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ABSTRACT

Teguh Agustino. Registration Number : 8106112020. Speech Acts Used by Stand Up comedian on Metro TV. A Thesis. English Applied Linguistic Study Program , Postgraduate Shcool. State University of Medan 2015

This research elaborates speech acts used by stand up comedian on Metro TV. The study aims to discover the types of speech acts used by stand up comedian on Metro TV,to describe the way of performing speech acts used by stand up comedian on Metro TV and to explain the reason why those types of speech acts used by them. The research was a qualitative descriptive one by design covering data display, data reduction that consists of selecting, and categorizing and drawing conclusionps. The instruments of data collection were observation and transcript.. The sources of the data were taken from stand up comedy videos downloaded from youtube. There are five videos fro three comedians, Cak Lontong, Abdel Achrian, and Jui Purwoto. The study found that there were only four types of speech acts used by stand up comedian on Metro TV namely, representative, directive, expressive and commisisive. Declarative wasn’t used by them. In performing speech acts, there are two ways used by stand up comedian on Metro TV, namely direct and indirect speech acts. There are some reasons of the use of speech acts by comedians in the way they are. Cak lontong used asserting forms of representative speech acts dominantly because in his performances he often spoke in confident way to convince his audiences as if his words were true. In this way he could lead his audiences’ mindset and then executed his jokes smoothly. Abdel and Jui Purwoto used informing forms of representative speech acts more dominant because they gave some information to his audiences first and then filled their minds with some information about what they would talk about later. Since Abdel and Jui in almost of his stand up comedy shows often describe his personal or someone experiences. Different context influences the use of different types of speech acts. In stand up comedy shows, the comedian's performance principally consists of a succession of short joking stories and one-liners that are usually presented in a monologue without interruptions by the audience. The way in which the audience can participate in stand-up comedy is by smiling, laughing, and applauding. They used representative speech acts more dominant than other types of speech act because the type of representatives tends to state what the speaker believes to be the case or not. In the case of stand-up comedy, it means, indirectly, the comic makes statements which he assumes are true and hope that the audience would be affected by those statements. It is match with the function of Stand up comedy to entertaining, informing, criticizing, and insinuating. Thus, there are only four types of speech acts used by stand up comedians in his performances, namely representative, expressive, directive, and commissive, and it is the lectures of pragmatics should develop the theory of speech acts used by exemplifying the theory with the TV program discourse by which the lectures can be enlivened and student’s interests in research can be aroused.

Key Words: Speech Act, Stand Up Comedian, Representative, Declarative, Expressive,

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ABSTRAK

Teguh Agustino. NIM: 8106112020. Speech Acts Used by Stand Up comedian on Metro TV. Sebuah Tesis. Program Studi Linguistik Terapan Bahasa Inggris, Pascasarjana. Universitas Negeri Medan 2015

Penelitian ini menguraikan tindak tutur yang digunakan oleh Standup Komedian di Metro TV. Penelitian ini bertujuan untuk menemukan jenis tindak tutur yang digunakan oleh Standup Komedian di Metro TV, untuk menggambarkan cara menyampaikan tindak tutur, dan menjelaskan alasan mengapa jenis-jenis tindak tutur digunakan oleh mereka. Penelitian ini adalah deskriptif kualitatif dengan desain meliputi data display, reduksi data yang terdiri dari memilih, dan kategorisasi dan menarik kesimpulan. Instrumen pengumpulan data adalah observasi dan transkrip. Sumber data diambil dari video Standup Komedian yang diunduh dari youtube. Ada lima video dari tiga komedian yaitu Cak Lontong, Abdel Achrian, dan Jui Purwoto. Studi ini menemukan bahwa hanya ada empat jenis tindak tutur yang digunakan oleh Standup Komedian di Metro TV yaitu, representatif, direktif, ekspresif dan commisisive. Deklaratif tidak digunakan oleh mereka. Dalam melakukan tindak tutur, ada dua cara yang digunakan oleh komedian di Metro TV, yaitu langsung dan tidak langsung. Ada beberapa alasan penggunaan tindak tutur oleh komedian. Cak lontong menggunakan bentuk tindak tutur penegasan lebih dominan karena pada penampilannya, dia sering berbicara dengan percaya diri untuk meyakinkan penonton seolah-olah kata-katanya itu benar. Dengan cara ini ia bisa mengatur pola pikir penontonnya 'dan kemudian menyampaikan leluconnya dengan lancar. Abdel dan Jui Purwoto menggunakan bentuk informasi lebih dominan karena mereka memberikan beberapa informasi kepada khalayak terlebih dahulu sebelum menyampaikan leluconny dan kemudian mengisi pikiran mereka dengan beberapa informasi tentang apa yang akan mereka bicarakan nanti. Karena Abdel dan Jui sering menggambarkan pengalaman pribadi atau orang lain. Perbedaan konteks mempengaruhi penggunaan jenis – jenis tindak tutur . Dalam acara Standup Comedy, penampilan pada dasarnya teridiri dari cerita lelucon pendek dan lelucon singkat yang disajikan dalam bentuk monolog tanpa interupsi oleh penonton. Cara penonton dapat berpartisipasi dalam stand-up comedy adalah dengan tersenyum, tertawa, dan bertepuk tangan. Mereka menggunakan representatif lebih dominan daripada jenis lain dari tindak tutur karena jenis ini cenderung untuk mengungkapkan apa yang komedian yakini benar atau tidak. Dalam kasus stand-up comedy, itu berarti, secara tidak langsung, komedian membuat pernyataan yang ia anggap benar dan berharap penonton akan terpengaruh oleh cerita tersebut. Ini cocok dengan fungsi Standup Comedy yaitu untuk menghibur, menginformasikan, mengkritik dan menyindir secara tidak langsung. Dalam perkuliahan pragmatics seharusnya mengembangkan teori tindak tutur yang digunakan di dalam wacana Program TV yang mana perkuliahan tersebut dapat lebih menarik dan minat siswa dalam penelitian akan tumbuh.

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ACKNOWLEDGMENTS

First and foremost, the writer would like to express a very deep thank to Allah SWT for the help and guidance in accomplishing this thesis as a partial fulfilment of the requirements for the Master of Humaniora at English Applied Linguistic Program, State University of Medan. His gratitude is extended to his parents Mr. Karianto, S.pd, Mrs. Sri Atun and his beloved wife and daughter Fauziah Nur, S.S. M.hum. and Amira Izdihar Tino for their continuous prayers, encouragement, and patience.

It is a very huge pleasure for the writer to acknowledge the following people for their contribution to his education and research. His sincere gratitude and deep appreciation are addrresed to Prof.Amrin Saragih, M. A., Ph. D., and Dr. Syahron Lubis as his thesis advisers, for their guidance, encouragement, patience, and supports in improving and finishing this thesis.

It is also his pleasure to acknowledge the superb reviewers Prof. Dr. Busmin Gurning M.pd, Prof. Dr. Berlin Sibarani. M.pd, Dr. Sri Minda Murni, M.S. for their effort and patience in helping, guiding, and advising him in this research.

Great thanks are also expressed to his close friends, Ohara Pasaribu, Rahmat Wahyudin Sagala, Mr. Haris Tamimi and all XVIII, especially class B.

Overall, the writer hopes that this thesis will be applied and give a bit contribution to the language education, especially discourse analysis, and further discourse research.

Medan, August 2015

The writer,

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List of Appendices

Analysis of Cak Lontong Utterances ... 50

Analysis of Abdel Achrian’s Utterances ... 54

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Transcripts

Transcript of Cak Lontong Utterances ... 64

Transcript of Abdel Achrian’s Utterances ... 67

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TABLE OF CONTENTS

Abstract ... i

Acknowledgments... ii

List of Appendices ... iii

List of Transcript... iv

Table of Contents ... v

CHAPTER I: INTRODUCTION 1.1 Background of the Study ... 1

1.2 Focus of the research ... 7

1.3 Objectives of the Study ... 7

1.4 The Scope of the Study ... 7

1.5 The Significance of the Study ... 8

CHAPTER II: REVIEW OF RELATED LITERATURE 2.1 Speech Acts ... 9

2.1.1 Kinds of Speech Acts ... 9

2.1.2 Types of Speech Acts ... 11

2.1.3 The Way of Performing Speech Acts ... 14

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2.2 Stand Up Comedy ... 16

2.2.1. Differences between Stand up Monologue and Conversational Dialogue...17

2.3 Comedian or Comic ... 18

2.4 Previous Study ………...19

2.5 Conceptual Framework ………...21

CHAPTER III: METHODOLOGY RESEARCH 3.1 Research Design ... 23

3.2 Data and Data Sources ... 23

3.3 Research Instrument ... 24

3.4 Technique of Collecting Data ... 25

3.5 Technique of Data Analysis ... 25

3.6 Trustworthiness of the Study ... 26

CHAPTER IV: DATA ANALYSIS, FINDINGS AND DISCUSSION 4.1 Data Analysis ... 28

4.1.1 Types of Speech Acts Used Comedians ... 29

4.1.1.1 Representative Speech Acts Used by Comedians…...29

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4.1.1.3 Expressive Speech Acts Used by Comedians...34

4.1.1.4 Commissive Speech Acts Used by Comedians...37

4.1.2 The Way of Performing Speech Acts by Comedians …………...37

4.1.3 The Reason of Using Speech Acts by Comedians ………...40

4.2 Findings ... 40

4.3 Discussion ... 42

CHAPTER V: CONCLUSIONS AND SUGGESTIONS

5.1 Conclusions ... 44

5.2 Suggestions ... 44

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CHAPTER I

INTRODUCTION

1.1The Background of the Study

Human language is unique in comparison to other forms of communication,

such as those used by animals, because it allows human to produce an infinite set of

utterances from a finite set of elements, and because the symbols and grammatical

rules of any particular language are largely arbitrary, so that the system can only be

acquired through social interaction. The known systems of communication used by

animals, on the other hand, can only express a finite number of utterances that are

mostly genetically transmitted. Human language is also unique in that its complex

structure has evolved to serve a much wider range of functions than any other kinds

of communication system.

Human beings have two roles in life, namely as individual and social

creatures. As social creatures, people cannot live alone. They need other people to

fulfill their need and help them to solve their problems. To communicate with

others, they need a tool of communication and interaction; Therefore, they create a

language as a communication tool. They use a language to avoid misunderstanding

and miscommunication. This is related to the definition of language is a system of

arbitrary verbal symbol by which member of speech community used as a means of

communication to interact and express their ideas, feeling and thoughts. Another

definition given by Trudgill (1974: 125) who states language is not only a means of

communicating information about the weather or other subjects, but also a very

important means of establishing and maintaining relationship with others. The

definition above shows that language has an important role in human life and it is

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Language is used differently based on the social context. For example,

testimony which is made by someone in a court and in a job interview is different.

Language used by a comedian in a comedy show is also different from other

languages. In the comedy show, the utterances should evoke laughter of the

audiences. It means every comedian must be able to formulate a good joke to evoke

laughter.

In Indonesia We have many TV programs that provide humor shows. Those

are Opera Van Java, Yuk Keep Smile, Pesbukers, and many more. Those TV shows

entertain and give effects to the audiences. Good and bad effects of the shows are

the product of creativity. In this recent time their creativity is always related to

body contact (physical violence) or humiliation (mental violence). They produce

many acts and new words and sometimes there is no educative input instead shows

violence. Among many of them, Stand up Comedy is one of TV Shows that provide

humor in new way.

Stand-up Comedy is considered as a new type of comedy show, and it

started to become famous and widely shown on television in 2011. Kompas TV is

the television station that present and introduce the show of stand-up comedy for

the first time, and now it is popularized by Metro TV. The official purpose of the

performance in Stand up Comedy is to make the audiences laugh and thereby they

are entertained.

A person who delivers jokes in Stand up Comedy is called comic. There are

many famous comics in Indonesia. Some of them are the late of Taufik Savalas,

Cak Lontong, Abdel, Mongol, Raditya Dika and many more. Some of the famous

comics in Indonesia and most viewed in YouTube are Cak Lontong, Jui Purwoto,

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related to logical settings. The characteristic of Jui Purwoto is mostly related to

teenage or young life. And Abdel tends to social and culture of Indonesian.

Nevertheless Stand up Comedy is not as popular as the others as mentioned

above. It can be seen by the time of the program in television. It is always broadcast

on TV at 10.00 PM up, while programs such OVJ, YKS, Pesbukers etc always

broadcast on prime time at around 6-10 P.M. Therefore that the comics of Stand up

Comedy provide jokes in sentences that are not easy to understand by most of

people. It tends to entertain and interact with the audiences with knowledge

understanding that is covered with words or body languages. For most people in

Indonesia it is something new and strange that we must think of it and then laugh.

That is why Stand up Comedy show is only watched by limited people, most of

them are university students and those who have high sense of humor.

The language used by comics in Stand up Comedy is very interesting.

(Beeman, 1999) states that there are three steps of how comedic language works.

These three steps can be found in both the construction and the interpretation of

humor and, as such, they are being proposed here as being at least logically implicit

in the process. The first step emerges from a very general principle. In all actions

that are considered humorous, one finds something unexpected or surprising. They

violate expectations from some perspective. The second step emerges when it is

forced to interpret a foregrounded action. At this second stage of the process—in

the form of the logical analytical reconstruction aimed to find a proposition or a

series of related propositions that will make the foregrounded act recognizable as a

socially coherent act of some kind. Finally the third and last step reconstructed

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foregrounded action(s) such that they become not only socially coherent and thus

recognizable, but also arguably humorous in some sense.

Dean (2000) simplifies the term with set up and punch. Set up is the first

part of the joke that prepares audience to laugh. It creates an expectation and raises

an assumption of the audience. Punch is the second part of the joke that evokes

laughter. It presents a surprise that is still relevant to the first story but different

from our expectation. For example from this joke:

Saya sudah menikah selama dua puluh tahun dan cinta sejati

saya hanya ada di satu perempuan. (set up)

Andai istri saya kenal perempuan itu, saya bisa dibunuh.

(punch)

In the first sentence the audiences assume that the man tells that he does

love his wife. But in the second story the assumption of the audiences is violated by

the words if my wif,,,,e knew her, I would be killed. Actually he loves another

woman and has a secret relationship.

Jokes that they convey are often associated with the social, culture,

government criticism and so forth. All are covered with words - that make us laugh.

They must master the techniques of delivering jokes and express their intention

appropriately that the message can be well received by the audience as they

perform lively in front of audiences. One of the theories that can support language

user to understand about what the comics mean is speech acts.

Speech act is a technical term in linguistics and the philosophy of language.

Josiah and Johnson (2012:262) state that speech act is a process in which a person

uses an utterance to perform an act such as stating fact, stating an opinion,

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question, issuing an order, giving a permission, giving a piece of advice, making an

offer, making a promise, thanking somebody or condoling somebody.

There are three types of act performed by a speaker in uttering a sentence

(Austin 1962). The first is a locutionary act, the performance of an utterance: the

actual utterance and its ostensible meaning, comprising phonetic, phatic and rhetic

acts corresponding to the verbal, syntactic and semantic aspects of any meaningful

utterance; the second is an illocutionary act: the semantic 'illocutionary force' of the

utterance, thus its real, intended meaning and in certain cases a further the third is

perlocutionary act: its actual effect, such as persuading, convincing, scaring,

enlightening, inspiring, or otherwise getting someone to do or realize something,

whether intended or not. It means it is important to consider some ways in which

the meaning of sentence in terms of what the speaker of those sentences intends to

convey is interpreted. In other words speech is closely related to the intention of the

speaker. Austin (1988:21) points out that in uttering a sentence, we can do things as

well as say things. In addition, Austin (1962:231) stated that while sentence can

often be used to report states of affairs, the utterances of some sentences must be

treated as the performance of act. The choice of speech act theory as the linguistic

framework for the analysis of Stand up Comedian on Metro TV is premised on the

fact that comics perform various actions through the use of words and when

utterances are made, a particular act is performed as well.

The language used by each comedian is different in a stand up comedy

show. Cak Lontong, Abdel. Jui Purwanto and others comedians have their own way

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Cak Lontong

Walaupun kehidupan itu berat namun kuncinya kita harus pasrah dan berserah.

(set up)

(directives – suggesting)

Contohnya saya sendiri, saya punya dua anak, berat membiayai hidup lalu saya

pasrahkan dan serahkan ke mertua dan hidup saya menjadi ringan.(punch)

(Representative – explaining)

In the first statement he suggests the audiences to run this life to be sincere.

In the second statement he doesn’t give an example about resignation and sincerity

of life but he informs that he gives his children to his parent in law so that his life is

lighter than before. The expectation raises a surprise that is covered with directive

and representative act. He performs this speech act directly. It can be easily

understood by the audience.

Based on the phenomena above, the researcher is interested in investigating

the use of speech acts by the comedians on Stand up Comedy on Metro TV. The

types of speech act, the way they utter the speech acts and why they use the types

of speech acts as very important to make their jokes successful. They must be able

to build a good communication. The audiences must know what comics mean, and

it will evoke a great laughter. In this case, the choice of speech acts theory as

linguistic framework for the analysis in Stand up Comedy show on Metro TV is

based on the fact that the comedians perform various actions through various

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1.2The Focus of the Research

The focus of this research is “Speech acts used by comedian on Metro TV”.

Based on the background of the study the problems were investigated operationally

are formulated as follows.

1. What types of speech acts are used by the Stand up Comedian on Metro

TV?

2. How are the speech acts used by the Stand up Comedian on Metro TV?

3. Why are those types of speech acts used in the ways they are?

1.3The objectives of the study

The objectives of this analysis are (1) to discover the types of speech acts

used by the comics in Stand up Comedy on Metro TV, (2) to describe the way of

performing acts used by Stand up Comedian on Metro TV. (3) to explain the reason

why those types of speech acts are used in the way they are.

1.4The Scope of the Study

There are many comics who perform on Stand up Comedy show in Metro

TV. This research only focused on speech acts used by Cak lontong, Jui Purwoto

and Abdel Achrian to their audiences during stand up comedy show. The researcher

decides to choose these three comics because they are most popular and most

viewed in Youtube as Indonesian comics. Each of them has his own unique style of

performing jokes. The focus is on types of speech acts, namely assertives, directive,

commisive, expressive, and declarative. Further, investigation was on the

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1.5The Significance of the Study

Theoretically the research findings will potentially enrich the theories of

discourse analysis especially speech acts in Stand up Comedy. The types, the

function and the way performing speech acts are used by the comics to the

audiences.

Practically, the findings would be a guidance for those who are interested in

the Stand up Comedy especially as entertainment and educational sectors. It is a

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REFERENCE

S

Attardo, Salvatore. 1993. Violation of conversational maxims and

cooperation: The case of jokes. Journal of Pragmatics 19. 537-558

Arief, M. R. 2012. Speech Acts Used in Courtroom Text in Langsa. An

unpublished Thesis. Medan: English Applied Linguistics Study Program, State University of Medan.

Austin, J. L. 1962. How to do things with words. London: Oxford University

Press.

Benjamin, Croft. 1994. Speech Act Classification, Language Typology and

Cognition. In:Tso-hatzidis,Svas L.

Bogdan, R & Biklen, S. 1992. Qualitative Research for Education: An

Introduction to Theory and Methods. USA: Simon and Schuster Inc.

Brown, P., & Levinson, S. 1987. Politeness: Some Universals in Language

Usage. Cambridge. New York: Cambridge University Press.

Curse, Alan. 2000. Meaning in Language: An Introduction to Semantics and

Pragmatics. New York. USA: Oxford University Press.

Dean, Greg.2000. Step by Step to Stand Up Comedy.USA: Heinemann Drama

Geis, Michael. 1995. Speech acts and conversational interaction.USA:

Cambridge University Press.

Glick, Douglas J. 2007. Some Performative Techniques of Stand-up Comedy:

An Exercise in the Textuality of Temporalization. Journal of

Language & Communication 27 (2007) 291–306

Helitzer, Mel. 2005. Comedy Writing Secrets.USA: Writer's Digest Books.

Holmes, Janet. 2001. An Introduction to Sociolinguistics. London. UK:

Pearson Education Limited.

Katayama, Hanae. 2009. A Cross-Cultural Analysis of Humor in Stand-up

Comedy in the United States and Japan. Australia: The University of Wollongong.

Melser, Derek.2004. The Act of Thinking. London. England: The MIT Press.

McCarron, Kevin & Savin-Baden, M. Compering and Comparing: Stand-up

Comedy and Pedagogy. International Journal of Innovations in

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Searle, J.R. & Vanderveken, D. 1985. Foundations of Illocutionary logic. Cambridge: Cambridge University Press.

Griffiths, Patrick. 2006. An Introduction to English Semantics and

Pragmatics. Edinburgh. Great Britain: Edinburgh University Press Ltd.

Vanderveken, D & Kubo, S. 2001. Essays in Speech Act Theory.

Referensi

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