h
t the society based on concep to fkibun C
t r u h d l u o w t a h t t s e u q e r k s a o t m i h w o ll a t o n d l u o
w h u’ n-hyang’ skibun ,ye the
.t i d i d l li t s
f o t p e c n o c s i h t ,s u h
T kibunisr eallyi mpo tranti nKoreans ocietyl fie .The e
h t y b d e c n e u lf n i , e m it e h t f o t s o m , e k a t ll i w e l p o e p t a h t n o it c
a kibun tisel fand
r i e h t n o s d n e p e d o s l a s r e h t o o t t c a e r l li w y e h t w o
h kibun and how t hose people
r i e h t t c e f f
a kibun .In thi snovel ,Ch’un-hyang wa salso affected by he rkibun , t
r u h s a w t i n e h
.
B Ch’un-hyang’ sLoveRela itonship s
i h
T second par tdiscusse sCh’un-hyang’ slove relaitonship .Using the f
o y r o e h
t love relaitonship and also characte rand characteirzaiton ,wrtie rwli l e
z y l a n
a Ch’un-hyang’sl over elaitonshipwtihhi shusband ,Mong-ryong.
.
1 PassionateLove e v o l e t a n o i s s a p n
I accordingt oKasschau( 1974) ,apersoni susedt ol ove .
y a w l a u s n e s d n a e s n e t n i n a n
i Oneoft hecharacteirsitcoft hi skind ofl ovei st he ,
l e v o n s i h t n I .r e h t o h c a e f o n o it c a rt t a l a c i s y h
p Ch’un-hyangand Mong-ryongare g
n o M n e h W . t e m y e h t e m it t s ri f e h t r o f r e h t o h c a e o t d e t c a rt t
a -ryongsaw Ch’un
-g n a y
h for t he fris t itme ,heasked hi sservant t o t alk t o Ch’un-hyang in order t o ,
e s i w r e h t O . m i h t e e m o t r e h k s
a Ch’un-hyang had agreed t o give hersel ffo rhi s . d e ir r a m m e h t f o h t o b n e h w e m it e m a s e h t , g n it e e m d n o c e s ri e h t n i d n a b s u h
n e v E
“ wtih et h ilgh t fo day and the man’ s hur ired depa trure , n
u ’ h
C -hyang did no tregre thaving given hersel fto the young lord . y r o m e m r e h n i g n ir u o v a s , t n e m o m g n it i c x e h c a e d e h s ir e h c e h s , r e h t a R
r i e h t g n ir u d r a e r e h o t n i d e r e p s i h w e h e v o l f o s d r o w e h t d n a h c u o t s i h
e v o
l -making.( p.41)
’ h
C u -n hyang’ sexpression above show show she embraced he rmemory .
t h g i n t s ri f e h t f
o I tshow sthe passionate love tha ti soccurred in he rlove g
n o M h ti w p i h s n o it a l e
r -ryong .I tcan beobviously seen t ha tCh’un-hyang fell i n g
n o M h ti w e v o
l -ryong . She fel t the grea t exctiemen t o f how Mong-ryong .r
o t e m a c g n o y r g n o M , t h g i n t a h t r e tf
A Ch’un-hyang’ shouseeverynightt o .
e l p u o c d e ir r a m a s a r e h t e g o t t h g i n e h t d n e p
s Then ,Mongryong should movet o t
f e l d n a s t n e r a p s i h h ti w n w o t r e h t o n
a Ch’un-hyang alone .The new Magisrtate h
ti w t h g i n e h t d n e p s o t d e t s e u q e r d n a e m a
c Ch’un-hyang which i srejected y
b y l e t a i d e m m
i Ch’un-hyang . I t made Ch’un-hyang go t arrested and being h
g u o h t n e v E . li a j n i d e h s i n u
p shewasi nj ali ,shealwayst hough to fh e rhusband d
n
a missed h im sot ha tsheevendream tabou thim.
d n a s m r a s i h f o d l o h k o o t e h s , m e h t n e e w t e b n e k o p s d r o w a t u o h ti W …
d e v o l e b r e h ; ti m o r f p u e k o w e h s d n a m a e r d a y l n o s a w t i t u B . d e b b o s
h g n il r a
d ad disappeared, t hough shewould savort hefeeilng o fwarmth .r
e h n e v i g d a h e h y ti r u c e s d n a …
d e r u t c e j n o c e h s ” ! s s i k a y l b a b o r p d n a , e c i o v y l e v o l s i h , e li m s s i H “
) 0 6 1 . p ( . y ll a c i x o d a r a p
w o h s w o h s m a e r d t a h
T Ch’un-hyang missed Mong-ryong’ stouch and h
s w o
h e wanted no tonly me thim bu talso feelt he existenceand able t o t ouch , .
m i h s s i k o s l a d n a , e c a r b m
e Even in he rdream ,she wanted to have physica l .
d n a b s u h d e v o l e b s i h h ti w t c a t n o
c I tshow sthe srtong desrie in Ch’un-hyang’ s p
i h s n o it a l e r e v o
l andhowpassionatel oveoccursi nt hisl over elaitonship.
.
2 Companionatel ove
y b d e t a e r c s i h c i h w p i h s n o it a l e r e v o l e h
T Ch’un-hyangand Mong-ryong o s l a t u b s d e e n l a c i s y h p e h t d n a n o it c a rt t a l a c i s y h p r i e h t n o d e s a b y l n o t o n s
i ti s
y ti r u
n u ’ h
C -hyang and Mong-ryong felli n l ove t o each othe ,r t hey created t hefeeilng d
n a g n it s u rt f
o givingeverythingf ort heril ove.
t s ri f k n i h t t u b , y d o b y m n o l l e w d t ’ n o d e s a e l P
“ o fmy hear,t”sheadded
y lf e ir
b (p.40) .Th si even tshows tha tCh’un-hyang did no twan tMong-ryong to c
i s y h p r e h t a k o o l y l n
o , bu talso from hi sheatr .I tshow scompanionate love t
c e p s
a in t hei rrelaitonship .She wanted t o havemore t han physica lrelaitonship g
n o M m o r f y l u rt s a w h c i h
w -ryong’ sheatr .I texpose sCh’un-hyang’ sdesriet o be .
d n a b s u h r e h y b d e v o
l Ch’un-hyang thoughtt hesea sproo fo fhi shusband’sl ove d
n a , r e h o
t h ersrtong desriest o bewtih t he othe rperson who i s t hei rpatrne rt o d
e ll if l u f e b o t d n a l li fl u f o t ,r o f d e r a c d n a d e s i a r p e b o t , h c u o t o t , e v o
l basedont he
) 5 9 9 1 ( u a h c s s a K y b p i h s n o it a l e r e v o l f o n o it p ir c s e
d .
e r a s r a e t , e m d n a u o y n e e w t e b e n o s i e v o L
“ two between your’ sand
” , e n i
m Ch’un-hyangimprovisedi ntot hemakeshfi tpoem. …
t u b … e m d n a u o y e k il s tr a p o w t y b d e m r o f e g d ir b f o d n i k a s i e v o l t a h T “
o w t t u o h ti w p u d n a t s t o n n a c e g d ir b e h T . t n e r e f fi d e r a s r a e t e h t
” .s n o it c e n n o c …
“Teardrop sareaman fiestaitonofi ndividua lemoiton .Emoiton and l ove ”
. e fi l n i s r o t c a f s u o e n e g o r e t e h y r e v e r a
) 7 3 . p (
e r a e s o h
T Ch’un-hyang’ sstatements in expressing her l ove t oward she r g
n o M , d n a b s u
h -ryong .Fo rhe,r l ovei sabout t wo t hat i sbecome one ,giving t o e r u p s i h t d a h e h S . e fi l n i tr a p t n a tr o p m i d n a , s tr a p o w t f o n o it c e n n o c , r e h t o h c a e
e h s t a h t d e v e il e b d n a e v o l c it n a m o r d n
a w asconnected wtih he rhusband t o t hi s n
o it a l e
r s hip called love and they should keep the relaitons hip from both side. g
n o M t a h t w e n k e h s h g u o h t n e v
E -ryong’ sparent sonlyt hough tabou thi sstudy a t ,
r e h t p e c c a t o n d l u o w d n a e m it t a h
t n o r f n i t n e m e g d e l w o n k c a r o f k s a t o n d i d e h S . r e h d e d e e n e h e m it y r e v e d n a b s u h
s i h d n a y t e i c o s e h t f
o parentsf romMong-ryong .
e v o l e u r T “ . d e ir c l ri g e h t ” ! s g n i h t e l b ir r o h h c u s y a s t’ n o d e s a e l p , r e h t o M “
) 6 5 . p ( ” ! n o it o v e d s u o u n e rt s s d n a m e d
a s i e v o L . g n ir e f f u s m a I h g u o h t n e v e , g n i h t l u fi t u a e b a s i e v o l , h O “
fl e s f o e r u t a n y r e v s ti y b m o d e e r f y r a ti l o
s -possesion,” Ch’un-hyang
l a t s y r c s a w e v o l r e h f o e g a m i e h T . t h g u o h
t -clea rand serene a sthe
) 8 1 1 . p ( . e n i h s n u s
n u ’ h
C -hyang wa salso wliilng t o sacir ifce he rhear to fbeing hur twhlie n a t o n s i tI . n o s ir p n i s a w e h s n e h w n e v e , d n a b s u h r e h r o f g n it i a w s a w e h
s easy
t a h w r e tt a m o n p i h s n o it a l e r e v o l r e h p e e k o t s s e n g n il li w r e H . lr i g g n u o y a r o f y a w
n o it a l e r r e h n i s t n e m ti m m o c e h t f o e n o s i d e n e p p a
h s hip wtih Mong-ryong .She
e l g g u rt s o t g n il li w s a w e h s t u b , g n ir e f f u s r e h e d a m d n a r e h t r u h e v o l r e h t a h t w e n k
e h s d n
a understand tha tshe should sacirifce to reach the beauty of love .The n
u ’ h C n o p i h s n o it a l e r e v o l e t a n o i n a p m o c e h t d n u o f r e ti r
w -hyangr elaitonshipwtih
g n o
M -ryong.
.
3 FatihandFa tihfulness
t u o b a s s u c s i d l li w r e ti r w e h t , tr a p s i h t n
I two points ,the fatih and
n i s s e n l u f h ti a
f Ch’un-hyang’s l ove relaitonship .In t hefris tpatr ,fatih, t hewrtie r n
o s e s u c o
f Ch’un-hyang who had fatih toward she rhusband ,Mongryong .I t w
o h n o s e s u c o
f Ch’un-hyang beileved and rtus tMongryong a she rhusband .In n
o c e s e h
-g n a y
h ’ sbehaviour sand acts t ha texpressed he rfatihfulness t oward sMongryong .
d n a b s u h r e h s d r a w o t y tl a y o l r e h f o e s u a c e b n e m r e h t o d e t c e j e r d n a
.
a Fatih
t s u rt e l p o e p e c n O . t s u rt s i e v o l n i s g n i h t t n a tr o p m i t s o m e h t f o e n O
r e v o l ri e h
t andhavef atihi n t hem,t heywli lbeablet osrtugglei nkeepingt hei r t
n a tr o p m i e h t ,l e v o n s i h t n I .r e v o l ri e h t h ti w p i h s n o it a l e r e v o
l thingt ha tmakes
r e
h be able to survive in facing any problem sin he rlove relaitonship wtih g
n o
M -ryong ,ist hef atiht oMong-ryong.
. d e d d a e h ” , u o y o t n r u t e r n a c I l it n u s t h g i n e h t ll a e r u d n e t s u m u o Y “
r e H . m i h o t g n i y s tr u c y lt f o s d e s i m o r p e h s ” , e v o l y m , ll i w I “
h g u o n e s u o r o c e d s a w t n e m tr o p m o
c even though he reye sgilttered , )
1 4 . p ( . n i a g a m i h g n i z ir e m s e m , y r e t a w t a h w e m o s
, e m it t s ri f e h t m o r
F Ch’un-hyang beileved in he rhusband .She had g
n o M t a h t h ti a
f -ryong would notl eavehe rand would come back t o her .She m
i h r o f ti a w o t d e k s a s a
w evens hedidno tknowwhenhewouldcome ,buts he .
y l e t a i d e m m i d n a b s u h r e h o t d e e r g a
n a c e h s a n o o s s a e m o t k c a b e m o c l li w e H . y r c t ’ n o d e s a e l p , r e h t o M “
y e h t d n a , e m it h ti w w o ll e m l li w y e h T . d n a t s r e d n u s t n e r a p s i h e k a m
e r l li w y e h t e s u a c e b e m t p e c c a l li
w ailzehow deep and rtue ourl ove )
3 5 . p ( ” .s i
c t i d n a d e s s a p e m it e h
T a meto t he itmewhen Mong-ryong i nformed t f e l d n a s t n e r a p s i h h ti w n w o t r e h t o n a o t e v o m d l u o w e h t a h t m e h
t Ch’un
-g n a y
h wtih he rmotheri n t hat t own .Ch’un-hyang’ smothe rcould do nothing g
n o M o t r e g n a r e h w e r h t d n a y r c t u
, e t a rt s i g a m n w o t w e n e h t g n i s a e l p t u o b a d i a s e n o y n a t a h w r e tt a m o N
e s i o p d n a e v o l e t u l o s b a r e h d e n i a t e r d n a g n it s u g s i d t i d e r e d i s n o c e h s
h d r a w o
t e rhusbandi nSeou .l( p .118)
n u ’ h
C -hyang had a pure hear ttha tmade he ralway sthough to fhe r g
n o M s d r a w o t e v o
l -ryong wa ssacred and rtue .She kep the rpromise to be t i fi n o i n i p o s ’ e l p o e p r e h t o e k a t t o n d i d e h S . d n a b s u h r e h s d r a w o t y l n o l a y o l
t a h t t n a e
m shehad t o giveup i n being f atihfult oward she rhusband and f ul if l e r a c t o n d i d e h s t u b e c n e u q e s n o c e h t w e n k y d a e rl a e h S . h s i w s ’ e t a rt s i g a m e h t
e h s d i a s e h s , e t a rt s i g a m e h t o t fl e s r e h t i m b u s t o n d i d e h s s a g n o l s A . ti t u o b a
fi l r e h n e v e g n i h t y n a o d d l u o
w e .
.
C The In lfuence o f Ch’un-hyang’ s Cutlura l Background o n Her Love p
i h s n o it a l e R
s i h
T i sthe las tpar to fthe analysis .The wrtie rha sanalyzed Ch’un -g
n a y
h ’ sKoreancutlura lbackgroundandalsoherl over elaitonshipi nt hepreviou s t
n I . s tr a
p hi spatr,t he wrtie rwilldiscussthei n lfuenceo fCh’un-hyang’ scu tlura l p
i h s n o it a l e r e v o l r e h n o d n u o r g k c a
b .Using the theory o flove relaitonship and w
o h e z y l a n a l li w r e ti r w , e r u tl u C n a e r o K o s l
a Ch’un-hyang’ scu tlura lbackground p
i h s n o it a l e r e v o l r e h s e c n e u lf n
i .
.
1 BeingAblet oKeepTheFamliyValues
s w o h s e v o b a n o it a s r e v n o c e h
T how Ch’un-hyang became an obedien t .
ti o d o t d a h e h s e s u a c e b e fi
w From tha tconversaiton ,i talso show stha teven g
n o M h ti w y a w t n e r e f fi d a n i t h g u o h t e h s h g u o h
t -ryong ,Ch’ -un hyang alway s
g n o M n o f l e s r e h t u p o t d e ir t d n a t h g u o h t r e h r e d i s n o c e r o t d e ir
t -ryong’ sshoes .
g n o M o t e fi w t n e i d e b o n a e m a c e b e h
S -ryongbecauses heunderstoodwellt hats he m r o n a e k il s i tI . y li m a f s i h s a s t n e r a p s i h d a h l li t s t a h t n a m a f o e fi w a s a
w int he
g n o M e k il t s u j s t n e r a p s i h y e b o d l u o h s n o s a t a h t y t e i c o
s -ryongobeyedhi sparent s
n u ’ h C s n a e m t I . e r u t u f s i h t u o b a t h g u o h t d n
a -hyangalso t iredt ol ookatt heneed s g
n o M f
o -ryong’sf amliy.
g n i h t t n a tr o p m i e h t f o e n o s i s i h
T s inKoreancutlureespeciallyi n ifdeltiy n
a m e n o o t y r r a m y l n o d l u o c l ri g n a e r o K a e r e h w t p e c n o
c . Asi n t he review o f
e r u tl u C n a e r o K f o w e i v e r m o r f s e u l a v y li m a f n a e r o
K statedi nKwintessenitals tie , a
e r o K f o k o o b d n a H
A ,andalsoSourcebooko fKoreanCiviilzaiton ,Mong-ryong’ s opinion o rhope swerer eally i mpo trantf ort hef amliybecausehewast hehead o f
, s u h T . y li m a f e lt ti l s i h t n i y li m a f e h
t Ch’un-hyangalwaysf ollowedwha thewant s n i s d e e n e h t a h w g n ir e d i s n o c d n a d n a b s u h r e h y e b o o t d a h e h s e fi w a s a e s u a c e b
e g a ir r a m r i e h
t itme.
n o d e s a
B the concep to fkibun in Korean society in tha t itme ,Ch’un -g
n a y
h also t ired t o keep t hefamliy value sand he rrelaiton wtih Mong-ryong i n r
i e h t p e e k o t r e d r
o kibun .In Korean society i twli lbe bad i fa person doe sno t t
c e p s e
r others’ need because i twli lalso hur tthei rkibun which i salso anothe r .
e r u tl u c n a e r o K n i m r o
