Therefore, the writer could finish the final report

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FINAL REPORT

DESIGNING STORYBOOK OF PUYANG KEMIRI TO PRESERVE THE ORIGIN OF EMPAT LAWANG FOLKTALE

This final report is written to fulfill one of requirements for Diploma III English Department of State Polytechnic of Sriwijaya

By:

Zhaffira Aliyah Afifa 061830901227

ENGLISH DEPARTMENT

STATE POLYTECHNIC OF SRIWIJAYA PALEMBANG

2021

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iv

MOTTO AND DEDICATION

Motto:

“Indeed, with hardship (will be) ease”

Dedication :

• Me, myself and I

• Allah swt

• Prophet Muhmmad saw

• My beloved parents

• My beloved brothers and sister

• My lecturers in English Department at State Polytechnic of Sriwijaya

• My beloved support system

• My beloved friends

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v

PREFACE

First of all, the writer would like to say thank to Allah swt for the mercy and blessing that Allah swt has been giving to the writer. Therefore, the writer could finish the final report. The writer also would like to express the warmest gratitude to the noble prophet Muhammad saw. Eventually, this report is written as one of the requierements to finish Diploma III at English Department entitle

“Designing storybook of Puyang Kemiri to preserve the origin of Empat Lawang folktale”.

The writer considers that this report still has a lot of insufficiencies and unintended mistakes. Therefore, constructive criticisms and suggestion are excepted for the improvement. Finally, the writer expects that this report provides benefits to other people who might need the information especially for the students of English Department.

Palembang, July 2021

The writer

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vi

ACKNOWLEDGEMENT

In this moment, the writer would like to express deep gratitude to the entire participants for their advices and valuable guidance during writing this final report. First of all, the writer would like to thank to Allah swt for his mercy and guidance in giving me strength to complete this final report. In this chance, the writer would like to thank to :

1. My beloved family especially for my mom and my dad for the prayers and the support.

2. My beloved advisors, Dra. Tiur Simanjuntak, M.Ed.M and Herman, S.Pd., M.Pd who have helped, motivated and guided me in writing the final report.

3. All lecturers and staff in English Department.

4. My beloved support system, Moch. Rizki Taruna Putra who has supported and cheered me up whenever I was stress with my revision ☺ 5. My comrade, Meuthia and Rafly who have helped me and always

reminds me to stay relaxed and not feel stressed.

6. LDR (Lara, Dira, Rosa) Squad who has become a place for me to ask and share about anything regarding to my revision. I’m so grateful you all help me a lot!

7. My beloved friends in 6BD class who have passed up and down with me during this 3 years. I’m so grateful being a part of you guys, eventhough we argue a lot, but our togetherness is precious. See u on top, mates!

8. All of the interviewee and the experts who has given the informations, comments, and suggestions.

9. Last but not least, I wanna thank me, I wanna thank me for believing in me, I wanna thank me for doing all this hard work, I wanna thank me for having no days off, I wanna thank me for never quitting, for just being me at all times.

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vii ABSTRACT

DESIGNING STORYBOOK OF PUYANG KEMIRI TO PRESERVE THE ORIGIN OF EMPAT LAWANG FOLKTALE

(Zhaffira Aliyah Afifa, 2021 : 59 pages)

This report discussed about designing storybook of Puyang Kemiri the origin of Empat Lawang folktale. The aim of this final report is to apply the steps for writing a folktale in terms of script. In this final report, the writer used Research and Development modified by Sukmadinata (2008: 176). The “Research and Development” includes 3 steps : (1) Preliminary Study: Literature Study, Field Survey which contains of interview, observation, and documentation, and Model Drafting, (2) Model Development consisted of Limited Testing and Wider Testing, and also (3) Final Product Testing. Based on the finding, the writer makes a story script of Puyang Kemiri folktale. The story script was written in English by using Final Draft as the software of writing the story. The story of Puyang Kemiri could be used as one of the media for the preservation of the origin Empat Lawang. In conclusion, the writer conducted the story script writing by using R&D method by Sukmadinata (2008: 176) linked to the five stage of writing a folktale by Tompkins (2010: 52): Pre-writing, Drafting, Revising, Editing, and Publishing. Due to lack of time, cost, and energy, the writer stopped the project until editing stage.

Keywords: Designing, Story Book, Puyang Kemiri, Preserve, Empat Lawang, Folktale

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viii

TABLE OF CONTENTS

COVER ... i

APPROVAL SHEET ... ii

APPROVAL SHEET OF EXAMINERS ... iii

MOTTO AND DEDICATION ... iv

PREFACE ... v

ACKNOWLEDGMENT ... vi

ABSTRACT ... vii

TABLE OF CONTENTS ... viii

LIST OF TABLES ... x

LIST OF CHART ... xi

LIST OF APPENDICES ... xii

CHAPTER I : INTRODUCTION ... 1

1.1. Background ... 1

1.2. Problem Formulation ... 3

1.3. Problem Limitation ... 3

1.4. Purpose ... 3

1.5. Benefits ... 3

CHAPTER II : LITERATURE REVIEW ... 4

2.1 Story Book ... 4

2.1.1 Kinds of Story books ... 4

2.1.2 How to Write Story book ... 6

2.1.3 Elements in Designing Story Book ... 6

2.2 Folktale ... 7

2.2.1 Characteristic of Folktale ... 8

2.2.2 Kinds of Folktale ... 8

2.2.3 The Role of Folktale in Tourism Industry ... 10

2.3 Stages of Writing Folktale ... 11

2.4 Software for Writing a Story Script ... 12

2.5 The Legend of Puyang Kemiri ... 13

2.6 Preserve ... 14

2.7 Empat Lawang Region ... 15

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2.8 Moral Value ... 16

CHAPTER III : RESEARCH METHODOLOGY ... 17

3.1 Method of Research ... 17

3.2 Stages of Research ... 19

3.2.1 Preliminary Study ... 21

3.2.1.1 Literature Study ... 21

3.2.1.2 Field Survey ... 22

3.2.1.3 Draft Model ... 23

3.2.2 Model Development ... 24

3.2.3 Final Product Testing ... 25

CHAPTER IV : FINDING AND DISCUSSION ... 26

4.1 Finding ... 26

4.1.1.1 Prewriting ... 27

4.1.1.2 Drafting ... 27

4.2 Discussion ... 35

4.2.1.1 Prewriting ... 36

4.2.1.2 Drafting ... 37

4.2.2.1 Revising ... 41

4.2.2.1.1 Revising of Limited Testing ... 42

4.2.2.1.2 Revising of Wider Testing ... 52

4.2.2.2 Editing... 53

CHAPTER V : CONCLUSION AND SUGGESTION ... 59

REFERENCES ... xiii

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x

LIST OF TABLES

Table 4.1 Story Script Draft of Puyang Kemiri (Indonesian Version) ... 28

Table 4.2 Story Script Draft of Puyang Kemiri (English Version) ... 31

Table 4.3 Introduction stage ... 37

Table 4.4 Rising action stage ... 38

Table 4.5 Climax stage ... 39

Table 4.6 Anticlimax stage ... 40

Table 4.7 Resolution stage ... 40

Table 4.8 Additional content details of Limited Testing ... 42

Table 4.9 Introduction stage revision ... 46

Table 4.10 Rising action stage revision ... 48

Table 4.11 Climax stage revision ... 49

Table 4.12 Anti-climax stage revision ... 50

Table 4.13 Resolution stage revision ... 50

Table 4.14 Wider Testing revision ... 52

Table 4.15 Edited Story Script ... 53

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xi

LIST OF CHART

Chart 3.1 The Stages of R&D Modified by Sukmadinata (2008:176) ... 19

Chart 3.2 Stages of Simplified R&D by Sukmadinata (2008:176) and Steps of Writing Folktale by Tompkins (2010:52) ... 20

Chart 4.1 First Stage ... 26

Chart 4.2 Second Stage ... 34

Chart 4.3 Third Stage ... 35

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xii

LIST OF APPENDICES

Appendice 1 : Observation List Appendice 2 : Documentation List Appendice 3 : Interview List

Appendice 4 : Final Draft The Manuscript of the Storybook Appendice 5 : Statement Letters

Appendice 6 : Final Report Guidance Agreement Appendice 7 : Final Report Guidance

Appendice 8 : Final Report Exam Recommendation Appendice 9 : Final Report Exam Revision

Appendice 10 : Implementation Of Final Report Revision