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SEMIOTIC IN A MILD GO AHEAD VERSION ON

TELEVISION

A THESIS

Submitted to Partial Fulfillment of the Requirement for the Degree of Sarjana Sastra

By:

HABIBULLAH

Registration Number 209220015

ENGLISH AND LITERATURE DEPARTMENT

FACULTY OF LANGUAGES AND ARTS

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ABSTRACT

Habibullah. 2014. A Semiotic Analaysis of A Mild Go Ahead Version on Television. A Thesis. Faculty of Languages and Arts. State University of Medan.

This research is focused on semiotic used in A Mild Go Ahead. The research was conducted by using descriptive qualitative research. The data were collected from the mass media. The findings of the thesis show that there are 43 pictures from three advertisements. The result of the research show that A Mild Go Ahead consists of three semiotic elements that devided into 9 types of semiotic which is Qualisign (0), Legisign (7), Sinsign (55), Icon (15), Index (33), Symbol (14), Rheme (16), Decisign (24) and Argument (22). The most dominant type is sinsign, which means A Mild Go Ahead is tried to make the similarity between what is shown and the reality.

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4. Semiotic in Visual Communication ... 12

a. History of Advertising ... 13

b. Television Advertisement ... 14

1. Range Abroad ... 14

2. Selectivity and Flexibility ... 14

3. Visual Effect and Creativity ... 15

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CHAPTER III: RESEARCH METHOD ... 19

A. Research Design… ... 19

B. Source of the Data ... 19

C. Research Instrument ... 19

D. Procedures of Analyzing Data ... 19

CHAPTER IV: DATA AND DATA ANALYSIS ... 21

A. Data… ... 21

B. Data analysis ... 21

C. Research Findings ... 45

D. Discussions ... 46

CHAPTER V: CONCLUSION AND SUGGESTION ... 49

A. Conclusion… ... 49

B. Suggestion ... 50

REFERENCES ... 51

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LIST OF TABLES

Table 2.1 Pierce’s Semiotic Theory ... 11

Table 4.1 Meaning of Semiotic ... 42

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LIST OF APPENDICES

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CHAPTER I

INTRODUCTION

A. The Background of the Study

Many people use not only sound as oral language and text as written

language to communicate or to convey their ideas, opinion, message, feelings, and

purpose to other, but also they use pictures and videos. Pictures and videos are

visual language that can say or convey something if arranged well. Moreover, the

visual language is now also widely used not only for personal use to convey

messages, but are often also used by companies in order to attract consumers to

know and even to buy their products. It's not easy to capture the meaning contained

in the image without text even sound or words. But it feels quite powerful. In

addition to creativity, visual language is also more attractive in appearance. So it's

not just about the language of the sound is played through the mouth and ears, but

also can be made and seen by the eye.

In the world of television which is audiovisual media, all that displayed are

the combined language from spoken, written and visual pictures. Combination of

those three can be seen when watching movies, news, or just advertising. In the

movie, all three languages definitely should be combined together to support one

another. Meanwhile, in the news, is a widely used language in the form of words

spoken language of the presenter. While in the advertisement or TVC (Television

Commercial), which incidentally has a limited duration of about 15 – 60 seconds,

visual language is very often used. In the video only lasted a short, advertisers

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by the audience or consumer. For example, in one scene of soap ad, a woman looks

into the limelight after a shower by using the soap. Meaning in this scene is the soap

is very fragrant and was able to invite the attention of those around us. That’s why

the visual language as a medium for the delivery of ideas, feelings, messages and

thoughts as a promotional medium that is easily understood and highly favored.

Advertising and semiotic (sign) on the television takes an important role in

identifying the meaning to express the object. Since the object is one of the types

of semiotic. Thus semiotic analysis should be relevant to the object as the subject

matter. Little john (1996) in Sobur (2009:16) said that signs is the basic of all

communication. It is to say that the researcher himself is quite interesting to conduct

or analyze the subject matter, since, in the social life the study of semiotic (sign) in

relation to the advertisement is having a dual role. Thus academically, the strong

reason for the researcher to choose this kind of study is motivated by knowing

much more the science of semiotic in the field of linguistic.

Advertisement that initially only to attract consumers to rely on product

excellence, are now beginning to look up the visual language play as an attraction.

This is because television advertising is "distraction" and not the main menu offered

if we watch television. Spectators can just change the channel they like without

having to watch all the advertisement that are running. This is a visual language of

advertising is featured as the attention of television viewers that they are interested

in watching the advertisement. After watching them, unconsciously they will also

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B. The Problems of the Study

Based on the background of the study, the problem of this study are as the

following:

1. What kind of semiotic that used in the TV Commercial entitled “A Mild Go

Ahead”?

2. What is the meaning of semiotic in the TV Commercial entitled “A Mild Go

Ahead”?

3. What is the dominant types semiotic in the TV Commercial entitled “A

Mild Go Ahead”?

C. The Scope of the Study

The scope of study is limited to the analysis of semiotic in mass media electronic,

especially in the TV commercial entitled “A Mild Go Ahead”.

D. The Objective of the Study

Based on the problem of the study, the objectives of the study are:

1. To describe the kinds of semiotic that used in the TV commercial entitled

“A Mild Go Ahead”.

2. To describe the meaning of semiotic in the TV commercial entitled “A Mild

Go Ahead”.

3. To find out the dominant types of semiotic in the TV commercial entitled

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E. The Significant of the Study

The findings of the thesis will be useful for:

1. The English Department students to develop the science of Semiotic in

communication in the field of linguistics, through the mass media electronic

in the TV commercial.

2. Those who are interested in this kind of research or subject matter.

3. Giving contribution in the teaching of English using Semiotic as a means of

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CHAPTER V

CONCLUSION AND SUGGESTION

A.

Conclusion

After analysing the data it can be stated some conclusion as the following:

1. There are three kinds of semiotics forms in the use of semiotics in “A Mild

Go Ahead” as the sign in the TVC namely; (a) Representamen is a kind of

outer skin of an sign that only can see but not yet known the meaning by the

human (b) Object is the meaning on what we have seen from the picture or

a sign, and (c) The interpretant is something that arise from the

represantement and the object as the relation between them that being

interpret by the people.

2. Based on the analysis there are some meaning of using semiotics in the TVC

“A Mild Go Ahead”; (a) as the creativity, the TVC is become more

interesting to watch, and hopefully the audience will begin to use the

product, (b) the TVC using semiotics to replace the real meaning of every

scene that appears in the TVC, and (c) , it’s to suggest people especially

smoker to use this product indirectly.

3. There are nine types of semiotic such as qualisign, sinsign, legisign, icon,

index, symbol, rheme, decisign and argument with the sinsign dominantly

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B.

Suggestion

Based on the conclusion above, it’s advisable that:

1. In learning a language as the social semiotics will give us some

contributions to find much more system of using sign in social life situation.

2. Through mass media as an electronic media is a good way of conducting the

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References

Baksin, Askurifai. 2009. Videography: Camera Operation and Shooting

Technique. Bandung: Widya Padjadjaran Publisher.

Budiman, Kris .2004. Iconity, Literature of Semiotic and Visual Art.Yogyakarta: Baik Publisher.

Chandler, Daniel. 2007. The basic semiotics. London and New York: Routledge.

Deli Publisher. 2007. Making Indie Movie is Easy. Jakarta: Andi Publisher.

Eco, Umberto. 1979. A Theory of Semiotic. Bloomington: Indana University Press

Fiske, John ; Idy Subandy Ibrahim (editor), 2004, Cultural And Communication

Studies : A Most cemprehension Introduction. Jalasutra; Yogyakarta

Hoed, Benny H. 2001. Dari Logika Tuyul Ke Erotisme. Magelang: Indonesia

Jefkins, Frank. 1997. Advertising. Jakarta: Erlangga.

Keraf, Gorys. 2005. Deixis and Language Style. Jakarta: P.T. Gramedia Pustaka Utama

Noviani, Ratna. 2002. Jalan Tengah Memahami Iklan. Yogyakarta: Pustaka Pelajar

Nusa, Okto D.T. 2011. A Thesis: Semiotic Meaning in Aqua’s “Sumber Air Su Dekat” Version on Television. Yogyakarta: Komunikasi FISIP Universitas Pembangunan Nasional Yogyakarta.

Pierce, Charles S. 1986. Logic as Semiotics: The theory of Signs. Bloomington:

Indiana University Press.

Piliang, Yasraf Amir. 2003. HIPERSEMIOTIKA : Tafsir Cultural Studies Atas

Matinya Makna, pengantar : bambang Sugiharto. Jalasutra, Yogyakarta

Rose, Gillian. 2007. Visual methodologies: an introduction to the interpretation of

visual materials. London: Sage Publication LTD.

Short, T.L. 2007. Pierce’s theory of sign. New York: Cambridge University Press

Sobur, Alex. 2003. Semiotika komunikasi. Bandung: PT. Remaja Rosdakarya

Sobur, Alex. , 2004. Media Text Ananlysis. Bandung: Remaja Rosdakarya.

Sobur, Alex. 2006. Semiotika Komunikasi. Jakarta: Remaja Rosdakarya

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Suprapto, Tommy M.S. Pengantar Teori dan Manajemen, Yogyakarta: Medpress, 2009.

Tinarbuko, Sumbo. 2008. Semiotic of Visual Communication. Jakarta: Jalasutra

T. Cristomy, Untung Yuwono .2004. Culture Semiotic. Jakarta: Pusat Penelitian Kemasyarakata dan Budaya Direktorat Riset dan Pengabdian Masyarakat Universitas Indonesia

Van Zoest, Aart.1993. Semiotics: About Signs, How It Works and What we Do With it. Jakarta: Yayasan Sumber Agung

Walija. 1996. Indonesian in Conversation. Jakarta: IKIP Muhammadiyah Jakarta Press.

Widyatama, Rendra. 2005. An Introduction to Advertisements. Jakarta: Buana Pustkaka Indonesia

Gambar

Table 2.1 Pierce’s Semiotic Theory .................................................................

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