THE ANALYSIS OF FIVE CODES ON THE CHRONICLES OF NARNIA-PRINCE CASPIAN BY C.C. LEWIS.

(1)

.=

TIIE

ANALYSIS

OF

FT!'E

CODES

ON

TIIE

CHROMCLES

OF

NARNU.

PNNCE

C4SPL4N

BY

C.S.

LEWIS

A THESIS

sundidad td

Ptdtal

Furuh.nr

to

rh.

R.qiQm

Jot

te

D.gt .

ol

VONNY

ARDIEL

05

t85

tri

ENGLISII

DEPARTMf,NT

-

FACTILTY

OF

LETTERS

ANDALAS

UNIVIESNY

(2)

ABSTRAK

Skipsi

ini

nsmbahas novel

flp

Chmni.l6 o!

Nornia

Printe

C.ryiun

karya C.S

t

wh. lenulis

akan m€ngnnalhis kodc-kode

,Mg

rcdapar

didalm

aksi-.ksid&

kankb

bkdh-bk.h

didaln

eit!

Tujwnya

sdabn

mnau.sbr)

m.kna dan

pcsn

didalm

cen6, baik

frrlM yrgdisnpaitd

lanesun8 abupun makn.

ydq

teismbunyi dibalik

erih

remebd

Pcnulis

nengguald

ro.i

Srulelise

?&

aizler'

ymg

dipdllNi

dan

dipopllelkr

oleh Roland

Barthes.'leori F,re

Cir&J tcMbni nmDunyd

lims kaGgori ebtr8ai

b€nkut

kode

hentruetik,

kode atsi. kode sin,bolik, kode konolasi,

do

k

de buday!. Sel€hh mensdElish kdJ€ kode _}anssdo pldo novel.

n.ka

p€nulis d:par

oenyimpulku

aplkan koJya

sNb

rc$bur

Eadert

(1cks

iclan

nmapa*d

smu

malru

shingga pemb.q

hanya

beBifal

*bagai

p€nditu)

ah

prtkrt

(1eks

y4s nqeudaB penbe

unbk

@gdulisis

lebih jaun.

kftna

reks ini beFifat

nenlembunyike

mat<m

dalm

cerirr).

Dai

hesil

oalhis

lima kode leNebut penul is dapal neny im pulkan bohwa

r.\.1

Ilt

chtuaihs

.f

NaniuP,itu

c6pr^

btb&

a4a1

ruaLi|

Ln.

dimana di dalam @rila

te6.bul

sB6

kcelmhd

pene@ne telah

m.m.pada

smua maha dari @rita Dismping itu

penulis

jusa

meremukan

tuu.ntu

viu !

t

dAm

eir4

kNna

p.nulis

ne,cnlld

adaya teka-bti

da

Derlalyen

yug ti'lat

teliawab di

(3)

CHAPTER

I

INTRODUCTION

l

l.

Thc Brckground of th€

R6e.rcl

Lil.ntd

is

hulfu

appEcidion

d

ex!resi.n

oi

life

which

uses

Lsguaac as

6enim.

Tlle hunan has expression prescnred

in lirqary

rork

such as

novel Novel h a

fictional

p@s

wtive

of

onsidenble

lqgth,

typic.tly

having

!

plol that is ulolded by

the

actions, speechj and

thou3hll

of

lhc

ln

rhG

rtsarch.

the writer

chsses

a

nar.\ Ihe

Chrcnicles

rt

Nomia Ptihce

CNpih

by

C.S.Ijeis. mis

novel

wls

sri!r!.

in

|rte 1949 and

fst

w6

published

in

1951.

Prrd

C,.?d,

is the sdond b.ok olsev€n

Ir? Crrcrt

Lr,/

/r'az;r

si6.

Th€

gdE

ollhis

novel is

far6y

fiction.

Fstasy liclion

outd b.

desfiib€d as sodcthing

dat

conbins rudinents rhat are not

Mtistic.

such

d

magical porer. alking

Mihrl,.t.

'Fdby

is onen ohaEoleridd by a

dcpatur fron

the accepred ruLs by

whicn individuals perceivc tne worid @und them; h represna

drt

whicn

k

impo$ible

(unexpldned)

$d

ouridc

rhc

paBmAeN

of

our

knowq

eality."

(Bunel

2009)

As

a

fanhsy

novel,

this novcl

pEsts

many lhemes such

s:

de

advene

oa.hirda

wlD play cennzl inrn lne unloldina hislory of lhe

ficti.mt

r*ln

of

Nmi4

!

pL@e wherc

sinal

&lks,

rhe

common

hasic

d

ihe

(4)

z

maior eleme$

oflhe

plor,

thmc.

.r

srtlng.

and

ale

are

p8clice'l

in

chriclc$.

''Moi

ldnesy

comes

fiom the

nythology

ol

thjs

and orh€r ancienl

civilizrions.'

_{lBenn€l 2009)}

The

Firer

rlso

linds a

shteme

in

ORACLE ThinkQuen

tibnr)

rh

r

"Thz

Chmn

le:

oJNmia-

PiM

adpi.,

novel has influenes

frod

CEk

'nd

Ccmanic nlthologies.

for

€xmple:

The prcscnce Cenbur orieinalcd in Creek

nl1hdd

D*an..hd\.,nEiuc-l.n

Cemrtr.n)

h

\1'u2,

This

iovelklls

about srory ofPrincc Caspian, who b€lievcs in otd

Nrmir

On€

d!y.

he is in dlnCer an,l then he

cspes

bnounbir.Thcrc

hc

rally

fi.ds

thc coudry

ofAnan.

country of the Waking Tto.s

ud

visible Naiads, ot Fauns

and

Sattd

ol Dwarfs

dd

Cilnrs, of the Cod and rh. Ce.huE,

olTolking

Boss.

Hc also meet! the Kingand Queen ofNamia

ollhe

Colde0

Agc.ln

hh advcnluE.

he

Hlirs

the

ho$ilily

batw@n Telmarine

ilne

peoplc

goup

who

invadei

Namian

al

ll00

ya6

b€foE) and Narnia (na8ic cRaturcs who living in

Nanir)

Caspirn wlnrs to make unilicalion

behlen Telmline

and Namia

in

the

futoE

with the helpsofHigh King Pcrcr, KinC _{Edmund, Queen}Susan md Queen Lucy.

'rhG _novei

deeibes

_{two kinds}

ol

_kingdon

ad

diile€nl

_{ctoduresr lney} are called

wilh

Telmarine and

Namian

Thd

Telndine k€ps

rhc

nory

abour Namian who is consideEd as a bad rnd stanee

crst!rc.

Msnwhile.

the Namian llves

dd

hi'les in the mountsii and does

notw

l

lo

show rhcm

slves

buus

they

$ink

rhat lhe

Telmrine

is da.Cetuus. The myst!ry bcrwden

tllmqine

an'l

(5)

Codes n\cory. This novel

h6

good

analqt cxp*sion

ard

$orytiic s

ch ss rhe

life of

Pebr,

SFn,

Edmund, and

Luct

sho

have position as Otd

Kingr

r

Qrcens

Naniasnd

childEn

ofPclcnsivc

in England.lt shows thar L\ey have

No

ditreEDt worlds which are

diffeEnt

in tncn lives.

Tiey

als

finJ

rhe

lelmoriE

and

Nmian. Mmaine

is lne

kinsdon

of

hma

ud

Namian is thc crcarurc

or

Cod which

diflcEnl

iiom

wih

hunm.

ln r,I1e Kingdom

ofNmi,

arbnduE

l-ion

Aslan

who

is

wne

o.'l

p.wciirl.

Thc Chronicles

of Nania

Princc Caspiai is

incre$ing

tha

rhe

kwis fi6t

b.ok,

bccause

it

h4

inEEsing

pto!

ed

s.ng

fdtlsy

evenrs.

In

addition.

il

conshls

ol

nany

settings.

The

$or}

haw

conpliaE!

plo1. The plot consisls ot so

Imy

ndh bek

srorics. Sq it

h

suiblre

r!

be anaLyzed

*iih

Strucluml

critic:sn

"Fiv€

CodeJ

theory,

b€aNc

ihc slory onsists

oliheaudrcfs

imagindesand unpredichble

rloryliN

lor rhe

radea

,_J

ln lileEry

*ork,

rcadeE arc lhe consumeN who

re

dnd

anslFe

lhe liteBry work.

Bu!

nol dll

li&rar]

wo*s

are

6y

ro b€

ude6(1id

by Lhe

@des.

ln

applling Stuctumlhm

approach, Fivo Cods

deory,

drc

wrir$

rn.lyz€s lhe

clde

and symbol

whi.h

build up the

libdry

work.

It

is rimen 10

gd

lhe easy undeBta.dins for the

@deft

by finding the n@nin8

otthc

siory. After

tha!

the

w.itlr

m

idenlillr !h€ srory whe&er it is a

teadeily

or

'wrirrly

bxr

Fivc

cod*

$eory

k

one

olludicial

criticism, hcduse lne aim

ollive

codes

ealtsk

is

b

judge

de

vslf

ollext

or work. Banhes in his

b.ok

S\Z

sid

lh.rc

are

No

Mys

in judeing rhe values

ofa

work.

They

ft

1a'lerly

aid

'wrierly' t

xt.

Rerdcrly

ten

is L5e

mai.g

ollnc

work

h6

b.en detemincd

(6)

work that

h6

io

be iderpretcd

b,

ihe

rerdeN

bsau$

ino

*ork

has

Hriols

Dminxs

(Kuniawan

1974 pD.l

t)

Tlcrc

are

nany

pEles,

connobtion

of

characteBj binary opp.sirion,

indi€rion

olrction.

and

cuhurl

relerences in n\e

sry

rhar

d

inbE$i'g

b

be anailzed wilh

rivc

Codcs rhcory. For

exdple:

€niena about thc rctum

.lih.

Old Kines

dd

Queens

b

Ndi2

rgrin.

the @rnobtion

ofl-ucy.

bina-y omosition

ol

bet

yal

md lolalry,

rhe aciion

olcdn,elius

to

sve

Prine

Caspia

ad

CtrhuBl Flerence the

nme

ol^slan.

Baed

on this cxplamtion.lhc

wdd k

inrEihn

b

Eis

rhs

titlq

The

Andlsis

of

Iiae

Cod6

aa

Th.

Chruzicte'

"f

Not"io-

ptirce

1,2.

Theld.nlificdiod

of

thelroblen

'lhe wirer

f@us

on

live najor

..dgs in rhe chtunictt:

oJ

Nu,io-r'ru.?r

(rarp,n

such as Hemencutic, Proairtticj Semic, Symbolic, md

Cultunl

.odes. The

wiler

ss

thd

thh novcl

hls

mdy

hidden mqnin8s and meseges in ihe

nory,

such

6

pule

ol plo!

rhc ncaning

of

aolio[

ncanine

olchftcftr\

binary opposition. md culrumlrclerenEs which build the

srlcture

olrhe

rrt

For thar

r*son.

rhc

$ird

u*s

RoLdd

Banh6 $cory

on .Five Cddes ro

obe*e

whar

inplicd

nhhA

ed

hesege.

connotdion

oi

chofur€i.

bidry

opposilion, indication bohind rhc acrion, and

oultuFlrelcrcne

oflica.]

Mrk.

(7)

CHAPTER

IV

CONCLUSION

li

dris

i6r

chopter rhe wrirer can m:ke su'nmary atio t rhe

s

lyiir

old(

novel

lhe

Chroniclcr

df Nrdia-Priicc C$pian'

by

C

S.

lt*k.

The

srirer

lnalFr!rhe

novel with live frajor codcs in StflcruBlism

lppr@h.ln

this rhesi!,

writcr has

ionr

pdinls in

di*using ftn

rv.iring.

lhe

fi^t

poin( de

wrirer analyzes inainsic

el.Denh

iD

l.ewis\

Dovel sdch as: rhcmc, chamcrer, setline, and plor. Thcrc

ft

major chaEcte6

in

$is

novel hav€ bu:ld the

thede.nd

rhc

sbry

line, and rhe

irtEstirg

rti,,E

d nnl

inagiiarioi.

Thc rhehc

olthc soD olThc

Chmnicles

olNanio

Princc CrspEn

k

tc

tu$tll

and

lolalry

beNcetr rhc onc ro anorher

rs

Ihe

cr{rlEs.rood"

The

tn6t oac.spian

who

b.licvc

with Old

Nania

d he

alily

ind

rlrcs., a

Lu.)

who belicve wirh

Aslln.

so he toally

meb

Aslu.

This lhdnc aboul

lovdry

olNamian

ro Caspian and Old _{Kines and Queens}

olNanria.

Thcn, rhc $cond

poin!

$e

wiler

analyzs

the tive major code! in

fiis

tu.y:

Hcmcnculic code, Scmic code- ttoairclic codc. Symb.lic cdde. and Culnrml codc.

\uddenLy move to Can Pdavcl (thc

fi^r

kingdom

ol

Perer

siblinet md

Nania

a8.ir

trh.t

Mppcn durine one year2 Why

llE

time b€rwen

Naoi!

&rd

&rglmd

Hcmcnclric

code hlks

ltx'ur

the

puzle

or

cnism

orque{ion

*hich

e

lound in the story. In

rlE

lory

thc

rrncr

finds

sme

qrcsions rhar

rri*

in

rie

slory, and makss lhc reads

c.nfurids

ad

looking

lbr $e

rnssc..

lhe

queslion

{ill

bc lnswcrcd

by thc lcxts

ir srlf

and also

lion

our

inrBrr'rehtjon. Thosc

(8)

arc

difcrcnl?

Why do tne

soldleu

drcp

$c

dwdl

int

lh.

s.,

sh3r

hp|Ei

bctarc?

Wh}

dnly Lucy

ould

see

Asld?

M€n$hib

h6

sibtilg

and Trumpkin could nor

*e

Aslln.

isOLd Namia

sl

or nor?

md

whol t$ppLnql in otd

Nmia?

Whar tupp€ned berqeen Old Namia and Telmarine?

Wh]

thc

Nabian

livine in hiding. Tfic next code is proaiEtic code.

Pnaiatic c{ie

htks about rhc indicatioi

of

&tion

in lhe story line.

ln

Princc

Cspian

$ry.

rle.crion

sno$

br

mont

ch.mcrcs.In

thk

dory the

*riler

linds thcrc ar. Mrioxsacrtons in rhis

rtsrNh.

as

lollo*i10

find

ouf.10

prove'.

to

prel.nd,10

$ve-

!o6krbrhclp,,,b

guidc'. Thc rhird

c.de

is synbolic code. h cdph$izes

r.

binary opp.strio!

lhrl

.u$orit]

in lhe

lexl

6

lollowiyoMg

and

ol4

benTyatand loratryj

mudeu

od

mu.dcrcd.Thclounhcodcissmiccoie Scmiccodede$dbcsrhccoinddiveot

the chaEcler rvhich innudnce

$e

narnrive

e.ry.

tn ltris anatl,sir the

wiEr

tinds connorative

olenc

chmcrer

in the slorr'. sdch

6:

Caspim :s

,failh,

Mimz is

'hedlcs'.

Ttumpkin

is

_{loyal ,}

Nikabik

is

urloyat .

fucy

k

.faillr',

ei

Lx{ror

Com€litrs

is-helptul

. Thc

h$

crie

is

culludl

c!de.

Ttr

cuttdrat code is pan or rtlerences

ol b.,odd ol

rhe slory which consideEd as common

tdgugc. Thoe

rferences Aive the influmce ro thc

tell'

Thcr

N

$vcnlcutruEtcodcs

influcnce in rhe

xory

such; lhc

$ry

ol

D*oif4d

ccnhur

is adopGn

fom

c.tunic

md

Crak mlioloey

add rhe name

ot,{slm

is

$me

llon

turkish

yord

tbr

tiof

which have pbnounced .,4.n./a, and in rhe _{slory Lewis describ.}

rhrl

_Astan

6

_a

(9)

BIBLIOGRAPHY

,\jm,

Mohmnad.

Nm*

of

thc

cNpiln

Ser

(ccogEpny of

Irtut

Ird

chanher

S@i€ly Press.2001 2010

<

rpJ/ndnchdrber.con/ecography/anic

bh>

Suday,

Au@$

1 5.

l0

t O

:

AI

Inroduclion to

Ln.s

q'rd

e!ll!!!!L:Ilr!qr.

Barbw,

Mandy.

Anslo

Saxon

jn

Brilain.

Woodlands

Junior

Schoot.

Huni

R.xi

Tonbndge

Ke

TN I0

4Btl.

<Inpr/$w.woodlrndsluior.kent.sch

uMlomework/saxontwhy.brnj

_>

January

2.20l0 5:i5

pM

Ba.!res. _{Roland. ElmetrLs}

ofSenioloR. Nev ydrk:

Hilt

and Wang. 1968.

Bcnnct

Stev.. Fantnsv F caion Cenre

Detnnion.2009.

<b{pll!rry&d!s!!!a!t!9!d>.

_June_14._20t_l)₉j45

AM

Manchesre.

Mrncheqer

lrn'!eu

_ry

PE$.2(]Oj.

Bo8dm,

Roberi

c

&d

Sri

Knopp

Bilkten.

Ouatihtivc

Resarcn

For Education:

An

Inaoducrion to

lneon md

Method.

UsA;A

yn and Bacan. tnc, rs82.