،ناﺮـﻬﺗ ,. 2011), The Cognitive Semantics of the Quran, Tehran, Islamic Culture and Thought Research Institute, [in Persian]. Content Analysis of Picaresqe Features in Mohammad Shokri Trilogy.: Journal of ADAB-E-ARABI (Arabic Literature) (Scholarly) Vol. Picaresqe Stories; it is the story of their adventures and their sufferings and dangers, and so they are often written in the form of true autobiographical stories from the point of view of a conscience in the first or third person.
Mohammad Shokri has also used this narrative style to reflect the society of the Moroccan and Arab world and its deteriorating situation in her works. The main purpose of this article, which is written in a descriptive – analytical method, is to analyze the content features of Picaresqe in the novels “AL-Khobz AL-Hafi, AL-Shottar and vujooh”, known as the Shokri trilogy. This trilogy tells the story of Mohammad Picaro from beginning to end and, through the author, provides an insight into the problems of the disadvantaged and lower classes of Moroccan society at that time.
The findings suggest that the content characteristics that place Shokri's trilogy in Picaresqe's novel are critical realism, the protagonist's journey and confrontation with various events, poverty and the need for a protagonist, unemployment, migration and absurd adventures. Because literary works generally arise from the cultural, social and economic conditions of society and have a deep impact on people's lives, and Shokri's trilogy is written in the same way, so the treatment of this issue can reveal to the reader many aspects of Moroccan society at that time.
باج ةیدلاخا
الله
1997), Modern Literary Criticism, Cairo, Dar Nahdat Misr. 1997), “The textual structure of the biography of liberation from coercion”, Beirut, Dar Al-Saqi. Considers social and considers it as a social structure and tries to discover social inequality and the negative points of the dominant discourse and how to redefine the meanings and content of the audience and explain the poet's ideology. considers the text of the poem as a socio-political discourse and views it as a social structure that creates its own discourse through the superstructure elements of language and attention to the context of the dominant discourse in society. He considers the literary work as a kind of action that is socially constituted and instead of considering it as a kind of ideal and aesthetic harmony, he considers it as an example of a variable literary institution characterized by words, indexing, syntactic constructions, rhetorical applications, including metaphor and metaphor, polarize and break the hegemony of the dominant discourse, reflecting the unequal distribution of power in contemporary society.
As a result, it became clear that the poet in this poem relies more on alienation to show the face of Israel and other colonialists and internal enemies (the Arab ruler) to the people of his community and to institutionalize the ideology of the struggle in the minds of the audience. he tries to focus the audience on the reality and the world that exists, not the world that the poet wants to create. discourse analysis, language, power, society, ideology, Van Dijk. Semantic Analyzes of the Concept of Social Justice in the Holly Quran (Research Topic: Collocations): Journal of ADAB-E-ARABI (Arabic Literature) (Scientific) Vol. Collocation is one of the means of semantics that can be used to study meaning accurately by conversational analysts.
Collocation means that the current line collocation is related to the possibility of the units coexisting to create extended units. Ragheb Esfahani, (1992), Vocabulary of the words of the Qur'an, Safwan Adnan Davoudi`s research, Damascus, Dar al-Qalam. Meaningful use of the view in the cinematic compositions of the novel 'I Lead You to My Other' by Aicha Arnaout.
Meaningful use of the view in the cinematic compositions of the novel “I lead you to others” by Aicha Arnaout: Journal of ADAB-E-ARABI (Arabic literature) (Scientific) Vol. Composition allows the illustrator to select, distinguish, and limit the subject of the image to show what is perceptually and emotionally important to the audience. "Aicha Arnaout, a Syrian-Albanian poet and writer with a background in acting in film and theater, is one of the novelists who consciously approached this cinematic technique in the novel". The results show that with various framing effects such as deep framing, wide curtain method, multi-frame, out-of-frame framing and moving framing, Arnāʼūṭ attempts to show many aspects of the story through the framing and narration of the image.
That way, the audience will be able to face the details of the story in a more comprehensive way. Kenworthy, Ch Advanced Camera Techniques in cinema, translated by: Madani, M, Tehran: Tabane kherad. 2010), Arabic Novel and Audiovisual Arts, Riyadh: The authors of the Arabic magazine. Carnival, the dynamic center of happy spirit of debate and libertarianism among people, always shows power to the absolute thoughts, with its solubilization and creation of solutions.
The literary representation of the carnival tradition and the spirit against the prohibition of folk festivals, later in Caniavalesque literature in the form of several techniques such as parody, relativity and binary opposition, coronation/de-crowning, lower urban language, themes of death and masks, Banquet images were manifested, which were each an artistically carnivalized response to the spirit of one-sidedness and self-sufficiency of the authoritarian party. Relying on the method of descriptive-analytical research, we try to measure the success of the Moroccan "Mohamed Berrada" in dialogizing his work and promoting the spirit of polyphonic democracy in Arabic novel writing by observing examples of the carnivalesque novel "Game of Oblivion" in the form of the above ingredients. The study of the novel from the point of view of carnival literature showed that: Berrada with methods appropriate to each of the ingredients, such as: desecration, degeneration of the transcendental listed concept, inversion and replacement of oppositions, rejection of perfectionism and pre-recognized bases of the ruler; It subverts hierarchical norms and seemingly inviolable ranked relationships and re-centralizes rejected discourses by emphasizing multipolarity.
It will lead the audience to the status of subjectivity and the knowledge of the state of polyphonic nature of the universe, in the shadow of democracy, and finally made his novel a successful example of global carnivalesque literature with a local twist.
هﻮﻠﺟ ﯽﺳرﺮﺑلاوﺎﻧرﺎﮐ تﺎﯿﺑدا یﺎﻫ
نﺎﯿﺴﻨﻟا ﺔﺒﻌﻟ نﺎﻣر رد ﯽﻨﯿﺘﺧﺎﺑ یاﺮﮔ
هﺪﯿﮑﭼ
ﻦﯾﺬـﻟا ﻦـﻋ ﺔﯾﺮﺴﺘﻟا
ةﺪﺣﻮﻟا ﻦﻣ نﻮﻧﺎﻌﯾ
ﯽﻣ حﺮﻄﻣ
ﺮﺷﺆﻣ
ةﺮّﻗﻮـﻤﻟا ﺎـﻨﺘﻌﻣﺎﺟ ،ﺔﯿﺒﻨﺟﻷا ﺔﻠﻤﻌﻟا ﻦﻣ ،ﺪﯿﺻﺮﻟا «
و ﺐـﯿﮐﺮﺗ ﺰـﯿﻧ
رود ﻞﻬﺠﺗ ﻻ ﮏﻨﻇأ
ﻦﻣ عﻮﻧ ﻪّﻧأ ﻦﻋ ًﻼﻀﻓ-
عﻮـﻗﻮﻟا ﯽـﻠﻋ ﺮـﺼﻣ ﺖﻧأ
ﻪﻨﻣ بوﺮﻬﻟا لوﺎﺤﺗ ﺎﻤﯿﻓ-
دﺮـﺑ ﻦﯿـﻔﻠﮑﻤﻟا ﺲﮐاوﻷا دﻮﻨﺟ ﺎﻬﺘﯾﺎﻤﺣ ﯽﻠﻋ ﺮﻬﺴﯾ ﯽﺘﻟا ﺔﻌﻣﺎﺠﻟا
ﻦﯿﻋﺎﺻ عﺎﺼﻟا
ﻢﺛ ،نﺎّﺒﺸﻟاو نﻮﻘﻫاﺮﻤﻟا ﺺﻗﺮﯿﺳ
مﺪﺑ ﺔﯿﻧارﺰﯿﺨﻟا ﻢﻬﻠﺟرأ نوﺪّﻤﻌﯾﺊﻓاﺪﻟا ﺢﺋﺎﺑﺬﻟا
ﺎﻬﯿﻓ ﻢﻠﻌﺘﯾ ﻲﺘﻟا ﺔﺳرﺪﻤﻟا ﻢﺳا ﻦﻋ ﻪﺘﻟﺄﺳ
ﺪﻬﻌﻤﻟا :زاﺰﺘﻋﺎﺑ ﺎﻬﺑﺎﺟأ
ﻞﻐﺒﻟا قﺎﻗﺰﺑ ﻲﻣﻼﺳﻻا «
ﺪـﮐؤأو ﺔﺑﺮﻐﻟا ﻲﻨﻋ ﻊﻓدأ ﻰﺘﺣ ﻢﺘﻤﺗأ
كرﺎﺠﺣﻷ ءﺎﻤﺘﻧﻻا
هﺪﻤﺣ ﻦﻤﻟ ﷲ ﻊﻤﺳ
باﻮﺑﻷا عّﺮﺸﻣ ﺪﺠﺴﻣ ﻦﻣ ﻲﺗﺄﺗ
ﻰـﻠﻋ اﻮﻟﺎـﻌﺗ
ﺢﯿﻠْﻤَﻟ
ﻪـﮐاﻮﻔﻟا ﻊﺋﺎـﺑ ﺎـﻬﻟﻮﻘﯾ
ﺮﺣ...ﻦﯿـﺴﻤﺧو ﺔـﯾﺎﻤﺛﻼﺛ
ﺔـﻤﺣز ﻂـﺳو لﻻﺪـﻟا يدﺎـﻨﯾ
ﻦﯿﯿﻠﺑاﺮﺸﻟا
ﻦﯾﺰﻟا ﺪﺒﻋ ﺎﻧأ
نﻮـﯿﻌﻟا بﺮـﺳ ﻰـﻟإ ﺮـﻈﻨﯾ ﻮـﻫو ﻪـﻧﺎﮐد ﻞـﺧاد ﻦﻣ زاّﺮﺧ ﺢﯿﺼﯾ
مﺎﺜﻠﻟا ءارو ،ﺔﺌﻟﻸﺘﻤﻟا
نﺎﺸﻄﻋ ﺎﯾ ْدّﺮﺑ
تﺎﺑوﺮﺸﻤﻟا ﻊﺋﺎﺑ دّدﺮﯾ
يدﺎـﻬﻟا ﺄـﺟﺎﻓ ﻦﯿﺣو
ﺎﯿﺤﻟا
ﻢﮐﺎﺑر ﻲﻠﻟا ﻞﻌﻨﯾ ﷲ
ﺑﻰﻠﻋ ﻲﻨﻟّﻮﺴﯿﺗ أﺪ
ﷲﺮﻔﻐﺘﺳأ ،
ﻲﻀﯿﻘﻧ ﺢﺒﺻأ .ﺶﯿﻌﻟا ﻂﻤﻧو
ﺎﻤﺋادضﺮﺘﻔﯾ
بﺎﻄﺘـﺳا ﺬـﺌﻧآ
ﺔـّﻟﻻ
ﻲﻟﺎــﻣو
و نﻮــﺤﻠﻤﻟا تاﺮﻬــﺳو ﺔــﻌﺘﻤﻟا سوﺆــﮐ عﺮــﮐو ،
ﺐُﻄﯾ
سأر ﻲﻓ
حاﺪـﻣﻷﺎﺑ ﻖـﻠﻌﺗ ﺐـّﯿﻄﻟا ﺲـﻔﻧ ﻲـﻓ ﻪﯾزاﻮﯾ ،ﺔﻌﺘﻤﻠﻟو ةﺎﯿﺤﻠﻟ ﻢﻬﻨﻟا ﻦﮑﻟ
ﺮّﺴﯿﺗ
ﺔﯾﺎﻋر ﻰﻟإ ،ﺔﯿﻧﺎﺜﻟا وأ ﻰﻟوﻷا هﺮﻤﻋ ﻲﻓ ﻞﻘﺘﻧا
ﺎﯿّﺒﻠﯾ نأ ﺎﻤﻬﯿﻠﻋو ،ﻲﻬﺘﺸﯾ نأ ،نذإ ﻪﻟ .ﻦﯾﺮﻗﺎﻋ ﺎﻧﺎﮐ ﺎﻤﻬّﻧﻷ ،ﺔﻠﯿﻤﺠﻟا ﻪﺘﺟوزو ﺐﯿﻄﻟاﺪﯿﺳ ﻪﻟﺎﺧ
ﮑﻟا ﺖﯿﺒﻟا ﻲﻓ ﺪﺣأ ﻻو .ﻪﺗاوﺰﻧو ﻪﺒﺋﺎﻏر ﻪﻣأ ﻰﺘﺣ .هﺮﺟﺰﯾ نأ وأ يدﺎﻬﻟا ﺐﻀﻐُﯾ نأ ﻪﻟ ﻖﺤﯾ ﺮﯿﺒ
ﻞﯿﻟﺪﺘﻟاو ﺎﯾاﺪﻬﻟا
ﻨﻌﻟا ﻞـﯿﺤﻨﻟا ﻞـﻔﻄﻟا ﮏﻟﺬـﻟ ﻪﺒﺣ ﻞﺜﻣ ﺮﻧ ﻢﻟ
ﻪـﻠّﻟﺪﺗ ﺖﻧﺎﮐ ﻪﺘﺟوز .نﺎﺴﻠﻟاو ﺔﮐﺮﺤﻟاهﺪﺒﻌﺗو
ةأﺮـﻣا ﻰﻠﻋ بﺮﺤﻟا يدﺎﻬﻟا ﻦﻠﻋأ
ﺔﯿﻧﺎﺜﻟا ﻪﻟﺎﺧ
يدﺎﻬﻟا ﺔﯿﻟﺎﻐﻟا ﺔﻟﻻ ﻦﻀﺘﺤﺗ
ﺔﻌﻄﻗو ﺐﯿﻠﺣ سﺄﮐ ﻪﻟﺎﺧ ﺔﺟوز ﻪﻟ مﺪﻘﺗ ،ﺔﺳرﺪﻤﻟا ﻦﻣ يدﺎﻬﻟا دﻮﻌﯾ
ﺢﯿﺼﯾ ﻮﻫو بﺎﺒﻟا ﻰﻟا ﺖﻠﻔﻨﯾ يﺪـّﻌﺑ
ﺔﻄﻘﻟا نﻮﯿﻋ ْدﺎﻫأ ﻲﻨﻣﻪﯿﻠﻋ دﺮﺗ
ﺘﻧ ﻰﺘﺣ.ﮏﻔ
ىرﺎﺼﻨﻟا ﺔﮐﺎﮑﻌﺷأ ،ﺔﻄﻘﻟا «
ﻦـﻔّﮑﻤﻟا ﺮﯿﻐﺼﻟا ﺎﻬﻤﺴﺟ نﻮﻌﻀﯾ
باﺮﺘﻟا ﺎﻬﯿﻠﻋ نﻮﻠﯿﻬﯾو ﺮﺒﻘﻟا ةﺮﻔﺣ ﻞﺧاد
ﺖﻋﺎﻄﺘﺳﺎﻓ ﺎﻬﻣأ لﺎﺼﺧ ﺔﯿﺠﻧ ﺖﺒﺴﺘﮐا
ﺎﻫﺪﻨﻋ ﻞّﯿﻘﻨﻟﺔﻟﻻ
ﺔﯿﻟﺎﻐﻟا ﺔّﻟﻻ ﻦﻣ ﻞﺻﻷا ﻖﺒﻃ ﺔﺨﺴﻧ ﺔﯿﺠﻧ
ﺔﯿﺠﻧ ﺔﻟﻼﻟ ًﺎﺻﺎﺧ ًﺎﺒﺣ ّﻦﮐأ ﻲﻨﻧأ ﺖﻔﺸﺘﮐا
ﺎﻬﺗرﺎﯾز ﻰﻠﻋ ﻲﻨﻠﻤﺤﯾ مرﺎﻋ ﺐﯿﺠﻋ ّدوﺐﺒﺳ ﺮﯿﻐﺑ
ﺖـﯿﺑ خﺎﻨﻣ ﻰﻟإ ﺎﻧﺪﯿﻌﺘﻓ ئرﺎﻄﻟاو ثدﺎﺤﻟا ﺪﺿ ﺔﻨﺼﺤﻣ ﺎﻬﻌﻣ وﺪﺒﺗ ﺔﻘﯾﺮﻄﺑ ثﺪﺤﺘﺗ ،ﺎﻬﺗﺪﻋﺎﺴﻣ ﯿﻧﺄﻤﻄﻟاو قوﺮﻟﺎﺑ ﺔﻤﺨﻀﻤﻟا ﻪﺘﻬﮑﻧو ﺮﯿﺒﮑﻟا سﺎﻓ
اوؤﺎـﺟو ﻢﻬﻨـﻣ ًاﺪـﺣاو كوﺮﺒﺘﻋا نﻮﺣدﺎﻤﻟاو نﻮﻌّﻤﺴﻤﻟﺎﻓ :سﺮﻌﻟﺎﺑ نﻮﮑﺗ ﺎﻣ ﻪﺒﺷأ ﮏﺗزﺎﻨﺟو
تﻮﺑﺎﺘﻟا ﻊﻓﺮﻨﻟ ﺎﻧﻮﺜﺟ ﺎﻤﻨﯿﺣو .تﺎﻤﻠﮑﻟاو ﺮﻌﺸﻟا ةﺮﻫدﺰﻤﻟا ةرﺎﻤﻌﻟا هﺬﻬﺑ كﻮّﺼﺨﯿﻟﺖﻠﻋ ،
تاﻮﺻأ
ﺋﺎﻗﺪﺻأ ﺔﮑﺋﻼﻤﻟا بر سوّﺪﻗ حﻮّﺒﺳ ،تﻮﻤﯾﻻ يﺬﻟا ﻲﺤﻟا نﺎﺤﺒﺳ :نﻻﺬﺠﻟا حﺮﻔﻟا عادﻮﻟﺎﺑ ﮏ
ﺔﻨﺠﻠﻟ ﺎﺴﯾﺮﻋ
ﮏﺤﻀﻠﻟ ًﺎﻧﺎﺟﺮﻬﻣ دﺎﺗﺮﻨﺳ ﺎﻨﻧﺄﮐو هﺮﻈﺘﻨﻧ نأ ﻲﻫ ،تﻮﻤﻠﻟ ﺎﻨﺴﻔﻧأ ﺎﻬﺑ ﺊﯿﻬﻧ ﺔﻘﯾﺮﻃ
ﺰـﯾﺰﻋ ءﺎﻗﺪـﺻأ ﻦﻣ ثﻼﺜﻟا ﻦﮑﻟ
ـﻣ هﺎـﺒﺘﻧا ةرﺎﺛإ نوﺪﺑ ﻻﻮﮐﺎﮐﻮﮑﻟا تﺎﺟﺎﺟز ﺮﺒﻋ ﻲﮑﺴﯾﻮﻟا ﺮﯾﺮﻤﺗ نﻮّﻟﻮﺘﯾ ﻦـﻣ .نﻮـﺿﺮﺘﻌﯾﺪﻗ ﻦ
ﻪﺗﻮﺸﻧ ﻎﻟﺎﺑ ﷲ ءﺎﺷ نإ ﺪﺣاو ﻞﮐو ،رﻮﻣﻷا ﺮﯿﺴﺗ ﺎﻬﺘﺤﺘﻟ ﺎﻬﺘﺤﺗ
تﺎﯾﻮﻠﺤﻟا ﻊﯾزﻮﺗو يﺎﺗﻷا ﺮﯿﻀﺤﺗ ﺔﻋﺎﻤﺠﻟا ﻰﻟﻮﺘﺗقﻮﺠﻟاو ،
ﻲـﺴﻟﺪﻧﻷا ﺮـﺜﮐأ ﺞﺟﺄـﺘﯾ
ﻞـﮑﻟاو
ﻞﺒﻘﻟاو ﺎﯾﺎﺤﺘﻟا لدﺎﺒﺗو ،ﺮﺘﻔﯾﻻ ﻂﻐﻠﻟاو ﺖﻗﻮﻟا ﺲﻔﻧ ﻲﻓ ﻢﻠﮑﺘﯾ
ﺪـﯾرﺎﻏﺰﻟاو تﺎﮑﺤﻀﻟاو «
ﺎـﺑﺎﺠﻋإ نﻮـﻔﺘﻬﯾو عﻮﻤـﺴﻣ تﻮـﺼﺑ قﻮﺠﻟا ﻊﻣ نودّدﺮﯾ نوﻮﻋﺪﻤﻟاو
ﺪﺸﻨﯾ ﻞﮑﻟا .ءﺎﺸﺘﻧإو
Anasteh, R., and others (2019), "Polyphonic Mirrors in the Novel of the Lonely Time in the Light of Bakhtin's Narrative Theory" Arabic Literature, Year 11, Number 1, pp. Masoudi, S., (Spring-Summer 2010) ), "Sociological explanation of the elements of carnival in the plays of the Nasserite era", Journal of Sociology of Art and Literature, second year, first edition, pp: 167-196 . Ostadmohammadi, N., (2017), Polyphonic Analysis in Selected Contemporary Novels, Al-Zahra University, Faculty of Languages and History, Ph.D. 2021), "A Study of the Polyphonic Phenomenon in the Modern Narrative-Dramatic Poem According to Bakhtin's Dialogism Theory", Arabic Literature, Volume 13, Number 2, pp. 2017), - An Introduction to the Sociology of Literature, Second Edition, Tehran: Cheshmeh Publishing.
-Summer 2011), "A Study of the Carnival Ideas of the Play of Romeo and Juliet from Bakhtin's Perspective", Journal of Fine Arts, Performing Arts and Music, no. Analysis of conceptual metaphors about the field of love in the book "Oraq al-Ward ” by Mustafa Sadeq al-Rafi Analysis of conceptual metaphors of the field of love in the book “Oraq al-Ward” by Mustafa Sadeq al-Rafi: Journal of ADAB-E-ARABI (Arabic Literature) (Scientific) Vol.
Ghaeminia, A., (2017), Cognitive Semantics of the Qur'an, Second Edition, Tehran, Islamic Culture and Thought Research Institute Publishing Organization. Criticism of literary works based on archetypal criticism is one of the types of psychological criticism based on the theories of Carl Gustav Jung. He regards the products of the collective unconscious as examples of archetypes which appear in cases such as self, shadow, anima, animus, etc.
Findings; The manifestation of the mental and psychological aspects of the play's characters and the place of the inner unconscious in the play of Al-Harr al-Riyahi caused this article with the aim of analyzing the archetypes of this work based on Jung's theories and using the descriptive-analytical method with a new approach to this Ashurai work. Analyzing the play of Al-Harr al-Riyahi based on Jung's theory is one of the ways to penetrate and deeply understand the content of the play, and the knowledge of the unconscious of the characters of the play leads to the realization of the hidden secrets and deep concepts about this type of works. In this play, the archetype of color is also reflected in the play's characters.
The use of black color has been used to express certain concepts such as turbidity and hostility, in which the archetype of the shadow is often involved, and the color white evokes the concept of purity and innocence, which is observed in the expression of conditions that relates to the archetype of the self, and finally the color Red is an indescribable expression of eternal life and immortality, which finds its meaning in the pure blood of Imam Hussain (peace be upon him). Tarahini, F., (1233), Al-Drama and Religions of Literature, The founder of the university for studies and publications. Semantic analyzes of the concept of social justice in Holly Quran (Study topic: Compositions) / Abolhassan Amin Moghdisi and Nafisa Afsahi.
Meaningful use of the view in the cinematic compositions of the novel "I lead you to others" by Aicha Arnaout / Mohin Hajizadeh, Abdul Ahad Ghaibi and Amir Farhang Doost. Analysis of conceptual metaphors of the field of love in the book "Oraq al-Ward" by Mustafa Sadeq al-Rafi / Fatemeh Dehghan, Hojjat Rasouli and Abolfazl Rezaei.
