Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions…5 Korea's Biggest K-Pop Idols (Music Rank, 2021). Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Global Expressions…6 Statement of the Problem. Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions...22 a 60 percent growth in just two (2) years (K-Popped, 2021).
Pop’s Tried-and-Tested Idol Formula
Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions…24 their debut as K-Pop idols (Pratamasari, 2017, p. 226). Glocalizing K-Pop: Pinoy Pop and Thai pop music as glocal expressions...31 culture to mass consumption, cultural historian Doreen G. Glocalizing K-Pop: Pinoy Pop and Thai pop music as glocal expressions...43 and a twist on their identity group.
Pop Music Riding the K-Pop Craze
Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions …53 clothes have no gender (Hallyu Center, 2021). Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions …57 Korea's biggest K-Pop idols (Music Rank, 2021). Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions…58 visibility and influence overseas.
POP GLOCALIZATION THRU SNIPPETS OF P-POP AND T-POP GROUPS’
Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions...66 Glocalizing K-Pop: The Filipino Way. Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions… the intense synchronized choreography of 68 boys. While the group's previous hits were choreographed by their Korean dance mentor, Stell took charge of choreographing the group's What.
Although most of the steps were similar to moves made by their Korean counterparts, dance part 16 of the music video features steps that Stell says were improvised to match the mood and meaning conveyed by the lyrics. To highlight the boys' different personalities, each member was given a unique story and concept in line with their assigned lines. Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions...70 Kasmala: The Alamat Experience.
Excerpts from the group's training sessions on their blogs show how almost all the members, although already equipped with dancing and singing skills, found it difficult to cope with their dance and vocal lessons as it was the first time they join formal talent training. Setting them apart from other P-Pop groups, the boys of Alamat want to inject and introduce regional languages into mainstream local music long dominated by foreign-language masterpieces, which the group labeled as the language of the elite. Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions…72 Following the success of her debut single "Kbye" which talks about heartbreak using seven (7) regional languages, Alamat released her comeback single "Kasmala" ~ a mangled version of the Filipino word malakas ~ which represents the fusion of traditional culture and modern music.
The management was also open to the boys' ideas and allowed them to compose the lyrics of the rap portion of the song.
Pop Glocalization in Thailand Y U Come Back?: The 4MIX Experience
It can also be observed that the members practiced by themselves most of the time without the supervision of a coach and choreographer. While acknowledging the hard work from the members to prove their worth on the T-Pop stage, KS Gang's principle in forming 4MIX is to allow the members to celebrate their innate distinctive talents without pretending to be perfect and be someone else that at the end. of the day, music is only part of the group's content. The Glocalization of K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions...76 Struggles They're Trying to Overcome.
With their listeners as the core of each hit single 4MIX releases, the lyrics and musical arrangement of the debut single were written and arranged based on the feedback from the listeners on the idol group's prologue single. As emphasized by the group's managing director, their team strives to produce more than just songs that showcase the members' dancing prowess, a choreography that is not too complicated, so that the viewers can enjoy and dance along to the rhythm of their music. Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions...77 why its members served as prime movers in the conceptualization of its Y U Come Back.
Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions …78 more local, yet modern sound. Vyra's reality show Lyrality gave viewers a glimpse of the girls' K-Pop style training that involved long hours of. Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions…79 fitness, vocal, dance, personality and fashion lessons.
Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions...80 by simply adopting Thai-language J-Pop songs.
Pop Glocalization in the Philippine and Thai Settings
Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions…82 packaged as identical idols in their BNK48 days, as unique artists with diverse talents, colorful personalities, and diverse advocates. Although accepting influences from foreign pop icons such as K-Pop and Western artists, Vyra, at the end of the day, creates its own sound and style based on each member's talents, desires and ideas.
POP IDOLS IN PRODUCING THEIR SELECTED HITS
ALAMAT SB19 4MIX VYRA
Pop Glocalization as Reflection of Thai’s Changing Cultural Norms Decoding 4MIX’s Y U Comeback?
Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions…97 and emphasizes that Y U Come Back from the very beginning. Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions...99 diversity in the content they produce. Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Global Expressions…101 Follow me, follow me.
Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions...104 Table 2. RESULTS OF CONTEXTUAL ANALYSIS OF SELECTED HIT SINGLES. Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions...112 cultural shows or through travel to local destinations. Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions...121 has helped transform and promote today's new wave of P-Pop and T-Pop music.
Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions…125 music-making processes that influence how their songs' messages reach their intended audiences. Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions… 126 realities they grew up with or currently face. Glocalization of K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions… 128 pop music, but also offers P-Pop and T-Pop groups and their talent companies the opportunity to iterate and renegotiate their cultural identities.
Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions…135 BTOB 비투비 (Official YouTube Channel). Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions…142 https://mb.com.ph alamat-when-modern-pop-music-merges-with-ph-cultural-heritage/. Glocalizing K-Pop: Pinoy Pop and Thai Pop Music as Glocal Expressions…145 United Nations Development Program and United States Agency for International.
APPENDIX A
WHAT?”
LYRICS
Lahat ng aking basura ay tinipon, laging kasama Saan man ako magpunta. Ang aking mga paa ay malapit sa lupa. Mahiwaga, bawat saradong bintana. Wala nang bala para itaas ang watawat, ngunit isang bala ang tatama sa puso mo, ama. Lahat ng basura ko ay kokolektahin, laging kasama ko, kahit saan ako magpunta. Malapit sa lupa.
Huwag sabihin sa akin kung ano ang gagawin. Hindi ka natutong makinig. Tapusin mo na, tapusin mo na) 'Wala nang bala para itaas ang watawat Bara na aantig sa puso mo' Wala nang bala para itaas ang bandila Bara na aantig sa puso mo Ama. Wala nang bala para itaas ang bandila. Aantig ng bar ang iyong puso.
WHAT?” MUSIC VIDEO STILLS
TRANSCRIPTION OF VIDEOS
As we prepare for the comeback of SB19, the release of the final season of “Aja Aja Tayo” and produce the next big idol group this month, we are launching the ShowBT Network to expand our ShowBT ecosystem. Like this one, it's heavy... then it sounds soft from our side, then it's like... oh my God. I have internalized what the text really says, how to attack it. What message does the text want to convey to the listeners?
It's like you still have to be brave even if you're not the best. I don't know what the first bleach would look like, but maybe it's just a little brown. We only had the opportunity now, it is only now that things are being filled out. 07:29).
In the break of the dance, there is still no fire. because in that part it will be 'rebel' or something like that. Let's do what we set out to do first, so that we all don't have a hard time. So we'll just reschedule it for another day instead of putting this off. Jo: Honestly, I was frustrated during those times.. Because we had expectations, of course, during the recording that I couldn't live up to.
Well, that's the best term to describe it. because at that time I was really disappointed.
ARTICLES
Then came "What?" which turned out to be an iconic song of self-love and love of country. But, consciously or unconsciously, it is "What is?" social criticism and patriotic attitude that are more striking and force serious reflection. And in the second half of the song, this bravery is transformed into the defense of the nation.
Since debuting in 2018, SB19 has felt more confident about its place in the local music industry and "What?" it's proof that they're not just here to play games. Fans can also enjoy a five-minute extended version of the song on music streaming platforms. Pinoy pop sensation SB19 recently gave their fans a new song titled "What?" along with a groundbreaking music video.
Justin, Pablo, Ken, Stell and Josh recently sat down with GMA Digital to talk about their comeback, the true meaning of the lyrics to "What?" and how they all came together as a group to show it through the screen. Stell recalled that he was even shocked to hear "What?" for the first time. The boys hope to perform "What?" to their fans, affectionately known as A'TIN, one day.
According to Pablo, the band has more in store for their fans and they are waiting for the day when they can perform the song "What?" for them personally.
APPENDIX B
KASMALA?”
Parang tumigil ang mundo dahil sayo (Yeah) Grabe, kakaiba talaga (Hey, yeah, yeah). Sa aking dibdib at sa aking bibig, ikaw lamang ang laman (Oh) Nayanig ang mundo ko nang ika'y dumaan (Oh).
KASMALA” MUSIC VIDEO STILLS
