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AMBIGUITY AND FLOUTING OF GRICEAN MAXIMS IN

SEXUAL HUMOR FOUND IN CBS’

2 BROKE GIRLS

:

EPISODES 1-2 OF SEASONS 1-5

AN UNDERGRADUATE THESIS

Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra

in English Letters

By

NOVITA SARI

Student Number: 134214147

ENGLISH LETTERS STUDY PROGRAM DEPARTMENT OF ENGLISH LETTERS

FACULTY OF LETTERS SANATA DHARMA UNIVERSITY

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ii

AMBIGUITY AND FLOUTING OF GRICEAN MAXIMS IN

SEXUAL HUMOR FOUND IN CBS’

2 BROKE GIRLS

:

EPISODES 1-2 OF SEASONS 1-5

AN UNDERGRADUATE THESIS

Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra

in English Letters

By

NOVITA SARI

Student Number: 134214147

ENGLISH LETTERS STUDY PROGRAM DEPARTMENT OF ENGLISH LETTERS

FACULTY OF LETTERS SANATA DHARMA UNIVERSITY

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vii

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viii

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ix

ACKNOWLEDGEMENTS

I would like to express my gratitude to Jesus Christ for His endless love. I

believe without His strength and blessing, I would not be able to finish my thesis.

My humblest gratitude goes to my thesis advisor Arina Isti’anah, S. Pd., M. Hum.,

for her precious time in improving my analysis and her guidance in encouraging

me to accomplish my thesis on time patiently. I also would like to thank my

co-advisor Scolastica Wedhowerti, S.Pd., M. Hum., for her patience and helpful

advices.

The accomplishment of this thesis would not be viable without the support

from my humble dad, Drs. Icu Manggolo and my amazing mom, Martha Leviana,

S.E., Ak., CA, BKP, whose support and love are beyond compare. Thank you for

always believing me. A bunch of gratitude goes to my sisters-by-love, Stefani

Veronika and Sesilia Gisela for giving me many memorable experiences and

understanding me more than I do. I would like also thank Sony Christanto for

being the best partner-in-crime and teaching me good lessons in life.

Last but not least, I thank everyone whose name cannot be mentioned one

by one. Thank you for helping and supporting me during the completion of this

thesis. Thank you for the memories we share together. May God always be with

you.

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x PERSETUJUAN PUBLIKASI KARYA ILMIAH ...v

STATEMENT OF ORIGINALITY ...vi

A.Background of the Study ...1

B. Problem Formulation ...5

C.Objectives of the Study ...5

D.Definition of Terms ...6

CHAPTER II: REVIEW OF LITERATURE ...8

A.Review of Related Studies ...8

B. Review of Related Theories ...11

C.Theoretical Framework...21

CHAPTER III: METHODOLOGY ...22

A.Object of the Study ...22

B. Approach of the Study ...23

C.Method of Study ...24

CHAPTER IV: ANALYSIS (RESULTS AND DISSCUSSION) ...29

A.Expressions Containing Ambiguities and Flouting of Gricean Maxims in Creating Sexual Humor in 2 Broke Gilrs: Episodes 1-2 of Seasons 1-5 ...29

1. Ambiguity ...30

2. Flouting of Gricean Maxims ...32

B. The Way Ambiguities and Flouting of Gricean Maxims Create Sexual Humor in 2 Broke Gilrs: Episodes 1-2 of Seasons 1-5 ...35

1. Ambiguity ...35

a. Lexical Ambiguity ...35

b. Referential Ambiguity ...43

2. Floutings of Gricean Maxims ...50

a. Flouting of Gricean Maxims of Quanity ...50

b. Flouting of Gricean Maxims of Quality ...55

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xi

d. Flouting of Gricean Maxims of Manner ...59

CHAPTER V: CONCLUSION ...62

BIBLIOGRAPHY ...64

APPENDICES ...67

Appendix 1: Data for Lexical Ambiguity ...67

Appendix 2: Data for Referential Ambiguity ...72

Appendix 3: Data for Floutings of Maxim of Quantity ...74

Appendix 4: Data for Floutings of Maxim of Quality ...76

Appendix 5: Data for Floutings of Maxim of Relation ...77

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People react and enjoy humor. Not only can humor be found in everyday circumstances, but also in a sitcom. Humor has been an arresting topic to many researchers. According to Ross (1998: 63), the most enjoyed humor is related to taboo issues such as sex. Thus, this research focuses on sexual humor in CBS’ 2 Broke Girls: episodes 1-2 of seasons 1-2. Several strategies are used in order to provoke sexual humor. Ambiguous words are implied in order to create the sexual connotation to certain words. Moreover, flouting Gricean maxims can be one of strategies to provoke sexual humor.

There are two problems formulated in this study. The first problem lies on the ambiguous expressions and flouting of Gricean maxims found in the episodes of CBS’ 2 Broke Girls which imply sexual humor. The research data are categorized according to each type of classification. The second problem elaborates ambiguities and flouting of Gricean maxims in creating sexual humor to the episodes.

The data collection was done using a purposive sampling method which means the utterances not containing sexual humor would be discharged. For the analysis, this study used a semantic approach for analyzing the ambiguous expression. Moreover, a pragmatic approach is used for studying the floutings of Gricean maxims in the episodes.

The discussions are divided into two parts of strategies which are the use of ambiguity and flouting of Gricean maxims. First, twenty five expressions are found using ambiguity. For further examination, the expressions are classified based on three types of ambiguity, lexical, referential, and syntactical. Sixteen expressions are classified as lexical ambiguity, nine expressions classified as referential ambiguity, and no expression using syntactic ambiguity. Second, fourteen floutings of Gricean maxims are found to the episodes which are classified into four types of Gricean maxims. There are eight expressions which flout Gricean maxims of quantity, one expression flouting Gricean maxims of quality, two expressions flouting Gricean maxims of relation, and one expression flouting Gricean maxims of manner.

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ABSTRAK

SARI, NOVITA. AMBIGUITY AND FLOUTING OF GRICEAN MAXIMS

IN SEXUAL HUMOR FOUND IN CBS’ 2 BROKE GIRLS: EPISODES 1-2

OF SEASONS 1-5. Yogyakarta: Program Studi Sastra Inggris, Fakultas Sastra,

Universitas Sanata Dharma, 2017.

Orang merespons dan menikmati humor. Humor tidak hanya ditemukan dalam kehidupan sehari-hari, namun dalam komedi situasi (sitcom). Humor telah menjadi topik yang menarik bagi banyak peneliti. Menurut Ross (1998: 63), humor yang paling disenangi oleh sebagian besar kalangan adalah humor yang mengangkat isu tabu seperti seksualitas. Penelitian ini berfokus pada humor seksual dalam komedi situasi (sitcom) yang ditayangkan di CBS berjudul 2 Broke Girls, episode 1-2 dari season 1-2. Beberapa strategi digunakan sebagai pemicu humor seksual. Penggunaan kata taksa ganda yang mengimplikasikan konotasi seksual dan melakukan pelanggaran (flouting) prinsip kerjasama dapat menjadi salah satu strategi untuk menciptakan humor seksual.

Dalam penelitian ini terdapat dua rumusan masalah. Yang pertama berkaitan dengan kata taksa dan melakukan pelanggaran (flouting) prinsip kerjasama dalam episode 2 Broke Girls yang menyiratkan humor seksual. Hasil penelitian dikategorikan menurut tipe dari strategi yang digunakan. Yang kedua berkaitan dengan penjelasan kata-kata taksa dan pelanggaran (flouting) prinsip kerjasama yang menciptakan humor seksual.

Pengumpulan data tersebut menggunakan teknik purposive sampling

yang berarti bahwa tuturan yang tidak mengandung humor seksual tidak akan digunakan dalam studi ini. Studi ini menggunakan pendekatan semantik untuk menganalisis kata-kata bermakna ganda. Dalam studi ini juga digunakan pendekatan pragmatik untuk menganalisis pelanggaran (flouting) prinsip kerjasama.

Terdapat dua bagian diskusi sesuai dengan strategi yang digunakan. Yang pertama, terdapat 25 kata yang mengunakan kata taksa yang dikategorikan dalam tiga jenis, yaitu 16 kata taksa secara leksikal (lexical), 9 kata taksa secara referensial (referential) dan 0 kata taksa secara struktural (syntactical). Yang kedua, terdapat 14 pelanggaran (flouting) prinsip kerjasama yang diklasifikasikan menjadi empat jenis prinsip kerjasama, yaitu 8 tuturan yang melanggar (flouting)

prinsip kerjasama kuantitas (quantity), 1 tuturan yang melanggar (flouting) prinsip kerjasama kualitas (quality), 2 tuturan melanggar (flouting) prinsip kerjasama hubungan (relation), dan 1 tuturan melanggar (flouting) prinsip kerjasama cara (manner).

Berdasarkan hasil peneilitian disimpulkan bahwa episode 2 Broke Girls

menggunakan kata taksa dan pelanggaran (flouting) prinsip kerjasama sebagai strategi untuk menciptakan humor seksual. Penggunaan teori humor seperti ketidaksejajaran (incongruity), pertentangan (hostility), dan pembebasan (release)

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1

CHAPTER I INTRODUCTION

A.Background of the Study

People, as social human beings, talk to each other every day in every

occasion. Whether it is asking about time, talking about hobbies, or sharing

experiences, they communicate. They use language as their medium to

communicate and socialize with each other. By using language, they can exchange

information, knowledge, feeling, opinion, and many others. Language is an

essential property in human beings’ life since it is used to maintain interactions.

People do not always talk about their hobbies, experiences or business.

People sometimes also react to jokes and humor by laughing (Chiaro, 1996: 5).

According to Gruner, as cited by Schwarz (2010: 20), “Without laughter everyday

living becomes drab and lifeless; life would seem hardly human at all. Likewise, a

sense of humor is generally considered a person’s most admirable attribute.”

Referring to Schwarz’s opinion towards humor implies on how humor has special

place in human being’s life.

As cited by Raskin (1979: 326), Aristotle argues that humor as a symbol of

human fault, but not in a serious way. Moreover, one of many types of humor

which is considered more amusing among many others is sexual humor (Chiaro,

1996: 8). Chiaro’s argument is supported by Lesmana (2015: 50) by stating,

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according to Grunner, as cited by Lesmana (2015: 50), what makes sexual humor

become the most interesting is because of the combination of sex and aggression.

This study examines one of language phenomenon in social

communication, which is sexual humor. Studies on sexual humor have attracted

many researchers for centuries. A humor can be called as sexual humor due to

several words in the humor whose meanings lead to sexual connotations or

meaning. For instance, the verb ‘arouse’ can be interpreted more than one

meaning. According to the eight edition of Oxford Advanced Learner’s

Dictionary (OALD), there are four different meanings of the word ‘arouse’ and

one of its meanings has sexual connotations.

According to OALD (2015: 66), the first meaning of the verb ‘arouse’ is

‘to make somebody have a particular feeling or attitude’. The second meaning is

‘to make somebody feel sexually excited’. The third meaning is ‘to make you feel

more active and want to start doing something’. The last meaning is ‘(formal) to

wake somebody from sleep’.

The study of words which has more than one meaning or known as

ambiguous words can be analyzed using semantics. Semantics is the study of

meaning of words, phrases, and sentences. It focuses on how grammatical process

contributes to the literal meaning. According to Cicero, as cited by Attardo (1994:

27), one of the linguistic aspects in creating humor is by using ambiguous

expressions.

Considering the importance of language, people have to know the meaning

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exchange information properly. In order to conduct a communication activity,

four ingredients are required. They are users, messages, a code, and a signal

(Burton, Déchaine, and Vatikiotis-Bateson, 2000: 21). Basically, messages are

delivered by language users to each other by encoding messages into a signal. In

addition, to make communication work, language users have to cooperate with

each other. They have to transmit messages that are related to the context they are

engaged with in order to maintain a good cooperation. For example, there is no

misunderstanding which occurs during one’s conversation.

In conversation, there is an interaction between language users who are a

speaker(s) and a hearer(s). The study of how the meaning in the conversation

between the speaker and the hearer relates to the context they are in is called

pragmatics. Pragmatics discusses people’s intended meaning, their assumptions,

and their purposes (Yule, 1996: 4). In addition, to make communication work, the

speaker has to avoid ambiguous expression which can invoke to unintended

different meaning conveyed by the speaker.

The speaker and hearer should be able to cooperate with each other when

they are engaged in a conversation. Moreover, they are also required to give

adequate information to each other. Both speaker and hearer are expected to give

neither too much nor too little information. In order to be cooperative in a

conversation, a set of principles, named Cooperative Principle, to conduct best

contribution and effective use of language in conversation is proposed by Grice.

He also elaborates cooperative principle into four sub-principles, called maxims:

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In everyday life, however, there occurs many occasions where people do not

adhere to Gricean Maxims. When both speakers and hearers blatantly do not

adhere to Gricean maxims, yet they have no intention to mislead, it is called

flouting Gricean maxims. For instance, sometimes both speakers and hearers

obviously give too much or too little information required in the conversation.

Moreover, they also use ambiguous expressions in conversation which lead to

misunderstanding.

Humor can be found not only in everyday circumstances, but also in

television situational comedy (sitcom). Television sitcom deals with a small cast

of characters creating humorous situations in order to entertain the audiences. It

involves a story about someone’s trouble. According to Chiaro (1996: 7), sitcom

portrays people’s misfortunes which evoke laughter. The more detailed analysis of

this study is sexual humor content in a sitcom. Nowadays, the content of the

sitcom may vary. There are family, friendships, and also sexuality, however

western society consider dirty jokes (sexual jokes) more amusing (Chiaro, 1996:

8).

This study is also conducted to examine the contribution of ambiguous

expressions and not adhere of Gricean maxims to a sexual humor in a sitcom. The

sitcom used as the data is entitled 2 Broke Girls. 2 Broke Girls was first aired in

2011 until present. It has won People’s Choice Awards as Favorite New TV

Comedy in 2012.

2 Broke Girls, aired in CBS, is an American sitcom which tells about Max

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writer chooses this sitcom because most of the jokes uttered by the casts are

sexual humor and are created by using ambiguous expressions and not adhering to

Gricean maxims. Here, the writer tries to analyze the language strategies to create

sexual humor in the utterances of 2 Broke Girls’ casts.

B.Problem Formulation

In order to limit the subject of the discussion, there are two problems

formulated as follow:

1. What ambiguities and flouting of Gricean maxims are found in the

expressions containing sexual humor in the episodes?

2. How do those ambiguities and flouting of Gricean maxims create sexual

humor in the episodes?

C.Objectives of the Study

There are two objectives of this study. The first objective of this study is to

identify the utterances containing ambiguities and flouting of Gricean maxims

which are applied in the expressions containing sexual humor in 2 Broke Girls

Episodes 1-2 of Seasons 1-5. The second objective of this study is to explain how

those strategies are able to create the sexual humor in 2 Broke Girls Episodes 1-2

of Seasons 1-5. The more detailed examination to the second objective is by using

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D.Definition of Terms

In order to avoid misunderstanding, it is necessary to explain several key

terms used in this study. There are three significant terms that will be defined:

sexual humor, ambiguity, and flouting of Gricean maxims. Sexual humor can be

defined as humor which contains issues about sex. As cited by Lesmana (2015:

50), humor about sex is the most popular. The topic of sex is considered as taboo

for some people, thus humor implicitly uses sex in order to be a tool to educate

and smooth the nerves (Lesmana, 2015: 50). One of which stimulates the sexual

humor is ambiguous expressions by using one particular word that has sexual

connotations such word ‘banana’ and ‘cucumber’ (Ross, 1998: 65).

Ambiguity is one word which has more than one interpretation. It is

classified into three kinds of ambiguity which are lexical, referential, and syntactic

ambiguity. Lexical ambiguity occurs when one word carries more than one

meaning. The use of homonyms word often lead to lexical ambiguity. The word

such as the noun ‘bear’ which means ‘kind of animal’, and the verb ‘bear’ which

means ‘accept’ both are pronounced as /beər/. In order to understand the real

meaning, looking at the context is necessary. Referential ambiguity carries more

than one referring meaning. Meanwhile, syntactic ambiguity occurs when one

sentence gives more than one meaning.

Flouting of Gricean maxims occurs when a speaker blatantly fails to observe

Gricean maxims without any intention to mislead the hearer. There are four

maxims purposed by Grice which are maxims of quality, quantity, relation, and

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she/he flouts Gricean maxim of quality. Gricean maxim of quantity occurs when a

speaker answers either too much or too many information that is required. A

speaker flouts Gricean maxim of relation when the response expected by a hearer

is not related to the topic they are engaged to. Lastly, when a speaker responds

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8

CHAPTER II

REVIEW OF LITERATURE

A.Review of Related Studies

The review of related studies is taken from three previous studies

conducting the same topic. The first study is “The Violations of Conversational

Maxims of Cooperative Principle in Creating the Humorous Situation in the Thin

Blue Line Season 1 Episode 3: Honey Trap” which was conducted by Winata

(2012). In this study, Winata examines kinds of conversational maxim violations

in the conversation and how the violations of conversational maxims in sitcom

create humorous situation. The sitcom which is chosen for the data source from

which the data are taken is Thin Blue Line. The writer chooses this sitcom as the

object of the study because there is a relation between violations of conversational

maxim to humorous situation.

Based on Winata’s analysis, thirty four violations of conversational

maxims are found in the conversations that create humorous situation. Moreover,

the writer argues that to create humorous situation through violating

conversational maxims is by making the incongruent meaning or idea between

audiences’ expectation and what actually happens in the conversation, by showing

the feeling of hostility from some persons, and by making one person feels

liberated to talk about taboo thing.

Related to Winata’s study, this present study’s aim is also to examine the

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applies conversational maxim theory suggested by Grice which is the same theory

as used by Winata. In addition, the similarity of this present study to Winata’s

study lies on the data taken from utterances in a sitcom.

On the other hand, there are also some differences between two studies.

The first difference lies on the data source from which the data are taken. The data

used by Winata are taken from a sitcom entitled Thin Blue Line Season 1 Episode

3: Honey Trap. Meanwhile, the data of the present study are taken from the

conversations in a sitcom called 2 Broke Girls. The second difference is the aim of

Winata’s study lies on how violations of conversational maxims create the

humorous situation. On the other hand, the present study’s aim is to examine the

strategies used in creating sexual humor to the sitcom. The strategies used are

analyzed using semantic and pragmatic approaches. Thus, this study’s aim is for a

specific outcome.

The second study is “Investigating Lexical and Structural Ambiguity in the

Reader’s Forum Section of The Jakarta Post Newspaper” which was conducted

by Utami (2013). In this study, Utami examines ambiguity in mass media in the

Reader’s Forum section of The Jakarta Post newspaper. In this study, the writer

uses qualitative study and she examines words, phrases, and sentences of the data.

She finds fifty four ambiguities which consist of forty seven ambiguous words

and seven ambiguous phrases. In this study, the writer also classifies the

ambiguous lexical items to their part of speech.

According to Utami’s study, the mostly ambiguous lexical item used based

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by homonymy and polysemy. Utami’s undergraduate thesis can be related to this

recent study because this recent study also examines the ambiguous expressions.

Utami’s study contributes to the recent study on identifying lexical and structural

ambiguity to the data. However, between these two studies, the difference lies on

the data. The recent study uses the ambiguous expressions as the data which are

taken from conversations in an American television situational comedy entitled 2

Broke Girls.

The third study is “Humorous Situations Created by Violations and

Floutings of Conversational Maxims in a Situation Comedy Entitled How I Met

Your Mother” which was conducted by Amiana (2016). In this study, the writer

analyzes humorous situation which happens from violating and flouting

conversational maxims. The data taken for this study are the conversations which

occur in situation comedy entitled How I Met Your Mother Season 2 Episode 1 to

5. The writer identifies the types of violations and floutings of conversational

maxims which occur in the conversations between the characters in the sitcom. In

addition, the writer also examines how the humorous situation is created from

flouting conversational maxim.

In this study, Amiana uses pragmatic approach in order to analyze the

violations and floutings of conversational maxims in the sitcom. Moreover, humor

theory is used in examining the humorous situation which is created from

violating and flouting the conversational maxims. According to Amiana’s study,

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writer finds that there are three different ways of how the humorous situations

which occur.

Amiana’s undergraduate thesis can be related to the recent study because

the two analyze floutings of the conversational maxims in creating humorous

situation in a sitcom. However, there are the differences found between two

studies. The first difference lies on the data taken for the data source. In Amiana’s

study a sitcom entitled How I Met Your Mother is used as the data source. On the

other hand, the conversations in 2 Broke Girls are taken as the data source.

Moreover, the second difference is the recent study examines not only the

violations of the conversational maxim but also ambiguous expressions occur in

the data source. Thus, this study’s objective is more extensive than Amiana’s

study, for it analyzes not only floutings of Gricean maxims, but also the

ambiguous expressions found to the data.

B.Review of Related Theories 1. Semantics

Semantics is the study of morphemes, words, phrases, and sentence meaning

(Fromkin, 2000: 2006). One of the subfields in semantics is called lexical

semantics in which it covers the meaning of words and the relationship of each

word. According to Curse (1997: 1), lexical semantics is “fully reflected in

appropriate aspects of the relations its contracts with actual and potential context.”

In other words, in order to understand the meaning of a word, looking at the

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a. Ambiguity

Ambiguity is classified into three kinds, which are lexical ambiguity,

referential ambiguity, and syntactical ambiguity. Lexical ambiguity occurs when

two homonym words occurs in one sentence (Kreidler, 1998: 55). Homonyms are

words which are different but pronounced or spelt the same. According to

Victoria, Blair, and Collins (2000), words which are homonymous can create

ambiguity. Here is the example of homonymous words leading to ambiguity,

Example:

‘How is bread made?’

‘I know that!’ Alice cried eagerly. ‘You take some flour—‘

‘Where do you pick the flower?’ the White Queen asked. ‘In a garden, or in

the hedges?’

‘Well, it isn’t picked at all,’ Alice explained; ‘it is ground—‘ ‘How many acres of ground?’ said the White Queen.

(Victoria et al, 2000: 156)

In the example above, there is a conversation occurs between Alice and the

White Queen. The White Queen asks Alice about how the bread is made. Alice

answers by taking some ‘flour’ /flaʊɚ/ which is understood by the White Queen

as ‘flower’ /ˈflaʊ.ɚ/. The words ‘flour’ and ‘flower’ are homonyms because they

have same pronunciation. These words create lexical ambiguity because it can be

understood in more than one meaning.

Referential ambiguity occurs when “a speaker has one referent in mind for a

definite expression” (Kreidler, 1998: 151). For instance is the sentence ‘Mary told

June that someone visited her’ which the pronoun ‘her’ is ambiguous whether it

refers to Mary or June since both of them use the pronoun ‘her’. Likewise,

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meaning (Kreidler, 1998: 169). According to Kreidler (1998: 169), syntactic

ambiguity occurs when a sentence contains the coordinators ‘and’ and ‘or’ such as

John and Mary or Pat will go. In this sentence, the meaning can be [John and

Mary] as one team or Pat will go. In addition, this sentence can also be interpreted

as John and [Mary or Pat] will go.

2. Pragmatics

Pragmatics is the study of meaning in a speaker and a hearer communication

(Yule, 1996: 3). It focuses on how to make conversation work and how to use

language in order to relate to the surrounding context. Pragmatics is

context-dependent which means that to understand utterances, it cannot be understood

separately from the utterances’ the context.

According to Yule (1996:3), there are four meanings of pragmatics. First,

pragmatics is the study of meaning. This means that pragmatics is more than just

analyzing what people’s intended meaning is. Pragmatics also examines what the

words or phrases in those utterances might convey. Second, pragmatics is the

study of contextual meaning. This means that pragmatics includes the

interpretation of what people mean in a particular context and how the context

affects to what is said. Three, pragmatics is the study of how what is

communicated is more than is said. This means that pragmatics explores how

hearer can interpret the utterances in order to get the speaker’s intended meaning.

Four, pragmatics is the study of the expression of relative distance. This means

that pragmatics concerns with implicature or what is beyond between what is said

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From the definition mentioned by the linguists above, it can be concluded

that pragmatics is the study of utterances meaning in a particular context. Thus, by

understanding the study of pragmatics, “one can talk about people’s intended

meanings, their assumptions, their purposes, and the kinds of actions they perform

when they speak” (Yule, 1996: 4).

3. Context

According to Yule (1996: 3), pragmatics is the study of contextual meaning.

In order to understand what is being said by the speaker, observing the context the

conversation occurs is essential. Basically, there are three kinds of context to be

observed. The first is situational context which is “the immediate physical

co-presence, the situation where the interaction is taking place at the moment of

speaking.” (Cutting, 2002: 4). Here is the example of situational context,

Example:

A male lecturer from London is explaining a mathematical problem to a male pupil from London, named Berkam:

Lecturer : Forty-nine? Why do you say forty-nine? Pupil : Cos there’s another one here.

Lecturer : Right, we’ve got forty-nine there, haven’t we? But here there’s two, okay?

(Cutting, 2002: 4)

In the conversation above, it is clearly that the situational context is the

classroom. The words ‘there’ and ‘here’ are understood by them because they are

able to see the situation during the conversation.

The background knowledge context is divided into two types. The first one

is cultural general knowledge where is already carried by most people about areas

of life (Cutting, 2002: 5). The community of people who share same knowledge

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The other type of background knowledge context is interpersonal knowledge.

Interpersonal knowledge is mostly specific and refers about the speakers

themselves (Cutting, 2002: 5). For instance there are a woman and a man who

have been a colleague for 9 years. The man knows that the woman has married

and has a son. This interpersonal knowledge that the man knows about the woman

is required for their interactions toward each other.

4. Implicature

Implicature is a term used to define the meaning of beyond what is being

said, or when a hearer understands what is said to be what is meant (Thomas,

2013: 56). In the other words, implicature or conversational implicature is an

additional unstated meaning uttered by a speaker that has to be assumed by a

hearer. According to Yule (1996: 40-43), conversational implicature is classified

into two types which are generalized conversational implicatures and

particularized conversational implicature. The first type occurs when there is no

special knowledge needed in the context to understand the conveyed meaning. For

instance when A says “I see a beautiful dress”, the implicature is that the dress is

not A’s which if the dress is A’s, A would have be more specific by saying my

dress. The second type occurs when very specific context is required in order to

understand the conveyed meaning.

Example:

Leila : Whoa! Has your boss gone crazy? Mary : Let’s go get some coffee.

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In the example above, Mary’s response seem to flout the maxim of

relevance. Mary cannot answer the question in that context presumably because

the boss may be nearby. Therefore, Leila has to infer the implicature uttered by

Marry who makes non-relevant response.

5. Flouting of Gricean Maxims

Flouting of Gricean maxims occurs when the speaker blatantly fails to

observe the Gricean Maxim and does not have any intention to mislead the hearers

(Thomas, 1995: 65). They try to prompt implicature from their utterances.

Flouting of Gricean maxims are classified into four categories, which are as

follows:

a. Flouting Gricean Maxim of Quantity

In flouting Gricean maxim of quantity, a speaker blatantly says more of less

information than the situation required. Here is the example when a speaker flouts

Gricean maxim of quantity,

Example:

Petruchio has come to ask Baptisa for his daughter’s hand in marriage.

Pet : And you, good sir! Pray, have you not a daughter Call’d Katherina, fair and virtuous?

Bap : I have a daughter, sir, call’d Katherina.

(Thomas, 1995: 69)

In the conversation above, Baptisa’s answer by confirming that Katherina is

his daughter without mentioning fair and virtuous implies that he does not

concede her daughter’s qualities mentioned by Petruchio. Here, Baptisa flouts

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b. Flouting Gricean Maxim of Quality

When a speaker blatantly fails to adhere to Gricean maxim of quality, he/she

says something which is lack of adequate evidence. Here is the example when a

speaker flouts Gricean maxim of quality,

Example:

A is on train journey to her hometown. B is a fellow passenger who wants to talk to her:

B: Hi. What’s your name?

A: Michelle Obama.

In several circumstances, some people might give unwelcome attitude, for

example by giving obviously untrue response. In the situation above, A flouts

Gricean maxim of quality because she responses untrue answer showing her

annoyance.

c. Flouting Gricean Maxim of Relation

When the speaker ostentatiously fails to observe Gricean maxims of

relation, she/he expects “the hearers will be able to imagine what the utterances

did not say, and make the connection between their utterance and the preceding

one(s)” (Cutting, 2002: 39). Here is the example of the speaker, who flouts the

Gricean maxims of relation,

Example:

A : So what do you think of Mark?

B : His flatmate’s a wonderful cook.

(Cutting, 2002: 39)

In the conversation above, B’s answer does not have any relevance towards

A’s question by not mentioning Mark in the reply. Here, B blatantly fails to

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d. Flouting Gricean Maxim of Manner

In flouting Gricean maxim of manner, a speaker does not give brief answer

as expected by a hearer. He/she also responses with ambiguous expressions and

has inability to speak clearly. Here is the example when a speaker flouts Gricean

maxim of manner,

Example:

This interaction occurred during a radio interview with an unnamed official from the United States Embassy in Port-au-Prince, Haiti:

Interviewer : Did the United States Government play any part in

Duvalier’s departure? Did they, for example, actively

encourage him to leave?

Official : I would not try to steer you away from that conclusion. (Thomas, 1995: 71)

In the conversation above, the official flouts Gricean maxims of manner

because he/she does not answer briefly. The official could simply answer ‘Yes’,

however, his/her answer is obviously planned.

6. Humor

Many researchers have developed certain theory of humor for centuries. As

cited by Raskin (1979: 326), Aristotle argues that humor as a symbol of human

fault but not in a serious way. According to Attardo (1994: 271), “A large number

of jokes involve violations of one or more of Grice’s maxims.” In order word,

humor is created because the speakers do not adhere to Gricean maxims and fail

to observe cooperative principles.

The concept of what people find funny appear different to each person.

According to Mihalcea and Pulman (2007: 6), semantically, there are five

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vocabulary which is used to make reference to human-related scenario by using

the word ‘you’, ‘I’, or ‘we’. The use of these words is because of the frustration

coming from one’s behavior that provokes laughter. Second, humor often uses

negative words form such as ‘do not’, ‘cannot’, or ‘may not’. Third, in relation to

use negative words from, humor also contains adjective with negative meaning,

such as, ‘bad’, ‘illegal’, or ‘wrong’, and noun whose meaning has bad connotation

such as, ‘error’, ‘mistake’, or ‘failure’. Four, humor tends to make a reference to

certain professional communities or people such as lawyer or policeman. Last,

humor often associates with “weak” human moments, including nouns such as

‘ignorance’, or ‘stupidity’, and also verbs such as ‘quit’ or ‘steal’.

Theory of humor is classified into three different types. The first theory is

incongruity theory which focuses on the element of surprise (Ross, 1998: 7).

Thus, in jokes there are sometimes followed by words that are not expected or

also called as punch-line. In other word, punchline is occurred when what is

expected is different with what actually occurs in the jokes. The most obvious

language features found in such humor are ambiguity and not adhere to

conversational maxims. The second theory is hostility or superiority theory which

laughter arises from the result of being influenced by superiority (Attardo, 1994:

49). In other word, humor is used as a form of mockery. For instance, some

people laugh when they see someone slips on a banana skin. The last theory is

release theory which used as a release form of someone’s tensions (Attardo, 1994,

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According to Chiaro (1992: 8), in Western societies, sex is their universal

jokes. Sexual humor is considered amusing especially if the jokes are about

newly-weds or sexual initiation. However, sexual jokes may vary from culture to

culture. In many cultures, common sexual jokes involve male prowess and penis

size, and also seduction, adultery, cuckolded husband, and bodily functions

(Chiaro, 1992: 8-9).

As cited by Lesmana (2015: 50), sexual humor in America is categorized

into four categories. First is pure humor focusing on something astonishing.

Second is the use of innuendo in order to deliver taboo issues. Third is hostile

humor. Fourth is humor which contains intercourse in accordance with their

respective cultures.

Here is the example when the use of ambiguity has influenced in creating

sexual humor by implying both incongruity theory and release theory.

Example:

An English bishop received the following note from the vicar of a village in his diocese: “Milord, I regret to inform you of my wife’s death. Can you possibly send me a substitute for the weekend?”

(Krikmann, 2006: 34)

In the example above, a priest gets a note from the vicar of a village in his

diocese, saying that the vicar’s wife has passed away and he asked whether

someone can take his place for the weekend. However, looking at the context, one

can interpret this example as sexual jokes. The word ‘substitute’ itself brings

ambiguous expression to the example. Based on the context, the word ‘substitute’

is interpreted as someone to change the position of his wife who has passed away.

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vicar’s place in the church. Here, the punchline in the sentence ‘Can you possibly

send me a substitute for the weekend?’ which is unexpected. Thus, using

ambiguity and flouting of Gricean maxims can trigger sexual humor.

C.Theoretical Framework

There are four theories that will be used in this study. The theories will be

the guidance in answering the formulated problems stated above. First, the theory

of semantics is used in order to examine the sexual expressions in the utterances

of 2 Broke Girls’ casts which are ambiguous. The theory of semantics helps to

categorize types of ambiguities occuring in the utterances. Moreover, in order to

understand the meaning of the ambiguous expressions, it cannot be done in

isolation. Looking at the situational context or what actually occurs in the scene is

used in order to understand the underlying meaning of the utterances and not

‘trap’ to the ambiguous words.

The third theory used in analyzing the data is the theory of pragmatics

which is essential to study the failure of observing Gricean maxims, the theory of

pragmatics focusing on flouting of Gricean maxims is also required. This theory

will be beneficial to classify which Gricean maxims flouted by the speaker. Thus,

the theory of pragmatics is imperative to this study. Furthermore, using

implicature in pragmatics helps to understand what a speaker wants to say that he

or she flouts Gricean maxims to certain context. The theory of context is also used

in order to understand what happens in the situation the utterances occur. The last

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22

CHAPTER III METHODOLOGY

A.Object of the Study

The objects of this study are the utterances taken from the casts of 2 Broke

Girls: Episodes 1-2 in Season 1-5. The conversations taken as the data are only

expressions conveying sexual connotation. Forty four utterances are found from

the total of ten episodes used as the data object. The writer chooses episodes 1-2

in seasons 1-5 in order to verify that utterances containing sexual connotation in 2

Broke Girls are used in order to provoke laughter. Likewise, the writer studies the

strategies in creating the sexual humor in the conversations.

2 Broke Girls is an American television situational comedy series by

Michael Patrick King and Whitney Cummings aired on CBS. The story of 2 Broke

Girls takes place in Williamsburg neighborhood, Brooklyn. It is a story about

Max, a poor and sarcastic woman, and Caroline, who was born rich but is now

penniless because of her father’s Wall Street scandal. The story began when

Caroline was looking for a job and met Max, a waitress in a small diner at

Williamsburg, Brooklyn. Max feels sorry for Caroline’s life that is now breaks

into pieces; she lets Caroline live at her apartment. During the time, both Max and

Caroline become best friends bearing the same dream on making their own

business. They are struggling in making their dream business come to success by

owning Max’s homemade cupcakes. 2 Broke Girls first aired was in September

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The aim of this study is to examine the expressions which convey sexual

connotation in order to provoke laughter. In order to answer the first problem

formulation stated above, the use of strategies in making sexual humor in 2 Broke

Girls is examined further using semantic and pragmatic analyses. The theory of

semantics is applied to examine the data which is the use of ambiguous

expressions in making the sexual humor in the conversation. Moreover, the theory

of pragmatics will be used in analyzing the ambiguous expression occurs in

conversation by also observing the context they are engaged with. Further

examination will be conducted by using Gricean maxims to classify the

non-observance utterances said by the speakers in the episodes.

B.Approach of the Study

The focus of this study is to analyze the ambiguous expressions occur in the

utterances in 2 Broke Girls: Episodes 1-2 of Seasons 1-5. The first approach

applied in this study is semantics. Semantics is the study of the meaning

morphemes, words, phrases, and sentences. Theory of semantics is used in order

to see the lexical meaning of the ambiguous expressions which convey sexual

humor. Eventually, understanding the ambiguous expression cannot be done in

isolation. Therefore, in order to understand the intended meaning of the

ambiguous expressions, looking at the context the utterances occur is beneficial.

The second approach is theory of pragmatics which is used in order to only

analyze the utterances of the characters in 2 Broke Girls leading to sexual humor.

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focusing on the Gricean maxims, in order to study and classify which utterances

have flouted the Gricean maxims as the tool to make sexual humor in 2 Broke

Girls.

C.Method of the Study

The study is conducted under two necessary procedures which are data

collection and data analysis. Data collection is the steps of how the data are

collected for this study. Data analysis is the final step of this study to discover the

findings of this study.

1. Data Collection

A qualitative method was used in this study in order to answer two problem

formulations listed above. According to Kuntjara (2006: 2), “In conversation

analysis, the use of qualitative methods can uncover and understand why an

interlocutor utters a certain speech act, and what possible meanings lie behind it.”

One of the most used techniques in qualitative method is a purposive sampling. In

purposive sampling, the data taken are only the selected data which are suitable

for the purpose of the study. Hence, the qualitative method was executed in order

to only analyze the utterances of the characters which convey sexual humor.

There were several procedures in collecting the data. The first step was the

writer searched the script of the conversations of 2 Broke Girls in the internet

(www.springfieldspringfield.co.uk) in order to understand the conversation more

clearly. The second step is to collect the data which are episodes 2 of seasons

(38)

according to Litosseliti (2010: 96), “Sampling, balance, and representative are key

theoretical concepts in corpus concept.” It means that in order to verify that most

of the episodes in 2 Broke Girls portray sexual humor using several strategies,

which later were analyzed in this study, it was required to collect the data in

equally balanced.

The next step was the writer read the scripts while watching the sitcom in

order to understand the context the utterances engaged with. By looking at the

context, it helped in analyzing the meaning of ambiguous expressions said by the

casts.

The fourth step was the writer highlighted which conversations reflected

sexual humor and listed in by its seasons. This step helped the writer to specify

the study only to the utterances which conveyed sexual humor. The fifth step was

to classify the data findings into the strategies used in making the sexual humor.

Last but not least, after categorizing the strategies, the writer analyzed the data

using semantic and pragmatics approaches.

2. Data Analysis

In order to utilize the data into a further examination, this study applied

contextual meaning at every sentence containing sexual humor uttered by the

characters. Due to its contextual meaning, examining the data could not be done in

isolation. To understand the meaning of the word or sentence which conveyed

sexual humor was required not only from the dictionary meaning but also the

context the conversation taking place. The dictionary used to study the meaning of

(39)

(OALD) and urbandictionary.com. The main aim of examining the sentences

further by using contextual meaning was to understand the characters’ intended

meaning by saying ambiguous expressions.

Related to the second problem in this study, semantic and pragmatic

approaches were used in order to examine the strategies used to provoke sexual

humor in 2 Broke Girls. Semantic approach was used to study the ambiguous

expressions found in the data. Likewise, pragmatic approach purposed by Grice

was used to analyze the utterances which flouted the Gricean maxims in order to

cause sexual humor to the episodes. The analysis began with listed down the

expressions which conveyed sexual humor. The analysis continued with

classifying the expressions found based on the strategies they were used.

After classifying the data taken from the episodes, the last step was given a

code to the data. The encoding of the data in this study is elaborated below:

a. The code from the number of the data

The data was numbered 01 as the code. The numeral code was given

based on each strategy.

b. The code from the number of the season

The data was coded based on the season of the occurrence of the

utterances. The data was given S1 as the code which was read as Season

1.

c. The episode the utterances occurred

The utterances which were used as the data were given E1 as the code

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d. The types of strategies used in the utterances

The data were classified based on their strategies. The data will be given

Amb as the code when the strategies used was Ambiguity. Likewise,

the data were given Flo as a code which was the abbreviation of

Flouting.

e. The types of ambiguity that occurs to the data

Each type of the ambiguity was abbreviated as follows:

i. Lex was the abbreviation of Lexical Ambiguity.

ii. Ref was the abbreviation of Referential Ambiguity.

iii. Syn was the abbreviation of Syntactic Ambiguity.

f. The types of Gricean maxims flouted by the characters in the episodes.

Each type of the Gricean maxims was abbreviated as follows:

i. Quan was the abbreviation of Gricean maxims of Quantity.

ii. Qual was the abbreviation of Gricean maxims of Quality.

iii. Rel was the abbreviation of Gricean maxims of Relation.

iv. Man was the abbreviation of Gricean maxims of Manner.

Here is the example of the code:

01/S1/E2/Amb/Lex

The code above was read “the data is number one in Season 1 Episode 2

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01/S2/E1/Flo/Quan

The code above was read “the data was number one in Season 2 Episode 1

and the strategy used was flouting of Gricean Maxims and the type of Gricean

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29

CHAPTER IV

ANALYSIS RESULTS AND DISCUSSION

This chapter will be divided into two parts of analysis. The first part of the

analysis lists the expressions which lead to sexual humor in the conversation

between the casts of 2 Broke Girls: episodes 1-2 of seasons 1-5. The first part of

the analysis answers the first problem formulation of the study.

The second part of the analysis portrays the occurrence of strategies used in

creating the sexual humor. This part discussed the type of ambiguities and

floutings of Gricean maxims which is to show how the ambiguities and floutings

create sexual humor in the episodes of 2 Broke Girls. The second part of the

analysis answers the second problem formulation of the study.

A.Expressions Containing Ambiguities and Floutings of Gricean Maxims in Creating Sexual Humor in 2 Broke Girls: Episodes 1-2 of Seasons 1-5

This part discusses the expressions uttered by the casts in 2 Broke Girls:

Episode 1-2 of Season 1-5 which provoke to sexual humor. The strategies used in

the episodes are ambiguities and floutings of Gricean maxims. Here are the

expressions containing ambiguities and floutings of Gricean maxims in creating

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1. Ambiguity

One of the strategies used in 2 Broke Girls in order to provoke to sexual

humor is by using ambiguous expressions. Ambiguity is classified into three

different kinds which are lexical ambiguity, referential ambiguity, and syntactic

ambiguity. Based on the data findings twenty five expressions are found using

ambiguous expressions to create the sexual humor. The types of ambiguities used

in 2 Broke Girls: Episodes 1-2 of Seasons 1-5 are lexical, referential, and syntactic

ambiguity. The percentage of types of ambiguity that occur in characters’

utterances in 2 Broke Girls: Episodes 1-2 of Seasons 1-5 is presented in chart 4.1.

as follows.

Chart 4.1. Types of Ambiguities

The chart above shows that the kind of ambiguity mostly used in the

episodes is lexical ambiguity. There is 64% of lexical ambiguity used in the

episodes in order to create sexual humor. Further, there is 36% of referential

ambiguity and 0% of syntactic ambiguity used in the episodes. The expressions

which are ambiguous and convey sexual humor are displayed below based on the

types of ambiguities they are classified to.

64% 36%

0%

Lexical Ambiguity

Referential Ambiguity

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Table 1. Ambiguities Found in 2 Broke Girls: Episodes 1-2 of Seasons 1-5

2. You're getting me wet. Lexical Incongruity Release

guy is on his back and for the fourth time. Lexical

Incongruity Release

12. Max, the guy is coming right now. Lexical Incongruity Release

13. I don't want to hear anymore about that

guy's hole! Lexical

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18.

Oh, my God! A black American express card? I haven't held a black one in my hands in years.

I would've guessed you hadn't held a black

one ever.

Referential Incongruity Release

19.

We have no big expectations about the opening tonight. It's a soft opening.

Referential Incongruity Release What's the difference between a soft one

and a hard one?

20.

Delicious, homemade artisan bread. At first, I was reluctant to put something so big in my mouth. But the hot butter drizzling down my chin was my sticky reward.

Referential Incongruity Release

21.

Just squeeze some out and put it on the

parts that we need to move. a minute and breathe. And I'm sure I can take it all in.

Max, the guy is coming right now.

Referential Incongruity Release That's the first time anyone's ever been

polite enough to announce that to me.

Yeah, hilarious, sex is messy.

25.

I can't turn it on.

Referential Incongruity Release Well, drop your towel and tell it has a big

nozzle.

2. Flouting of Gricean Maxims

In order to make sexual humor in the casts’ utterances in 2 Broke Girls, not

only does it use ambiguous expressions, but also flouting of Gricean maxims.

Flouting of Gricean maxims occurs when a speaker blatantly fails to observe

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Gricean maxims is classified into four types. They are flouting Gricean maxims of

quantity, flouting Gricean maxims of quality, flouting Gricean maxims of relation,

and flouting Gricean maxims of relation. Based on the data findings, twelve

expressions flout Gricean maxims are found. The percentage flouting of Gricean

maxim types that occur in characters’ utterances in 2Broke Girls: Episodes 1-2 of

Seasons 1-5 is presented in chart 4.2. as follows.

Chart 4.2. Types of Flouting Gricean Maxims

The chart above shows that type of Gricean maxims mostly flouted in the

episodes is quantity. 67% flouting Gricean maxims of quantity, 8% of flouting

Gricean maxims of quality, 17% flouting Gricean maxims of relation, and 8%

flouting Gricean maxims of manner occur in the episodes. The utterances flouting

Gricean maxims and provoke to sexual humor are displayed below based on each

type they are categorized to.

67% 8%

17% 8%

Flouting Gricean Maxims of Quantity

Flouting Gricean Maxims of Quality

Flouting Gricean Maxims of Relation

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Table 2. Floutings of GriceanMaxims Found in 2 Broke Girls: Episodes 1-2 of Max We've known each other two days and

you're already asking for back door?

2.

Oleg Caroline, did you think Sophie and I were exclusive?

Quantity Incongruity Release Caroline Well, you have stopped showing us

your penis.

5.

Caroline Look. Look, Earl, we're wearing our "Max's homemade cupcakes" t-shirts again. See the logo?

It's the only thing we have in common.

7.

Max You mean the lube?

Quantity Incongruity Release Caroline Can we please call it make-up

remover? Please! I need us to do that.

8.

Caroline Have you been in there this whole time?

Quantity Incongruity Release Max I got out to pee a couple times. Then I

didn't get out to pee a couple times.

9.

Costumer Excuse me, where's my waitress?

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10.

Robie I'm Robbie.

Relation Incongruity Release Caroline I'm uncomfortable. You're getting me

wet.

11.

Max Ooh! Late night phone call. Ring-a-ding-dang. Someone's gonna get their

freaky freak on. Relation Incongruity Release Caroline It's my father.

12.

Caroline Oleg, come to the bed. I need you!

Manner Incongruity Release Oleg All right! Only took you four years,

but I'm here, baby.

B.The Way Ambiguities and Floutings of Gricean Maxims Create Sexual Humor in 2 Broke Girls: Episodes 1-2 of Seasons 1-5

This part discusses the ways the ambiguities and flouting Gricean maxims in

2 Broke Girls: Episode 1-2 of Season 1-5 use to provoke sexual humor.

1. Ambiguity

Twenty five expressions in 2 Broke Girls: episodes 1-2 of seasons 1-5 are

found using ambiguity. The data are classified based on each type of ambiguities.

Sixteen expressions of lexical ambiguity, nine expressions of referential

ambiguity, and zero expression of syntactic ambiguity are found in the episodes.

The more thorough elaboration of each type is as follows.

a. Lexical ambiguity

Lexical ambiguity occurs when two words of homonym are in the same

sentence. Based on the data findings, in the episodes of 2 Broke Girls, sixteen

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highlights five examples of lexical ambiguity creating sexual humor in 2 Broke

Girls episodes.

The first example is taken from episode 1 of season 1 in 2 Broke Girls.

Data Code Context Speaker Utterances

Max finds out

Costumer Excuse me, where's my waitress? Paulina (Screams from back room) Max (Laughing) She's coming.

The situation in the conversation above takes place at Williamsburg’s diner

where is Max’s working place. In the situation above, Caroline has not come yet

and Max works with Paulina. In the situation above, Max looks for Paulina

because Max needs some horseradish and she finds Paulina is at the back of the

rack.

From the scene, it is assumed that Paulina is having sexual intercourse at the

back of the rack because there is a ‘shaking movement’ from where Paulina’s

voice can be heard. After finding out the fact that Paulina is having sexual

intercourse, Max continues working and suddenly a costumer asks her where his

waitress is which the one he refers is Paulina. Max responses the costumer by

saying that ‘she’s coming’.

From this situation, the word ‘coming’ is considered as lexical ambiguity

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expression lies on the homonymous word. The word ‘come’ pronounces and

spells the same conveying different concept of meaning. Based on the eight

edition of OALD (2015: 282-283), there are eleven different meanings of the

word ‘come’. The discussion of the meaning of ‘come’ will be taken as the one of

which is more suitable to the context, they are:

1) to move to or towards a person or place

2) to arrive at or reach a place

3) to have an orgasm

From the customer’s intention, he asks and expects a waitress to move to his

position. However, if we understand the previous action, the waitress asked by the

customer is having a sexual intercourse. It can be seen from the Paulina’s

utterances and also looked from the scene. However, Max’s answer is different

from the customer’s expectation. Since ‘she’s coming’ does not literally mean

Paulina is coming, the word ‘coming’ refers to Paulina’s orgasm that is coming,

due to the state of her reaching an orgasm after a sexual intercourse. From this, we

can understand that what Max means by ‘coming’ is different from what it is

supposed to be, which is move towards the speaker, in this case, customer.

The use of lexical ambiguity in word ‘coming’ creates sexual humor to the

utterance because of the implementation of incongruity theory and release theory.

The punchline uttered by Max ‘She is coming’, is ambiguous and brings taboo

issue which is sex.

The second example of lexical ambiguity is taken from episode 1 of

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Data Code Context Speaker Utterances

Robie, not wearing shirt, flirts with Caroline.

Robie [put off his cloth] No, I... I got it. Caroline Oh, okay.

02/S1/E1/ Amb/Lex

Robie I'm Robbie.

Caroline I'm uncomfortable. You're getting me

wet.

Robie That's the point.

The situation above takes place at Max’s apartment. It is the first time

Caroline comes to Max’s apartment. When Caroline washes her uniform at the

sink, Robie walks out from the bedroom. Both of them do not realize that there is

someone beside them in the room. The time Caroline sees Robie, she amazes at

Robie’s appearances. Further, Caroline does not realize that the water in the sink

almost full and gets her a little bit wet. Robie initiates to put off his shirt and gives

it to Caroline and Robie introduces himself. However, when Robie tells his name

to Caroline, Caroline responds by saying that Robie makes her wet.

The word ‘wet’ in the utterances above is classified as lexical ambiguity

because it can be interpreted more than one meaning. The lexical meaning of the

word ‘wet’, according to OALD (2015: 1691) is “covered with or containing

liquid, especially water.”. However, the word ‘wet’ in this situation comes from

the word ‘wet dream’ which according to OALD (2015: 1692) means “a sexually

exciting dream that a man has that results in an orgasm”.

Looking at the context, both Caroline and Robie happen to be in the same

situation. Thus, the second meaning of ‘wet’ is understood by Robie. It can be

seen from Robie’s answer says ‘That’s the point.’ It implies that he intentionally

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The lexical ambiguity in the word ‘wet’ is used in order to create sexual

humor to the episodes. It follows theory of humor as the markers which are the

theory of incongruity and release. The punchline ‘That’s the point’ said by Robie

is unexpected which uses incongruity theory and the use of the word ‘wet’ which

has sexual meaning follows release theory which discuss taboo matter.

The third example of lexical ambiguity is taken from episode 2 of season 1

of 2 Broke Girls.

Data Code Context Speaker Utterances

03/S1/E2/ remembered I didn't have any money on me. And then I remembered I didn't

time to work. The word ‘late’ in Max’s utterance is classified as lexical ambiguity

since it conveys more than one meaning. It is caused by the use of homonymous

word which what is meant by Max has different meaning with lexical meaning of

the word ‘late’. According to OALD (2015: 838), the word ‘late’ means “near the

end of a period of time, a person’s life, etc”. Max says that Caroline cannot be late

again which means that Caroline should come on time next time. However, the

next utterance says that Max is already worried that she is also late every month.

The word ‘late’ in the second utterance does not convey the same meaning as the

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Looking from the context from the situation above, the word ‘late’ in the

second utterance is mostly understood by Max and Caroline as pregnant. The

word ‘every month’ helps to conclude the second interpretation of the word ‘late’.

Max is a girl who always has her period every month. Moreover, when someone’s

period does not come on time she is probably pregnant. This conclusion is

understood by looking at the cultural general knowledge context which most

people have already known about, including them.

The use of lexical ambiguity in word ‘late’ follows the theory of

incongruity and release theory where the punchline ‘Well, you can't be late again.

I'm already worried about me being late... every month.’, is unpredictable and

surprising and it leads to taboo issues regarding to sexual intercourse that leads to

pregnancy.

The fourth example of lexical ambiguity is taken from episode 1 of season 2

of 2 Broke Girls.

Data Code Context Speaker Utterances

05/S2/E1/ Amb/Lex

Max knows that

Caroline has done sexual intercourse.

Caroline So did we, I broke my hymen getting

that thing.

Max Is that why it's called a loving cup?

The situation above takes place in the Channings’ auction event. In this

event, all valuable things belongs to the Channings are auctioned; one of those is

Caroline’s cup which she gets when she wins horse riding. Caroline and Max have

Gambar

Table 1. Ambiguities Found in 2 Broke Girls: Episodes 1-2 of Seasons 1-5 Type of Marker of
Table 2. Floutings of GriceanMaxims Found in 2 Broke Girls: Episodes 1-2 of Seasons 1-5

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