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An Online Journal of Fine and Applied Arts
OJFAA, Vol.1, No.1, 2009, pp. 32-41
OJFAA
Vol. 1, No. 1, 2009, pp. 32 -41
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Dramatic Principles of Manohra in Lakon Chatri, Manohra
@ 1#A*B#- % *2A) 1C##D * Phatcharin Suntiatchavon
HIJ1KCLM"%2#"N"#L- &#. %CO" 4C1%P# กQ- Asst. Prof. Sawaparr Vechsuruck, Ph.D.Abstract
This thesis is to study the performance principles of Manohra, the leading role in the Lakon Chatri 8Manohra9 in Fine Art Department;s version. The research finds that Manohra is a bird > half woman creature kinnari. The three Dramatic principles of Manohra are based on the characteristic of 8Queen9 in Lakon Nok:
1. The generic principles Thai dance perform upon the fundamental mood of characters synchronize with music. The natural-designed acting with dialogue of various feelings is the key performance. The character reacting is more stronger, multiply with an extremely symphonies. 2. A bird > half woman dance in 8Manohra Bu-cha-yan9 and 8Kinnari Ron9 the scene of a special dance are projected in very part of the body with soft
and strong rhythmic movements. Their movements are relevant to the soft and strong music tempo.
3. Ram-Sad-Tah presented in seeking a mate ceremony. A quick and strongly conform of dancers are needed as well as the harmoniously performance. A specific characteristic of dancing are shoulders shaking and Sao-Mue.
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Keywords: Manohra / Performance / Lakon Chatri 0X"%X"0 Y: [W / กXYT / `ac_P
* ZcqJ rhJ lacqJ r aj` ก_ fRsTกjWJOJ E-mail Address: [email protected]
OJFAA, Vol.1, No.1, 2009, pp. 32-41 33
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OJFAA, Vol.1, No.1, 2009, pp. 32-41 34
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OJFAA, Vol.1, No.1, 2009, pp. 32-41 35
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OJFAA, Vol.1, No.1, 2009, pp. 32-41 36
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OJFAA, Vol.1, No.1, 2009, pp. 32-41 37
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OJFAA, Vol.1, No.1, 2009, pp. 32-41 38
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OJFAA, Vol.1, No.1, 2009, pp. 32-41 40
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