PRETTY BOY FLOYD: A NOVEL BY LARRY
AND DIANA OSSANA MCMURTRY
PRETTY BOY FLOYD: A NOVEL BY LARRY AND DIANA
OSSANA MCMURTRY PDF
Download: PRETTY BOY FLOYD: A NOVEL BY LARRY AND DIANA OSSANA MCMURTRY PDF
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PRETTY BOY FLOYD: A NOVEL BY LARRY AND DIANA
0 of 0 people found the following review helpful. Four Stars
By Alan R. Hill None
0 of 0 people found the following review helpful. Oklahoma Knew Him Well
By Alfred Johnson
Yes, I am on a roll in reviewing Larry McMurtry inspired works (this one is co-written with his fellow screenplay writer Diana Ossana), although the subject of this presentation, the tale of Pretty Boy Floyd the Oklahoma dustbowl outlaw from the Depression-era 1930's, has always had a certain personal appeal unlike some previously reviewed McMurtry anti-heroes. The name Pretty Boy Floyd is well known to me from my youth listening to Okalahoma- born Woody Guthrie on a folk music program that I tuned into on the radio in the early 1960's. The tale that Woody told played into (and still plays into) my attraction toward Robin Hood-type figures (whether truly so or not) as part of the American struggle against the old time capitalist bosses and their bankers. Take this line - "Some will rob you with a six-gun, some with a fountain pen". Sound familiar today?
Of course the reality, as the plot in this book makes abundantly clear, is that these so-called heroic figures tend to either have feet of clay or have been glorified through sheer "trade-puffing" publicity agents, voluntary or otherwise. Nor is Pretty Boy alone in that category. On a scholarly level the late British Marxist historian Eric Hobsbawn spent the early part of his professional career investigating these types in his seminal work, Primative Rebels, and in other sociological monograms on the subject of social bandits. But enough of the scholarly because what our two authors have attempted to do here is to take a little away from that heroic notion and tell the tale as it more probably happened- including the boredom and monotony of everyday life even for well-known outlaws.
style, like this one, naturally lends itself to embellishments of the truth, wild assumptions & a good few gross exagerations. This one is no exception. The fact that certain characters' feelings & thoughts in their final moments of their death throws, are clinically & vividly described, says it all. Bottom line with Charley Floyd is that he thought himself too good to become a poor farmer & proved himself incapable of success at any other activity, legal or illegal. He was a thieving, violent, adulterous & under-achieving cry-baby, who, as we see from his choice of cranky, miserable & homicidal side-kicks (Birdwell excepted), was also an awful judge of character. The author however, paints him in such tender tones, that when Pretty Boy's tacky, unsuccessful life of crime comes to it's predictible violent close, I am half expecting to read in the book's Epilogue, of his elevation to sainthood. His great gifts were his good looks & his immense charm, especially with women. What a shame he didn't move West to take part in the then burgeoning Hollywood film industry, or even try his hand as a door-to-door saleman. He was an absolute natural for either. Be that as it may, the narrative style is racy & exciting. The chapters are short, making this a very undemanding, entertaining bed-time read. Sadly, the flimsyness of the content is likely to leave you real hungry in the morning!
PRETTY BOY FLOYD: A NOVEL BY LARRY AND DIANA
OSSANA MCMURTRY PDF
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