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Departamento de Proyectos Arquitectónicos | Universidad Politécnica de Madrid

22 | |004

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Project and place in the Jørn Utzon’s domestic architecture | PhD Thesis 3 |3

In the middle of a Danish forest, with high trees which move with the Nordic wind

under the weak sun of high latitudes, and with the help of some wooden canvases

acquired from an already completed exhibition, Jørn Utzon built a real-scale model of

his first family house in Hellebæk (1950-52) at the age of thirty-two. In the same way

that William Turner needed to be tied up on the top of a boat flagpole in order to have

a first-hand experience of one of the many storms that he had depicted in his paintings

so many times before, the young Utzon thought it was crucial to go into the model of

his own house before building it, to evaluate in situ the potential of that project in

relation to the place.

Utzon’s work is architecture interested in and attentive of the place where it is situated.

Jørn Utzon (1918-2008) is an architect of Nordic origin who discovered his own

idiosyncrasy in the Mediterranean culture, in which he resided for half of his live. This

thesis has focused on an exhaustive analysis of the relation between his domestic

architecture and the place where it is located. This issue has been often cited in the

existing bibliography, although it has never been exhaustively developed. The analysis

objective has been to attempt to find invariants and patterns that could exist in his

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Departamento de Proyectos Arquitectónicos | Universidad Politécnica de Madrid

44 | |004

domestic work in relation to this subject. For this analysis, a sufficiently large sample

has been selected: twenty houses or housing complexes (among others his own four

family houses), distributed in five countries (Sweden, Denmark, United Kingdom, Spain

and New South Wales), which constitute the third part of his domestic work, and half

of his residential constructed projects, as well as Utzon’s written texts about this

theme, and the drawings and sketches of his graphic work. The methodology used

was based on consultation of primary sources: travelling and examining in situ the

selected houses in Denmark, Sweden, Spain and Australia; living for a month in one of

the houses (Can Lis) thanks to a research grant from the Danish Government and the

Utzon Foundation; and interviewing people from his closest family and professional

circles. Furthermore, part of the thesis has been published in international media: 4th

International Utzon Symposium (7/3/2013-9/3/2014) and on the official web site of

Can Lis, an Utzon Foundation subsidiary(www.canlis.dk).

The twelve invariants discovered in relation to the project and the location of the

selected projects, have been grouped according to three elements which Utzon

continuously reflects upon in his own writings: the horizon, the sun and autochthonous

material. Elements which originate from the influence that navigation had in his life, and

from his spiritual and austere character. The story of Utzon is that of a Nordic person,

with the vocation of a navigator, who found his place in the Mediterranean culture,

surrounded with Marés stones, while silently making out the sea horizon on the

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Gambar

Fig. 0 Plans of twenty selected houses (own elaboration)

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