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AN UNDERGRADUATE THESIS

Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra

in English Letters

By

KRISTOFORUS HANDRIANUS SANAM

Student Number: 064214014

ENGLISH LETTERS STUDY PROGRAMME

DEPARTMENT OF ENGLISH LETTERS

FACULTY OF LETTERS

SANATA DHARMA UNIVERSITY

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i   

AN UNDERGRADUATE THESIS

Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra

in English Letters

By

KRISTOFORUS HANDRIANUS SANAM

Student Number: 064214014

ENGLISH LETTERS STUDY PROGRAMME

DEPARTMENT OF ENGLISH LETTERS

FACULTY OF LETTERS

SANATA DHARMA UNIVERSITY

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iv   

“Be patient with everyone, but above all with yourself.

Do not be disturbed because of your imperfections, and

always rise up bravely from a fall. Daily make a new

beginning; there is no better means of progress in the

spiritual life than to be continually beginning afresh, and

never to think that we have done enough”

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v   

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vi   

Yang bertanda tangan di bawah ini, saya mahasiswa Universitas Sanata Dharma:

Nama : Kristoforus Handrianus Sanam

Nomor Mahasiswa : 064214014

Demi pengembangan ilmu pengetahuan, saya memberikan kepada Perpustakaan Universitas Sanata Dharna karya ilmiah saya yang berjudul:

THE MOTIVATION IN COMMITING REVENGE AS REVEALED IN DANTES’ THREE CHARACTERS SEEN IN ALEXANDER DUMAS’ THE COUNT OF MONTE CRISTO

Beserta perangkat yang diperlukan. Dengan demikian saya memberikan kepada Perpustakaan Universitas Sanata Dharma hak untuk menyimpan, mengalihkan dalam bentuk media lain, mengelolanya dalam bentuk pangkalan data, mendistribusikan secara terbatas, dan mempublikasikannya di internet atau media lain, untuk kepentingan akademis tanpa perlu meminta ijin dari saya maupun memberikan royalti kepada saya selama tetap mencantumkan nama saya sebagai penulis.

Demikian pernyataan ini yang saya buat dengan sebenarnya.

Dibuat di Yogyakarta

Pada tanggal: 1 Mei 2011

Yang Menyatakan

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vii   

given me the strength, courage and patience during this thesis writing. I realize

that His eternal blessing is a miracle in my life.

My deepest gratitude goes to my whole family, both my mother side

and my father side, usi-son, nao-feto, ole-tata. Especially I thank my beloved

parents, my three lovely sisters, my two adopted sisters and my little niece. They

have supported me with prayer and attention days and nights.

I give my thanks from the bottom of my heart to Drs. Hirmawan

Wijanarka, M.Hum., my advisor who has guided me patiently. His advice and

suggestions are truly helpful in finishing this thesis writing. My thanks also goes

to Dewi Widyastuti, S.Pd., M.Hum., my co-advisor, who has given a good advice.

I give my thanks to all of the lecturers and staff of the Department of English

Letters. They have taught me many things.

I express my thanks to my brothers and sisters who study in Jogja,

John Manhitu, Djuniuk Laka, Esri Laka, Fin, Rilus, Chiko, Mia, Sari. I give my

thanks to all of my friends, everywhere they are, my friends of English Letter ’06,

my friends of After 20 football team, my friends who work as teachers in BEC, all

GANDROENGERS (Gandroeng Choir), my KKN mates and PML mates. Thank

you for the nice time we shared together. I could not mention their names but I

owe them gratitude. Their presence is a gift from which I learnt many things about

friendship and togetherness.

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viii 

1. Theory of Character and Characterization ... 12

2. Theory of Motivation ... 16

A.The Characterization of Edmond Dantes ... 27

1. The Characterization of Edmond Dantes before the Accusation ... 27

2. The Characterization of Edmond Dantes after the Accusation ... 35

B.The Characterization of Dantes’ Three Disguising Characters ... 41

1. Abbe Busoni ... 43

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ix   

3. The Count of Monte Cristo ... 54

CHAPTER V CONCLUSION ... 64

BIBLIOGRAPHY ... 68

APPENDIX ... 71

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x   

Alexander Dumas’ The Count of Monte Cristo. Yogyakarta: Department of English Letters, Faculty of Letters, Sanata Dharma University.

This thesis discusses the novel The Count of Monte Cristo. The focus of discussion is on the motivation of Edmond Dantes as the main character in committing revenge. His motivation is revealed through his three disguising characters. Dantes’ disguising characters are Abbe Busoni, Lord Wilmore and The Count of Monte Cristo.

In order to focus on the study, there are three objectives of the study to discuss. Firstly, the writer describes the characterization of Edmond Dantes before and after the accusation. Secondly, the discussion deals with the characterization of Dantes’s three disguising characters. Lastly, the study reveals the motivation of Edmond Dantes and his three disguising characters in committing revenge. His character changes, both physiques and behaviors during his disguise, help him to plot the series of revenge.

This study is conducted using library research method. It means that the sources are taken from books, journals and written sources from the internet. These sources are aimed to provide basic study on the novel and the author. They also provide theories for this research. Psychological approach is used to support this study because Edmond Dantes’ behavior changes relates to psychological matter.

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xi   

Alexander Dumas’s The Count of Monte Cristo. Yogyakarta: Jurusan Sastra Inggris, Fakultas Sastra, Universitas Sanata Dharma.

Skripsi ini membahas novel, The Count of Monte Cristo. Pokok pembahasan adalah motivasi Edmond Dantes sebagai tokoh utama dalam melakukan balas dendam. Motivasinya tersingkap lewat tiga tokoh penyamarannya. Tokoh-tokoh tersebut adalah Abbe Busoni, Lord Wilmore dan The Count of Monte Cristo.

Agar tetap fokus pada pembahasan, ada tiga rumusan masalah yang akan dikaji. Pertama, penulis secara khusus menggambarkan penokohan Edmond Dantes sebelum dan sesudah tuduhan. Kedua, pembahasan berkaitan dengan penokohan tiga tokoh penyamaran Dantes. Terakhir pembahasan menyingkap motivasi Dantes dan tiga tokoh penyamarannya dalam melakukan balas dendam. Perubahan karakternya baik fisik maupun perilaku selama penyamarannya membantu dia dalam melakukan balas dendam.

Studi ini dibahas dengan menggunakan metode studi pustaka. Maksudnya bahwa sumber-sumber diambil dari buku, journal dan berbagai sumber tertulis dari internet. Sumber-sumber ini dimaksudkan untuk mendapatkan kajian pokok tentang novel dan penulisnya. Sumber-sumber ini juga manyajikan teori-teori untuk studi ini. Pendekatan psikologi digunakan untuk mendukung studi ini karena perubahan perilaku Edmond Dantes berkaitan dengan masalah psikologi.

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1 A. Background of the Study

A statement about literature comes from Wellek and Warren in their

book Theory of Literature (1985: 10). They state, “Literature is not philosophical

knowledge translated into imagery and verse, but literature expresses a general

attitude toward life.” Furthermore, they say, “Literature represent life and life is a

large measure, a social reality, even though the natural world and the inner of

subjective word of individual have also been object of literary imitation” (1985:

56).

Wellek and Warren underline human’s life as an important topic which is

usually presented in novels or other works of literature. It means that human’s life

and attitude always become good topics to be discussed deeply. Novels or other

kinds of literature always arouse reader’s imagination to make interpretations and

critics toward these aspects. Human’s life can cover the past life, present or

imagination about the future. Human’s attitude can refer to characteristics shown

in the work of literature.

Hudson says in his book An Introduction to the Study of Literature “A

great book is born of the brain and heart of its author; he has put himself into its

pages; they partake of his life and are instinct with his individuality” (1958: 15).

Hudson states a simple understanding that the work of literature is born from a

deep reflection of the author. The author involves himself into human life’s

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From this simple understanding, it is certain that the works of literature

come from the reflection of human’s life experiences. Therefore, the works of

literature, such as novel, drama and poetry are different from many other writings

either in the forms or in the contents. ‘Other writings’ refers to nonfiction books

(philosophies, sciences, and culture), opinions, journals or criticisms of the works

of literature. Besides, the works of literature are also different one another. Novels

are distinct from poems and drama in forms and contents and vice versa.

Nevertheless, they have the same characteristic as works of literature which can

raise readers’ imagination.

The Count of Monte Cristo is a novel that shares many aspects related to

human’s life. It comes from a deep reflection of a French writer, Alexander

Dumas. He had partaken himself into human’s experiences and tried to reflect it in

a form of story. Undoubtedly, he shares many aspects which can arouse readers’

imagination.

Actually, this novel was first written as a series story and published in a

French magazine named Journal des débats. This series story later was extracted

into the form of novel. “The Count of Monte Cristo (1844) first serialized in the

weekly Journal des débats was also a huge literary and financial success for

Dumas Père” (http://www.online-literature.com/dumas/cristo/html). This

quotation also shows how this story received good impression in that era. Not

only did the book success but also Alex Dumas as the writer gained much

impression because of this novels. He successfully gained enough financial

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Dumas’ The count of Monte Cristo is an influential adventure story, and

this story is of course different from his other adventure stories such as The Three

Musketeers and The man in the Iron Mask. In this novel, the author presents the

action of Edmond Dantes as the main character who develops with three

disguising characters. Those characters are Abbe Busoni, Lord Wilmore and The

Count of Monte Cristo. Each character is characterized differently although they

are the same man, Edmond Dantes. There are some similarities in characteristics,

but basically, there are also some differences especially in physical appearance

and motive of revenge.

These three disguising characters are of course presented on purpose.

Edmond Dantes uses these characters to achieve his main motivation. Gerring and

Zimbardo in their book Psychology and Life state a simple understanding of

motivation. “Motivation is the process of starting, directing and maintaining

physical and psychological activities toward a certain goal” (2002: 364).

Gerring and Zimbardo underline that motivation is the basic, which

becomes the reason to do something. They mean that to reach a certain purpose,

people usually have motivation, which urges them to star and act both physically

and psychologically. Undoubtedly, Edmond Dantes’ motivation using these three

characters is to commit ‘revenge’.

In The Count of Monte Cristo, revenge is a prominent topic which arouses

readers’ mind. In this story, it seems that the author brings out revenge as an

important matter revealed in the main character’s action. “The word "vengeance"

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of his former prison mate and a few pirates, Dantes uses his newfound fortune to

eradicate his enemies” (http://www.online-literature.com/dumas/cristo/html).

Dantes’ revenge is quite strong. He thinks nothing except to make his

enemies, the people who had caused his misery, feel the same pain. To achieve

this aim, he disguises in three different characters which help him to achieve his

revenge. He starts from seeking the information, maintaining the process until

executes his enemies.

Edmond Dantes’ disguising is the process to maintain his revenge.

Throughout these characters, he seeks and gathers information about his enemies

as much as possible and finally he achieves his motivation of revenge. His

motivation of revenge is stated in the following quotation.

“To seek justice for the three men who so selfishly stole 14 years of his life, Edmund Dantes uses deception to emotionally and financially destroy his foes. The Count of Monte Cristo operates very much like the Russian mafia; if a wrongful act is committed, the wrong-doer's entire family and fortune is extinguished before his or her very eyes” (http://www.online-literature.com/dumas/cristo/html).

His motivation is ‘to find justice and declare punishment on his enemies’.

Justice he achieves is the truth of his guiltless. He proofs that he is not guilty as

accused. He makes his enemies confess their faults and confess that Dantes is not

guilty. During his disguising, Dantes also implicitly restores his good name as a

good man with good manner. He does not only disguise to punish his enemies, but

he also makes some kindness such as help Monsieur Morrel, his former boss,

from bankruptcy and Bertuccio from his imprisonment.

Another motivation of his revenge is to punish his enemies. He makes his

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the right justice as well. He thinks that justice is only done when he can revenge

his enemies who had trapped him with the false accusation. Even he said, “Human

justice is sadly lacking in consolation; it can only shed blood in exchange for

blood” (Dumas, 1997: 115). This quotation shows how Dantes’ vengeance is quite

strong. He commits his own justice, which means blood changes to blood. When

people do something wrong which causes much misery, then they must pay back

what they have done.

Since Edmond Dantes plots revenge using three different characters, in

which each of them has their own motive, it is close to the topic of this research

‘The Motivation In Committing Revenge as Revealed in Dantes’ Three Characters

Seen in Alexander Dumas’ The Count of Monte Cristo.’ Throughout this research,

the writer will find out what motivation and jobs revealed by Dantes’ three

disguising characters. The writer will provide many proofs about motivation

behind his revenge.

B. Problem Formulation

In order to focus on the topic, thus the writer provides some problems to

discuss deeply. The problems are stated in questions that will lead the writer

directly to the main analysis. The problems are namely:

1. How is Dantes characterized in the story?

2. How are Dantes’ three disguising characters described in the story?

3. How do Dantes’ three disguising characters reveal his motivation in

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C. Objectives of the Study

The aim of this study is obviously to answer the formulated problems.

The first problem guides the writer to find out Edmond Dantes’ characterization.

The writer will provide evidences as well how he is described in the novel The

Count of Monte Cristo.

The second problem formulation will cover Dantes’ three disguising

characters. The writer will focus specifically to the characterization of these three

characters. The third problem deals with the topic discussed in this research. In

this part, the writer will provide the proofs and answers of the third problem

formulation. The writer will find out the motivation of these characters, why the

main character uses them differently. Besides, the writer also will give proof on

how Dantes’ three characters reveal his motivation in committing revenge.

D. Definition of Terms

Since this research explicitly explores the stated problems, thus the writer

will explain some terms related to the topic. It is purposed to avoid

misunderstandings and misinterpretations. In order to make them clear and

comprehensible, the related terms will be explained based on sources. Those terms

are Motivation, Revenge and Character.

1. Motivation

Gerring and Zimbardo in their book Psychology and Life describe,

“Motivation is the process of starting, directing and maintaining physical

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2. Revenge

Linda Ross Meyer in her review on Ayyildis and Hine’s book states,

“Revenge is a necessary part of maintaining norms, and the

reinterpretation of criminal wrongs as wrongs to the victim”

(http://www.citeulike.org/user/puslit/article/4853048).

3. Character

M. H. Abrams in his book A Glossary of Literary Terms states, “characters

are the persons presented in a dramatic or narrative work, who are

interpreted by the readers as being endowed with moral, dispositional, and

emotional qualities that are expressed in what they say-the dialogue and by

what they do-the action” (1993: 23).

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8

In this chapter, the writer will deal with the three important parts. They

are review of related studies, review of related theories and theoretical framework.

Firstly, review of related studies will discuss the previous analysis on the same

book, Alexander Dumas’ The Count of Monte Cristo, but on the different topic.

This part also will cover the discussion on the same topic with this research,

including review on Alexander Dumas as the author of The Count of Monte

Cristo. Secondly, review of related theories discuses some related theories used in

this research. Thirdly, theoretical framework explains how the theories in this

research support the analysis in Chapter IV.

A. Review of Related Studies

A work of literature is said to have quality when it gets more criticisms.

It means that a criticism whether it is an agreement or disagreement can help both

the authors and readers to understand more about a work of literature. Criticism

can be a good discussion or information, which explicitly reveals the main ideas

of the author, so that readers with no confusion can easily obtain and understand

that work of literature.

There are some criticisms directed to Alexander Dumas and his novel

The Count of Monte Cristo as a work of literature.

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The Man in the Iron Mask. Although on the surface, much of Dumas's writing is simple adventure; most of Dumas's works have deeper meanings. These meanings include man's relationship to God and one another, man's sinful nature and greed, and man's ability to forgive and be forgiven. Dumas will go down in history as the most famous French novelist of his era and perhaps of all time (http://www.novelguide.com/thecountofmontecristo/biography.html).

Dumas’ novels are commonly well known as the works of adventure

such as The Three Musketeers and The Man in the Iron Mask. These novels

describe about French Revolution at that time. He also talks about the way people

earn a living, which people compete to gain power and wealth even in the impolite

ways. He shares about people’s relationship in society at that time, the

relationship between people and government. He shares about the vertical

relationship as well between God and human being.

Another comment on Dumas comes from Kuiper.

Alexander Dumas is “One of the most prolific and the most popular French authors of the 19th century. Without ever attaining indisputable literary merit, Dumas succeeded in gaining a great reputation first as a dramatist and then as a historical novelist. He was the father of dramatist and novelist” (Kuiper, 1995: 354-355).

Kuiper expresses his admiration for Dumas as a most influential French

author at 19th century. Firstly, Kuiper admits that Dumas produced good works of literature, which must be appreciated. Secondly, he agrees to name Dumas as a

dramatist and novelist, who always related his works with history of French

Revolution. Dumas explicitly described human being in their social life, which

were always influenced by their natural greediness of financial needs and power.

H.W Fowler and F.G Fowler in the book “The Concise Oxford

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“Alexander Dumas as prolific writer of Greek parentage, now mainly remembered

for his novels, but whose dramas played an important past in French Romantic

movement” (1972:151).

Fowler and Fowler, with no doubt, equalize Dumas with writers of Greek

parentage. Undoubtedly, many Greek scientists were well known around the

world with their ideas and inventions of sciences and many branches of

philosophical studies. Therefore, Dumas was regarded with the same title as one

of the influential writers who will be remembered around the world.

Dumas' books were also an influence on countless authors around the world, including Mark Twain, who emulated Dumas' brand of fiction in The Prince and the Pauper and japed at it in The Adventures of Huckleberry Finn. More than 130 years after the author's death, phrases such as "One for all and all for one" are still almost universally understood and recognized from his stories of the Musketeers (http://www.answers.com/topic/alexandre-dumas).

Alex Dumas is so well known around the world. Nowadays, people are

surely familiar with his influential phrases ‘One for all and all for one’. He also

gained much impression from other famous writers such as Mark twain. Dumas’

adventure novels inspired Mark Twain’s novels such as The Prince and the

Pauper and The Adventures of Huckleberry Finn. These two books of course have

the same characteristic with Dumas’ book, which share about ‘adventure’.

Some criticisms are also directed to Alex Dumas’ The Count of Monte

Cristo. One criticism comes from Marc Auge which quoted by Simona Mitroiu.

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(the count of Monte-Cristo) will never return (http://international-journal-of-axiology.net/articole/nr9/art9).

Mitroiu shows the idea of Marc Auge that The Count of Monte Cristo is

an unforgettable memory, which will be remembered by the main character to

revenge his enemies. Therefore, the comeback of the character is considered as a

renewal of the past memory.

Another analysis comes from Surono in his undergraduate thesis entitle

Moral Lesson Reflected in Edmond Dantes’ Character Development In

Alexander Dumas’ The Count of Monte Cristo’. Surono explores the moral values

seen in The Count of Monte Cristo. Throughout the character development of the

main character, Edmond Dantes, Surono finally finds out that revenge is not

always valued as a good reason in solving problems especially based on the

Christian morality or Christian values. Therefore, at the end of his revenge,

Edmond Dantes feels regret about what he had done toward his enemies (2003:

50).

The criticisms and analysis above of course discuss the same writer,

Alexander Dumas and his novel The Count of Monte Cristo, but those criticisms

are of course different with this research. This research will focus on the finding

of the motivation of the main character’s action to plot revenge. The writer will

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B. Review of Related Theories

There are some related theories, which will be reviewed in this part.

These theories are aimed to give much understanding about the topic formulated

in the problem formulation.

1. Theory of Character and Characterization

Character and characterization are two sides that cannot be separated.

Both of them have the relation which character refers to the role of a person in

the story, while characterization refers to the description of the characters in the

story.

a. Character

M.H. Abrams in his book A Glossary of Literary Terms states,

“characters are the persons presented in a dramatic or narrative work, who are

interpreted by the readers as being endowed with moral, dispositional, and

emotional qualities that are expressed in what they say-the dialogue and by what

they do-the action” (1993: 23).

Abrams states clearly that characters in a work of literature such as

dramas or novels are usually persons who are presented by the author with certain

moral values, dispositions and emotions. These qualities are of course expressed

throughout their dialogue and action in the story.

Holman in his book A Handbook to Literature gives the same comment

about character. He says,

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busybody, a glutton, a fop, bumpkin, a garrulous old man, a happy milkmaid, etc (1986: 81).

Holman strengthens Abrams idea that character is a person who always

has some definite qualities. Those qualities can be categorized into bad or good

characters.

Another definition comes from Rohrberger and Woods in their book

Reading and Writing about Literature. “A narrative, of course, is a story, and

stories involve person, called character.” Therefore, they add, “characters must

be credible, that is, readers must accept them as believable people” (1971: 20).

Rohrberger and Woods still give the same opinion about the existence of

character in a story. They underline that characters are more or less can evoke

readers as if they are real in the real life. More, they say, “characters have

particular personalities and physical attributes that distinguish them from other

characters” (1971: 20). They mean that characters must be different one another,

either in behaviors or in physical appearances in which readers can easily

recognize them.

It is therefore literally impossible for any dramatically imagined character to lack all determinants of human status and identity. He or she must have those minimal features – notably embodiment and gender – without which, as Parmenides might have said, a person cannot be conceived or spoken of (Blondell, 2003: 54).

Blondell expresses the same opinion about the nature of character, which

he or she must have a minimal feature, physic or another attitude that can be

identified by readers. Without these features, characters cannot be imagined by

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b. Characterization

Characterization is the way an author creates or describes characters in

detail, about what they do and what they talk. Rohrberger and Woods states “The

process by which an author creates a character is called characterization” (1971:

20). Holman in A Handbook to Literature conveys a statement. “In fiction, the

author reveals the characters of imaginary persons. The creation of these

imaginary person so that they exist for the reader as lifelike is called

characterization” (1986: 81).

Since the characterization describes about what they do and what they

tell, Abrams elaborates two methods about characterization. The two methods are

showing and telling.

In showing (the dramatic method), the author presents the characters talking and acting and leaves the reader to infer what motives and dispositions lie behind what they say and do. In telling, the author intervenes authoritatively in order to describe and often to evaluate the motives and dispositional qualities of the characters (Abrams, 1993: 24).

Abrams means that in showing or dramatic method, the author shows the

characters’ physical action including their conversation. In this method, the

readers participate actively to find motives and dispositions of the characters in

what they do and what they speak. While in telling, the author describes the

characters directly and clearly. The readers need not to participate to find what

behind the characters’ action and their physical appearances because the author

has described them specifically.

Specifically, Murphy (1972: 161 -173) conveys nine methods in which

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  a. Personal Description

The author describes the appearance of a character in details such as the

face, the skin color, the hair, etc.

b. Character as seen by others

The author describes the character of the person through the other’s eyes

and opinion. There the opinion may come from people around the person

about his personality which can also determine his characteristics.

c. Speech

The author gives the readers some clue about the character through what

the character says.

d. Past Life

In certain events of the character’s past life, the readers will know the

characteristic of him/her. Here we learn that a character’s past experiences,

particularly those which are really meaningful can cause several effects to

the person’s future life even may change his character.

e. Conversation of others

Through the conversations done by other people, the readers will know

what they say about the character.

f. Reactions

The readers will know what kind of person the character is by seeing how

he/she reacts to various situations in the story. The readers here can

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  g. Direct Comment

The author gives direct comment to the character. However, the author

will not give lots of direct comment otherwise the novel will be

uninteresting to deeply read.

h. Thoughts

The author directly gives what a person is thinking about. By knowing

what in the character’s mind, the readers will know his characteristic.

i. Mannerism

The author creates the character’s behaviors where each and every one of

the behaviors will show the characteristic of the character. A person’s

habits of idiosyncrasies may also tell us something about someone’s

characteristic.

Murphy (1972:161) also adds that characterization is the presentation of

the characters’ personalities including their attitudes, appearance, motives, and

actions, which are created to be life like.

2. Theory of Motivation

Shamir states a theory of motivation as quoted by Perry “Motivation can

be self-expressive. Behavior is not goal directed or purposive, but rather is

expressive of feelings and self-concept” (Perry, 2000: 6). Shamir underlines

motivation as a part of human’s behavior to express feeling toward a certain

experience in society. In order to strengthen this theory, Perry quotes another

theory from Knoke and Wright-Isack (1982) “Motivation is the process effective

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context” (Perry, 2000: 6). These two authors support Shamir’s theory, which

emphasizes motivation as behavior to express feeling or emotional responds

toward a certain situation.

Adair defines another theory of motivation in his book Leadership and

Motivation, “A man, woman or child is motivated when he or she wants to do

something. Motivation covers all the reasons which cause a person to act,

including negative ones like fear along with the more positive motives, such as

money, promotion or recognition” (2006: 89). Adair points out that motivation is

the basic reason of people to do something or act negatively or positively.

Schutz et al. equalize motivation with goal concept in Urdan and

Karabenick’s book. They say, “Our assumption is that human activities (e.g.

behaviors, thoughts, etc.) are intentional and directed toward something. For us,

that ‘something’ is the goals, values and beliefs that people attempt to attain and

maintain” (Urdan and Karabenick, 2010: 44). Schuts et al. mean that motivation is

expressed through certain behaviors and thoughts, which are directed toward the

goals. Motivation also can be directed toward certain values and beliefs.

Karen Huffman et al. note an important notion that motivation refers to

some factors within an individual (such as needs, desires and interests) that

activate, maintain and direct behavior toward a goal. Furthermore, they state that

motivation is closely related to emotion which is valued as effective responses

that result from psychological arousal, thoughts and beliefs, subjective evaluation

and bodily expression. Motivation energizes and directs behavior, emotion is the

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3. Review of Revenge and Punishment

The word revenge can be interpreted into various meanings based on the

context. In football context the word revenge can be interpret as to win back the

match.

This example is of course different from the context in this research. The

word revenge in this context refers to vengeance, which means ‘paying back’

miseries that someone has made to the victim. Linda Ross Meyer in her review

on Ayyildis and Hine’s book states, “Revenge is a necessary part of maintaining

norms, and the reinterpretation of criminal wrongs as wrongs to the victim”

(http://www.citeulike.org/user/puslit/article/4853048). In the following quotation,

Meyer stresses revenge as a part of norm that should be constructed in order to

sentence the wrong person as the wrong one who has made a misery toward the

victim.

Solomon notes his perspective that “revenge plays on three metaphors:

debt, balance, and pollution. The debt metaphor requires a “paying back” of like

for like, the balance metaphor a “felt need to put the world back into balance,” and

the pollution metaphor a “cleansing” (Solomon, 1999: 141).

Solomon underlines the three things that can be understood from

revenge. Those are debt, balance and pollution. Debt refers to paying back

something that someone has made. Balance refers to normalizing the situation that

has been harmed by someone. Pollution can refer to cleansing. Someone who

always inhibits another person to do something is considered as pollution, which

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Solomon states another idea. He emphasizes vengeance as “a socially

constructed emotion that can be cultivated to contain not only its own limits but a

full appreciation of the general good and the law as well” (Salomon, 1999: 144).

Solomon gives a positive perception on revenge as well. He means that revenge is

a part of emotion constructed normally in the social life, therefore it can be

cultivated well to give the good result and law protection for the victim.

However, the word revenge commonly hints a negative perception

referring to punishment. In this research, revenge can be understood as a kind of

punishment from the main character’s action. But since the main character’s

action is the result of emotional arousal, therefore, his action can be just as the

right solution to end his troubles.

The retributivism theory notes an interesting point of view on

punishment. “Retributivism generally holds that the reason to punish is

desert-wrongdoing merits punishment, and punishing a wrongdoer is good, irrespective

of any consequences of punishing that wrongdoer” (Barnes, 1999: 9).

Smith defines punishment as same as reward. Reward is recompensing or

repaying, returning good for good received. Punishment is also recompensing or

repaying, though in a different manner; it is returning evil for evil that has been

done. Furthermore, he says what most immediately and directly prompts us to

punish someone is resentment (2010: 36).

This statement stresses resentment as the basic influence to arouse the

punishment. Resentment forces someone not only to be punished in formal

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particular injuries that he or she did to the victim. It means that if a person causes

a misery and makes us to hate or dislike him, resentment leads us to take a

malicious pleasure or rejoice on his or her misfortune and distress. Smith adds that

if the resentment does not lead someone to the more tragic punishment such as

killing, more or less he or she will be adequately justice to be the instrument of

unintentional distress (Smith, 2010: 37).

Smith notes clearly that someone who had made miseries for someone

else should be punished with the same thing he or she did for the victim.

Therefore, this kind of punishment is considered as the good solution. And for

Dantes, this kind of punishment is absolutely considered as the right fairness.

“Punishment is a necessary evil, but we should inflict and support it with

regret and without any sense of having embarked on a righteous moral crusade”

(Murphy, 1987: 518). Murphy states another positive argument. He suggests that

punishment is a necessary in human being life, but it should not be always valued

as the right moral action. And therefore, people should feel regret after

committing the punishment.

4. Theory of Justice

There are many concepts of justice. David Schmidtz in his review of

John Rawls theory says, “It seems natural to think of the concept of justice as

distinct from the various conceptions of justice and as being specified by the role

which these different sets of principles, these different conceptions, have in

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This quotation means that justice can be understood from different

concept or different context. John Rawls in his book A Theory of Justice (1971: 7)

firstly states,

Many different kinds of things are said to be just and unjust: not only laws, institutions, and social systems, but also particular actions of many kinds, including decisions, judgments, and imputations. We also call the attitudes and dispositions of persons, and persons themselves, just and unjust.

Rawls explains that justice has wide concept in social life not only in

law, institution and social system, but also in other aspects such as in

decision-making, judgment, including personal behavior. Therefore, justice must be

understood according to the context or the background where justice is

constructed. Justice in law is certainly different from either justice in institutions,

such as politic and economic, or justice in social system or justice in the personal

behavior.

Since justice has different context, Schmidtz emphasizes, “To argue

about justice is to argue about what people are due” (2006: 8). Schmidtz explicitly

argues that when people talk about justice, people talk about the reason why

people commit ‘something’ which is valued as justice. The reason is of course to

find the truth.

Another notion of justice comes from Linda Ross Meyer, “Justice is the

search for a perfectly rational, perfectly fair, perfectly meaningful universe”

(http://www.citeulike.org/user/puslit/article/4853048). Meyer also has another

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be explained rationally, the searching of fairness and the searching of the meaning

of life in the universe.

C. Theoretical Framework

Undoubtedly, reviews of theories above are the basic understanding of

this research. Theories of character and characterization are needed because in the

first and the second part, the writer deals with the description of the main

character, Edmond Dantes and his three disguising characters in the novel The

Count of Monte Cristo. These theories will help the writer to understand the

concept of character and characterization in the novel.

The other theories such as theories of motivation and review of revenge

are aimed to answer the third problem formulation. Since the writer deals with the

main character’s motivation in committing revenge, these theories are needed to

provide the basic understanding of these concepts. Theories of justice and

punishment are aimed to give strong understanding of the Dantes’ motivation in

committing revenge. His motivation is to find justice and punish his enemies

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23 A. Object of the Study

The object of this study is absolutely the novel The Count of Monte

Cristo written by Alexander Dumas - a French author. This novel was firstly

written on 1844 and published in 1846. This novel was actually published as

series story in French weekly journal named Journal des débats. Therefore, the

original of this novel was written in French language. Around 1847, this novel

was translated into English. It gained much impression because of its amazing

story.

The novel used in this research is the new English edition published by

Wordsworth Ltd in 1997. This novel contains 440 pages and consists of 73

chapters.

The Count of Monte Cristo is a story of an innocent young man named

Edmond Dantes who trapped into false accusation. As the result, he was sent into

jail and got imprison for about 14 years. Edmond Dantes, the main character, was

actually a fine and kind man. He got success as a captain of Pharaon ship. He also

married a beautiful girl named Mercedes.

Throughout these successes, Edmond Dantes became an important man,

but this fame did not stay long. This fame brought him into trouble. Some people,

which Dantes called them as friends, are burnt with jealousy. Then these people

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During his imprisonment, Dantes changed significantly. He was a bit

going mad and trying to suicide. Fortunately, he did not. He was burnt with anger

and hatred. When he escaped from the jail, he plotted revenge toward his enemies,

the people who have trapped him with the fake letter. Without mercy, he made

these people to feel the same pain he did. He wanted these people to pay back the

misery they have done to him. Although, he did not kill them by his own hand,

but his action made these people lived in misery and some committed suicide.

Dantes assumed that his action was the way of justice.

B. Approach of the Study

This research will deal with psychological approach. This approach is

more suitable applied in this research because the writer will analyze the

motivation of the main character, Edmond Dantes, using three disguising

characters in plotting revenge. Actually, his main motivation is to revenge, but his

three characters give clue as well about his motivation in plotting revenge.

Since the writer deals with the main character changes both physical and

psychological and these changes also influence his motivation, psychological

approach is more appropriate to be applied in the analysis. “A psychological

approach is an approach that applies principles of modern psychology to

characters or situation within a literary work or to the person who wrote that

work” (Leary, 1976: 57).

Leary means that psychological approach can be applied to the characters

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author. But in this research, the psychological approach will be applied to the

main character’s changes and his emotional behavior. His rapid transformation

from a good man into a bad man is an interesting point, which will be analyzed

deeply using psychological approach.

C. Method of the Study

  In this research, the writer uses library research as the method of the

study. It means that both primary data and secondary data in this research is taken

from written sources. The primary data is The Count of Monte Cristo, the novel

which is used as the main data to do the research. The secondary data are books or

various sources from articles and internet which can provide much information or

studies on the primary data. Secondary date also cover criticisms and related

theories used in this research.

In order to do the analysis properly, the writer took some steps. Firstly,

the writer read the novel The Count of Monte Cristo several times so that the

writer can understand it deeply. Throughout reading, the writer also can make

some important notes, determine the appropriate topic and formulate problems to

discuss.

Secondly, the writer read and chose some suitable studies on the author,

Alexander Dumas, and his work The Count of Monte Cristo. The writer also read

and quoted some related theories such as theories of character and

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Thirdly, the writer applied the theories and approach in the analysis.

Theories and approach, which have been chosen, are applied rightly accordance

with the formulated problems. In this step, the problem formulation will be

answered using theories which have been reviewed previously.

Lastly, the writer drew a conclusion after doing the analysis. In the part

of analysis, the writer answered the formulated problems, therefore, the last part to

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27

In this part, the writer deals with the analysis of the work of the literature

and the answer of the formulated problems. The first part deals with the

description of the characterization of Edmond Dantes before and after the

accusation. The second part covers the characterization of Dantes’ three

disguising characters. And the last part deals with the motivation in committing

revenge revealed through Dantes’ three disguising characters.

A. The Characterization of Edmond Dantes

The characterization discussed in this part will cover Edmond Dantes’

life before and after the accusation. The writer tries to differentiate Dantes’

characterization before and after the accusation.

1. The Characterization of Edmond Dantes before the Accusation

The main character of Dumas’ The Count of Monte Cristo is Edmond

Dantes. As depicted by Rohrberger and Woods, “Characters have particular

personalities and physical attributes that distinguish them from other characters”

(1971: 20). In this novel, Dantes is presented dominantly and described differently

from the other characters. He is different both physiques and personality.

Dantes is presented realistically. Dumas presents this character as if he

lives and experiences all of these happenings. Holman states, “In fiction, the

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imaginary person so that they exist for the reader as lifelike is called

characterization” (1986: 81).

As same with Holman, Murphy mentions nine ways to recognize a

character but not all of them are used in this part. There are some methods which

can describe Dantes’ characterization such as personal description, speech,

conversation of others, reaction, direct comment and mannerism.

Physically, Edmond Dantes is described as a young man in age of

nineteen. He has an ideal and perfect posture. He has a good and proportional

body. Dumas describes him as a tall and slender man. He has good and vigilant

black eyes. He has good black hair. He has rapid gesture as well. These are

described by the author in the following quotation.

He was a tall, slender young man, no more than twenty years old, with dark eyes, and hair as black as ebony…...

A young man who with vigilant eyes and rapid gesture…. (p. 1) “I’m only nineteen, as I’ve told you, and I know very little” (p. 21)

Before the accusation, Dantes is described as a man with good

personality. His good personality is shown in some characteristics. Firstly, Dantes

is described as a hard worker. He works in a ship named Pharaon. He works

seriously. There is no clear definition about his position in the ship, especially

before the death of Captain Leclere. He is just mentioned as one of the ship crews.

When he takes Captain Leclere’s position, he still shows this characteristic. He

works seriously and helps the crews to load the cargo. The following quotation

shows how serious he is to work.

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“Dantes,” said Morrel, turning toward the young man, “come here, please.”

“Excuse me sir, I’ll be with you in a moment,” said Dantes. Then, turning to the crew, he called out, “Let go!” The anchor dropped immediately and the chain rattled noisily (p. 3).

This characteristic can be understood from his economic background.

Dantes comes from a poor family. He just lives with his father who has become

old. Besides, his father always gets drunk. He borrows money more often,

therefore they lives in debts. This situation of course forces Dantes to work hard

not only for his own sake but also for his father. The following quotation

implicitly shows how Dantes has to work hardly to pay their debts.

“But-but I gave you two hundred French when I left three months ago,” stammered Dantes.

“Yes, that’s true, Edmond, but you forget a little debt you owe to our neighbor Caderousse (p. 7).

Dantes is a hard worker therefore this characteristic describes him further

as a responsible man. He is responsible not only to command but also to work

with the other crews. Besides, his great responsibility has been shown through his

success to bring back Pharaon ship safely including the cargos. He reports

everything responsibly as a captain who appointed by the dying Captain Leclere.

“A great misfortune, Monsieur Morrel!” replied the young man. “We lost our brave Captain Leclere off Civitavecchia.”

“What about the cargo?” asked the shipowner eagerly. “It arrived safely…(p. 1).

Another characteristic of Dantes is bravery. Dantes is so young but he

has done a hard and challenging job. He has a new duty to stir the ship he works

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temporary Captain of Pharaon ship. Fortunately, his good physique supports him

to take this duty.

“As soon as the captain was dead he took command…” “He’s a young and he has no doubt about anything” (p. 2).

This quotation implicitly shows characteristics of young Dantes as a

brave man. He encourages himself to take Captain Leclere’s position. He knows

that to be a captain is not easy, but his bravery forces him to go on Leclere’s

command. His bravery is also shown when he had to stop over the Isle of Alba.

This island is known as the land of traitors but Dantes is not afraid of them.

Above all, Edmond Dantes has the quality of a loyal man. Dantes is so

loyal that he did a job as asked by Captain Leclere to stop in an island named the

Isle of Alba. The stopping was to deliver a package for someone there who he did

not know exactly. As a loyal man, Dantes of course did not fear of the danger

which may happen. The evidence here shows how Dantes did his duty asked by

Captain Leclere.

“I wanted to ask you why you stopped at the Isle of Alba.”

“It was to carry out an order from Captain Leclere. As he was dying, he gave me a package to deliver into the Marshal Bertrand there…” (p. 3).

“You were quite right to follow Captain Leclere‘s instructions and stop at the Isle of Alba, although you might get into trouble if it became known that you gave the marshal a package and spoke to the emperor” (p. 3).

This quotation indicates how dangerous the Isle of Alba is. As stated before that,

this island is named as the place of traitors, therefore anyone who goes there is

suspected as a traitor. As a loyal man, Dantes must do his job without doubt about

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Dantes’ loyalty is continued when he did a sacred job asked by Captain

Leclere. Although, he just arrived in Marseille, met his beloved father and

Mercedes, Dantes continued his trip to Paris immediately. He had to deliver

Leclere’s last request.

His loyalty to Leclere can be valued as a kind of responsibility as well.

He does not want to disappoint Leclere who had trusted him. Although he had

died, Dantes does this duty to honor the Captain Leclere as well. The quotation

below shows Dantes’ willingness to go on his unfinished duty.

“I must go to Paris….”

Our poor Captain Leclere asked me to do something for him there. As you can understand, it’s a sacred duty. But don’t worry, I’ll come straight back” (p. 14).

Basically, Dantes is a kind man. He is dominantly described as an

innocent and good man with good manner. This behavior is seen through his

conversation, the way he speaks to others clearly describes his good manner.

When the ship arrived home, Monsieur Morrel came to meet him. Dantes

explained humbly to the ship owner about their misfortune during their sailing.

Dantes explained humbly about the death of Captain Leclere. Another matter was

about their stopping over the Isle of Alba. The following conversation is one the

proofs showing Dantes’ good manner. The way he utters Morrel’s name implicitly

reflects his humble and good manner.

“A great misfortune, Monsieur Morrel!” replied the young man. “We lost our brave Captain Leclere off Civitavecchia…...”

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One way of understanding characters as stated by Murphy is through

other characters’ opinion. The description of Dantes’ good personality can be seen

through other characters’ statements. Monsieur Morrel states directly that Dantes

is a fine man in every way. “Good, good, Dantes! I see you’re a fine man in every

way” (p. 6). Morrel states this openly to Dantes after he heard the good

explanation from Dantes. Morrel sees how Dantes speaks so humbly and full of

respect.

Not only to Monsieur Morrel as his boss does Dantes show his good

manner he also shows this good behavior to his friends, the people who will

betray him. He speaks to them as usual. As a good man, of course, Dantes has no

hatred. He treats them kindly as friends. His kindness and good manner toward his

friends here can be understood as a great patience.

Dantes’ good manner is shown to Danglars not only as a friend but also

as a partner in the Pharaon ship. Danglars is one of the influential people in the

ship which he respects kindly. Although, Dantes has ever quarreled with him, he

never shows his hatred to Danglars. Even, Dantes gives a positive comment on

Danglars to Monsieur Morrel. Here are some evidences that provide proof about

his kindness to Danglars.

“And now, if you’d like to come aboard, Monsieur Morrel’ said Dantes, seeing shipowner’s impatience, “you can talk to your purser, Monsieur Danglars, who’s just coming out of his cabin. He can give you all information you want” (p. 2).

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Dantes has another friend named Caderousse. He is Dantes’ neighbor

who always does favor on Dantes and his father. Caderousse lends them some

money. However he is not a patient man. During Dantes’ voyage, Caderousse

always presses Dantes’ father for payment. Nevertheless, as his father tells him,

Dantes keeps showing his good manner. He respects Caderousse as a good man

who had done favor on them. He does not show hatred at all on Caderousse. He

welcomed him humbly in his house.

“Just the same, though, he’s a neighbor who once did us a favor, so he’s welcome here…” (p. 7).

“Even when we no longer owe them money, we still owe them gratitude” (p. 8).

Dantes’ good behavior is also shown to Fernand when Dantes met him in

Mercedes’ house. His good manner to Fernand is a kind of patience. Although,

Fernand hates him obviously, Dantes keeps trying to respect him. Fernand is

Mercedes’ cousin therefore he has to respect and love him as he does to Mercedes.

Since Mercedes is Dantes fiancée, so Fernand belonged to his friend. Dantes has

no hatred on him. The way Dantes shows his good manner can be seen in the

conversation between Mercedes and Dantes and through the author description.

“He’ll be you friend, Edmond, because he’s my friend. He’s my cousin Fernand…”

“Ah, yes!” said Edmond. Keeping Mercedes’ hand clasped in his, he held out his other hand to Fernand. But Fernand remained as motionless and silent as a statue (p. 11).

Dantes’ kindness and good manner are of course shown to his beloved

father. His kindness toward his father can be valued as a kind of responsibility and

duty which he must do first than anything. It is a natural consequence which a son

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only lives with his father, therefore, he has a great responsibility to make his

father happy. Dantes guarantees his father sincerely with a lot of money. Dantes

expects that with this money, he would not borrow money anymore. The

quotation below can describe Dantes’ responsibility to comfort his father.

“Yes, I’m here now, with a good future before me and a little money already. Here, father, take this and send for some things right away.” He emptied the content of his pockets onto the table: a dozen pieces of gold, five or six five-French coins and some small change.

The old man’s face brightened. “Whose is that?” he asked. “It’s mine-yours-ours. Take it and buy provisions. And don’t worry: tomorrow there will be more…. (p. 7)

Dantes also has Mercedes, whom he loves deeply. His kindness and good

manner on her can be defined as a great fidelity. Although he goes everywhere

and leaves her for a long time, he always remembers Mercedes as his beloved

fiancée. When he arrived in Marseille, he told Monsieur Morrel to visit some

people whom he loved much. Those people are of course his father and Mercedes.

His father is number one, then Mercedes. This evidence shows how Dantes truly

loves Mercedes.

“Please excuse me, Monsieur Morrel, but I think I owe my first visit to my father. …

“Excuse me again, Monsieur Morrel, but after that first visit there’s another one that’s equally important to me” (p. 4).

Edmond and Mercedes fell into each other’s arms. At first, they saw nothing around them; their overwhelming happiness isolated them from rest of the world” (p. 6).

The description of Dantes’ kindness and good manner above also reflects

his calmness. He is a calm man. His calmness means that Dantes is not easy

anxious with his surroundings. Although, he knows that some people envy and

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and Mercedes for a long time. It seems that he is always accustomed to facing the

similar situation before so that he stays calm. An interesting quotation from the

novel can describe Dantes’ calmness.

His whole manner gave evidence of that calmness and resolution peculiar to those who have been accustomed to facing danger ever since their childhood (p. 1).

These all are the description of Dantes’ characterization. Shortly, before

the accusation, Edmond Dantes is described as a hard worker, responsible man,

brave man and a loyal man. He is also described as a fine young man with good

manner. He is so calm and full of patience. He hates no one. He respects

everybody, not only people whom he loves, but also his boss and his friends who

will trap him. Because of this good personality, Dantes is said as a man with good

fortune. He is lucky to be a captain in age of nineteen and marry a beautiful

woman. These two things are the reasons which envy his friends, Danglars,

Fernand and Caderousse. Here is the quotation which Dantes is reminded about

his good fortune.

“You’re about to become a captain at age of nineteen and you’re about to marry a beautiful woman who loves you, which is a rare stroke of good luck on this earth. Either of these two things may have made certain people envious of you” (p. 22).

2. The Characterization of Edmond Dantes after the Accusation

Since Dantes’ changes in personality are the result of the wrong

accusation, the characterization after the accusation covers his life during the

imprisonment. In this part, theory of character and characterization are still

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From what Dantes said and what he did, the readers can imagine his personality

changes after the accusation.

The story describes clearly that Dantes absolutely does not know the

reason why he is arrested. Unexpectedly, Dantes is caught and arrested when he

was celebrating his wedding reception. This happening absolutely shocks Dantes

and many people who join the party. Of course, Mercedes and Dantes’ father are

also shocked. Soon Dantes is brought to the Public Prosecutor.

“Edmond Dantes, you are under arrest.”

“Under arrest!”Cried Dantes, turning pale. “But why?” (p. 16)

This quotation shows the moment when Dantes was arrested. It is

described in the story that he is arrested because of the letter sent by his friends,

Danglars, Fernand and Caderousse. They make a fake letter containing an

accusation. The letter simply states that Dantes is one of the traitors belonging to

Bonapartist. This letter is sent to the State Prosecutor. Dantes is caught and sent in

to jail immediately.

In the prison, Dantes’ behaviors change slowly both negatively and

positively. Dantes is described differently with some changes. Negatively, Dantes

becomes a bad temper man. His emotion is uncontrolled. He easily gets angry.

Dantes has the nature of calmness and patience, but the situation he was now

facing caused his uncontrolled emotion.

His uncontrolled emotion can be understood from the moment he is

arrested. As stated previously that Dantes is arrested during his wedding reception

which his happiness is broken in a sudden. At that moment, he assures Mercedes

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situation happened. He is sent into jail and never goes back to Mercedes. He never

goes back to his happiness, his job and his honor. He loses Mercedes and his

future.

The following quotation describes how Dantes wants to send a letter for

Mercedes to tell her about his condition and his troubles in the jail as well.

However, the jailer rejects his willing to send a letter for Mercedes. This situation

which arouses Dantes’ anger and he utters threatening words.

“Listen, then: if you refuse to deliver a letter to Mercedes, or at least let her know I’m here, someday I’ll be hiding behind the door when you come in, and I’ll break open your head with this stool….” (p. 28). the door of the cell was opened and he entered, mumbling to himself, “He’s right: they have to put madmen with madman” (p. 29).

Dantes’ uncontrolled emotion is also aroused after Abbe Faria, his jail

mate, solves the problem he face. Abbe Faria finds the answer of his problem. He

finds who are behind all of his miseries and the reasons why they plot the wrong

accusation. Faria magnificently finds the correlation between his success and the

people who has plotted the accusation. Faria finds out that his disappearance must

be useful for some people. The following quotation is the process which Farria

finally solved Dantes’s problem.

Faria remained silent, lost in thought. After a time he said, “There is a maxim of jurisprudence which says, ‘if you wish to discover the guilty person, first find out to whom the crime might be useful (p. 45).

Faria is helpful of course but on the other hand, he arouses Dantes’

emotion immediately on those people. Soon Dantes is burnt with anger and

hatred. More negatively, his mind and heart are filled with vengeance as well.

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calm and patient but Dantes now is fully changed by the situation and problem he

face. This quotation describes how Dantes gets angry after hearing Faria’s

explanation.

“He uttered a cry and reeled like a drunken man for a moment, then he rushed into the passage leading back to his own cell, crying out as he left…”

“Faria looked at him steadfastly and said, “I regret having helped you clarify your past and having told you what I did. Because I’ve instilled in your heart a feeling that wasn’t there before: vengeance” (p. 48).

Another negative behavior appears on Dantes is losing hope and

self-confidence. In the prison, he is described as a weak person who loses hope and

confidence easily. Living in jail does not only make him frustrated but also makes

him lose hope easily. He seems lose both hope to live and faith to God. He is not

strong enough to bear his life in the prison. Days and nights are passed in the

narrow and dirty jail which makes him to doubt about his existence. He cries and

roares in every late night. He even dashes himself against the wall. He wants to

commit suicide to end his life directly.

This behavior is of course another unusual behavior of Dantes who used

to be a strong man in both physic and mental. He used to be calm and patient to

face any situation but living in jail made him to end his life soon. The quotation

below explains his frustration which he wants to commit suicide.

Finally his pride collapsed and he begun to pray, not yet to God, but to men…

He roared blasphemies which made his jailer recoil in horror, and dashed himself furiously against the wall of his prison… (p. 34).

The thought that death brings release from suffering led him to the idea of suicide….

(51)

As stated previously that living in jail does not only change Dantes

negatively but also positively. There are some positive aspects which Dantes

should be proud of. In the prison, positively Dantes is described as a sociable

man. He easily makes friend with a stranger named Abbe Faria. Abbe Faria is an

Italian priest who is also arrested with no apparent reasons.

Actually, their meeting occurs accidentally. Dantes sat sadly in his cell

and suddenly he heard a scratching noise across the wall. The sound was

continuously louder. He thought that someone tried to escape from the prison.

Dantes then tried to find where that sound came from. He finally found Abbe

Faria, the person who scratched the wall. This quotation depicts how Dantes first

heard the scratching sound and found Faria.

He heard a regular scratching sound which might be coming from a large claw…(p. 35-36).

A moment later, Dantes heard the sound of a mass of stones…

Then he saw a head emerge through his hole, and soon a man had climbed up out of it and into his cell (p. 40).

This quotation gives the clue that their meeting happens in the right

moment and the right time. Before their meeting, Dantes lived alone in a separated

cell. He almost committed suicide there, but Faria appeared which seemed to give

him a new hope to live more. He seemed getting back his self-confidence and he

gradually regained his power and rehabilitated his life. Faria’s appearance inspired

him to think brightly about the future.

Dantes threw his arms around his new friend for whom he had waited so long and impatiently...(p. 40).

This quotation directly means that Dantes misses someone. He misses a

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Adapun temuan yang merupakan kritik atas pemikiran Kamaruddin Amin tersebut sebagai berikut: (1) Klaim inkonsistensi dan gap antara teori dan praktek ulama dalam konsep

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Menurut Sutrisno Hadi, metode interview adalah metode untuk mengumpulkan data dengan jalan tanya jawab sepihak yang dikerjakan secara sistematis dan berlandaskan