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The influence of Mr. Kobayashi`s teaching style on Totto Chan`s personality development as seen in Totto Chan the little girl at the window

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M F O E C N E U L F N I E H

T R .KOBAYASHI’STEACHINGSTYLE O

T T O T N

O -CHAN’SPERSONALITYDEVELOPMENT N

I N E E S S

A TOTTO-CHAN :THELITTLEGIRLATTHEWINDOW

ASARJANAPENDIDIKANTHESIS

s a d e t n e s e r

P Parita lFul ifllmen toft heRequirements e

h t n i a t b O o

t SarjanaPendidikanDegree n o it a c u d E e g a u g n a L h s il g n E n i

y B

a i n a V a ri M a i g g n A a i s a r G

9 2 0 4 1 2 1 8 0 : r e b m u N t n e d u t S

M A R G O R P Y D U T S N O I T A C U D E E G A U G N A L H S I L G N E

S T R A D N A E G A U G N A L F O T N E M T R A P E

D EDUCATION

N O I T A C U D E D N A G N I N I A R T S R E H C A E T F O Y T L U C A F

Y T I S R E V I N U A M R A H D A T A N A S

A T R A K A Y G O Y

(2)

i M

F O E C N E U L F N I E H

T R .KOBAYASHI’STEACHINGSTYLE O

T T O T N

O -CHAN’SPERSONALITYDEVELOPMENT N

I N E E S S

A TOTTO-CHAN :THELITTLEGIRLATTHEWINDOW

ASARJANAPENDIDIKANTHESIS

s a d e t n e s e r

P Parita lFul ifllmen toft heRequirements e

h t n i a t b O o

t SarjanaPendidikanDegree n o it a c u d E e g a u g n a L h s il g n E n i

y B

a i n a V a ri M a i g g n A a i s a r G

9 2 0 4 1 2 1 8 0 : r e b m u N t n e d u t S

M A R G O R P Y D U T S N O I T A C U D E E G A U G N A L H S I L G N E

S T R A D N A E G A U G N A L F O T N E M T R A P E

D EDUCATION

N O I T A C U D E D N A G N I N I A R T S R E H C A E T F O Y T L U C A F

Y T I S R E V I N U A M R A H D A T A N A S

A T R A K A Y G O Y

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M F O E C N E U L F N I E H

T R .KOBAYASHI’STEACHINGSTYLE O

T T O T N

O -CHAN’SPERSONALITYDEVELOPMENT N

I N E E S S

A TOTTO-CHAN :THELITTLEGIRLATTHEWINDOW

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(8)

ii v T C A R T S B A . ) 4 1 0 2 ( . a ri M a i g g n A a i s a r G , a i n a

V The In lfuence o fMr .Kobayash ’i sTeaching

e l y t

S on Totto-chan’ sPersonaltiy Developmen ta sSeen i n Totto-chan :The Ltilte t

a l r i

G the Window.Yogyakatra : Teacher s Training and Educaiton Facutly , y d u t S n o it a c u d E e g a u g n a L h s il g n E , n o it a c u d E s tr A d n a e g a u g n a L f o t n e m tr a p e D . y ti s r e v i n U a m r a h D a t a n a S , m a r g o r P d e lt it n e l e v o n s ’i g a n a y o r u K o k u s t e T s e s s u c s i d y d u t s s i h

T Totto-chan :The

tt i

L leGir latt heWindow.Thenove ltellsaboutthel fieo fal tiltegri,lTotto-chan , d

n

a auniqueschoo lcalled TomoeGakuen .TomoeGakuen wa san exrtaordinary d i v o r p h c i h w l o o h c

s edfreedom in learning the lessonsI. t wa s run by Mr . , i h s a y a b o

K theheadmaste.r

e h t d n a t s r e d n u o t s i m e l b o r p t s ri f e h T . s m e l b o r p o w t n o s e s u c o f y d u t s s i h T n o it p ir c s e

d fo the main character ,Totto-chan, based on Tetsuko Kuroyanag’i s o

tt o

T -chan :TheLtilteGir latt heWindow .Thesecondproblem i st o ifndoutt he y a b o K . r M f o e c n e u lf n

i ash’i s teaching st yle on Totto-chan’ s personaltiy . l e v o n e h t n i t n e m p o l e v e d e h T . a t a d g n ir e h t a g r o f d o h t e m e h t s a h c r a e s e r y r a r b il s e il p p a y d u t s e h T s ’i g a n a y o r u K o k u s t e T s i y d u t s s i h t f o a t a d y r a m ir

p nove lenitltedTotto-chan :The

e h t t a l r i G e lt ti

L Window .Thesecondary source saresomebook saboutl tierature s i h c i h w e l c it r a e h t m o r f s e m o c o s l a e c r u o s y r a d n o c e s r e h t o e h T . y g o l o h c y s p d n a h T . s i s y l a n a e h t o t d e t a l e

r e theo ires o f characters , characteirzaiton and t o T e z y l a n a o t d e il p p a e r a y ti v it c a r e p y

h to’ scharacter .Meanwhlie, t het heory o f

s g n i h c a e

t tyleand personaltiy developmen tused t o ifnd outt hei n lfuenceo fMr . s ’i h s a y a b o

K teachings et yl onTotto-chan’ spersonaltiydevelopmen.t d n u o f y d u t s e h t f o s i s y l a n a e h

T tha tMr .Kobayash ’i steaching st e yl

o tt o T d e c n e u lf n

i -chan’ s personaltiy development . The fris t resul t wa s abou t o

tt o

T -chan’ scharacte rdescirpiton .Beforel earningi nTomoeGakuen ,Totto-chan s

i considered a san i mpulsive ,vivaciou sand cuirous l tilte gilr .Atferl earning i n , n e u k a G e o m o

T Totto-chan become sunsel ifsh ,responsible ,tough ,cu irous ,and . r M f o e c n e u lf n i e h t t u o b a s a w y d u t s e h t f o t l u s e r d n o c e s e h T . t n e d if n o c s ’i h s a y a b o

K teaching style on To tto-chan’ spersonaltiy development .The study o tt o T t a h t t u o s d n

if -chan’ spersonaltiydevelop sposiitvelyast hei n lfuenceo fMr . s ’i h s a y a b o

K teachings et . yl y d u t s s i h

T provides two suggesitons fo rfuture researchers who analyze o

tt o

T -chan :TheLtilteGir latt he Window .Thi sstudy also provide sasuggesiton h t n i d e d i v o r p e r a g n i h c a e t r o f l a ir e t a m d n a n a l p n o s s e l e h T . s r e h c a e t h s il g n E r o f e x i d n e p p a . y e

(9)

ii i v K A R T S B A . ) 4 1 0 2 ( . a ri M a i g g n A a i s a r G , a i n a

V The In lfuence o fMr .Kobayash ’i sTeaching

e l y t

S on Totto-chan’ sPersonaltiy Developmen ta sSeen i n Totto-chan :The Ltilte w o d n i W e h t t a l r i

G .Yogyakatra : Program Stud iPendidikan Bahasa Inggris , a s a h a B n a k i d i d n e P n a s u r u

J dan Seni ,Fakutla sKeguruan dan lImu Pendidikan , a m r a h D a t a n a S s a ti s r e v i n U . l u d u jr e b i g a n a y o r u K o k u s t e T a y r a k l e v o n h a u b e s s a h a b m e m i n i i s p i r k S o tt o

T -chan :TheLtilteGir latt heWindow .Noveli n ibercertiat entangkehidupan n a u p m e r e p k a n a g n a r o e

s bernamaTotto-chan dan sekolahunikbernamaTomoe n

e u k a

G . Tomoe Gakuen adalah sekolahlua rbiasa yang memberikan kebebasan a y n d i r u m a d a p e

k untuk belaja .r Sekolah tersebu tdikelola oleh P ak Kobayashi i a g a b e

s Kepalasekolah. i n i i s p i r k

S mengangkat dua permasalahan untuk djiawab. Permasalahan r e t k a r a k i s p ir k s e d i m a h a m e m h a l a d a a m a t r e

p isitk dar iTotto-chan berdasarkan l

e v o

n Totto-chan : The Ltilte Gir l a t the Window karya Tetsuko Kuroyanag.i k u t n u h a l a d a a u d e k n a h a l a s a m r e

P mengetahu ipengaruh dar icaramengajarP ak i h s a y a b o

K terhadapperkembangankarakte rTotto-chan .

m a l a d a m a t u r e b m u S . a k a t s u p n a it il e n e p n a k a n u g g n e m i n i i s p i r k S l u d u j n a g n e d i g a n a y o r u K o k u st e T a y r a k l e v o n h a l a d a i n i i s p i r k s a s il a n a g n e m o tt o

T -chan : The L tilte Gir l a t the Window. Buku- kbu u tentang sasrta dan .r e d n u k e s r e b m u s i d a j n e m i g o l o k i s

p Sumbe rsekunde rjuga berasa ldar iaritke l n a d i s a s i r e t k a r a k , r e t k a r a k i r o e T . a s il a n a n a g n e d t i a k r e t g n a y o tt o T i r a d k it s i r e t k a r a k a s il a n a g n e m k u t n u n a k a n u g i d s a ti v it k a r e p i

h -chan.

i r o e t , u ti a r a t n e m e

S c aa r mengaja rdan perkembangan kep irbadian digunakan k

u t n

u menemukan pengaruh strateg i mengaja r P ak Kobayash i terhadap o tt o T n a i d a b i r p e k n a g n a b m e k r e

p -chan.

a w h a b n a k u m e n e m i n i is p i r k s , a si l a n a l i s a h n a k r a s a d r e

B cara mengaja r

k a

P Kobayash iberpengaruh pada perkembangan kepribadian Totto-chan. Hasi l o tt o T i r a d k it s i r e t k a r a k i s p i r k s e d h a l a d a a m a t r e

p -chan .Sebelumbelaja rd iTomoe o tt o T , n e u k a

G -chan dianggap sebaga igadi syang impulsfi ,penuh antusiasm ,e . u h a t n i g n i a s a r i k il i m e m n a

d Setelah belaja rd iTomoe Gakuen ,Totto-chan i d a j n e

m gadi skeci lyang itdakegois ,bertanggungj awab, t angguh ,memiilk irasa .i r i d a y a c r e p n a d u h a t n i g n

i Hasi lkedua adalah pengaruh caramengaja rP ak a d a p i h s a y a b o

K perkembangan kepribadian Totto-chan. Skrips iin imenemukan o tt o T n a i d a b i r p e k a w h a

b -chanmengalam iperkembanganyangposiit.f a y n r i h k a a d a

P ,skrips iin imemberikan beberapa saran untuk peneilitan , a m a s g n a y l e v o n a d a p a y n t u j n a l e

s Totto-chan :The Ltilte Gir la tthe Window . e m a g u j i n i i s p i r k

S mbe irkan saran untuk para guru bahasa Inggris. RPP dan .i n i i s p i r k s m a l a d a i d e s r e t a g u j r a j a g n e m k u t n u i r e t a m

(10)

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S T N E M E G D E L W O N K C A

s i s i s e h t s i h t f o n o it e l p m o c e h t t a h t ti m d a o t e v a h

I impossiblewtihoutt he

e l p o e p f o t o l a f o p l e

h .Therefore ,now Iwould ilket o expres smy grattiudet oal l r

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p s ,andmoitvaitont o ifnisht hist hesi .s

a f o t s ri

F ll , Iwould ilket o expres smy greates tgrattiude t o t he Lord and ,

r o i v a S y

m Jesu sChris,tfo rHi swonderfull ove ,blessing ,andguidance .Hegave d

n a p u e v a g y lr a e n I r e v e n e h w h t g n e rt s e

m He helped met o ifnd a way when I

e c a

f dproblems .Wtihou tHim,t histhesi scouldno thave eb ne completed. u

ti t a r g l a i c e p s y m e t a c i d e d

I de t o my beloved famliy who has given me

c i v d a , e v o l , h ti a f ri e h

t e ,suppor tand prayert o me .It hank my father ,Drs .R .V . .

K i d a il u

Y and mymother ,Dra .L .Hen iS. ,Eyangkakung putri ,Om Yon ,and e

t n a

T Farida ,Om Tomo ,Tante Joice ,Hadasa ,Om Rudi ,Om Onggo ,Tante a

d n u

b NikenandOmBowo .

y m o t s e o g e d u ti t a r g p e e d y

M sponsor ,HennyHerawa it ,S.Pd. ,M.Hum. , e

m e d i u g o t e m it s u o i c e r p r e h e m n e v i g s a h o h

w du irng the compleiton o fthi s

r o f k c a b d e e f s u o i c e r p e v i g o t d n a , d a e r o t , k c e h c o t s s e n g n il li w r e h k n a h t I .s i s e h t

k n a h t o s l a I . s i s e h t s i h t h ti w n o e v o m n a c I t a h t o s e

m BuNanik ,BuMarni ,Pak

, s u

K Pak Baril and al lPB Ilecturers who have taugh tme a lo to fthings , h

c ir n

e edmy knowledge and given me a lo to fexpe irences . Iwould also ilke to y

m w o h

s sincerest appreciaiton to al lo fthe secretairat , ilbrary staff ,and al l .

y d u t s y m g n ir u d e m g n i p l e h r o f y ti s r e v i n U a m r a h D a t a n a S n i s e e y o l p m e

(11)

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I ilket othankal lo fmyf irendsi nSanataDharmaUniverstiy. Ialso k

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t Ichoel , Ntinot , Rina , Winda ,Angga ,Memey , Andre ,Damas , Via , ,

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V Mas Risang ,Mike ,Andrew ,Yohana ,Mas ,

n e i v i V , a r e S , u k i C , u y h a

W Mas Agung ,and Antsa . Ithank them fo rbeing f o y li m a f g i b e h t k n a h t o s l a I . r e h t o h c a e g n it r o p p u s d n a s d n e ir f t a e r

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N K K P , g n e o r d n a

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. s s e n r e h t e g o t f o e m it t s e t a e r

g y specia lgrattiude goes t o BuSan it fo rbeing a , s r e t s i s e lt ti l t e e w s y m k n a h t o s l a I . e n i m f o d n e ir f t a e r g a o s l a d n a r e h t o

m Susan ,

y n a h

D ,Enda,Ayuandal lmyf irendsi nM ircanBaruboardinghouse .Mydeepes t o

t s e o g e d u ti t a r

g Om Dodti ,TanteCicli ,Cindy ,andFlora fortheril ove ,advice , I

. tr o p p u s d n

a would ilke also thank BenedictusReynusa fo rhi scare ,suppo tr , f o s s e c o r p e h t g n ir u d t n e m e g a r u o c n e s i h r o f m i h k n a h t I . e v o l d n a e c n e it a p

.s i s e h t y m g n i h s i n if

ll a k n a h t o t e k il d l u o w I , y lt s a

L of t hegrea tpeople w ho have suppo tred

r a e y e g e ll o c s i h t t u o h g u o r h t e

m s whom Ihaveno tmen itonedye.t

(12)

i x

S T N E T N O C F O E L B A T E

G A P E L T I

T ... i S

E G A P L A V O R P P

A ... ii E

G A P N O I T A C I D E

D ... vi Y

T I L A N I G I R O S ’ K R O W F O T N E M E T A T

S ... v N

A A T A Y N R E

P PERSETUJUANPUBLIKASI ... iv T

C A R T S B

A ... ii....v K

A R T S B

A ... iiv i T

N E M E G D E L W O N K C

A S ... ix S

T N E T N O C F O E L B A

T ... ix

N O I T C U D O R T N I I R E T P A H

C ... 1 .

A Backgroundoft heStudy ... 1 .

B ProblemFormulaiton... 3 .

C Objecitve soft heStudy ... 3 .

D Benefti soft heStudy ... 3 .

E Deifniitono fTerms... 4

W E I V E R I I R E T P A H

C OFRELATEDLITERATURE ... 6 .... .

A Reviewo fRelatedTheoires... 6 .

1 Psychologica lApproach ... 6 .

2 Theoryo fCharacter... 7 .

3 Theoryo fCharacteirzaiton ... 8 .

4 TheoryofHyperacitvtiy... 11 .

5 TheoryofTeachingStyle... 12 .

6 TheoryofPersonaltiyDevelopment... 14 .

B Theoreitca lFramework ... 16

I I I R E T P A H

C METHODOLOGY ... 17 .... .

(13)

ii x .

B Approachoft heStudy ... 18 .

C Methodoft heStudy ... 19

S I S Y L A N A V I R E T P A H

C ... 12 .

A Totto-chan’ sCharacteirsitc sDescirpiton ... 12 .

1 T oo -tt chan’ sCharacteirsitc sBeforeLearningi nTomoeGakuen... 22 .

a Impulsive ... 22 .

b Energeitc... 24 .

c Cu irous ... 25 .

2 T to ot -chan’ sCharacteirsitc sA rtf Le earningi nTomoeGakuen ... 26 .

a Unselifsh... 26 .

b Responsible... 72 .

c Tough ... 82 .

d Cu irous ... 92 .

e Con ifdent ... 03 .

B Mr .Kobayash’i sTeachingStyleinTomoeGakuen ... 03 .

1 AcknowledgingW th Ca hlidrenDoo rS ya ... 32 .

2 GivingSpesi ifcFeedback ... 34 .

3 ModelilngAtttiudes ,Way so fApproachingProblems ,andBehaviour .... 35 .. .

4 Demonsrtaitngt heCorrec tWayt oD o Something... 36 .... .

5 Creaitngo rAddingChallenge... 37 .. .

6 AskingQuesitonst ha tProvokeChlidren’ sThinking ... 38 .

7 GivingAssistance( sucha sacueo rhin)tt oH e Clp hlidrenWorkont he Edgeo fTh Cei r urren tCompetence... 38 .

8 GivingDriecitonsf o rChlidren’ sAcitono rBehaviour ... 39

S N O I T S E G G U S D N A S N O I S U L C N O C V R E T P A H

C ... 1..4

.

A Conclusions... 2..4 .

B Suggesitons ... 43 .. .

(14)

ii i x .

2 Suggesitonf o rEngilshTeacher ... 54

S E C N E R E F E

R ... 46 S

E C I D N E P P

A ... 84 .

1 AppendixA ... 84 .

2 AppendixB ... 49 .

3 AppendixC ... 51 .

4 AppendixD ... 54 .

5 AppendixE... 60 .

(15)

1

I R E T P A H C

N O I T C U D O R T N I

t s i s n o c r e t p a h c s i h

T s o ffi ve secitons ,namely the background o fthe e h t f o s ti f e n e b e h t , y d u t s e h t f o s e v it c e j b o e h t , n o it a l u m r o f m e l b o r p e h t , y d u t s

t f o n o it i n if e d e h t d n a , y d u t

s erms. hT e background o fthe study give ssome it

a n a l p x

e o s n abou tthe knowledge o fthis study and why Totto-chan :The Ltilte w

o d n i W e h t t a l r i

G wa schosen a sa p irmary data. The problem formulaiton

t f o s t s i s n o

c w o basic quesitons to be answered a sthe focu so fthe study .T he h

t f o s e v it c e j b

o es tudystate themainpurposeo fw iritngt hes tudy. Thebenefti so f n

i a t n o c y d u t s e h

t the advantage so fthe study fo rthose who can obtain the s

ti f e n e

b .T dhe eifniitono fterm sist hel as tpar twhichprovides severalterm sused n

i thes tudyt oavoidanymisunderstanding.

.

A Backgroundoft heStudy a

c u d e y lr a

E it son i impo trant fo rmany kind so f chlidren in the wo lrd .I t r

e f f

o s oppo truniites rf o abette rl . fie Basedon theCambridgeAdvancedLearner’ s y

r a n o it c i

D ,schoo lcan be de ifned asa place where chlidren go to be educated . r

o t a c u d e e h

T s o rteacher shave an impo tran trole a tschool .They suppor tt he s

s e c o r p g n i n r a e l d n a g n i h c a e

t by implemenitng speci ifc educaiton . The f

o n o it a t s e fi n a

m educaitoni svairous . y

d o b y r e v

E h as thei rown speci ifc characte irsitc sby which he can be .s

l a u d i v i d n i r e h t o m o r f d e h s i u g n it s i

(16)

2

. r u o i v a h e b o s l a d n a e d u ti tt a , g n i k n i h t f

o Human beingi sautonomou sandunique . n

w o s i h s a h l a u d i v i d n i n a s a g n i e b n a m u h t a h t s n a e m t

I personaltiy .Personaltiy

p o l e v e d e b n a

c e dconsciouslyandunconciously.I tdepend son itmeandstiuaiton . s g n i e b n a m u h f o s s e n e u q i n u e h t g n i s s u c s i D . e u q i n u l a u d i v i d n i n a s e k a m t c a f s i h T

n o it c e lf e r e fi l h g u o r h

t mean sdiscussing the individual tisel.f To tto-chan i sthe c

n i a

m haracte rof Totto-chan :The Ltilte Gir la tthe Window who ha she rown s

s e n e u q i n

u a sachlid. o

tt o

T -chantalk saboutTetsukoKuroyanagi’ sexpeirenceint hemiddleo f I

I r a W d lr o

W .Thenovelmosltytell saboutal tilteg ri lnamelyTotto sa astuden t a

t

a n exrtaordinary schoo lcalled Tomoe Gakuen .Totto-chan wa sexpelled from i

l o o h c s r a l u g e r e h

t nt hef ris tgrade,f o rbeingadisrtacitont ot her es toft heclass . g

n i v il e h t s a w n e u k a G e o m o

T insttiu iton o fknowledgeforspecia lchlidren .The s

t n i o p g n i h c a e

t su ed a t Tomoe w ere much dfiferen t from the convenitona l .

s l o o h c

s InTomoe ,chlidrenhadfreedomtos tudywhatevers ubjectst hey ilke. n

I Totto-chan :TheLtilteGir latt heWindowther eaders wli lbei nformed n

i h c a e t g n it s e r e t n i n a o t d e t a l e r e g d e l w o n k t u o b

a g and learning process .Totto

-n a h

c in rtoduces a specia leducaiton by t he headmaster ,Sosaku Kobayash .i The l

e v o

n si wo trhtobediscussedbecauset heteachingpoints ea r dfiferentf romothe r l

o o h c

s s .The wrtie ri sinterested in the way Mr .Kobayashi thinks da n give s e

v it c e p s r e

p to the chlidren especially Totto-chan a sthe main cha ar cte rin the y

r o t

s .Thi sstudy discusse s the i n lfuence o fMr .Kobayash’i steaching points no o

tt o

(17)

h t t

a eWindow. Thiss tudyanalyzes Totto-chan’scharacters, andhowt heteaching

s t n i o

p inTomoeGakuenin lfuencethemaincharacter’ spersonaltiydevelopment .

.

B ProblemFormula iton

By having the background o f the study , there are some problem s .

d e t a l u m r o f

.

1 H ow are Totto-chan’s characteris sit c descirbed in Tetsuko Kuroyanag’i s o

tt o

T -chan :TheLtilteGri latt heWindow?

.

2 How d soe Mr . Kobayash’i s teaching style in lfuence Totto-chan’s t

n e m p o l e v e d y ti l a n o s r e

p ?

.

C Objecitve soft heStudy

a l u m r o f m e l b o r p e h t g n ir e d i s n o

C iton above, t hereare 2 objecitvesint hi s s

i e v it c e j b o t s ri f e h T . y d u t

s to ge t an understanding on the characteirsitc s f

o n o it p ir c s e

d To tto-chan in Tetsuko Kuroyanag’i sTotto-chan :TheLtilteGir la t w

o d n i W e h

t .The second objecitve i sto ifnd ou tthe w ay Mr .Kobayash’i s g

n i h c a e

t stylein lfuenceTotto-chan’spersonaltiydevelopment ni thenovel.

.

D Benefti soft heStudy

. y d u t s e h t n i s ti f e n e b e m o s e r a e r e h

T Thefris tbenefti i s i ntended fort he ir

w e h t , y d u t s s i h t g n it c u d n o c y b t a h t s d n if r e ti r w e h T . r e ti r

w te ri sen irche d w tih

e r e g d e l w o n k f o s d n i k y n a

m lated to educaiton .From the nove lthe wrtie r ifnd s r

e h c a e t a t a h

(18)

4

. m o o r s s a l c e h t n i e r e h p s o m t

a The impo tran tpar tin teaching chlidren i show to bu lid t hestudents’i nterest i n j oining t eaching and l earning acitvtiy .Second, t he

s i y d u t s e h t f o t if e n e

b fo rstudent so fFacutlyo fTeacher sTrainingandEducaiton , y

lr a l u c it r a

p English Educaiton Study Program sa prospecitve educators .This t

s p l e h y d u t

s hem to bet he guidancerelated t o students ’acitviites rfo increasing e

g d e l w o n k r i e h

t and creaitvtiyt oconduc taneffecitveteachingpoints. Thi sstudy n i s k r o w y r a r e ti l a f o n o it a t n e m e l p m i e h t t u o b a s e c n e r e f e r m e h t s e v i g o s l a

g n i h c a e

t -learning mate iral .s Th rid si a suggesiton fo rthe readers .The wrtie r s

e p o

h thi sstudycangivemoreperspecitves o n achlid’ spersonaltiydevelopmen t e

l d n a h o t w o h d n

a aspecia lchlidi nanappropriateway.

.

E De ifniitono fTerms s m r e t e m o

S wli lbedeifnedt oguidet her eadersi nunderstandingt hi s .

n o it a t e r p r e t n i s i m d i o v a o t s i s e h t

.

1 Character

) 0 2 : 1 8 9 1 ( s m a r b A o t g n i d r o c c

A acharacteri s“asho tr ,andusuallywitty , e

k

s tchi nproseo fadisitncitvet ypeo faperson.”Character sarei nterpretedbyt he h

t g n i e e s h g u o r h t r e d a e

r ei rmora lexpressed in the dialogue o racitons .In thi s y

d u t

s , Totto-chan i sa porrtaya lo fthe main characte rin Totto-chan :The Ltilte w

o d n i W e h t t a l r i

G .

.

2 PersonaltiyDevelopment

s p o l e v e d d n a s e g n a h c y ti l a n o s r e p y a w e h t s n a e m t n e m p o l e v e d y ti l a n o s r e P s a

(19)

s ’ e n o e m o s f o s e g n a h c e h t s i t n e m p o l e v e d y ti l a n o s r e p e h t t a h t s n a e m t I . e fi l

s c it s ir e t c a r a h

c to the worse o rthe bette rones. (Hu lrock ,1972). In thi sstudy , o

tt o

T -chan’ spersonaltiydevelopmen ti sgoing t o beanalyzed ast hei n lfuenceo f s

’i h s a y a b o K . r

M teachingstyle. .

3 Teaching s i g n i h c a e

T an interaciton between a t eache rand students in t he t eaching g

n i d r o c c A . s s e c o r p g n i n r a e l d n

a toBrown( 1980 ,)t eachingi saproces so fguiding . g n i n r a e l r o f n o it i d n o c e h t t e s o t , n r a e l o t s r e n r a e l g n il b a n e , g n it a ti li c a f d n a

Teachingi saproces so fgiving i nsrtuciton o rknowledgeo rskillt o somebodyi n .

d e w o ll o f d n a d o o t s r e d n u e b o t r e d r

o

.

4 Teaching Style g n i d r o c c

A to Mosston and Ashwo trh ( 91 9 ,)0 teaching style i sa plan o f e h t r o f r e n r a e l e h t d n a r e h c a e t e h t f o s n o i s i c e d c if i c e p s e h t s e n if e d t a h t n o it c a

s e v it c e j b o g n i h s il p m o c c a f o e s o p r u

p insubjec tmatte randbehavio .r Int hi sstudy , s

r e h c a e t t n e ll e c x

E theory si used t o catego irze t he i n lfuenceo fMr .Kobayash ’i s s

g n i h c a e

(20)

6 R E T P A H

C II

E R U T A R E T I L D E T A L E R F O W E I V E R

r e t p a h c s i h

T consists fo t swo ecitons .Those are a review o frelated

s e ir o e h

t ,and a er view oftheoreitcalf ramework. I n thereviewofr elated t heo ire s

e h

t wrtie r present s theory o f the psychologica l approach , character ,

, n o it a z ir e t c a r a h

c hyperacitvtiy ,teaching points ,and some reviews no personaltiy

t n e m p o l e v e

d . In thetheoreitcalframework, t hewrtie rclair ifest hef unciton oft he

. y d u t s e h t f o m e l b o r p e h t g n i z y l a n a n i s e ir o e h t

.

A Reviewo fRelatedTheories .

1 Psychologica lApproach y

d u t s s i h t n

I , thepsychologica lapproachi susedt o analyzet heproblems .

r o c c

A dingt o Rohberge randWood sthereare ifveapproachest ha tcan beused t o

, ) 1 7 9 1 ( l e v o n a e z y l a n

a namely, the formails t approach , the biograpicha l

o r p p

a ach,t hesociocutlural-histo irca lapproach, t hemythopoeicapproach ,andt he

. h c a o r p p a l a c i g o l o h c y s p

e h

T psychologica lapproach revealst he unconsciou saspect so fhuman i n

n o it c a e r a g n i v i

g fors omeacitons .Ther eacitontakenbyacharacte rgive shintst o

.l e v o n e h t n i r e t c a r a h c n i a m e h t t u o b a n o it p ir c s e d e h t l a e v e r o t r e ti r w e h t

r e g r e b r h o

R andWood ,s(1971 )alsos ayt hatt heproponent soft hi sapproachi nsis t

a e d i e h t n

(21)

i h t y B . g n i e

b sapproach,t hecharacter’st hough tandbehaviou rcanbe rtacedmore

. y l d n u o f o r p

.

2 Theoryo fCharacter

s l a u d i v i d n i “ e r a s r e t c a r a h c t a h t s e t a t s ) 7 1 : 5 6 9 1 ( n o t n a t

S whoappeari nt he

d n a y r o t

s refe rto the mixture o finterest ,emoiton sand mora lp irnciple sthat

a

m ke sup each ofi ndividual” .Meanwh , lie Abram sofferst heexplanaiton oft he

m r e

t “characters” “a s the ifgureo faperson o rpeoplepresented i n adramaitco r

r o ) e u g o l a i d e h t( y a s y e h t t a h w h g u o r h t r e d a e r e h t y b d e n i g a m i d n a k r o w e v it a r r a n

h t( o d y e h t t a h

w eacitons)i n t henovel”( 198 21 : 0 .) In othe rwords ,character sare

l p o e p e h

t ewhoexpeirencet hingst hroughoutt hes tory ,whoplayrole sandblessed

it o m e d n a l a r o m h ti

w ona lquailite sa sseeni nwhatt heydo o rsayso t hatt heyare

e u q i n

u o rdfiferen tfromoneanothe .r

, k o o b s i h n

I Aspec tof t heNovel ,Foste rdfiferenitate s lfa tcharacte rfrom e h t t a h t s n a e m h c i h w , c it s ir e t c a r a h c y d a e t s a s a h r e t c a r a h c t a lf A . r e t c a r a h c d n u o r

f o d n e e h t li t n u y r o t s e h t f o g n i n n i g e b e h t m o r f e g n a h c t o n s e o d c it s ir e t c a r a h

c the

g n i g n a h c s i r e t c a r a h c d n u o r a , e li h w n a e M . y r o t

s which mean stha tthere i sa

6 4 : 4 7 9 1 , r e t s o F ( y r o t s e h t f o d n e e h t t a c it s ir e t c a r a h c e h t f o e c n e r e f fi

d -5 1 .)

s e c n e ir e p x e e h T . e l b a t s n i r o e g n a h c e m o s e v a h n a c r e t c a r a h c a , y r o t s e h t g n ir u D

n e p p a h e r a t a h

t edt ot hecharacte rcanaffectt herit hought sandi dea .s

e b ir c s e

D d a sarepresentaiton o fhuman being ,character sclealry haveal l

l a u ti b a h r o d n i m f o y ti l a u q a s i ti a rt A . g n i e b n a m u h f o s ti a rt d a b e h t d n a d o o g e h t

p m i d e r e d i s n o c s i t I . r u o i v a h e b f o e d o

(22)

8

s ti a rt r i e h t g n i n i m r e t e d y lt s ri

f .Thus ,character smay beambiitou sorl azy ,serene

, e v it e r c e s r o n e p o , e t a r e d i s n o c n i r o l u ft h g u o h t , l u f r a e f r o e v i s e r g g a , s u o i x n a r o

fl e s r o t n e d if n o

c -doubitng ,kindo rcruel ,qutieo rnoisy ,visionaryo runderhanded ,

. n o o s d n a ’ s r e s o l‘ r o ’ s r e n n i w ‘

a n e e w t e b y ti n u e l o h w a s i tI . ” r e o d y r o t s “ s a d e n if e d e b n a c s r e t c a r a h C

h d n a r e t c a r a h

c i scharacte irzaiton ,because ti si commonwhenmenitoninganame

n g i s y lt c e ri d r e t c a r a h c n i a tr e c a f

o a s l the readersto hi scharacteirzaiton .Stanton

e r u t a r e ti l h s il g n E y n a n i f l e s ti m r e t r e t c a r a h c f o e s u e h t t a h t s e t a t s ) 7 1 : 5 6 9 1 (

t s e g g u

s s two dfiferen tdeifniitons ,frislty ast hecharacter soft he story presented ,

, n o it c a rt t a , r u o i v a h e b s a y l d n o c e s d n

a wliilng , emo iton , and mora l p irncipa l

.s r e t c a r a h c e h t y b d e s s e s s o p

e v o b a t n e m e t a t s e h t m o r

F ti canbes n ee tha tcharacte rcanno tbeseparated

t a h t s y a s ) 9 6 : 6 9 9 1 ( s u b o c a J s A . n o it a z ir e t c a r a h c m o r

f a characte ri sa person

e v it a r r a n c it a m a r d a n i d e t n e s e r

p work ,and characteirzaiton i sthe proces sby

.s r e d a e r e h t o t l a e r m e e s r e t c a r a h c t a h t s e k a m r e ti r w a h c i h w

.

3 Theoryo fCharacteriza iton a z ir e t c a r a h c f o s e ir o e h

T iton are used to ifnd ou tdescirpiton on T -oto

chan’ spersonaltiy before analyzing the las tproblem ,To tto-chan’s personaltiy

a p o l e v e d o t r e ti r w a y b d e s u d o h t e m e h t s i n o it a z ir e t c a r a h C . t n e m p o l e v e d

s ’ r e t c a r a h c e h t s w o h s t i , t s ri F . s t c e p s a e m o s s e d u l c n i d o h t e m e h T . r e t c a r a h c

e p p

(23)

s i t c e p s a t s a l e h t d n a , k a e p s r e t c a r a h c e h t s t e l t i , h tr u o F . t h g u o h t s ’ r e t c a r a h c

o it c a e r e h t g n it t e

g nf romother .s

a

B sed on Murphy (1972 )in Under tsanding Unseen :An Introduciton to st

n e d u t S s a e s r e v O r o f l e v o N h s il g n E e h t d n a y r t e o P h s il g n

E ,understanding the

m o r f d e n i a t b o s i l e v o n e h t n i n o s r e p a f o s e it il a n o s r e p e h t d n a s r e t c a r a h c

c a r a h c e h t s y a rt r o p r e ti r w e h t w o h g n it e r p r e t n

i teri nt henovel .Healsos tatessome

e l b a d n a t s r e d n u r e t c a r a h c s i h e k a m o t d e ir t s r o h t u a e m o s t a h t s y a

w andr ealt o hi s

r e d a e

r (pp . 167-173) . Below are some way s which Murphy propose s to

:l e v o n e h t n i s e it il a n o s r e p d n a s r e t c a r a h c e h t e z y l a n a d n a d n a t s r e d n u

.

a Persona lDescirpiton

r o h t u a e h

T can descirbe t he character by desc irbing theappearance sand

. s e h t o l

c In the persona l descirpiton , the autho r descirbe s characte r through

e p p

a arancess uchhi sbulid ,hisf ace ,hi shari ,o rhi sarms .

.

b Characte ra sSeenbyAnother

e t c a r a h

C rcan be descirbed drieclty and indrieclty .Ind rieclty mean sthe

r e t c a r a h

c i sdescirbed through the othe rcharacters ’poin to fview .The autho r

f o t n i o p ’ s r e t c a r a h c r e h t o e h t h g u o r h t r e t c a r a h c e h t t u o b a n o it p ir c s e d e h t s e v i g

.s n o i n i p o o s l a d n a w e i v

.

c Speech

h g u o r h t r e t c a r a h c e n o f o r e d a e r e h t o t e r u t c i p a e v i g o s l a n a c r o h t u a e h T

b l li w r e t c a r a h c e h T . g n i k a e p s s i

h ei denitifedbyhi sword so rphrase swhen hei s

(24)

0 1

.

d Pas tLfie

n o s r e p a n r a e l o t e c n a h c a r e d a e r e h t s e v i g r o h t u a e h

T ’ spas tlfie .By

s t n e v e e m o s t u o b a e u l c a s e v i g r o h t u a e h t , e fi l t s a p s ’ n o s r e p e h t g n i w o n k

p a

h pened which buli thi scharacter .Theperson’ spastl fiecanbeseent hroughhi s

m o r f t n e m m o c t c e ri d d n a n o it a s r e v n o c s ’ n o s r e p r e h t o n a h g u o r h t r o n o it a s r e v n o c

.r o h t u a e h t

.

e Conversaitono fOthers

o r h t n o it p ir c s e d s ’ r e t c a r a h c e h t t u o b a e u l c a s e v i g o s l a r o h t u a e h

T ugh

h t u o b a n o it a s r e v n o c e l p o e p r e h t

o im o rher .By seeing wha tothercharacter ssay

.s c it s ir e t c a r a h c r e h r o s i h w o n k l li w s r e d a e r e h t ,r e h r o m i h t u o b a

.f Reaciton

s t n e v e d n a s n o it a u ti s n i a tr e c o t n o s r e p a f o n o it c a e r e h

T i s also t he clue

r o h t u a e h t y b n e v i

g to the reader .How a person reacts to something o rsome

.s a h e h s c it s ir e t c a r a h c f o d n i k t a h w e n if e d l li w s m e l b o r p

.

g Driec tComment

s e v i g r o h t u a e h

T driec tdescirpiton sand comment saboutt hecharacter i n

a p e m o s n i d e t a t s y lr a e l c s i ti , y l n o m m o C . l e v o n e h

t ragraph sand t her eade rdoe s

e v a h t o

n toanalyzecarefullyaboutt hecharacter’ scharacteirsitc.

.

h Thought

s i e h t a h w h g u o r h t r e t c a r a h c e h t t u o b a s e u l c t c e ri d s e v i g r o h t u a e h T

. g n i h t e m o s t u o b a s k n i h t n o s r e p a t a h w w o n k o t e l b a e r a e w , l e v o n e h t n I . g n i k n i h t

(25)

i w o n k y

B ng wha ti sgoing on in hi smind we can analyze and know wha thi s

. e r a s c it s ir e t c a r a h c

.i Manneirsm

a y b s c it s ir e t c a r a h c s ’ r e t c a r a h c e h t s e b ir c s e d s e m it e m o s r o h t u a e h T

e u l c e h t e b l li w e s o h T . n e tt ir w s e i s a r c n y s o i d i r o , s ti b a h , m s ir e n n a m s ’ n o s r e

p s rf o

r e d a e r e h

t s toanalyzet hecharacter’ scharacteirsitc .s

d e z y l a n a s i m e l b o r p t s ri f e h

T b y using the theory o f characte r and

o tt o T f o n o it p ir c s e d s c it s ir e t c a r a h c e h t g n i z y l a n A . n o it a z ir e t c a r a h

c -chan in the

p l e h l e v o

n sthewrtiert o ifndou thow Totto-chan deal swtih t heconfilc tshehas .

f o s c it s ir e t c a r a h c e h

T Totto-chan can be idenit ifed by analyzing he rpersona l

, n o it p ir c s e

d he rdialogand i nteraciton wtih othe rpeople ,he raciton and r eaciton ,

.s e d u ti tt a r e h d n a , t h g u o h t r e h , s e s n o p s e r r e h

.

4 Theoryo fHyperacitvtiy d

n a n o s d i v a

D Neale say tha tchlidren o tfen behave impulsively o rac t

c i m e d a c a o t d n a n o it c ir f l a i c o s o t h t o b d a e l y a m t a h t n r e tt a p a , g n i k n i h t e r o f e b

i s n o g n i s u c o f y tl u c if fi d e v a h y e h T . ) 9 2 4 : 6 9 9 1 ( e r u li a

f ngle acitvtiy and o tfen

e t fi h

s rraitcally from one to anothe rtask wtihou t ifnishing those projects they

o i v a h e b e h t n i a t n i a m o t t o n d n e t n e r d li h c e s e h T . n i g e

b ur sexpected of t hem fo r

n a h t e r o

m a few minutes .They seem to have remarkably high energy levels ,

n i k ir t s h ti w s e it i v it c a g n i h c a o r p p

(26)

2 1

, s r e h c a e t ,r e e p s i h h ti w ” e l b u o rt n i “ y lt n e u q e r f o t ll a s i d li h c e v it c a r e p y h A

s a h e h t e y t u b , y a w y r e v e n i l a m r o n t s o m l a s m e e s e H . y ti n u m m o c d n a , y li m a f

a d y r e v e n i g n o l a g n it t e g s e it l u c if fi d e v i s a v r e p d n a e t a n i d r o n

i y wo lrd. The term

t s e g g u s y lr a e l c e v it c a r e p y

h s thedfi ifcutlyoft hech lidi nconcenrtaitngont het ask

n o n n i t n e m e v l o v n i s ’ d li h c e h t n o d n a e m it f o d o ir e p e t a ir p o r p p a n a r o

f -g -oal

. y ti v it c a r e v o d e t c e ri

d Thesechlidrens eemt ohaveparitcula rd fiifcutlyconrtolilng

.l o o h c s t a s a h c u s r o f l l a c t a h t s n o it a u ti s n i y ti v it c a r i e h

t When requried to be

. g n i k l a t r o g n i v o m p o t s o t e l b a n u r a e p p a y e h t ,t e i u

q Theory o fhyperacitvtiy are

. n o it a l u m r o f m e l b o r p t s ri f e h t g n ir e w s n a n i d e il p p

a The theory i sused a sthe

rt n

i oduciton t o ifnd ou tTotto-chan’ scharacteirsitc descirpiton before l earning i n

n e u k a G e o m o

T .

.

5 TeachingStyle s r e h c a e t t n e ll e c x

E theory are used to catego irze the in lfuence o fMr .

s ’i h s a y a b o

K teachingst ylein Totto-chanpersonaltiy development. I tblended t he

n w o s i h f o s m i a l c d n a s t h g ir h ti w l a u d i v i d n i n a s a d li h c e h t o t n o it n e tt a

m i a p m a k e d e r B d n a e l p p o C . s c it s ir e t c a r a h

c to i ntegrate t he schoo lwtih society ,

e m o s e r a e r e h T . e fi l f o s m e l b o r p l a u t c a e h t h ti w g n i n r a e l f o s e s s e c o r p e h t d n a

g n i h c a e

t s et fyl o excellen t teacher s according to Copple and Bredekamp in

A y ll a t n e m p o l e v e

D pp pr ro iatePracitce(2009 .) t

, t s ri

F eacher sacknowledge wha tchlidren do o rsay .They le tchlidren

s e m it e m o s , n o it n e tt a e v it i s o p n e r d li h c g n i v i g y b d e c it o n e v a h y e h t t a h t w o n k

(27)

g u o r h

t hcomments ,someitmest hrough j us tstiitngnearbyand observing. Second ,

teacher sencouragepersistenceand effor trathert han j us tpraising and evaluaitng

. e n o d s a h d li h c e h t t a h

w Thrid,t eacher sgivespeciifcf eedbackr athert hangenera l

.s t n e m m o

c Fou trh, t eacher smode latttiudes ,way so fapproaching problems ,and

o i v a h e

b u rtoward others ,showing chlidren rathe rthan jus ttelilng them. Fi tfh ,

teacher sdemonsrtate when they show the correc tway to do something .Thi s

t a h t e r u d e c o r p a h g u o r h t s e il p p a y ll a u s

u needst o bedonei n acetrainway. Sixth ,

teacher screateo raddchallengesot ha tat askgoe sabi tbeyond whatt hechlidren

e r e h w n e r d li h c t e e m o t e g n e ll a h c e c u d e r s r e h c a e t ,s e s a c r e h t o n I . o d y d a e rl a n a c

. e r a y e h

t Seventh,t eacher saskquesitonst ha tprovokechlidren’st hinking. Eighth ,

teacher sgiveassistance( such a sacueo rhin)tt o helpchlidren work on t heedge

. e c n e t e p m o c t n e r r u c r i e h t f

o Ninth, t eacher sprovide i nformaiton ,drieclty giving

. n o it a m r o f n i r e h t o d n a , s l e b a l l a b r e v , s t c a f n e r d li h

c T ne ht t , eacher sgivedrieciton s

o i v a h e b r o n o it c a s ’ n e r d li h c r o

f u .r

e v it i s o p , m r a w a p o l e v e d o t y ti r o ir p a t i s e k a m r e h c a e t t n e ll e c x e e h T

e l g n u o y o t t n a tr o p m i s i p i h s n o it a l e r e h T . d li h c h c a e h ti w p i h s n o it a l e

r arners’

G . s a e r a l l a n i t n e m p o l e v e d d n a g n i n r a e

l uidance i seffecitve when t eacher shelp

n e r d li h

c ot learnhowt omakebette rdesicionsi nt henex t itme .Excellentt eacher s

(28)

4 1

.

6 Theoryo fPersonaltiyDevelopmen t o lr u H n o d e s a

B c sk’ (1972)t heoryo fSchoolI n lfuence sonPersonaltiy,t he

d n a s ti a rt f o a e r a e h t n i h t o b y ti l a n o s r e p g n i p o l e v e d s ’ d li h c e h t s e c n e u lf n i l o o h c s fl e s f o n o it a m r o f e h t n

i -concep.t

fl e s l a e r e h

T -concepti st heconceptt heperson ha so fwho andwha thei s . t

I i samrirori mage ,determinedl argely by hi sroles ,hisr elaitonship wtih c if i c e p s e r a s ti a r T . e r a m i h o t n o it c a e r r i e h t s e v e il e b e h t a h w d n a , s r e h t o r o s n o it c a e r s a h c u s , s n r e tt a p e v it s u j d a r o r u o i v a h e b f o s e it il a u q , s m e l b o r p g n it e e m f o s y a w , s n o it a t s u r

f aggresiveanddefensivebehaviou ,r o i v a h e b g n i w a r d h ti w r o g n i o g t u o d n

a uri nt hepresenceo fothers( p .462 .)

r e h n a h t t n a tr o p m i e r o m s i y ti l a n o s r e p n w o s ’ r e h c a e t e h t , l o o h c s t A t c e ri d n i d n a t c e ri d e h t s l a e v e r o s l a k c o lr u H . ll i k s g n i h c a e t r o e g d e l w o n k p m

i o tranceoft het eache r(p .478) .Stated below i sacarefu lstudy of t hemajo r

.r e h c a e t f o e c n a tr o p m i e h t l a e v e r o t e c n e u lf n i f o s a e r a ,t s ri

F emoitona lcilmatei soneoft hei mpo trantt hings tosuppo trt eaching

tl a e h A . m o o r s s a l c e h t n i s e it i v it c a g n i n r a e

l hy emoitona lcilmatemakest hechlid

d e t a v it o m d n a y p p a h , e v it a r e p o o c , d e x a l e

r tostudy .Theemoitona lcilmatei sdue

.s li p u p r e h d n a s k r o w r e h d r a w o t e d u ti tt a s ’ r e h c a e t e h t o t y l n i a m , d n o c e

S thet eache raffects thechlid’ ssefl-concep tby he ratttiudet oward

u lf n i r e h , y lt c e ri d n I . y lt c e ri d r u o i v a h e b l o o h c s s i h d n a k r o w c i m e d a c a s i

h ence

.t n e m t s u j d a f o s n r e tt a p d e v o r p p a y ll a i c o s p o l e v e d o t m i h g n i p l e h m o r f s e m o c , d ri h

T the discipilne used in the schoo laffects the chlid’ satttiude and

a ir a ti r o h t u A . r u o i v a h e

b n discipilnemakest hechlid t ense ,nervou ,s r esenftul ,and

t c e p s e r f o k c a l , y ti li b i s n o p s e r f o k c a l o t s d a e l e n il p i c s i d e v i s s i m r e p ; c it s i n o g a t n a f o g n il e e f a d li h c e h t s e v i g e n il p i c s i d c it a r c o m e d ; m s ir t n e c o g e d n a , y ti r o h t u a r o f

(29)

fl e

s -wo trhand encourage shimt obehappy, r elaxed ,cooperaitve ,rtustwo trhyand

.r i a f

, h tr u o

F theschooli sa rtansmitte ro fcutlura lvalues . tI i smorei mpo tran t

g n i e e s n i e m o h e h t n a h

t thepicturethatt hechlid acceptst hecutlura lvalue sa sa

. e c n a t p e c c a l a i c o s r o f e c ir p

, h tf i

F the teacher’ s favourtie become s concetied , arrogant , and sefl

-. d e r e t n e

c N on favourtie s become resenftul , antagonisitc , rtoublesome ,

. m o d r y tr a m f o s g n il e e f y b d e u g a l p d n a , l o o h c s f o l a c it ir c r e p y h

, h t x i

S gradeplacemen tisi mpo tran twhetheri n a“slow”o r“fast”seciton

-n o it o m o r

p a tre hecrtie iraby which t hech lid assesse shi sacademicachievement .

o g e s i s s e c c u

S -bolste irng;f aliurei sego-de lfaitng.

, h t n e v e

S the chlid measure shi ssocia lachievemen tin term so fsocia l

s r e d a e l f o g n i d l o h e h t d n a e c n a t p e c c

a hipr oles .Themorevaluet heschoo lplace s

t n e m e v e i h c a f o a ir e ti r c e s e h t e c n e u lf n i e r o m e h t ,s t n e m e v e i h c a r a l u c ir r u c a rt x e n o

. t p e c n o c f l e s s ’ d li h c e h t n o e v a h

i n u m m o c a f o t r a p e r a y e h t n e h w t s e b p o l e v e d d n a n r a e l n e r d li h

C ty o f

p l l a h c i h w n i s r e n r a e

l aritcipants conside rand contirbute t o one anothe’r swell

-e l n i g n i e

b arning .Thet heory o fpersonaltiy developmen ti sappiled i n answeirng

o tt o

(30)

6 1

.

B TheoreitcalFramework

Thi sseciton clairifeshow t het heo ire sareappiled in t hi sstudy .Thereare

x i

s theo irest ha tsuppo trt heanalys fiso theproblems .Thet heo ire sare :theoryo f

h c a o r p p a l a c i g o l o h c y s

p ,character ,characte irzaiton ,hyperacitvtiy, teaching style ,

o l e v e d y ti l a n o s r e p d n

a pment.

c e h

T haracte rand characte irzaiton ea r appiled in answeirng the f rist

m e l b o r

p . Thiss tepi si mpo trantt ounderstandt herea ldescirpitono fTo tto-chan sa

n i a m e h

t characte rin the novel before analyzing the personaltiy development.

a r e p y h f o y r o e h

T citvtiy i sused a sthe introduciton to ifnd ou tTotto-chan’ s

. t n e m p o l e v e d y ti l a n o s r e

p The theo ire s on excellen t teacher s and personaltiy

t n e m p o l e v e

d are appiled in answeirng the second problem . The theory on

s r e h c a e t t n e ll e c x

e proposed by Copple and Bredeka mp i sused to ifnd ou tand

e z ir o g e t a

c teachings t yleinTomoeGakuenr evealedbyMr .Kobayash.i eTh oryo f

t n e m p o l e v e d y ti l a n o s r e

p si usedtos eehowMr .Kobayash’i steachings et yl affects

n

o Totto-chan’s personaltiy. The wrtie rused Tetsuko Kuroyanag’i sT oo -tt chan : w

o d n i W e h t t a l r i G e lt ti L e h

T a sthe main source o fdata to answer al lthe s

m e l b o r

p .

(31)

7 1

I I R E T P A H

C I

METHODOLOGY

h

T erearet hreesecitons in t hi schapter .Thef ris tseciton i sobjec toft he

fl e s ti l e v o n e h t s l a e v e r h c i h w , y d u t

s ast hef ocu soft hi sstudy .Thesecondseciton

o t d e s u s i h c i h w , h c a o r p p a e h t s n i a t n o

c discussthesubjec tofthestudy .Thet hrid

n o it c e

s discusse sthe method tha ti sused in the study. I texplain sthe step in

y d u t s e h t g n i z y l a n

a .

.

A Objec toft heStudy

s i y d u t s e h t f o t c e j b o e h

T Tetsuko Kuroyanag’is nove,l Totto-chan :The w

o d n i W e h t t a l r i G e lt ti

L . hT enovel si anEngilshversiono fMadogiwaNoTotto -n

a h

c ,t heJapaneseo irgina lediiton ,pubilshed i nJapan byKodanshaI nternaitona l

. d t

L ,copy irghti n 1981byTetsuko Kuroyanagi .TheEngilshversion copy irghti n

2 8 9

1 by Kodansha Internaitona l Ltd., aw s translated by Dorothy Birtton. tI

r e t p a h c 1 6 o t n i d e d i v i d s i d n a s e g a p 8 8 1 s n i a t n o

c swhich are rtanslated f rom t he

e s e n a p a

J text i nto Engilsh. eT h book i sa l ong-standing bes tselleri n Japan and

i v f o s t n i o p y n a m d e g n a h c s a h t I . d n a l g n E d n a A S U o t d e t u b ir t s i d n e e b s a

h ew

m e t s y s n o it a c u d e t u o b

a (seeAppendixAf orf u trheri nformaiton).

o tt o

T -chan : The Ltilte Gir l a t the Window inrtoduces to a specia l l

e v o n e h T . i h s a y a b o K u k a s o S t s il a n o it a c u d e e h t y b m e t s y s n o it a c u d

e tells su

e h t t u o b

a chlidhood expeirenceo fal tiltegir lnamedTotto-chani nhe rchlidhood .

n o s e s u c o f y d u t s s i h

(32)

8 1

. ti ri p s h g i h d n a y ti s o ir u c y t n e l p a h ti w d li h c d l o s r a e

y Shei skeent oknowalmos t

. r e h d n u o r a g n i h t y r e v

e Totto-chan si amemoi ro fTetsukoKuroyanagi,t heauthor

x i d n e p p A e e s

( B forf u trheri nformaiton) .Mosltyt hestoryt e llsu sabout aunique

. n e u k a G e o m o T d e ll a c l o o h c

s I i t slocated in southwes tTokyo ,a three-minute

. e n i L o k o y o T d n a n o it a t S a k o a g u y i J m o r f k l a

w Tomoe Gakuen wa s an

a rt x

e ordinarys choo lwhichprovide saf reedomi nlearning.

e o m o

T Gakuen wa srun by an excepitona lheadmaster ,Mr .Kobayashi ,

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