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A CRITICAL DISCOURSE ANALYSIS OF 8 MILE MOVIE

THESIS

Submitted in Partial Fulfillment of the Requirement for the Degree of

Sarjana Pendidikan

Reizha Ocnarulita Tobing 112008056

ENGLISH DEPARTMENT

FACULTY OF LANGUAGE AND LITERATURE

SATYA WACANA CHRISTIAN UNIVERSITY

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A CRITICAL DISCOURSE ANALYSIS OF 8 MILE MOVIE

THESIS

Submitted in Partial Fulfillment of the Requirement for the Degree of

Sarjana Pendidikan

Reizha Ocnarulita Tobing 112008056

ENGLISH DEPARTMENT

FACULTY OF LANGUAGE AND LITERATURE

SATYA WACANA CHRISTIAN UNIVERSITY

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A CRITICAL DISCOURSE ANALYSIS OF 8 MILE MOVIE

THESIS

Submitted in Partial Fulfillment of the Requirements for the Degree of

Sarjana Pendidikan

Reizha Ocnarulita Tobing 112008056

Approved by:

M. Ch. Eko Setyarini, S.S., M.Hum Danielle Donelson-Sims, MA

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PUBLICATION AGREEMENT DECLARATION

As a member of the (SWCU) Satya Wacana Christian University academic community, I verify that:

Name : Reizha Ocnarulita Tobing

Student ID Number : 112008056

Study Program : English Education Faculty : Language and Literature Kind of Work : Undergraduate Thesis

In developing my knowledge, I agree to provide SWCU with a non-exclusive royalty free right for my intellectual property and the contents therein entitled:

A CRITICAL DISCOURSE ANALYSIS OF 8 MILE MOVIE

along with any pertinent equipment.

With this non-exclusive royalty free right, SWCU maintains the right to copy, reproduce, print, publish, post, display, incorporate, store in or scan into a retrieval system or database, transmit, broadcast, barter or sell my intellectual property, in whole or in part without my express written permission, as long as my name is still included as the writer.

This declaration is made according to the best of my knowledge.

Made in : Salatiga

Date : ________________

Verified by signee,

Reizha Ocnarulita Tobing

Approved by

Thesis Supervisor Thesis Examiner

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COPYRIGHT STATEMENT

This thesis contains no such material as has been submitted for examination in any course or accepted for the fulfillment of any degree or diploma in any university. To the best of my knowledge and my belief, this contains no material previously published or written by any other person except where due reference is made in the text.

Copyright@ 2013. Reizha Ocnarulita Tobing and Maria Christina Eko Setyarini, S.S., M.Hum

All rights reserved. No part of this thesis may be reproduced by any means without the permission of at least one of the copyright owners or the English Department, Faculty of Language and Literature, Satya Wacana University, Salatiga.

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A Critical Discourse Analysis of 8 Mile Movie

Reizha Ocnarulita Tobing (112008056)

Abstract

The 8 Mile movie is a kind of movie that mostly talks about some social issues between African-Americans and White-Americans, racism, and stereotypes that were built of these two races. This study aimed to find the cultural aspect in the 8 Mile movie and how power influenced the interlocutors. This research was a discourse/text-based study. The data were collected by finding the utterances that characteristically contained power from 8 Mile movie script. The finding of the data analysis showed that the stereotype that was built in the recent society about White-Americans and African-Americans is not occurred in the 8Mile movie, whereas it showed how a White-American boy was being underestimated by African-Americans. There were also some utterances that characteristically contained power which were spoken by the main character. The power that was contained in utterances refers to utterances which would give different effect to interlocutors and the main character himself. These kind of utterances could make the interlocutors obey what main character said, did something against the main character, or it could change the personality of the main character himself.

Keywords: CDA, power, racism, culture

INTRODUCTION

Movie productions never stop releasing new movies. Every year, even in month, movie

production always releases the new movies with a lot of technological development in it. People

can find many kinds of movies or we call it genres. One of them is the movie that contains of

cultural context in it, for example Memoirs of a Geisha, My name is Khan, and etc. 8 Mile is a

kind of movie that is also included in one of the movie that contains cultural context. Some

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between the White-Americans and African-Americans in this movie, even the conflict that

happen within the main character of the movie, the White-American.

Racism is not strange anymore for the people worldwide. The differences between one race

with another, sometimes create some problems. Racism is the belief that one group of people with a particular biological make up is superior to other groups with a differing biological make up.The racism issue that is talked about and still exists is between White-Americans and Africa-Americans, from the Montgomery Bus Boycott in December 1955, and the student sit-ins in the

sixties, to the Selma March in 1965 headed by Martin Luther King and the Voting Rights Act

signed by President Johnson in the same year (Issues, 2012).

Americans have had a long story about racism and until now, it is not given any sign of

decreasing. Black and White, many people usually refer to this term. The racism between Blacks

and Whites is happened since the seventeenth century where there are many immigrants’

nationalities (Sears, 1988). In the eighteenth century and before then too, racism comes out from

the slave trade. In the slave trade, many Blacks can be bought and sold like things and they are

seen as a thing that is less than a human. One article about the history of racism stated that,

“In those earlier days in the 20th century, the face of racism was largely black and white. Today, the face of racism has become multi-colored and multicultural. With the high increase of diverse populations entering and maintaining communities all over the country, racism has expanded to include antagonism between peoples of many cultures.” (Issues,

2012)

Other articles about Racism Now and Then, also tells that until now the discrimination of the Black people by the White-Americans is still happening.

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Other studies also conducted the research using Critical Discourse Analysis to analyze the

social issues that occur in the movie. One study about the movie Shrek 2 showed that American

animation movie had contributed important things in national discourse of race, language,

identity and general social commentary in this past 75 years (Pimentel & Velázquez, 2009). In

this study, they analyzed three races that were presented by three different animation characters;

Whites, African-Americans, and Latinos. They studied the discursive practice of the movie; they

also analyzed what the school could do to facilitate more positive image of the Whites,

African-Americans, and Latinos.

Another study comes from a Professor of the college of Education at Texas State of

University, Charise Pimentel. Pimentel conducted the study by asking her two graduate students

to analyze a movie using Critical Discourse Analysis and focused more on racial construct in

those movies. The movies that her students analyzed were Stand to Deliver and Freedom

Writers. Pimentel (2010) stated that the research aims “to demonstrate how teacher education students in a graduate multicultural course critically examined race through a discursive

framework of racism.”

Another study related to my studies is the study that was conducted by Atalya Agustin,

published in 2009. She analyzed the movie “Daun di Atas Bantal.” She studied about the power

contained behind the utterances of the main character who was also the powerful person towards

the powerless people. However, in my study, although I also focused more on racial, stereotypes,

and power, one thing that made my study different from other related studies was that I tried to

see other racial issues that occurred in a society through 8 Mile movie, where in this movie the

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person” in society also had the power behind his utterances which could affect the people around

him.

Those three above studies by using Critical Discourse Analysis, tried to analyze the cultural

issue behind the movie, in the first and second study and how power could give effect for the

others, in the last study. Here, my research tried to combine all aspects that those three above

studies researched. In my research, I wanted to find the cultural aspect in the movie and how

power influences the others. However, what makes my study different was that, I tried to find

whether the person that was underestimated in this movie also had power that gave effect to the

people that had more “power” there, for example people that had more “power” would obeyed

the command or did something which was against the person.

In my research, to analyze this 8 Mile movie, I proposed three research questions which had

a connection to each other. My research questions are:

1. How are African-Americans and White- Americans portrayed in this 8 Mile movie? 2. What are the utterances that characteristically contain power that are spoken by the main

character, Jimmy (the White-American person)?

3. What are the effects from the power in the utterances toward the main character himself and other characters (the African-Americans) that closely are related to the main character?

My expectation of this research was that, from the findings, I could find the answers of my

research questions and reach the aims that I had proposed to this study. The purpose of

conducting this kind of research was that I revealed the stereotypes portrayed in this movie. As

we know, in reality, African-Americans always become the side that are underestimated by

White-Americans, and White-Americans are the one who have the higher level. However, this

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just because this person, who wanted to be a rapper, was a White kid. Therefore, with this

research, it could be seen how the stereotypes that had been formed by the people in reality were

portrayed in this movie or not. Besides, I also wanted to see the power relations in this movie.

This research was conducted by using Critical Discourse Analysis, which means this was a kind

of linguistic analysis, so that this study focused more on the utterances (Agustin, 2009).

The power, as one of the main points in Critical Discourse Analysis, was the thing that

influenced each character of the movie to speak and respond to each other. In this study, I

wanted to search if were there any utterances which contained power produced by the main

character. I also search did the power of the main character gives some effect toward the main

character himself and the other character. Whereas we knew that in this movie, the main

character was the one who was intimidated and seen as a powerless people in a society.

In my research, I expected that this research can be as a reference for the people who are

interested in studying cultures, especially American culture, about stereotypes between

White-Americans and Africa-White-Americans that are portrayed by some groups of people. It could be seen

as a reference to the fact that some races that have been portrayed as higher level race can be

underestimated and refused by a lower level race of the society. Besides, my expectation from

conducting this study was that it gave references not only to those who wanted to learn culture,

how the power lay behind the utterances had effect to the others, even the bad effects.

In this research I had the limitation for my research questions. The first research question, I

found how Black and White people are portrayed based on their act, so how the Black people act

to White and conversely. In the other words, I found the stereotypes that occurred in the movie

between Black and White. Then for the second research question, to find the utterances which

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affected the interlocutors and made them responded, in speech or act, to the utterances that were

spoken by the main character. The last research question, the effects that I meant were: whether

the other characters responded to the power by giving the negative way or not, whether the other

characters changed their behavior toward the main characters or not, and whether the main

character became the person who had more power than before so that the other characters

became respectful to him or not.

8 Mile is the movie that released in 2002, a movie production of Universal Pictures and Imagine Entertainment and directed by Curtis Hanson and Brian Grazer. 8 Mile is the story of

Jimmy Smith, a White kid who has to move back to his unstable mother who lives at Detroit.

They are just a poor family, so Jimmy has to work to make a better life. He works in a factory,

but it does not pay well. He thinks that his talent as a rapper is the only hope to make the better

life happen. He is making music in the middle of African-American community, and because he

is a white kid, he becomes intimidated. He cannot do anything in the MC’s battle; he thinks he

cannot make his dream comes true because of that silly thing. However, because of help from his

friends and his new girlfriend, he is struggling to be more confident to take one more chance in

the MC’s battle.

REVIEW OF LITERATURE

This research focused more on sociocultural stereotypes and also power relations. Therefore,

this research used Critical Discourse Analysis to reveal the stereotypes and power relation that

were portrayed in this movie. Critical Discourse Analysis was used to reveal the hidden

motivation behind the text or conversation as a spoken text (Agustin, 2009). The CDA also

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analysis based on van Dijk (1998) is a type of discourse analytical research that primarily studies

the way social power abuse, dominance and inequality are enacted, reproduced and resisted by

text and talk in the social and political context. Other researchers, Wodak and Meyer (2009),

stated that the multiple roots of CDA lie in Rhetoric, Text linguistics, Anthropology, Philosophy,

Socio-Psychology, Cognitive Science, Literary Studies and Sociolinguistics, as well as in

Applied Linguistics and Pragmatics.

Nowadays, some scholars tend to use CDA rather than other Discourse Studies, for example

Teun A. van Dijk who gives broad example of Critical Discourse analysis. The major differences

between Discourse Studies and Critical Discourse Analysis lie in the constitutive

problem-oriented interdisciplinary approach (Wodak & Meyer, 2009). CDA is therefore not interested in

investigating a linguistic unit per se but in studying social phenomena which are necessarily

complex and thus require a multidisciplinary and multi-methodical approach.

In the Wodak and Meyer (2009) study, it stated about the history of “CDA Group.” The

theory of Critical Discourse Analysis is emerged in the early 1960s, and then followed by small

symposium in Amsterdam in January 1991. With the support of the University of Amsterdam,

Teun van Dijk, Norman Fairclough, Gunther Kress, Theo van Leeuwen and Ruth Wodak spent

two days together, and had the opportunity to discuss theories and methods of Discourse

Analysis, specifically CDA. The start of the CDA network was marked by the launch of Van

Dijk’s journal Discourse and Society (1990), as well as by several books which were coincidentally published simultaneously and led by similar research goals. Since the Amsterdam

meeting, new journals have been created, multiple overviews have been written, and nowadays

CDA is an established paradigm in Linguistics. In sum, CDA has become an established

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THEORETICAL FRAMEWORK

Why do I have to use this kind of analysis rather than another discourse analysis? As the

explanation before stated that Critical Discourse Analysis is type of research that studied the

social power in a social and political context. It means Critical Discourse Analysis not only talks

about semantic meaning of the discourse itself but also focuses more on power and social issues.

Another description about Critical Discourse Analysis comes from Wodak (1996):

CDA highlights the substantively linguistic and discursive nature of social relations of power in contemporary societies. This is partly the matter of how power relations are

exercised and negotiated in discourse. It is fruitful to look at both “power in discourse” and “power over discourse” in these dynamic terms.

Fairclough and Wodak (1997) mention the main tenets of CDA: (1) CDA addresses social

problems, (2) Power relations are discursive, (3) Discourse constitutes society and culture, (4)

Discourse does ideological work, (5) Discourse is historical, (6) The link between text and

society is mediated, (7) Discourse analysis is interpretative and explanatory, and the last (8)

Discourse is a form of social actions.

As Wodak and Weiss (2003) stated that language cannot be as powerful if it stands up by

itself, it can be powerful if there are powerful people make it happens. That is why Critical

Discourse Analysis is mostly used to analyze language that has a connection with power. The

main perspective of CDA itself is a notion of ‘power’. Specifically, why did I choose Critical

Discourse Analysis? I choose this kind of analysis because of some reasons. The first reason is

that because CDA focuses primarily on social problems and political issues, rather than on

current paradigms and fashions (van Dijk, 1993). The second reason is that because, rather than

merely describe discourse structures, it tries to explain them in terms of properties of social

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movie that I choose for this study because, through this research, I wanted to reveal the

stereotypes and power relations between two races. To conduct this study, I used the theory from

Fairclough (1997).

METHODOLOGY

The methodology that I used in this research was Discourse/text based study. The analysis

that I chose to conduct the study was Critical Discourse Analysis that is proposed by Fairclough

(1997). Here, I did the text analysis (description), processing analysis (interpretation) and social

analysis (explanation). The subject of my research was the script of the 8 Mile movie, because I

analyzed the text or the script to find out the utterances or sentences that contain power and are

related to the culture; and also the Slang Words Dictionary, because almost all of the dialogue in

this movie were using slangs.

As I mentioned before, for the procedure to conduct the study, I did the text analysis

(description), processing analysis (interpretation) and social analysis (explanation). These three

processes of analysis led me to find the utterances first that characteristically contain power and

social issues, listed it, interpreted the list of the dialogue, and explained the social thing and

power that was existed behind those utterances. I also explained how the power that laid behind

those utterances could affect to other characters. Therefore, I had to compare between the script

or the dialogue and the visualization in the movie to get the real thoughts, real pictures of the

scenes. Also, this was a challenge to analyzing the movie, because analyzed the spoken language

was quite harder than analyze the written language or the script. Last thing that has to be

remembered is that, because I used Critical Discourse Analysis, the result was mostly related to

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FINDINGS AND DISSCUSION

Here are the data that contain power and social issues from the script of “8 Mile” Movie. I

selected some conversations that relate more to the research questions that I proposed. As I

mentioned before, I analyzed the transcription by interpreting the text and the act and explaining

the social thing and power that existed behind the text and the actions of the characters that are

discussed (Fairclough, 1997).

DATA 1

BIG BAD DUDE : Where are you going?

JIMMY : Backstage. I'm in the battle.

BIG BAD DUDE : You can't.

JIMMY : I got a stamp on my hand.

BIG BAD DUDE : You got to go around front.

JIMMY : Man, you just seen me...

BIG BAD DUDE : I didn't see nothing.

JIMMY : You just fucking seen me.

I went to the bathroom.

The conversation in Data 1 happened in the Shelter, when Jimmy (the main character of the

movie) wanted to go to the stage to do a battle. The Big Bad Dude, the security of the Shelter,

forbade Jimmy to go to the stage and asked him to go around front, although Jimmy had showed

his stamp. When Big Bad Dude said “I didn’t see nothing”, it means that the Big Bad Dude

ignored Jimmy although he had seen Jimmy before he went to the bathroom. There are two

reasons that are interpreted from this conversation and act in Data 1: First, he ignores Jimmy

because he thinks he never sees him before in the Shelter and does not know him. Second,

because he is a white person. Some African-Americans, especially in the movie, have the

mindset that white people cannot rap and have no skill in rap battling. As LittleItaly (2010)

stated that white people usually have the privilege education. They do not have the feeling of

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other words, this Big Bad Dude underestimates Jimmy by directly saying”You can’t,” to Jimmy after he explains that he is in the battle. This social factor is explained more in the next lines,

when Future, Jimmy’s friend, came and then Big Bad Dude allowed Jimmy to come in.

DATA 2

(FUTURE COMING)

JIMMY : He's got a problem with me.

BIG BAD DUDE : Shut the fuck up.

FUTURE (TO BIG BAD DUDE): He's straight, dawg.

BIG BAD DUDE : He with you?

FUTURE : Yeah.

BIG BAD DUDE : Okay. Cool, Future.

But your boy got an attitude problem.

In this conversation (Data 2), the social factor that made Jimmy was not allowed to go to the

backstage is clearly stated by the utterance that Future said to Big Bad Dude. When Future came

by saying “He’s straight, dawg” and Big Bad Dude made sure that Jimmy came with him, Big

Bad Dude allowed Jimmy to come. In this movie, it describes that Future is a black guy who is

Jimmy’s friend for a long time. The term “he’s straight” in urbandictionary.com means that he

is not a gay, or it can be described as cool. Hip-hop or rap usually uses homophobic words or

sentences to attack another man’s masculinity and argue for their own power (Kerr, 2012).

Future used the word“straight”to emphasize and make Big Bad Dude believed that Jimmy was

not a gay and it was okay to Jimmy to enter the Shelter and made sure that he would not make

any problems just because he is a white person. Here, because Jimmy came with Future, who

was the host of the battle and work there and a black guy, Big Bad Dude allowed him to come in.

These two conversations (Data 1 and Data 2) clearly show that Jimmy as a white guy was

underestimated by a black guy.

DATA 3

(EVERYBODY LOOKING AT CHEDDER)

JIMMY : I'll need a place to crash.

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(FUTURE, SOL, AND DJ IZ LAUGHING)

JIMMY : Can I get some fucking privacy here, man?

DJ IZ : Alright, come on.

(SOL, DJ IZZ AND CHEDDER LEAVING)

Data 3 shows how Jimmy controlled the situation. Jimmy, as the minority person in this

movie, showed his strength and power from his utterance. He asked his friends who were

laughing at him to go with just with one sentence. His utterance clearly shows his power because

after saying “Can I get some fucking privacy here, man?” his friends went away. The word

“fucking privacy” clearly shows his power. Instead of commanding his friend by saying “go”,

he said “Can I get some fucking privacy”. Before Jimmy said this utterance, Jimmy’s mimic

showed that his friends were so disturbing but his friends did not care about it. Then, Jimmy said

this utterance to his friends who was still disturbing him with their jokes and it made his friends

stop their jokes. This utterance sounds better, clearer and also full of power. It was proved by

the act of his friends who were not protesting against his command but directly went away.

DATA 4

Data 4 shows a part of Lil’ Tic lyric when he did a rap battle against Jimmy on the stage.

This lyric indicates how Lil’ Tic really underestimated Jimmy as a white man. Overall, the lyrics

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actually was not there in the battling stage. The sentence “He’s the type to lose, a fight with a

dyke”means that Jimmy is surely a type of loser that will be lose in the battle. The word “dyke”,

the misspelling of the word “dike”, based on urbandictionary.com, is a slang word that means a

lesbian. “A fight with a dyke” is the sentence that Lil’ Tic used to against Jimmy. It means that

Lil’ Tic would win against Jimmy who was just a loser and he looked like a woman who was not

as though as a man. Next lyric, Lil’ Tic said “They don’t laugh cause you wack, it’s ‘cause you

white with a mic”.This lyric clearly indicates the stereotype which white and black people create

between themselves. The word “wack” based on urbandictionary.com means “lame” or “is not

cool at all” or it is a short term of “wacky” which means crazy, so this sentence means that the

audience in the Shelter did not laugh at Jimmy because he was not cool in battling but the

audience laughed because he was a white guy who did a rap. This sentence literally means that,

in their stereotype, it is so weird to see white people do a rap battle because usually black people

are the ones who do the rap. Besides, rap itself was invented by black people.

“… rap is rooted in the pain of Black-American experience which began with slavery. While slaves were working in the fields, they would often sing. Part of the song they sang

was “call and answer” selections. One leader would call out part of the song and the rest of the slaves would answer with the next line.” (Wood, 2004)

Lil’ Tic also mentioned “a laughingstock” to describe Jimmy because of what he did on the

stage just made him became a laughingstock. Next lyric that showed how far the gap between

black people and white people is “you a wigga, that invented rhyme for money”. The word

“wigga” in this sentence is the abbreviation of “white nigga”. Based on urbandictionary.com, the

online dictionary of slang terms, the word “nigga” itself evolved from the derogative term

“nigger”, but it does not merely mean “black guy”. Actually, the term “nigga” means someone

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guy. As the stereotype of white and black people stated that white people is a superior groups

that allowed gaining economic power and social dominance over the inferior (Issues, 2012). The

term“invented rhyme for money”from Lil’ Tic’s rap lyrics stated that Jimmy is just a white guy

that creates a rap for gaining more economic power.

DATA 5

This last part of Lil’ Tic rap lyric in Data 5 also shows the stereotype of white people. Lil’

Tic said“’cause this is hip-hop, you don’t belong you’re a tourist”implicitly means that hip-hop is just for black people. Black people are the inferior groups who invented this hip-hop culture,

so indirectly black people owned hip-hop. Whereas, Jimmy is a white guy and commonly white

guys do not do rap music because rap relates to black people. As Rhino stated,

“White people really love to debate whether rap is music or not. Many white people constantly degrade rap for a supposed lack of musical notes, for only having a beat, for being classified more as poetry than music….. So, when white people say rap isn’t music, they pretty much mean it’s not music because it’s black.” (Rhino, 2010)

It is stated that hip-hop does not belong to Jimmy as a white guy, so Jimmy is not allowed to do

a hip-hop. Last lyric said “put your hockey sticks and baseball bat away, this here’s Detroit”.

Hockey is one of the sports that reputed as most expensive sports. As Knerl (2011) stated that the

total price for this sport can near $1,000 or more because they need equipment which has

overwhelming costs per each. He also mentioned baseball in his lyric. Baseball is also one of

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incredibly expensive sport. People can spend $400 just for new bats. These two expensive sports

in Lil’ Tic‘s lyric points out to Jimmy as a white guy who usually has good economic power.

Besides, hockey and basketball considered more white sports. By using these sports, he tried to

insult Jimmy. He also said “this here’s Detroit” to show that Jimmy was in the wrong place

because Detroit is a place where black people are the majority citizens there, it was proved by

the data sourced from the 2010 U. S. Census that Detroit is the first rank of place that has the

largest percentage of African American people.

The conversation in Data 6 took place in front of Jimmy’s house. Jimmy came home after

being humiliated in the rap battle. He found Greg was with his mother. In this conversation,

Jimmy really showed his power not only by his utterances but also in his action toward Greg.

This conversation indicates how Jimmy tried to rebel against Greg because Greg did not respect

him as the son of Stephanie. Jimmy used the word “bitch”that refers to Greg. The term “bitch”

has literally meaning of “female dog”. It is use to refer to someone who malicious or rudely

intrusive. Jimmy said “Don’t fucking judge me!” to Greg; this sentence contains power. This

sentence means that Jimmy did not want Greg to always judge Jimmy as a person who always

did useless things, it is showed from the act of the movie that this fighting scene happened after

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not his father and he was not allowed to judge him as Greg wanted. Jimmy also revealed his

power by saying “I’ve fought guys bigger than you” toward Greg. By saying this kind of

sentence, he really wanted to show that he also had a power to control the people around that

were against him or people that he did not like. Besides, Jimmy also revealed his power through

his act toward Greg. He threw a bottle to Greg because Jimmy thought he was so intrusive. He

also punched Greg to show that he could not be underestimated.

DATA 7

(JIMMY HOLD LILY AND BRING HER INSIDE)

JIMMY : Go back to bed.

LILY : Will you sing to me?

JIMMY : Yeah. Of course I will. Come on. DATA 8

JIMMY : (OPEN THE REFRIGERATOR) No milk.

(TO STEPHANIE) Can I get a ride to work in the morning?

STEPHANIE : Where's your car?

JIMMY : I left it for Janeane.

(STEPHANIE HOLDS THE CAR KEY AND GIVES IT TO JIMMY)

JIMMY : You're going to let me borrow your car?

STEPHANIE : Nope.

It's your birthday present.

Data 7 and Data 8 show the power that Jimmy has in his utterances. The conversation in

Data 7 happened when Lily came out from the house because she heard Jimmy and Greg

shouting at each other. Here, although Jimmy used a soft tone in his utterances to Lily, it still

shows the power of his utterances. The power of his utterances gave impact to Lily to obey what

Jimmy said. Lily wanted to go to bed after Jimmy sang a song for her and accompanied her until

she slept. It also showed in Data 8, how the utterances of Jimmy gave impact to his interlocutor.

He asked his mother if he could get a ride or not, but his mother gave the car for Jimmy for his

birthday present although his birthday had already passed.

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FUTURE : Come on, man. You got to battle!

“Future, I’m not you, dawg. Look at me”emphasizes that Jimmy is not Future. He is not a black

guy like him. He is a white guy who always being underestimated by black people by saying that

he cannot do a rap and rap does not suit him. However, Future tried to clarify what Jimmy

thought by saying “Once they hear you, it won’t matter what color you are”. Future wanted to

show that Jimmy has a talent of being a rapper although he is a white guy. He also wanted to

show to Jimmy that once the people heard him rapping, heard how good he does rap, the people

would not make skin color as a trouble for the society. He wanted Jimmy to feel confident and

show to the black people that he cannot be underestimated. This conversation shows also that the

stereotypes created in the society happen because the society does not know the person they

underestimated has the good skill in a rap as many of the black people have.

DATA 10

JIMMY : Mom, stop living your life like this!

If you cared about Lily,

you'd get a job and quit fucking around. I got to go. I'll be late for work.

The conversation in Data10 reveals the power behind Jimmy’s utterances to his mother.

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house, whereas Greg did not give any money for Stephanie. Jimmy felt his mother had to change

her mind set. He said “stop living your life like this!”to make his mother realized that what she

did for her life was wrong. Jimmy wanted her mother to think about his little sister, Lily, and

start to do her responsibilities as a mother. It can be seen by a sentence “you’d get a job and quit

fucking around”. Jimmy said “quit fucking around” because his mother just went to the casino

and spent money to gamble, so that he said this power-contained sentence to his mother to make

her realize it. The impact that was directly created after Jimmy said this sentence to his mother is

Stephanie felt offended. However, some scenes after shows the real impact to Stephanie.

Stephanie finally realized that she was the mother of two kids and she had responsibilities to take

care of them. The scene after shows Stephanie who came home buying some fresh fruit and

vegetables and said she wanted to cook for her son and daughter and apologized to Jimmy

because she became a bad mother for them.

DATA 11

How you froze up and got booed offstage.

JIMMY : Fuck you, Jeneane! Go home.

(JENEANE LEAVING)

DATA 12

(CHEDDER TAKES OUT HIS GUN) (GUNSHOT)

CHEDDER : You want to fuck with us?

Fuck with us, yeah?

JIMMY : What the fuck are you doing?

Where'd you get that shit?

CHEDDER : It's my mom's.

JIMMY : Put it away

before you fucking kill somebody!

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JIMMY : Put it away!

Data 11 and Data 12 are the conversations that show how Jimmy said something with the

power behind his utterances. The power that Jimmy showed in these two conversations is

similar. It can be seen from the exclamation sentences he used for both conversations. Data 11

took place in the factory when Jimmy’s ex-girlfriend came to see Jimmy. The conversation and

also the act in this data showed how mad Jimmy was to Jeneane because he knew that Jeneane

lied. In this conversation, the utterances that Jimmy said to Jeneane contained the power. He

used the term “fuck you”to emphasize that he was very mad to her. The conversation also used

exclamation mark that showed that Jimmy was mad and he spoke this sentence in angry mood.

The utterances also gave impact to Jeneane. Jeneane who at first was very kind to Jimmy and

asked him to fix their relationship, changed into someone who was against Jimmy by saying

some bad things about Jimmy that she heard. She tried to ruin Jimmy’s good name and finally

she left Jimmy after Jimmy said “fuck you, Jeneane!” It also shows in Data 12 how the term

“fuck” that Jimmy said to Chedder gave impact to him. Jimmy said “put it away, before you

fucking kill somebody!” to Chedder and after that Chedder put the gun down. Here, the term

“fuck”shows how Jimmy emphasized what he wanted his interlocutors to do.

DATA 13

STEPHANIE : Stop it! It's your fault he left me!

You ruined it! You fucked it all up for me! Who's gonna want me now?

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We don't have any money! We don't have anything! What am I gonna do?

JIMMY : What are you gonna do?

Lily's out there by herself! Why do you have to be like this? What'd we ever do to you?

The power of the utterances of Jimmy is also shown in these two conversations (Data 13 and

14). These conversations show another side of Jimmy himself. It shows that Jimmy also could be

a mature man. He also thought about his friends and his family, although from outside he looks

so ignorant. He said some sentences that contain much power to make his interlocutor reacted to

what he said. Data 13 took place on the side of road after Jimmy and his friends brought Chedder

to a hospital. The act in this conversation showed how Jimmy felt empathy toward his friend

who had to be nursed in hospital but then he said“Chedder is in the hospital and you fight about

this? So fucking stupid” because his friends fought for some silly things. He thought it was so

silly and his friends were so childish, so that he asked them to stop fighting by saying that

sentence and went out from the car leaving his friends who were still quarreling. The sentence

made his friends realized that they did a silly thing by fighting each other, while his best friends

had to be nursed in the hospital.

This kind of power is also shown in Data 14. This conversation happened in Jimmy’s house

when Jimmy and his mother had a quarrel because Greg left Stephanie. Stephanie tried to blame

Jimmy and she looked so depressed and neglected all the things about the family when Greg left

her. Jimmy knew that his mother was wrong by doing that, so he tried to tell his mother using the

sentence“What are you gonna do? Lily’s out there by herself! What do you have to be like this?

What’d we ever do to you?”By saying this sentence he wanted her mother to take care his little

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it directly affected his mother who was still depressed. His mother got angry to Jimmy because

he said the thing like this and his mother was still under her depression. However, a few days

after Jimmy said this sentence, Stephanie realized that what she did was wrong.

DATA 15

STEPHANIE : Come on in. I'll make you something to eat.

This conversation in Data 15 shows another type of power that Jimmy has in his utterances.

The power was shown by repeating one sentence “I fell”. This sentence was repeated to tell to

his mother that he just fell, he did not want explain further about why there were many injuries in

his face. Just by saying this one sentence, his mother understood what Jimmy wanted, it clearly

showed from the action and the mimic’s changing of his mother toward Jimmy after jimmy said

this utterance, so that she reacted differently to Jimmy. She shifted the talk by asking Jimmy to

come in.

DATA 16

PAPA DOC : (TO JIMMY) You again?

It looks like a handicap convention in here. Crippled motherfuckers.

LC (TO CHEDDER) : Don't shoot!

The conversation shows in Data 16 was happened in the backstage of the Shelter when

Jimmy would do a rap battle. These lines told that Jimmy was still being underestimated by

black rappers. Papa Doc was one of the strongest rapper in the area. He always tried to beat

down Jimmy because he did not like him much, especially because he was a white guy. When he

saw Jimmy in the backstage, he said “a handicap convention” which means a convention for

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Jimmy’s bravery because he knew that Jimmy joining the battle. He also hated Jimmy because

he was white and he thought Jimmy and his friends were just handicapped people in a rapping

contest. He also said “Cripple motherfuckers” as a gibe to Jimmy and friends. The term

“cripple” has the same meaning with “handicap” it means physically disabled. The term

“motherfucker” is a vulgar slang which means a person regarded as thoroughly despicable or

points to something regarded as thoroughly unpleasant, frustrating or despicable. These terms

indicate how Papa Doc and other black people did not like Jimmy very much. They think Jimmy

was a white guy who did not proper to stay in Detroit and be a rapper.

DATA 17

…………

You ain't Detroit, I'm the D You the New Kid on the Block 'Bout to get smacked

back to the boondocks …………

Take your white ass

across 8 Mile to the trailer park

Data 17 shows the rap lyrics of LC who did a battle rap against Jimmy. Still in this rap, the

black guy underestimated Jimmy as a white guy. LC said in his rap “you ain’t Detroit, I’m the

D.” tells that Jimmy is not a black guy who is not supposed to live in Detroit where the black

people live. The word “ain’t” is also a slang word that usually African-American said for “is

not”, “am not”, or “are not” based on urbandictionary.com.

LC also mentioned in his lyric ‘You the New Kids On the Block”, this sentence emphasizes

that Jimmy is not a black guy but a white guy. “New Kids On the Block” is a boy band from

America that was very popular in the late 1980s and early 1990s. That is the reason why LC used

“New Kids On The Block” as a word which showed Jimmy’s supposed to be. At the last lyric of

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Jimmy as a white ass. Based on urbandictionary.com, “white ass” is the term that usually used by

black people to call a person as a bitch (ass) and call them racially by using “white”. This

utterance used to insult Jimmy as he’s calling him whites who have no money or white trash. “8

Mile” itself is a name of a road in Detroit, so literally this sentence means that Jimmy as a white

guy has to go out from the Detroit back to his original place.

DATA 18

against Jimmy that he was just a white boy, still lived with his mother and had a dumb friend like

Chedder. By expressing all his feeling into the lyrics, it gives more power to the lyrics itself. The

power made the people around and the enemy just could stand still without doing anything to

against Jimmy. Even the people around who watched the battle change their mind and became

Jimmy’s supporters. The lyrics look powerful and give a big impact to Papa Doc as his enemy

on the battle ground. The next lyrics add more power to the rap itself. The lyric“don’t ever try to

judge me” shows that he felt tired of being underestimated by the interlocutor. He told him that

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to anything. He just stood still and looked shocked. It shows how these lyrics give big impact to

the interlocutor.

DATA 19

……… Fuck everybody

Fuck y'all if you doubt me I'm a piece of fuckin' white trash I say it proudly

Fuck this battle

I don't want to win, I'm outtie

Here, tell these people something they don't know about me

If previous lyrics pointed Papa Doc as his interlocutor and his enemy in the battle, this lyrics

in Data 19 pointed to the audience or black people who always underestimated him because he

was a white guy and not suitable as a rapper. He mentioned “fuck everybody, fuck ya’ll if you

doubt me”.It was dedicated to everyone that always doubted him as a white guy who did rap. He

felt revolting of what people did all this time to him. “I’m a piece of fuckin’ white trash, I say it

proudly”means that he knew what people thought about him all this time. He knew that people

around always thought that he was just a “white trash” who came to wrong area and did silly

things by dreaming as a rapper. He admitted that he was just a white guy and he felt proud of it

because he felt that he never became somebody else.“fuckin’ white trash” is a term that Jimmy

used to emphasize about what people thought of him. He also mentioned in the lyrics that he did

not want to win the battle. He just wanted everybody to know what they did not know. “Here,

tell these people something they don’t know about me” is the last lyrics that tells that he just

wanted the people to know how they underestimated Jimmy and what they thought about him all

this time was wrong because they actually did not know anything about him. These lyrics

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interlocutor. The mostly black audience gave applause to Jimmy and yelled his name. They

seemed to admit that this white guy really had a talent as a rapper and could not be

underestimated. These lyrics became a turning point of difficulty and oppression that Jimmy got

from the people around, especially the black people in Detroit.

DATA 20

FUTURE : Come on.

Tell me you don't want to host with me. You'll have everybody looking up to you, everybody'll know who you are.

JIMMY : Yeah, but...

I think I need to just do my own thing, man. You know?

FUTURE : Yeah, I think I do.

Last conversation in Data 20 shows the power that shows behind Jimmy’s utterances to

Future. After Jimmy succeeded in the rap battle, Future asked Jimmy to work as a host in the

shelter but Jimmy refused it.“I think I need to just do my own thing, man”shows that he did not

want to work in the shelter. There are some possible reasons why Jimmy did not want to be a

host. First, because he found that he already told the people what he felt with his rap in the final

battle and he thought it was enough. Second, he wanted to earn his own money by building his

own studio. At the previous scene, he did not want to go to the Shelter because he worked over

time. He revealed this reason to Alex. This sentence shows how Jimmy used his power to make a

decision for his life. It also made Future understand about his decision and let Jimmy do what he

thought was good for him.

Those are the discussions of all the data taken from the movie based on the utterances and

the acts of the characters. After discussing all the data, it clearly showed that the discussions

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to the research questions itself. The answers of the research questions are concluded in the next

section.

CONCLUSION

The aim of this study was to find the cultural aspects in the movie and how power influences

the others. I could answer my research questions that I proposed before from the data that I had

been analyzed. First, the stereotype that was created in this film was so different with what

people have in recent society. In this movie, the stereotype that has been built in societies was

not portrayed. The analysis showed how Afro-Americans underestimated a White-American

boy. This movie also showed that Afro-Americans’ mindset said White-Americans were not

suitable to be a rapper.

Second, I found 15 utterances which were spoken by the main character that

characteristically contained power from the previous analysis. These utterances mostly were

marked by exclamation marks (Data 6 or Data 14) and used a high tone. However, there were

also some utterances used a soft tone (Data 7), short sentences (Data 15) and more polite

command ended by question marks (Data 11), which also had power. These utterances which

contained power created some effects that were shown by his interlocutors’ speech or act. In the

final rap battle, the utterance in Data19 spoken by the main character, affected his interlocutor,

Papa Doc and the audience, and himself. His enemy in a final rap battle just can stand still and

keep silent. The audiences, who at first underestimated him, also turned to people who support

him. This lyric also affected him as the main character. He changed from a powerless person

became a powerful person. Other effects shown were: The interlocutors obeyed what Jimmy said

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In this study I only analyzed 20 conversations from the movie script because the limitation

of time to conduct this study although there were more conversations. I only took conversations

which related most toward American culture racism but it did not mean that the findings of this

study only can be applied for American culture. The findings of the analysis can be applied in

the way people created their perspective toward every culture. People should not judge or see

other people by only seeing their culture and its stereotypes. Somehow stereotypes that society

has built, is no longer exist in real social life. However, if I analyzed all the conversation more

deeply, I can find the more variety discussion for my research questions.

Every culture has their rules and stereotypes. It became important to be studies by seeing the

fact that stereotype of each culture, which had been build and set, is sometimes not used in other

places because they have different culture. It is hoped for the teachers, when they teach culture,

to make their perspective broader, so that they teach not only based on the recent stereotype of

current culture which society made but from every perspectives. It can be seen from my study,

when a white guy became so ignorant because he dreamed as a rapper, then he proved to the

people that the stereotype that people built for him, as a White, was not true. He also had a talent

as a rapper. Therefore, it showed that teachers should not only teach based on the stereotypes

that society has built.

Regarding the conclusion, there are some suggestions that are recommended. First, I suggest

this research can be a reference for the readers who are concern about culture, especially

American culture that talks about racism between white and black people. The analysis above

tells that somehow the group of people that stereotyped as “high level” also can be refused by the

groups of people that usually become a “low level” in some situations. Therefore, I suggest that

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African-Americans and White-African-Americans. They should not judge who Whites are and who Blacks are

only from the stereotypes that they know recently. Second, I suggest for general readers to

realize that utterances which contain power will affect much for the interlocutor even if the

utterances use the soft tone ones.

Last, I suggest this research can be a reference for English Department students as future

English teachers or as students of ED itself who will meet, interact and make relationships with

many kind of people, especially they who have different culture or have this kind of racism, to

have the right strategies when they have to deal with those people and their culture. Therefore,

when they deal with this kind of situation and people, they are not only dealing based on the

recent stereotypes they already know, but the students have to make their perspectives broader. I

hope the next researcher who will conduct the same research about this problem will discuss it

deeper than the recent research. The next researcher can find other reasons why these stereotypes

among Whites and Blacks still exist and give more suggestion to the people how they should

think or act toward these never-ending issues.

ACKNOLEDGEMENT

First, I would like to thank to my Jesus Christ because of His blessing and guidance I could

finish my thesis. I also want to say thank you so much for my thesis supervisor, Maria Christina

Eko S., M. Hum., for her support and help so that I could finish my thesis. I also want to say

thank you to my second reader, Danielle Donelson-Sims, MA, for her willingness to read and

exam my thesis.

I would like to thank also to my father, mother and lil’ sissy who always support me to

(35)

partner in crime, Dian Wicaksono, who always motivates, supports and gives me strength to

finish my study. I also want to say thank you to my very very best friends, ED 2008ers and

Salatiga Movement, who never leave me alone and support me always. Last but not the least,

thank you so much for all the teachers and staffs in English Department for educating me the

whole time I study in Satya Wacana Christian University.

REFERENCES

Agustin, A. (2009). An Analysis of Typical utterances spoken by Asih as the powerful person

towards powerless people in “Daun di Atas Bantal” Using Critical Discourse Analysis.

Salatiga, Central Java, Indonesia: SWCA library.

Blevins, W. (2011). Baseball is a Simple Game-but It's Too Damned Expensive. Retrieved June 2, 2013, from Open Salon: http://open.salon.com/blog/just-wait/2011/01/19/baseball_is_simple_game--but_its_too_damned_expensive

Fairclough, N. (1995). Critical Discourse Analysis. London, London: Longman.

Fairclough, N. (2011). Critical Discourse Analysis. Critical Discourse Analysis Theory , 1-27. Fairclough, Norman; Gee, James; Ketter, Jean; Lewis, Cynthia; Rowe, Shawn; Sarroub, Loukia;

Stevens, Lisa Patel; Jiron, Haley Woodside; Young, Josephine Peyton;. (2004). An Introdution to Critical Discourse Analysis in Education. (R. Rogers, Ed.) New Jersey: Lawrence Erlbaum Associates.

Gee, J. P. (2011). An Introduction to Discourse Analysis: Theory and Method (3rd Edition ed.). New York: Routledge.

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Kerr, B. (2012). Homophobia and Gender Phobia in Rap Music: The New Movement/. Retrieved from Rap Music: http://blog.richmond.edu/rapmusic/2012/12/04/homophobia-and-gender-phobia-in-a-rap-music-the-new-movement/

Knerl, L. (2011). Most Expensive Kids' Sports: Ice Hockey. Retrieved June 2, 2013, from Canada

MSN Money:

http://money.ca.msn.com/savings-Rhino, P. (2010). Claim That Rap Isn't Music. Retrieved May 30, 2013, from Stuff White People Do: http://stuffwhitepeopledo.blogspot.com/2010/03/claim-that-rap-isnt-music.html?m=1

Silver, S. (2001). 8 Mile Script. Retrieved March 2013, from IMSDb: http://www.imsdb.com/Movie%20Scripts/8%20Mile%20Script.html

Skinner, T. (1991). Racism Still Divides Black and White in America. Retrieved April 2013, from Public Justice Report: http://www.cpjustice.org/stories/storyReader$1024

van Dijk, T. A. (1993). Principles of critical discourse analysis. Discourse and Society , 4 (2), 249-283.

Weiss, G., & Wodak, R. (2003). Critical Discourse Analysis: Theory and Interdisciplinarity. New York: Palgrave Macmillan.

Wodak, R. (2010). Critical Discourse Analysis: Some Important Concepts and Considerations. Wodak, R., & Meyer, M. (2009). Critical Discourse Analysis: History, Agenda, Theory, and

Methodology. In R. Wodak, Methods of Critical Discourse Analysis (pp. 1-33). London: Sage.

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