Informasi Dokumen
- Penulis:
- Rahardian Rasyidin
- Pengajar:
- Raudlatul Jannah M, App Ling
- Sekolah: State Islamic University of Sunan Ampel Surabaya
- Mata Pelajaran: English Department
- Topik: An Analysis of Language Style in “Fury” Movie
- Tipe: thesis
- Tahun: 2016
- Kota: Surabaya
Ringkasan Dokumen
I. INTRODUCTION
The introduction provides the foundational context for the research, elucidating the significance of language as a vital tool for human communication. It emphasizes the role of language style in conveying meaning and the influence of social interactions on language use. The researcher references Martin Joos' classification of language styles, highlighting the importance of understanding these styles within the context of the 'Fury' movie. The introduction sets the stage for exploring how language style reflects character interactions and social dynamics in cinematic narratives.
1.1 Background of the Study
The background elaborates on the essential nature of language in human interactions and its various styles, as posited by Martin Joos. It discusses how different contexts require varying degrees of formality and how language style can reveal personality and social conditions. The choice of 'Fury' as a study object is justified by its rich dialogue and diverse character interactions, making it an apt case for analyzing language style in a cinematic context.
1.2 Statement of the Problem
This section outlines the primary research questions: the types of language styles present in 'Fury' and the dominant style among them. These questions guide the analysis and aim to uncover the intricacies of language use in the film, contributing to a deeper understanding of sociolinguistic dynamics in cinematic dialogues.
1.3 Objective of the Study
The objectives are clearly defined, focusing on describing the types of language styles used in 'Fury' and identifying the dominant style. This aims to contribute to the field of sociolinguistics by providing insights into how language style functions within the narrative framework of a film.
1.4 Significance of the Study
The significance highlights the educational value of understanding language styles, emphasizing its relevance to students and researchers in linguistics and film studies. It aims to enhance awareness of language use in various contexts and serves as a reference for future studies on language style in different media.
1.5 Scope and Limitations
This section delineates the scope of the study, focusing specifically on sociolinguistic aspects of language style within 'Fury'. It acknowledges the limitations regarding the types of language styles analyzed and the context of the film, ensuring a focused and manageable research approach.
1.6 Definition of Key Terms
Key terms are defined to avoid misinterpretation, including 'language style' as described by Martin Joos and contextualizing 'Fury' as an American-British war movie. These definitions establish clarity and ensure that readers understand the foundational concepts guiding the research.
II. LITERATURE REVIEW
The literature review contextualizes the study within existing research on language style and sociolinguistics. It surveys various theories and definitions related to language style, emphasizing its significance in communication and the social implications of language use. The review also discusses previous studies that have explored language style in different contexts, establishing a framework for the current research.
2.1 Theoretical Framework
This section outlines the theoretical framework guiding the analysis, focusing on the classification of language styles as posited by Martin Joos. It underscores the relevance of these theories in analyzing dialogues from 'Fury', providing a structured approach to understanding language use in the film.
2.2 Language Style
The concept of language style is explored in-depth, discussing its role in successful communication. The section emphasizes the intentional selection of linguistic forms and the impact of context on language use, providing a comprehensive understanding of how style influences meaning.
2.3 Kinds of Language Style
This subsection categorizes the five types of language styles identified by Martin Joos: frozen, formal, consultative, casual, and intimate. Each style is defined and contextualized, preparing the reader for the subsequent analysis of how these styles manifest in 'Fury'.
2.4 Function of Language Style
The functions of language style are examined, highlighting how different styles can evoke social or artistic effects. This section discusses the implications of style choices on audience perception and engagement, reinforcing the importance of style in film dialogues.
2.5 Movie
This subsection defines what constitutes a movie, emphasizing its role as a medium for storytelling and communication. It contextualizes 'Fury' within the framework of cinematic narratives, setting the stage for analyzing its dialogues.
2.6 Related Studies
This section reviews previous studies related to language style, comparing their findings with the current research. It highlights the unique contributions of the study on 'Fury', particularly its focus on casual language style as the dominant form, differentiating it from other research.
III. METHOD OF THE STUDY
The methodology outlines the research design, data sources, and analytical techniques employed in the study. It emphasizes the qualitative approach taken to analyze the language styles in 'Fury', detailing the steps involved in data collection and analysis, ensuring a systematic examination of the film's dialogues.
3.1 Research Approach
A qualitative research approach is adopted to explore the language styles in 'Fury'. This method is suitable for analyzing the nuances of dialogue and understanding the social contexts in which these styles operate, providing a rich, descriptive analysis of the film.
3.2 Research and Data Source
The primary data source for the study is the 'Fury' movie, with dialogues transcribed from the film. The selection of characters and their interactions serves as the basis for analyzing language style, ensuring a comprehensive examination of the film's linguistic elements.
3.3 Research Instrument
The researcher serves as the primary instrument for data collection and analysis, utilizing a laptop for viewing and transcribing the film. This human-centric approach allows for an in-depth exploration of language style through careful observation and interpretation of dialogues.
3.4 Technique of Data Collection
Data collection involves several steps, including downloading the film, transcribing dialogues, and identifying instances of language style. This systematic approach ensures that the data is accurately captured and ready for analysis, facilitating a thorough examination of language use in the film.
3.5 Technique of Data Analysis
The analysis involves categorizing dialogues based on the identified language styles. The researcher employs a coding system to classify data, allowing for a structured analysis of the language styles present in the film, ultimately leading to insights about dominant styles and their functions.
IV. FINDINGS AND DISCUSSIONS
This chapter presents the findings from the analysis of language styles in 'Fury', detailing the types of styles identified and discussing their significance within the context of the film. The findings illustrate how language style contributes to character development and narrative progression, providing insights into the social dynamics at play.
4.1 Kind of Language Style in 'Fury' Movie
The analysis reveals four types of language styles present in 'Fury': formal, consultative, casual, and intimate. Each style is examined in detail, with examples drawn from the film to illustrate their usage and significance in character interactions.
4.2 The Dominant Type of Language Style in 'Fury' Movie
The findings indicate that the casual style is the dominant form of language style in 'Fury'. This section discusses the implications of this finding, exploring how casual language reflects the relationships among characters and the informal contexts of their interactions.
4.3 Discussion
The discussion synthesizes the findings, connecting them back to the theoretical framework established in earlier chapters. It reflects on how language style in 'Fury' enhances the narrative and contributes to character development, emphasizing the importance of sociolinguistic analysis in film studies.
V. CONCLUSION
The conclusion summarizes the key findings of the research, reaffirming the significance of language style in understanding character interactions and social dynamics within 'Fury'. It emphasizes the contributions of the study to the fields of linguistics and film studies, suggesting areas for future research.
5.1 Conclusion
The study concludes that language style is a crucial element in 'Fury', with casual style dominating the dialogues. This finding highlights the informal nature of interactions among characters and reflects broader social dynamics at play during the film's narrative.
5.2 Suggestion
The researcher suggests further exploration of language style in other cinematic contexts to deepen understanding of sociolinguistic dynamics in film. Additionally, future research could expand on the impact of language style on audience perception and engagement with film narratives.
VI.REFERENCES
The references section lists all sources cited throughout the thesis, providing a comprehensive bibliography that supports the research conducted on language style in 'Fury'. This includes foundational texts in linguistics, studies on sociolinguistics, and relevant literature on film analysis.
VII.APPENDIXES
The appendices include supplementary materials that support the research findings, such as transcripts of dialogues analyzed, additional data tables, and any relevant charts or figures that illustrate key points from the study.
Referensi Dokumen
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