Desain Tokoh Dalam Film Animasi 3D “bedtime story”

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DESAIN TOKOH DALAM FILM ANIMASI 3D “BEDTIME STORY” Ditulis sebagai salah satu syarat untuk memperoleh gelar Sarjana Seni (S.Sn). Tugas Akhir. Nama. : Danu Indrakaryana. NIM. : 09120210104. Program Studi : Desain Komunikasi Visual Fakultas. : Seni dan Desain. UNIVERSITAS MULTIMEDIA NUSANTARA TANGERANG 2013. Desain Tokoh..., Danu Indrakaryana, FSD UMN, 2013.

HALAMAN PENGESAHAN TUGAS AKHIR Desain Tokoh Dalam Film Animasi 3D “BEDTIME STORY” Oleh: Nama. : Danu Indrakaryana. NIM. : 09120210104. Fakultas. : Seni dan Desain. Program Studi : Desain Komunikasi Visual. Tangerang, 15 Februari 2013. Pembimbing. Ketua Sidang. Desi Dwi Kristanto, M.Ds.. Yusup S. Martyastiadi, S.T., M.Inf.Tech. Ketua Program Studi Penguji. Desain Komunikasi Visual. Mohammad Rizaldi, S.T., M.Ds.. Desi Dwi Kristanto, M.Ds.. i Desain Tokoh..., Danu Indrakaryana, FSD UMN, 2013.

LEMBAR PERNYATAAN. Dengan ini, saya menyatakan bahwa Tugas Akhir ini adalah hasil karya saya sendiri, dimana saya tidak melakukan tindakan plagiat di dalamnya. Semua yang bukan merupakan hasil karya saya pribadi, baik berupa kutipan ataupun hal lainnya yang dirujuk dalam laporan ini, telah disebutkan sumbernya masingmasing serta dicantumkan dalam Daftar Pustaka.. Tangerang, 15 Februari 2013. Danu Indrakaryana. ii Desain Tokoh..., Danu Indrakaryana, FSD UMN, 2013.

KATA PENGANTAR. To infinity and beyond! Semua bermula dari kegiatan di masa kecil, entah pada sore hari atau Minggu pagi, entah di rumah ataupun di bioskop, entah melaui media cetak ataupun multimedia.. Berbagai tokoh dalam berinteraksi, dan pada akhirnya. menyisakan imaji dan kesan yang tersisa dalam diri. Diawali dari keinginan untuk meniru, dan berujung pada keinginan untuk membuat. Kesannya, pembuatan suatu karya terlihat mudah. Kenyataannya, dibalik semua coretan, gerakan, dan bentuk yang dapat diresapi oleh berbagai panca indera, semua didukung oleh proses. Proses panjang dalam berbagai lini, didukung dengan teori dan pengalaman dari para profesional dan ahli dalam bidangnya yang mereka tuangkan dalam buku, laman web, serta video. Hal-hal ini kemudian dicoba diaplikasikan sesuai dengan konsep yang mendasari sebuah karya, termasuk di dalamnya film pendek mengenai cerita pengantar tidur ini. Lembar demi lembar dalam laporan ini, mengabadikan proses-proses yang telah dilakukan untuk menghasilkan sebuah karya akhir dalam status sebagai mahasiswa. Tidak terhitung jumlah ketikan di keyboard dan bunyi klik di mouse, yang didukung dengan notification serta getaran yang menandakan janji bertemu, untuk mencoba menyempurnakan sang karya, yang pada akhirnya tentu saja masih. iii Desain Tokoh..., Danu Indrakaryana, FSD UMN, 2013.

mengandung ketidak sempurnaan di dalamnya. Dalam hal ini, penulis terbuka akan adanya kritik dan saran terhadap karya tugas akhir ini. Dalam kesempatan ini, penulis menyampaikan ucapan terima kasih yang tulus kepada: 1. Desi Dwi Kristanto, selaku pembimbing yang selama satu semester ini telah mendukung dan meluangkan waktunya untuk membimbing, 2. Yusup Sigit Martyastiadi, Edy Puwantoro, Edwin Hartono Sutiono, dan Mohammad Rizaldi, selaku penguji dalam berbagai kesempatan sidang, mulai dari sidang proposal hingga akhir, 3. Kedua pendidik dan pelindung, Maria Agatha Stefani Irawati Djajapurusa dan Kosmas Bartholomeus Edi Susatyo; 4. Kedua rekan dalam proses pembuatan karya, Christian Aditya dan Sesarini Hambali; 5. Para pengisi suara, Quincy Meilisa, Jethro Lismano, dan, sekali lagi, Sesarini Hambali; 6. Seluruh dosen yang telah mewariskan ilmunya dari semester awal hingga akhir; 7. Seluruh anggota DKV Troopers, terutama Animasi angkatan 2009 dan terutama sekali para Animager, yang telah berbagi suka dan duka serta saling membantu dalam proses berkehidupan di Universitas ini; 8. Seluruh anggota Obscura Photography, terutama sekali Angkatan 3. Together We Learn!. iv Desain Tokoh..., Danu Indrakaryana, FSD UMN, 2013.

9. Sivitas Akademika Universitas Multimedia Nusantara yang telah menyemarakkan kehidupan di kampus biru ini: rektor, purek, dekan, dosen, administrasi, mahasiswa, BEM, KBM, Himpunan Mahasiswa, laboratorium, perpustakaan, satpam, cleaning service, office boy, BAAK, BAUK, marketing, kantin, hingga penjual makanan dan minuman di depan kampus. Karya Terbaik Untuk Almamater, Persada, dan Sesama! 10. Siswa dan guru Kolese Kanisius Jakarta serta St. Ignasius Loyola, yang telah mewariskan dan membentuk karakter: To be men for and with others. 11. Segenap tim admin dan anggota Arsenal Indonesia Supporters Regional Jakarta. Victoria Concordia Crescit. 12. Serta berbagai pihak yang tidak dapat disebutkan satu persatu.. Tangerang, 15 Februari 2013 Ad Maiorem Dei Gloriam, Penulis.. v Desain Tokoh..., Danu Indrakaryana, FSD UMN, 2013.

ABSTRAKSI. Tokoh adalah pelaku yang ada dalam sebuah media bercerita, misalnya film atau novel. Tokoh memiliki peranan penting dalam media-media tersebut karena sebuah cerita tidak akan terjadi jika tidak ada tokoh. Di sinilah peranan penting desain tokoh, dimana dengan adanya desain tokoh yang baik, maka pesan yang ingin disampaikan oleh pembuatnya dapat diterima oleh para penikmatnya dengan tepat dan baik. Dalam pembuatan desain tokoh, seorang desainer pertama kali haruslah memahami tokoh tersebut dari tiga segi, kemudian menuangkannya dalam suatu desain. Untuk memperkuat desain yang dibuat, sang desainer haruslah mengerti teori dasar pembuatan tokoh dan melakukan berbagai riset yang mendukung agar sang tokoh terlihat nyata. Dalam laporan ini, penulis akan memaparkan proses pencarian dan pembuatan desain ideal dari tokoh-tokoh yang akan digunakan dalam film animasi 3D “Bedtime Story”. Tokoh-tokoh ini, dikembangkan bukan hanya secara individual namun juga mempertimbangkan faktor lingkungannya. Kata kunci: desain, tokoh, animasi, 3D, medieval, modern.. vi Desain Tokoh..., Danu Indrakaryana, FSD UMN, 2013.

ABSTRACT. Character is the actor in a narrative media, such as movie and novel. In those media, the character(s) hold a very important role, since a story can‟t never be made without any character. There lies the importance of character design, where the message from the creators can be delivered perfectly into the audiences using good character design. In the character design process, a character designer should understand the bone structure of the character before embodied it in a design. To further strengthen the design, the designer should have a good understanding of the basic character design theory and perform a research to make the character as real as possible. This report covers the research and design process of the characters starred in 3D animated film “Bedtime Story”. These characters were developed both individually and holistically with the environment and surrounding elements. Keyword: character, design, animation, 3D, medieval, modern.. vii Desain Tokoh..., Danu Indrakaryana, FSD UMN, 2013.

DAFTAR ISI HALAMAN PENGESAHAN TUGAS AKHIR ...................................................... i LEMBAR PERNYATAAN .................................................................................... ii KATA PENGANTAR ........................................................................................... iii ABSTRAKSI ......................................................................................................... vi ABSTRACT .......................................................................................................... vii DAFTAR ISI ........................................................................................................ viii DAFTAR GAMBAR ........................................................................................... xiii BAB I PENDAHULUAN ....................................................................................... 1 1.1. Latar Belakang ............................................................................................ 1 1.2. Rumusan Masalah ....................................................................................... 3 1.3. Batasan Masalah .......................................................................................... 3 1.4. Definisi Istilah ............................................................................................. 3 1.5. Tujuan Tugas Akhir..................................................................................... 4 1.6. Manfaat Tugas Akhir................................................................................... 4 1.7. Sistematika Penulisan .................................................................................. 4 1.8. Metodologi .................................................................................................. 5 BAB II TELAAH LITERATUR ............................................................................. 6 2.1. Desain Tokoh Dalam Sebuah Film ............................................................. 6 2.2. Proses Pembuatan Konsep Tokoh Secara Sifat/Penokohan ........................ 8 2.3. Hirarki Tokoh ............................................................................................ 11 2.4. Pemilihan Elemen Visual Dasar dari Tokoh ............................................. 16 2.4.1. Bentuk .................................................................................................... 16 2.4.1.1. Lingkaran ...................................................................................... 17 2.4.1.2. Kotak ............................................................................................. 18 2.4.1.3. Segitiga .......................................................................................... 19. viii Desain Tokoh..., Danu Indrakaryana, FSD UMN, 2013.

2.4.2. Ukuran .................................................................................................... 20 2.4.3. Variance (perbedaan) ............................................................................. 22 2.4.3.1. Kontras Garis ................................................................................ 22 2.4.3.2. Penggabungan Garis Lurus dengan Kurva .................................... 23 2.4.3.3. Bentuk yang Muncul Berulang-ulang ........................................... 24 2.4.3.4. Negative Space .............................................................................. 24 2.5. Tokoh - tokoh Khusus ............................................................................... 27 2.5.1. Wanita Cantik ......................................................................................... 27 2.5.1.1. Proporsi ......................................................................................... 27 2.5.1.2. Kurva dan Ritme ........................................................................... 28 2.5.1.3. Tilts................................................................................................ 29 2.5.1.4. Wajah dan Mata ............................................................................ 30 2.5.1.5. Gaya Rambut dan Pakaian ............................................................ 30 2.5.2. Mendesain tokoh dalam Berbagai Usia .................................................. 30 2.5.2.1. Bayi ............................................................................................... 31 2.5.2.2. Anak-anak ..................................................................................... 31 2.5.2.3. Remaja........................................................................................... 32 2.5.2.4. Dewasa .......................................................................................... 33 2.5.2.4. Manula .......................................................................................... 34 2.6. Pemilihan Warna pada Tokoh ................................................................... 35 2.6.1. Teori Dasar Mengenai Warna ................................................................ 35 2.6.2. Color Wheel ............................................................................................ 37 2.6.3. Harmoni Warna ...................................................................................... 38 2.6.4. Makna Warna ......................................................................................... 39 2.6.5. Pengaplikasian Warna pada Tokoh ........................................................ 45 2.7. Pemilihan Style .......................................................................................... 46 2.7.1. Comic Book ............................................................................................ 46 2.7.2. TV/Web Animation ................................................................................. 47 2.7.3. Feature Animation .................................................................................. 48 2.7.4. CG Animation ......................................................................................... 49 2.7.5. Video Games........................................................................................... 50 ix Desain Tokoh..., Danu Indrakaryana, FSD UMN, 2013.

2.7.6. Manga ..................................................................................................... 51 2.7.7. Comic Strips ........................................................................................... 52 2.8. Tokoh dan Lingkungannya ........................................................................ 52 2.9. Pembuatan Draft Tokoh melalui Model Sheet .......................................... 53 2.10. Visualisasi dalam Media 3D.................................................................... 55 2.10.1. Modeling .............................................................................................. 55 2.10.2. Texturing .............................................................................................. 57 2.10.2.1. Shader ......................................................................................... 57 2.10.2.2. Texture Mapping ......................................................................... 59 2.10.2.3. UV Mapping ................................................................................ 59 2.10.2.4. Melukis Secara 3D ...................................................................... 60 2.10.2.5. Map-map Lain ............................................................................. 60 2.10.2.6. Merubah Geometri ...................................................................... 61 BAB III METODOLOGI PENELITIAN.............................................................. 62 3.1. Gambaran Umum Penelitian ..................................................................... 62 3.1.1. Deskripsi Proyek .................................................................................... 62 3.1.2. Metode Penelitian ................................................................................... 62 3.1.3. Sinopsis .................................................................................................. 62 3.2. Hasil Penelitian.......................................................................................... 63 3.2.1. The Child ................................................................................................ 63 3.2.1.1. Fisik ............................................................................................... 65 3.2.1.2. Kostum .......................................................................................... 68 3.2.1.3. Desain Awal .................................................................................. 69 3.2.2. The Mom ................................................................................................. 70 3.2.2.1. Fisik ............................................................................................... 72 3.2.2.2. Kostum .......................................................................................... 74 3.2.2.3. Desain Awal .................................................................................. 77 3.2.3. The Princess ........................................................................................... 77 3.2.3.1. Fisik ............................................................................................... 79 3.2.3.2. Kostum .......................................................................................... 82. x Desain Tokoh..., Danu Indrakaryana, FSD UMN, 2013.

3.2.3.3. Desain Awal .................................................................................. 83 3.2.4. The Warrior Prince ................................................................................ 83 3.2.4.1. Fisik ............................................................................................... 85 3.2.4.2. Kostum .......................................................................................... 87 3.2.4.3. Aksesoris ....................................................................................... 89 3.2.4.3.1. Pedang .................................................................................... 89 3.2.4.3.2. Perisai ..................................................................................... 91 3.2.4.3. Desain Awal .................................................................................. 93 3.2.5. The Warrior Princess ............................................................................. 94 3.2.5.1. Referensi ....................................................................................... 96 3.2.5.2. Desain Awal .................................................................................. 97 3.2.6. The Prince .............................................................................................. 98 3.2.6.1. Referensi ....................................................................................... 99 3.2.6.2. Desain Awal ................................................................................ 100 BAB IV ANALISA DAN PEMBAHASAN ...................................................... 101 4.1. Penjelasan Umum .................................................................................... 101 4.2. Pengembangan Tokoh ............................................................................. 101 4.2.1. The Child .............................................................................................. 101 4.2.1.1. Penokohan ................................................................................... 101 4.2.1.2. Visualisasi Tokoh ........................................................................ 102 4.2.2. The Mom ............................................................................................... 109 4.2.2.1. Penokohan ................................................................................... 109 4.2.2.2. Visualisasi Tokoh ........................................................................ 110 4.2.3. The Princess ......................................................................................... 115 4.2.3.1. Penokohan ................................................................................... 115 4.2.3.2. Visualisasi Tokoh ........................................................................ 115 4.2.4. The Warrior Prince .............................................................................. 121 4.2.4.1. Penokohan ................................................................................... 121 4.2.3.2. Visualisasi Tokoh ........................................................................ 121 4.2.5. The Warrior Princess ........................................................................... 125. xi Desain Tokoh..., Danu Indrakaryana, FSD UMN, 2013.

4.2.5.1. Penokohan ................................................................................... 125 4.2.5.2. Analisa dengan Teori Pengembangan Tokoh ............................. 126 4.2.5.3. Visualisasi Tokoh ........................................................................ 128 4.2.6. The Prince ............................................................................................ 132 4.2.6.1. Penokohan ................................................................................... 132 4.2.6.2. Visualisasi Tokoh ........................................................................ 133 4.2.7. Aksesoris .............................................................................................. 137 4.3. Perbandingan Tokoh dan Lingkungannya ............................................... 139 4.3.1. Real World ............................................................................................ 139 4.3.2. Fairytale World .................................................................................... 140 4.3.3. Twisted Fairytale World ....................................................................... 141 BAB V PENUTUP .............................................................................................. 143 5.1. Kesimpulan .............................................................................................. 143 5.2. Saran ........................................................................................................ 143 DAFTAR PUSTAKA ......................................................................................... 145 LAMPIRAN A SCRIPT BEDTIME STORY ........................................................ xx LAMPIRAN B STORYBOARD BEDTIME STORY ......................................... xxiv LAMPIRAN C KARTU KONSULTASI TUGAS AKHIR ............................. xxix. xii Desain Tokoh..., Danu Indrakaryana, FSD UMN, 2013.

DAFTAR GAMBAR Gambar 2.1. Iconic ................................................................................................ 11 Gambar 2.2. Simple. .............................................................................................. 12 Gambar 2.3. Broad. ............................................................................................... 13 Gambar 2.4. Comedy Relief.................................................................................. 13 Gambar 2.5. Lead Character. ................................................................................ 14 Gambar 2.6. Realistic. ........................................................................................... 15 Gambar 2.7. Perbandingan Hirarki Tokoh. ........................................................... 16 Gambar 2.8. Bentuk Lingkaran ............................................................................. 17 Gambar 2.9. Contoh Tokoh yang Menggunakan Bentuk Dasar Lingkaran. ......... 18 Gambar 2.10. Doraemon. ...................................................................................... 18 Gambar 2.11. Bentuk Kotak.................................................................................. 18 Gambar 2.12. Contoh Tokoh yang Menggunakan Bentuk Dasar Kotak. ............. 19 Gambar 2.13. Hulk. ............................................................................................... 19 Gambar 2.14. Bentuk Segitiga .............................................................................. 19 Gambar 2.15. Contoh Tokoh yang Menggunakan Bentuk Dasar Segitiga. .......... 20 Gambar 2.16. Darth Vader. ................................................................................... 20 Gambar 2.17. Hubungan Antara Bentuk dalam Metode Snowman. ..................... 21 Gambar 2.18. Contoh Pengaplikasian Metode Snowman. .................................... 21 Gambar 2.19. Contrast in Line. ............................................................................. 22 Gambar 2.20. Penggabungan Garis Lurus dengan Kurva. .................................... 23 Gambar 2.21. Contoh Bentuk yang Muncul Berulang-ulang. .............................. 24 Gambar 2.22. Negative Space. .............................................................................. 24 xiii Desain Tokoh..., Danu Indrakaryana, FSD UMN, 2013.

Gambar 2.23. Siluet dan Contoh Desain yang Terlalu Berorientasi pada Detail. . 25 Gambar 2.24. FFF. ................................................................................................ 26 Gambar 2.25. Shrek............................................................................................... 27 Gambar 2.26. Proporsi Tubuh Wanita. ................................................................. 28 Gambar 2.27. Kurva dan Ritme. ........................................................................... 29 Gambar 2.28. Tilt. ................................................................................................. 29 Gambar 2.29. Proporsi Bayi. ................................................................................. 31 Gambar 2.30. Proporsi Anak-anak. ....................................................................... 32 Gambar 2.31. Proporsi Remaja. ............................................................................ 33 Gambar 2.32. Proporsi Dewasa. ............................................................................ 34 Gambar 2.33. Proporsi Manula. ............................................................................ 35 Gambar 2.34. Penguraian Cahaya Melalui Prisma. .............................................. 36 Gambar 2.35. Cara Mata Menangkap Warna........................................................ 36 Gambar 2.36. Color Wheel. .................................................................................. 37 Gambar 2.37. Color Wheel yang Menunjukkan Warna Primer, Sekunder, dan Tersier. ........................................................................................... 37 Gambar 2.38. Warna Analog dan Contoh Aplikasinya di Alam........................... 38 Gambar 2.39. Warna Komplementer dan Contoh Aplikasinya di Alam . ............ 38 Gambar 2.40. Komposisi Warna di Alam dan Contoh Aplikasinya. .................... 38 Gambar 2.41. Warna Abu-abu. ............................................................................. 39 Gambar 2.42. Warna Putih. ................................................................................... 39 Gambar 2.43. Warna Hitam. ................................................................................. 40 Gambar 2.44. Warna Merah. ................................................................................. 40. xiv Desain Tokoh..., Danu Indrakaryana, FSD UMN, 2013.

Gambar 2.45. Warna Biru. .................................................................................... 41 Gambar 2.46. Warna Hijau. .................................................................................. 42 Gambar 2.47. Warna Kuning. ............................................................................... 42 Gambar 2.48. Warna Ungu. .................................................................................. 43 Gambar 2.49. Warna Oranye. ............................................................................... 43 Gambar 2.50. Warna Cokelat. ............................................................................... 44 Gambar 2.51. Warna Merah Muda. ...................................................................... 44 Gambar 2.52. Style Comic Book. .......................................................................... 46 Gambar 2.53. Style TV/Web Animation................................................................. 47 Gambar 2.54. Style Feature Animation. ................................................................ 48 Gambar 2.55. Style CG Animation. ....................................................................... 49 Gambar 2.56. Style Video Games.......................................................................... 50 Gambar 2.57. Style Manga. ................................................................................... 51 Gambar 2.58. Style Comic Strips. ......................................................................... 52 Gambar 2.59. Model Sheet Kepala. ....................................................................... 54 Gambar 2.60. Model Sheet Badan. ........................................................................ 54 Gambar 2.61. Expression Sheet. ........................................................................... 55 Gambar 2.62. Box Modeling. ................................................................................ 56 Gambar 2.63. Extrusion Modeling. ....................................................................... 56 Gambar 2.64. Tipe-tipe shader. ............................................................................ 58 Gambar 2.65. Tiga tipe pengaplikasian map. ........................................................ 59 Gambar 2.66. Contoh UV Map. ............................................................................ 60 Gambar 3.1. Edith. ................................................................................................ 66. xv Desain Tokoh..., Danu Indrakaryana, FSD UMN, 2013.

Gambar 3.2. Boo. .................................................................................................. 67 Gambar 3.3. Proporsi Edith dan Boo. ................................................................... 67 Gambar 3.4. Piyama Anak-anak. .......................................................................... 68 Gambar 3.5. Desain Awal the Child. .................................................................... 69 Gambar 3.6. Helen Parr. ........................................................................................ 72 Gambar 3.7. Colette Tatou. ................................................................................... 73 Gambar 3.8. Proporsi Helen dan Colette. ............................................................. 74 Gambar 3.9. Inspirasi Image Ibu dan Anak. ......................................................... 75 Gambar 3.10. Sweater. .......................................................................................... 76 Gambar 3.11. Desain Awal the Mom .................................................................... 77 Gambar 3.12. Rapunzel ......................................................................................... 79 Gambar 3.13. Aurora............................................................................................. 80 Gambar 3.14. Proporsi Rapunzel dan Aurora. ...................................................... 81 Gambar 3.15. Contoh Referensi Kostum. ............................................................. 82 Gambar 3.16. Desain Awal the Princess. ............................................................. 83 Gambar 3.17. Prince Charming............................................................................. 85 Gambar 3.18. Prince Phillip .................................................................................. 86 Gambar 3.19. Proporsi Charming dan Phillip. ...................................................... 87 Gambar 3.20. Referensi Armor yang Muncul di Film .......................................... 88 Gambar 3.21. Referensi Armor ............................................................................. 89 Gambar 3.22. Broadsword, Falchion, Greatsword, Bastardsword, Scimitar, dan Cutting Sword ................................................................................ 90. xvi Desain Tokoh..., Danu Indrakaryana, FSD UMN, 2013.

Gambar 3.23. Kite Shield, Heater Shield, Buckler, Pasive, Target, Parma, Renntartsche, dan Scutum ............................................................. 92 Gambar 3.24. Perisai yang Digunakan pada Film. ............................................... 93 Gambar 3.25. Desain Awal the Warrior Prince. .................................................. 93 Gambar 3.26. Model sheet Wonder Woman ......................................................... 96 Gambar 3.27. Armor pada Film. ........................................................................... 97 Gambar 3.28. Desain Awal the Warrior Princess ................................................ 97 Gambar 3.29. Prince Charming, Prince Charming, dan Prince Phillip ............... 100 Gambar 3.30. Desain Awal the Prince................................................................ 100 Gambar 4.1. Desain Awal the Child ................................................................... 103 Gambar 4.2. Analisa Desain Awal the Child ...................................................... 104 Gambar 4.3. Prototype the Child ........................................................................ 104 Gambar 4.4. Three-point the Child ..................................................................... 105 Gambar 4.5. Revisi pada Desain the Child ........................................................ 106 Gambar 4.6. Three-point the Child Final ............................................................ 106 Gambar 4.7. Model Warna the Child ................................................................. 107 Gambar 4.8. Expression Sheet the Child............................................................ 108 Gambar 4.9. Character Sheet the Child ............................................................. 108 Gambar 4.10. Model 3D the Child ..................................................................... 109 Gambar 4.11. Desain Awal the Mom .................................................................. 111 Gambar 4.12. Revisi Desain the Mom ................................................................ 112 Gambar 4.13. Desain Final the Mom .................................................................. 112 Gambar 4.14. Model Warna the Mom ................................................................. 113. xvii Desain Tokoh..., Danu Indrakaryana, FSD UMN, 2013.

Gambar 4.15. Expression Sheet the Mom ........................................................... 114 Gambar 4.16. Character Sheet the Mom ............................................................. 114 Gambar 4.17. Model 3D the Mom ...................................................................... 115 Gambar 4.18. Draft Desain the Princess ............................................................ 116 Gambar 4.19. Desain Kedua (dengan Proporsi Salah) the Princess ................... 117 Gambar 4.20. Revisi Desain the Princess ........................................................... 118 Gambar 4.21. Desain Akhir the Princess ............................................................ 118 Gambar 4.22. Model Warna the Princess ........................................................... 119 Gambar 4.23. Expression Sheet the Princess ...................................................... 119 Gambar 4.24. Character Sheet the Princess ....................................................... 120 Gambar 4.25. Model 3D the Princess ................................................................. 120 Gambar 4.26. Draft Desain the Warrior Prince .................................................. 121 Gambar 4.27. Desain Kedua the Warrior Prince ................................................ 122 Gambar 4.28. Hasil Revisi Pertama (Aas) dan Kedua the Warrior Prince ........ 123 Gambar 4.29. Model Warna the Warrior Prince ................................................ 123 Gambar 4.30. Expression Sheet the Warrior Prince ........................................... 124 Gambar 4.31. Character Sheet the Warrior Prince ............................................ 124 Gambar 4.32. Model 3D the Warrior Prince ...................................................... 125 Gambar 4.33. Siluet The Princess dan The Warrior Princess ............................ 126 Gambar 4.34. Siluet Wonder Woman dan The Warrior Princess ...................... 127 Gambar 4.35. The Warrior Princess Sebelum dan Sesudah Revisi .................... 127 Gambar 4.36. Draft Desain the Warrior Princess............................................... 128 Gambar 4.37. Three-point the Warrior Princess ................................................ 129. xviii Desain Tokoh..., Danu Indrakaryana, FSD UMN, 2013.

Gambar 4.38. Revisi Pada Desain the Warrior Princess .................................... 130 Gambar 4.39. Model Warna the Warrior Princess ............................................. 130 Gambar 4.40. Expression Sheet the Warrior Princess ........................................ 131 Gambar 4.41. Character Sheet the Warrior Princess ......................................... 131 Gambar 4.42. Model 3D the Warrior Princess ................................................... 132 Gambar 4.43. Draft Desain the Prince ................................................................ 133 Gambar 4.44. Three-point the Prince ................................................................. 134 Gambar 4.45. Revisi Desain the Prince .............................................................. 134 Gambar 4.46. Model Warna the Prince .............................................................. 135 Gambar 4.47. Expression Sheet the Prince ......................................................... 135 Gambar 4.48. Character Sheet the Prince .......................................................... 136 Gambar 4.49. Model 3D the Prince .................................................................... 136 Gambar 4.50. Desain Awal Pedang dan Perisai .................................................. 137 Gambar 4.51. Model 3D Pedang dan Perisai ...................................................... 138 Gambar 4.52. Contoh Penggunaan Pedang dan Perisai ...................................... 138 Gambar 4.53. Perbandingan Tokoh di Dunia Nyata ........................................... 139 Gambar 4.54. Perbandingan Tokoh di Dunia Nyata dengan Lingkungannya. ... 139 Gambar 4.55. Perbandingan Tokoh di Dunia Fairytale...................................... 140 Gambar 4.56. Perbandingan Tokoh the Princess dan Lingkungannya ............... 140 Gambar 4.57. Perbandingan Tokoh the Warrior Prince dan Lingkungannya .... 141 Gambar 4.58. Perbandingan Tokoh di Dunia Twisted-fairytale ......................... 141 Gambar 4.59. Perbandingan Tokoh di Twisted-fairytale World dengan Lingkungannya. ........................................................................... 142. xix Desain Tokoh..., Danu Indrakaryana, FSD UMN, 2013.