The Analysis Character & Conflict In The Movie The Hangover Part III.

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THE ANALYSIS CHARACTERS AND CONFLICT IN THE MOVIE “THE HANGOVER III”

I Gusti Ngurah Gita Pramana Putra

1218351008

ENGLISH DEPARTMENT NON REGULER FACULTY OF ARTS UDAYANA UNIVERSITY

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ABSTRACT

The title of this paper is Analysis of Categories and Function of Character The Movie Hangover part III. This study is focused in categorized of the characters and conflicts that found in main character. The theories applied were theory of characters by Wellek and Warren (1955) and theory of conflicts by Deetz and Stevenson (1986). The data of this study was taken from a movie entitled The Hangover part three. The data was collected through observation method and using documentation technique. It was done by watching the movie and reading the movie script. The following step was taking a note of parts of movie which related to the study, and then the data was categorized based on the theories.

The analysis comes to a conclusion. The characters in this movie were categorized as follows: Alan (dynamic protagonist character), Chow (static antagonist character). Secondary character are Phil (static protagonist character), Stu (static protagonist character), and Marshall (static antagonist character). Supporting character is Doug (static protagonist character). The internal and external conflict for the main character Alan were about his struggle to return himself to be normal person because Alan in the beginning had some kind of mental illness. Finally Alan can become a normal person in the end of this movie.

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ACKNOWLEDGEMENT

Praise God, I would like to thank Ida Sang Hyang Widhi Wasa, the almighty

God, for His precious blessing and miracles, I could finished my study extraordinarily.

There are a lot people who have contributed much along the entire process of

writing up of this work. For this I would like to express my sincere thanks and gratitude

to:

Drs. I Gede Putu Sudana, M.A. and Sang Ayu Isnu Maharani, S.S., M.Hum,

my first and second supervisors respectively who have imparted valuable input, ideas

and insight for the completion of this work. Their constant encouragement and

motivations have made me feel more motivated to finalize my work.

I would like also to express my sincere gratitude to the Dean Faculty of Letters

and Culture, Prof. Dr. Ni Luh Sutjiati Beratha, M.A. and , as the Head of Non-Regular

Program in English Department, for their hospitality and cooperation.

My deepest and heartfelt thanks should be addressed to all lecturers of the

English Department for the generous and precious knowledge imparted to me

throughout my years of study at the department. Their excellent academic expertise has

contributed much upon the completion of my work.

I also would like to thank all the precious people in my life, my beloved parents:

I Gst Ngr Ketut Aryana Darma Putra (alm), Ni Kt Sudarmi, my one and only sister Ni

Sayu Putu Trisna Dewi, A.Md for their never ending loves, spiritual supports, prayers,

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to my closest friends Cahya Mulyawan, Ivan Bahtera, Arie Angga Sinaba, and David

Aprison for never tired to be friends with me.

Also thanks to my mates at campus Angelika AM, Indri NS, Adi Jaya Kusuma,

Rahardian, Dian Astawa, Anom PM, Koming, Krishna Arya, Nudhi Angga, Andre

Oktovan and also the full squads of #NFSL for always support me and being the

reasons for me to attend every classes in campus.

I hope this paper can give contribution to those who wish to study the beauty

behind the literary artworks. However, I realize that this paper is far from being perfect,

any useful suggestions from the readers are highly appreciated.

Denpasar, May 2016

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The Analysis Character & Conflict In The Movie The Hangover Part III.

ACKNOWLEDGEMENT

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