ETHNOGRAPHY OF COMMUNICATION OF MATT KING IN THE DESCENDANTS MOVIE (2011) Ethnography Of Communication Of Matt King In The Descendants Movie (2011).

ETHNOGRAPHY OF COMMUNICATION OF MATT KING IN

THE DESCENDANTS MOVIE (2011)

RESEARCH PAPER

Submitted as a Partial Fulfillment of the Requirements for Getting Bachelor Degree of Education

in English Department

by

NOVITASARI WAHYU MUKTI WULANDARI A320090170

SCHOOL OF TEACHER TRAINING AND EDUCATION

MUHAMMADIYAH UNIVERSITY OF SURAKARTA

ACCEPTANCE

ETHNOGRAPHY OF'COMMUNICATION

OF

MATT

KING

IN

THE

DESCENDANTS

MOVrE

(2011)

tty

Novitasari Wahyu

Mukti

Wulandari

4320090170

Ac^cepted and _{Approved by Board of Examrner} School _of Teacher _{Training ancl Education}

Muhammadiyah _{Universiiy of Surakarta}

T

on October _20.2013

Tearn

of

Examiner:

Drs.

Djoko

_Srijono,

M. Hum

(Chair

_Person)

Dra.

Dwi Haryanti,

_N{.

Hum

(Member

I)

Dra. Siti ZuhriahAryatmi, M. Hum

(NIember

II)

.).

L|+

M

V

.:

1.

3.

APPROVAL

ETHNOGRAPI{YoFCOMMTINICATIONoFMATTKINGIN

TIrE

DESCENDANTS

MOVrE

(2011)

RESEARCH PAPER

by

N

ovrrAs"*

*

fiffi#irftr

WULANDART

{

Approved to be Examined by Consultant

Consultant

I

Consultant

II

*q

'zt

(Drs.

Djoko

Srijono,

M'

Hum')

(Dra.

Dwi Haryanti,

M'

Hum')

TESTIMONY

I hereby assert that there is no plagiarism in this research paper. There

is no other work that has been submitted to obtain the bachelor deeree and as far

as

I

am concerned there is no opinion that has been written or published before,

except the written references which are referred in this research paper and

mentioned in bibliography.

If

any incorrectness is proved in the future dealing with my statement

above, I

will

be

fully

responsible.

Surakarta, October

20,

2013

v 

 

MOTTO

Tidak ada alasan untuk malas

(My affiction)

Haqooiqul yaumi ahlaamul ams,. Ahlaamul yaumi haqooiqul ghodi

(Kenyataan hari ini adalah mimpi hari kemarin. Mimpi hari ini adalah kenyataan hari esok)

vi 

 

DEDICATION

This research paper is proudly and wholeheartedly dedicated to:

Her beloved mother and father,

Her beloved older sisters,

Her beloved younger brother,

Her beloved grandmother,

Her beloved uncles and aunts,

Her beloved niece,

Her beloved friends, and

A M a g S c w l c Assalamu’al Al Most Mercif accompolish

get the Bach

Surakarta. P

companions

In

without any

like to expre

contribution 1. Dra. Educ 2. Titis Muh 3. Drs. write laikum Waro lhamdulillah

ful, the Mos

hed this rese

helor Degree

Pray to our

, and His fol

n the researc

y help, advic

ess her deep

n to finish the

N. Setyanin

cation of Mu

Setyabudi,

hammadiyah

Djoko Srijo

er carefully a

ACKNO

ohmatullahi

h Robbil ‘aa

st Beneficent

earch paper

e in English

r greatest P

llowers. Am

ch paper, the

ce, and supp

pest apprecia

e research pa

ngsih M. Si.

uhammadiya

, S.S, M H

University o

ono, M. Hum

and patiently

vii

OWLEDG

Wabarokatu

alamin_{, the}

t, that blesse

as a partial

Department

Prophet Mu

min.

e writer real

port from ot

ation and gra

aper, among

as Dean of

ah University

Hum. as H

of Surakarta

m as the fir

y,

GMENT

uh

writer thank

es the writer

fulfillment

t of Muham

uhammad SA

lizes that it

thers. There

atitude to pe

g others are :

School of Te

y of Surakart

Head of En

a,

rst consultan

ks to Alloh

r so that she

of the requi

mmadiyah Un

AW, His fa

is impossibl

fore, the wr

ersons who h

eacher Train

ta,

nglish Depa

nt who has

SWT, the

can finally

irements to

niversity of

family, His

le to finish

riter would

have given

ning and

artment of

viii 

 

4. Dra. Dwi Haryanti, M. Hum as the second consultant who patiently guided

the writer and carefully advised,

5. Susiati, S.Pd as the writer’s academic adviser who has guided so far,

6. All lecturer in English Department, Muhammadiyah University of

Surakarta who have given the writer great knowledge for future life,

7. The writer family especially her parents (the late Bp Harjono and Ibu

Pujilestari) and her sister and brother (Aryanti Ika, Erna dyah, and Annas

Khoirul Majid) also her grandmother (Samtorejo) who has give her prayed

support and love,

8. The writer’s friends are (Eri Indriani, Wahyu Fitriasari, Pika Ayu, Desi

Titin, Wahyu Widowati, Dinda, Mey.) who always give the support to the

writer. Always be friends forever in all condition,

9. The writer’s friend in English Department (Azmy, Iin Viana, Yulianti

Diyan, Deni, Rika, Febri, Rani, Sitkom, Agata, Tetri, and than thw writer

friend of GENDIS TEATHER CREW) always in the writer mind and

thank to given her many experiences and closely relation also new family.

10.The writer’s boardinghouse friend (Erni, Cici, Dita) who always a

company her in everyday,

11.The beloved friend who always is inside of deep heart (Maman Mulyadi)

who always gives support to do better, and always gives her affection until

now, and guides her to be a grown person,

12.For all people who always give her support and can’t be mentioned one by

ix 

 

Finally the writer hopes this research paper would be helpful and useful to

all the readers. She is open minded to accept some arguments, criticism,

and suggestions, from the readers which can make this research paper

better.

Surakarta, October 20, 2013

The writer

x 

 

TABLE OF CONTENT

page

TITLE ... i

ACCEPTANCE ... ii

APPROVAL ... iii

TESTIMONY ... iv

MOTTO ... v

DEDICATION ... vi

ACKNOWLEDGMENT ... vii

TABLE OF CONTENT ... x

SUMMARY ... xii

CHAPTER I : INTRODUCTION ... 1

A. Background of the Study... 1

B. Problem Statement ... 4

C. Objective of the Study ... 4

D. Significance of the Study ... 5

1. Theoretical Significance ... 5

2. Practical Significance ... 5

E. Research Paper Organization ... 5

CHAPTER II : REVIEW OF RELATED LITERATURE ... 8

A. Previouse Study ... 8

xi 

 

1. Notion of Ethnography of communication ... 9

2. The Component of Ethnography of Communication ..10

a. Setting ...11

b. Participant...11

c. End ...11

c. act ...12

d. Key ...12

e. Instrument ...12

f. Norms ...13

g. Genre ...13

CHAPTER III : RESEARCH METHOD ... 14

A. Type of the Research ... 14

B. Object of the Research ... 14

C. Data and Data Source ... 14

D. Method of Collecting Data ... 15

E. Technique for Analyzing Data ... 15

CHAPTER IV : RESEARCH FINDING AND DISCUSSION ... 16

A. Research Finding... 16

B. Discussion ... 84

CHAPTER V : CONCLUSION AND SUGGESTION ... 89

xii 

 

B. Suggestion ... 91

BIBLIOGRAPHY ... 92

SUMMARY

Novitasari Wahyu

Mukti

Wulandari

4-320090170.

ETHNOGRAPHY

OF

COMMUNICATIOI{

OF

MATT KING

IN

THE

DESCENDANTS MOVIE

(201 1). Research Paper. iVluhammadiyah

University

of

Surakarta.

2013

This

research

aims

at

revealing

and

clarifying

ethnography

of

communication

of

Matt King

in

The

Descendants

movie

(2011)

using

SPEAKING grid. The type of research conducted by the researcher is descriptive research. The data and data source

is

dialogue

of Matt King

in

The Decendant

Movie.

The method

of

colecting data employed

by

the

writer

is

the document anslysis and observation towards the movie.

Baed on the analyzed data the researcher

finds : (l)Setting or

Scene

is

at

patient room, at staffroom, at schoolyard, at Mrs. Brab's house, at

office,

at Dr. John room, at the c1ub, at beach, at kitchen,

at

swimming

pool, at

yard, kay's house. (2)

Pafticipant

is the sender and receiver. The sender

is

as informant, as

family member, as husband, as father, and as friend. The receiver is as father, as

husband,

as

family

members,

as friend

and son-in-law.

(3)

End is

giving

information,

getting

information,

asking apologize,

giving

praise, persuading.

giving

advice,

commanding,

showing,

believing,

and

exspressing

his disappointment. (4)

,

:t

sequence is in normal situation, regret situation, confused

situation, intimate situation, wise situation, tense situation, sad situation, rushs

situation,

slow

situation, and disappointment situation.

(5) Key

consist

of

t'uvo

pafts, those are tone and manner. The tone

of Matt King is flat,

tense,

woried,

intimidate, emphatic, sad, and amazed. The manner

is low

intonation and high

intonation.

(6)

Instruments

are

verbal

communication

and

non-verbal communication. Verbal communication consists

of formal

style and non-formal style, non-verbal comtnunication is

hit Alex

buttocks and throws the

doll

on the

floor.

(7)

Genre

of

Matt

King

communication

in

The Descendanr

movie

is dialogue and monologue.

Keyr,vord : communication, speaking grid

Consultant

I

Consultant

II

&