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Ponorogo Perfoming Arts Center

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Academic year: 2023

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If in the future it is proven or can be proven that this work is a plagiarism, I am willing to accept sanctions for the act. Ponorogo Regency has a nickname as one of the developing cultural cities and tourism cities, which is now visited by many domestic and foreign tourists. One of the famous arts is the Reog Ponorogo dance where it displays 3 types of art simultaneously in one art, namely music, dance, theatre/drama.

So the approach used in the design this time is tropical architecture, which should respond to the climate of the existing conditions on the site. Moreover, the need for performance art as an icon will be able to reflect the culture that strengthens the identity of Ponorogo Regency and also as a function of the public space that is easily remembered and known to the public and foreign tourists.

Introduction

  • Reional Conditions and Tourism Development Efforts By Ponorogo Regional Goverment 3
  • Problem Statements 8
  • Problem Mapping 9
  • Design Method 10
  • Problematique 11
  • Originality 12

This is because of the problems that will arise from the tropical climate that will affect the comfort of its users. The application will be realized with the design of the Performance Building in Ponorog with a tropical architectural approach. Due to the climate that occurs, such as rain, the design of the building cannot handle this condition.

The spatial layout is related to the contents of the room, the interior of the building space and the shape of the room elements. The building envelope of the performing arts building is often closed, even in the tropics.

Figure 1.1 Ponorogo Satellite Map, Borders of Ponorogo.
Figure 1.1 Ponorogo Satellite Map, Borders of Ponorogo.

Design Problem Study

Tropical Architecture For Performance Art Building 17

Figures 3 and 4 are very effective for use in areas facing direct sunlight, such as east and west areas of the building. Figures 5 and 6 are very effective for use in the east and west areas of the building. As one of the important elements in buildings, vegetation such as trees can be used as a reduction of the sun's heat.

Because during the process, the presence of the water element can evaporate water, which can make the warm temperature in the building cooler. And in this case, the materials of the building's cladding (walls, roofs, glass) actually determine the factor of the amount of heat entering the building. Based on White R.F (Concept in Thermal Comfort, Egan, 1975) that the distance of vegetation from the building: the further away, the better the quality of the wind entering the building.

And therefore, a group of trees can also be used as a windbreaker, because the research can reduce the speed of the wind that blows by about 35%. In this concept, the building design harmonizes with nature through the shape of the building, the structure of the building, the use of local materials and the natural building use system, as well as conformity with the local climate. The joglo building, which usually has a terrace roof, comes closer to the middle, the distance between the floor and the higher roof is designed not without purpose, but each height of the roof becomes a relationship between stages in the movement of people to the joglo house.

When people are at the very edge of the joglo house, as the border between the outside and the inside, people still feel the air from outside, but when people move closer to the center, the air feels cooler, this is because the volume of space under the roof increases. The ventilation system in the joglo, as in the joglo ventilation system in general, the wind/air moves parallel, throughout the open space, in the middle part of the room, which is limited by the main pillar/saka guru, the air moves upwards, but then moves downwards again. This condition is certainly consistent with the characteristics of the tropical climate which is hot and humid but abundant in wind.

Art Performance Building Typology 20

And from those stamenets we can move on to the form of the stage configuration, that is. The shape of the walls reduces the distance between the audience and the players. The size of the reflective surface must be large enough in relation to the wavelength.

Changes in orientation and viewing direction can be achieved by changing the layout of the stage. Installation in stage spaces is usually installed on the ceiling and also on the wall of the stage space facing the audience. An additional tree in the middle of the building has a shadow function for the visitor before entering the main theater.

The building mass configuration for the building base on the site context analysis of the climate and the noise. And the building that separated block can be as a wind speed and spread to area of ​​the site. Usually in the setting of the reog art performance, the accompanying music may be presented with cassette music.

Based on the image above, there is a picture of the sound distribution scheme from the sound source. For the placement of these 3 parts, it is adapted to the difference in the height of the ratio between the accompanying and the main performance. The provision of scenery at the front and rear of the building serves to shield sound from entering and leaving the main stage.

And providing ventilation with Javanese ornaments to give a look to the facade of the building. And mass formation based on the direction of the sun and its lowest angle.

Figure 2.16 Rectangular Stage Source : Doelle, 1990
Figure 2.16 Rectangular Stage Source : Doelle, 1990

Building Code 36

Analysis And Exploration

  • Performer Activity Analysis 41
  • Space Requirements Analysis 42
  • Property Size 44
  • Site Plan Concept According To Tropical Architecture 45
  • Building Mass Concept 47
  • Main Stage Concept 49
  • Building Envelope 50

The following is an analysis of the space that connects the proximity Each function of the space. The concept of the performing arts center of the mass system Ponorogo is the result of the analysis. Some of the functions of the space to be designed are offices, workshops/studios.

In the concept of a floor plan, the layout of the spatial functions is adapted to the apparent movement of the sun. And the centralized radial shape conforms to the center of the main building/stage function, for easy access from outside the venue. In the relationship between spaces phase, the placement of the function is adapted to the hierarchy from the previous analysis, so that a courtyard space is created in the center of the building as a transitional space in the building.

The building structure for the main phases takes into account local materials that can support a wide range for the joglo transformation concept. Since the roof is in a shell system and a wide span to support the system for the main theaters, the retaining wall is used to reinforce the base of the building. And the function of the stone foundation materials are local materials and controlling the cold ambience for the scaffolding area.

For the needs of the singo barong dance, with a 50 kg reog mask, the consideration for the stage should be that it has sufficient height and direct access from the back stage to the main stage. The musicians rely only on the loud sound of the gamelan in the performance of their performances. Open field shows are usually located in a large yard or on a sports field that can be used according to the needs of the show.

The following is an illustration of the schematic form of the arena for staging Reog Ponorogo. Placing the stage in the middle of the building mass enables protection from critical solar radiation to the east and south of the building.

Figure 3.9 Art Activities Grouping Source :Author, 2021
Figure 3.9 Art Activities Grouping Source :Author, 2021

Design Result

  • Main Stage Plan 53
  • Situations 54
  • Elevations 55
  • Sections 56
  • Building Envelope 57
  • Main Stage Interior 58
  • Structure Integration 60
  • Utility Scheme 61
  • Barrier Free Scheme 62
  • Building Safety Scheme 63
  • Building Simulation 65

And in the principle of tropical architecture, the main stage area is made semi-open. The response of natural sources in the arrangement of the building in the widest area is located parallel to the direction of the main wind, namely in the southern area of ​​the building. In order to respond to the noise generated from the main stage area, because the back area of ​​the area according to the analysis is a densely populated area, if a landscape or forest at the back can reduce the noise pollution generated in the main stage area.

The movement of air between the building makes continuity due to the opening in the southern and northern area and the placement of vegetation in the inner courtyard makes the building cooler. Section BB' In the section we can see the integration of the main stages as a center of the building to create the central point of the flow of people to come to the middle. And we can see the integration of the shape and structure of the roof based on the concept of allowing cool air to enter inside the main stage.

And the use of the space frame structure to support the non-column in the building, so that the audience can better enjoy the performance. And in the main stage there is no-step access for the audience, so you can reach the main stage directly. Due to the openness of the building, the brightness of the rain can distract the performance a bit.

In the main function of the building, namely the main stage which is designed to meet the standards of 3 types of art, namely music, dance and wayang/drama performances. The shape of the roof is based on the principle of tropical architecture which has natural openings and ventilation to provide space for the wind to enter the building freely. The fundamental difference when designing buildings in subtropical and tropical areas is the openness of the building.

And in the main stages that have already taken care of the audio-visual comfort for the audience to enjoy the main stages. The presence of water elements in the landscape can have an impact on the influence of thermal conditions during the day for the main stage area.

Figure 4.2  Main Stages Plan Source :Author, 2021
Figure 4.2 Main Stages Plan Source :Author, 2021

Gambar

Table 1.1 Number of Arts Organitation In Ponorogo, 2013 Source : Culture, Tourism and Sport Office of Ponorogo Regency
Figure 2.1 Site Location And Neighborhood Source : Author, 2021
Table 2.1 Material And Heat Absorption Percentage Source : Mangunwijaya, 1999
Figure 2.12 Architecture Element, Windbreaker Source : Egan, 1975
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Referensi

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