1
DAFTAR PUSTAKA
Bodhi, Bhikkhu, terj. The Connected Discourses of The Buddha:A Translation of
The Samyutta Nikaya. Boston: Wisdom Publications, 2000.
Diputhera, Oka, ed. Maha Parinibbana Sutta. Jakarta: C.V. Lovina Indah, 2003.
D. Stover, Richard , ed, The Guitar Works of Agustin Barrios Mangore Vol. 2
Bellwin-Mills Publishing Corp. All Rights Assigned to and Controlled by
Alfred Publishing Co,. Inc., 1977.
Fetis, Francois-Joseph. Biographical Notice of Nicolo Paganini: with an analysis
of his compositions and a sketch of the history of the violin. Michigan:
AMS Press, 1976.
Hanning, Barbara Russano. Concise History of Western Music. New York : W.W.
Norton & Company, Inc., 1988.
Koonce, Frank. Johann Sebastian Bach : The Solo Lute Works. California : Neil
A. Kjos Music, 2002.
Koonce, Frank. Renaissance Vihuela and Guitar in Sixteenth-Century-Spain. Mel
Bay Publications, 2010.
Sugden, John. Niccolo Paganini: Supreme Violinist or Devil’s Fiddler?. Neptune
City, N.J.: Paganiniana Publications, 1980.
Thompson, Oscar. The International Cyclopedia of Music and Musicians. Dodd,
Mead & Company, New York 1964.
Wade, Graham. A Concise History of Classical Guitar. Missiouri : Mei Bay
Publications, 1972.
Wade,Graham., Gerard Garno. A New Look at Segovia, His life, His Music: A Biography of the years 1893-1957. Segovia’s Classical guitar masterpieces by Narvaez, Frescobaldi, Bach, Scarlatti, and Sor, Michigan: Mel Bay Pub., 1997.
Wolff, Christoph. Johann Sebastian Bach The Learned Musician. Published in the