• Tidak ada hasil yang ditemukan

THE LINGUSITIC REALIZATION OF ILLOCUTIONARY ACT OF TOBA BATAK CULTURAL VALUES IN TOBA BATAK WEDDING CEREMONY.

N/A
N/A
Protected

Academic year: 2017

Membagikan "THE LINGUSITIC REALIZATION OF ILLOCUTIONARY ACT OF TOBA BATAK CULTURAL VALUES IN TOBA BATAK WEDDING CEREMONY."

Copied!
23
0
0

Teks penuh

(1)

NIM. 8126111033 COVER

THE LINGUISTIC REALIZATION OF ILLOCUTIONARY

ACT OF TOBA BATAK CULTURAL VALUES IN TOBA

BATAK WEDDING CEREMONY

A THESIS

Submitted to the English Applied Linguistics Study Program in Partial Fulfillment of Requirements for the Degree of Magister Humaniora

By:

ROIKESTINA SILABAN Registration Number: 8126111033

s

ENGLISH APPLIED LINGUISTICS STUDY

PROGRAM POSTGRADUATE SCHOOL

(2)
(3)
(4)

NIM. 8126111033 ABSTRACT

ABSTRACT

Roikestina, S. Registration Number: 8126111033. The Lingusitic Realization of Illocutionary Act of Toba Batak Cultural Values in Toba Batak Wedding Ceremony A Thesis. English Applied Linguistics. Study Program; Postgraduate School. State University of Medan. 2015.

(5)

ABSTRAK

Roikestina, S. NIM: 8126111033, Realisasi Linguistik dari Tindak Tutur Ilokusi dari Nilai-Nilai Budaya Batak Toba dalam Pernikahan Batak Toba, Tesis Program Studi Linguistik Terapan Bahasa Inggris, Pascasarjana, Universitas Negeri Medan, 2015.

(6)

NIM. 8126111033 ACKNOWLEDGEMENTS

ACKNOWLEDGEMENT

Thanks to God, the lord of the universe who has given me the opportunity to finish this thesis. Thank you so much my dear lord. It is also impossible to be finished without guidance, support and valuable knowledge from many people whose names cannot be mentioned one by one.

First, the writer would like to express her sincere gratitude to Dr. Sri Minda Murni, M.S her first adviser and Dr. Siti Aisyah Ginting, M.Pd her second adviser, for their valuable advice, guidance, constructive comments and previous time spent on supervising and commenting the process of writing until it come to its present form. Second her special gratitude goes to the head of English applied linguistics, Prof. Dr. Busmin Gurning, M.Pd, who has generously encouraged her in completing this study, all lecturers, for her valuable knowledge and instruction they have implemented to her during the years studying and librarians of the state university of Medan for leading some useful books and other sources that are needed in writing this thesis.

(7)

Then, a very special debt of gratitude is directed to her beloved father Manuppan Silaban and beloved mother Sarli Malau together with her beloved Brothers, Jimson Silaban, Julianto Silaban, Jetro Silaban and her sisters Relawasdi Silaban

, Tirama Silaban and Adiwaty Silaban for their full love, support, care and prayers.

Finally, a special debt of gratitude is addressed to all her beloved best friend Veracy Silalahi, S.S, M.Hum, Novita C. Hutabarat, S.S, M.Hum, Mariana Siburian, S.S and Hazkia Manurung, S.Pd all her classmates LTBI A1, A2 for their close friendship and encouragement in finishing this thesis.

Last but not least, she must confess that she has done her most to accomplish this thesis but she realized it is still far from being perfect. Therefore, any constructive, criticisms, suggestions or comments will be highly appreciated.

Medan, 23 Juni 2015 The writer

(8)
(9)

2.3.3 Pride (Hasangapon)……….. 32

3.5.3 Conclusion: Drawing and Verifying ... 45

3.6 Trustworthiness of The Study ... 46

3.6.1 Credibility ... 46

3.6.2 Transferability... ... 47

3.6.3 Dependability... ... 47

3.6.4 Confirmability... 48

CHAPTER VI . DATA ANALYSIS, FINDINGS AND DISCUSSIONS 49 4.1 Data Analysis………. 49

4.2 The Linguistic Realizations of Illocutionary Acts in Toba Batak Wedding Ceremony ... 49

4.2.1 The Linguistic Realization of Illocutionary Act in J.Silaban/L.Tambunan Wedding Ceremony……….. 49

4.2.1.1 Expressive Speech Act…… ... 50

4.2.1.2 Declarative Speech Act ... 53

4.2.1.3 Representative Speech Act………. . 55

4.2.1.4 Directive Speech Act…... ... 56

4.2.1.5 Commisive Speech Act……….. 60

(10)

4.3 The Linguistic Realizations of Toba Batak

4.3.2 The Linguistic Realizations of Toba Batak Cultural Values in F.Silaban/R.Sianipar Wedding Ceremony……… 87

4.3.2.1 Descendant (Hagabeon)………. 88

4.3.2.2 Wealth (Hamoraon)……… 93

4.3.2.3 Pride (Hasangapon)……… 95

(11)
(12)

NIM. 8126111033 APPENDICES

LIST OF APPENDICES

Pages

Appendix 1. The Utterances of Illocutionary Act and Cultural

(13)

NIM. 8126111033 CHAPTER I

CHAPTER I

INTRODUCTION

1.1The Background of the Study

North Sumatera has six Batak sub-ethnics such as Toba, Simalungun,

Karo, Pakpak, Angkola and Mandailing. Every tribe has its own ceremonial

culture which is their wedding ceremony.

Wedding ceremony is an important thing in traditional ritual for Batak

people. Batak people conduct special traditional rituals for those who get married.

Based on Batak culture, Batak people practice namely: Mangaririt, Mangalehon

Tanda, Marhusip, Martumpol, Marhata Sinamot, Martonggo Raja, Paulak Une

and Maningkir Tangga as the introductory rituals before holding the traditional

wedding ceremony. These procedures are done due to the importance of marriage

for Batak people.

Since wedding ceremony is a major event, inviting the Hulahula, Boru,

Dongan Tubu and Dongan Sahuta as the witnesses of the prevailing custom is an

obligation. It is true that the application of Dalihan Na Tolu, i.e. Somba

Marhula-hula, Manat Mardongan Tubu, Elek Marboru and the actualization of the concept

of Batak’s life that once someone gets married, prevent them from getting a

divorce easily.

The real meaning of Dalihan Na Tolu estimology is three stones stove

which are used for cooking. The size of three miles stones is to support cooking

(14)

get the objectives. The metaphorical meaning of Dalihan Na Tolu is a triangle bon

between brothers, sisters, and brothers of the mothers Hula-hula as respected

person from the other elements, which are Boru and Dongan Tubu.

One important aspect of the wedding ceremony is Marhata. Marhata is the

realization of communication among the three elements. Based on Austin theory

(1962) the meaning of the utterances can be divided into three kinds, they are

locutionary acts, illocutionary acts and perlocutionary acts. For instance, could

you pass the salt? It is identified as locutionary act because this utterance

indicated as literal meaning, then the utterance above on illocutionary act means

“pass the salt, please” it is indicated as the hearer would assume whether the

addressee would able to pass the salt. As a perlocutionary act, the utterance above

is indicated to realize the speaker’s intention to ultimately get hold of the salt.

From the explanation can be realized if one utterance may have some

interpretation.

Different person has different expressions and actions to express

something. It occurred in wedding ceremony of the Batak Toba culture. For

instance, when the speakers or elements of Dalihan Na Tolu started to speech on

Marhata, some of the speaker are directly say “Mauliate ma hudok hami parjolo

tu Amanta Debata”( Firstly, we say thanks to the Almighty God). This utterance

shows that the speaker has lost their honors or manners as a cultural values to

hearer because some of them have not used greeting speech act on their speech.

Greeting speech act is honored words that used by Toba Batak society to greet

king, Hula-Hula (in-law-families), Dongan Tubu (ancestor of the clan), Boru

(15)

(daughter) and Dongan Sahuta (a hometown friends) in wedding ceremony event.

So, in wedding ceremony of the Toba Batak culture the speaker should greet the

participants by say “ Sattabi di hula-hula, Dongan Tubu, Boru dohot sudena na

adong di paradatan on”. It is clear that in Toba Batak culture upholds cultural

values because on given speech the speaker should be more respect for the people

who attended the wedding.

Based on the phenomenon of language use on wedding ceremony, it is

believed that the elements of Dalihan Na Tolu have different acts. Therefore, the

speakers on wedding ceremony must know which one is exactly to say firstly.

These ceremonies, like other ceremonies in Toba Batak Culture, are the

realization of Batak cultural values. Toba Batak is famous for their life culture. It

is believe that the life culture governs the behavior of the owner of the culture and

this also happens in Batak people life. Many officials and successful men in

Indonesian actualize this life culture. The cultural values of Toba Batak consists

of three parts which are usually abbreviated with 3H which stands for: Descendant

(Hagabeon), Wealth (Hamoraon), and Pride (Hasangapon) Ihromi (1990:207). It

is found that wherever Batak people go and whatever they do; they keep

practicing these Hagabeon, Hamoraon, Hasangapon (3H) in their life. In addition

there is one thing that makes Batak people different from other tribes, that is they

have statement. Statement is commonly used by Batak people when they perform

traditional ceremonies such as wedding ceremony.

It is interesting to study the linguistic realizations of Toba Batak cultural

values as the communication between the three elements of Batak culture in Toba

(16)

Batak wedding ceremony. The focus of the study will be on the illocutionary acts

used by each element in to show how they put themselves and others in the

relation through the illocutionary acts they perform.

Research conducted by Tomson (2008) is one of the studies relating to

speech acts. He conducted the study of “Tindak Tutur Dalam Upacara

Pernikahan Batak Toba”. He used documentary technique for collecting the data.

The data is taken from the speech utterances spoken by speaker intend the fact, so

on doing communication the speaker always produces an act. The result of the

research shows he found 13 kinds of speech acts. From those kinds of speech acts

the dominant speech acts is asking which is used by Hula-Hula and Dongan

Sabutuha. While answering and explaining are dominant to Boru. The strength of

this thesis is the writer explains all the types of speech act clearly not only that but

also the writer explains all the utterances of Toba Batak Wedding Ceremony. But

the weakness founded in this thesis is the writer did not put any journal in his

thesis and also did not classify the type speech act. Based on the research the

researcher would like to develop the speech act with a more specific analysis of

the realization of illocutionary act that represent in Cultural Values of Toba Batak

Wedding Ceremony.

1.2The Problems of the Study

Based on the background of the study, the problems that are formulated as

the following:

(17)

1. What are the linguistic realizations of illocutionary acts in the Toba Batak

Wedding Ceremony?

2. What are the linguistic realizations of Toba Batak cultural values wedding

ceremony?

3. Why are the linguistic realizations of illocutionary acts represented as the ways

they are?

1.3The Objectives of the Study

Based on the problem, the objectives of the study are to

1) describe the linguistic realizations of illocutionary acts in the Toba Batak

Wedding Ceremony.

2) describe the linguistic realizations of Toba Batak cultural values wedding

ceremony.

3) explain the reasons why the linguistic realizations of illocutionary acts are

represented the ways they are.

1.4 The Scopes of the Study

Referring to the problems of the research, this study covers of the

linguistic realization of illocutionary act of Toba Batak cultural values in Toba

Batak wedding ceremony used by Toba Batak speakers who live in Sidikalang

areas and involved in Toba Batak wedding ceremony that starting from tudu-tudu

sipanganon (distributing the special meat) event until maningkir tangga (visiting

of the bride’s family to the newlywed’s house) event.

(18)

1.5 The Significances of the Study

Findings of this study were expected to give contribution theoretically and

practically.

(1) Theoretically, the research finding were expected to enrich the theories of

linguistic speech acts, specifically the spoken medium by certain community,

mainly the Toba Batak culture especially the elements of Dalihan Na Tolu.

(2) Practically, the findings is useful to identify and understand speech acts for

social interaction, which have the same characteristic with the Toba Batak

culture in expressing statement, question, apologizing and so on. The

researcher hopes that it is useful for teachers and lecturers of sociolinguistics

to apply the speech acts.

(19)

NIM. 8126111033 CHAPTER V

CHAPTER V

CONCLUSIONS AND SUGGESTIONS

5.1 Conclusions

The study focused on the linguistic realization of illocutionary act of Toba

Batak cultural values in Toba Batak wedding ceremony used by participant of Dalihan Na Tolu. Based on the analysis, the conclusions are stated as the following:

1. The linguistic realizations of illocutionary act used in Toba Batak wedding ceremony delivered by participant of Dalihan Na Tolu starts from tudu-tudu ni sipanganon event and ends with maningkir tangga event used four of five types of illocutionary acts they are,

representative, directive, expressive, declarative, and commisive.

2. The linguistic realizations of Toba Batak cultural values wedding ceremony starts from tudu-tudu ni sipanganon event and ends with

maningkir tangga event used three types of cultural values, they are,

Descendant (Hagabeon), Wealth (Hamoraon), and Pride

(Hasangapon).

3. The data showed that the linguistic realizations of Toba Batak cultural values wedding ceremony are dominantly represented by using

declarative speech act with blessing speech act. Because Toba Batak culture emphasis on sharing value. Bataknese identity is constructed

(20)

Hasangapon” which are always shared on every cultural rites and ceremony such as wedding. Declarative is used to communicatively

engaged in culture practice in Toba Batak wedding ceremony particularly Hulahula (bride side) more emphasis sentences containing expecting to get happiness through born sons and daughters, successes,

a lot of wealth and longevity in the future.

5.2 Suggestions

It is suggested to those who are very much interested in Toba Batak culture to study more about the speech act during the special ceremony performed.

Some special suggestions are presented as follows:

1. The lecturers who play an important role in teaching sociolinguistics

should give more attention, not only for foreign and Indonesian cultures

but also to the vernacular, especially Toba Batak culture, the lecturers can compare Toba Batak culture with other regional cultures.

2. To the other researchers to conduct a much more detailed research on

speech act in Toba Batak wedding ceremony from different point of view, so more information about Toba Batak cultures.

3. To speaker, both of the bridegroom’s side and bride’s side should be able

to uttered speeches in showing a symbol of honor and appreciation to the

participants of Dalihan Na Tolu.

(21)

NIM. 8126111033 BIBLIOGRAPHY

REFERENCES

Akmajian. 1979. Linguistics: An Introduction to Language and Communication. Massachusetts: MTT Press. 1982. Qualitative Research for Education (2nd Ed) Boston: Allan and

Bacon

Banjarnahor. R. 2005. An Analysis od Speech Act in Never Been Kissed. Unpublished. Medan: Faculty of Letters.

Burger, Christine.M. 1992. Working Taxonomy of Speech Act Used by

Communication Instructions in Oral Speech Critiques. Master’s Theses. http://Scholarworks.sjsu.edu/etd_theses/379

Cristal, D. 1985. A Dictionary of Linguistic and Phonetics, 2nd. Edition. Oxford Blackwell

Coulthard, Michael.1998. An Introduction to Discover Analysis.United Kingdom: Longman Group UK Limited.

Cruse, A. 1978. Meaning in a Language: an Introduction to Pragmatics. Oxfor: University Press.

Creswell, J.W. 1994. Research Design: Qualitative & Quantitative Approaches. Thousand Oaks: Sage.

Denzin, N.K. & Lincoln, Y.S.1994. Handbook of Qualitative Research. Thousand Oaks: Sage.

(22)

Darraji, H.S.A. dkk. 2012. Offering as a commissive and directive speech Act:

Consequence for Cross-Cultural Communication. International

Journal of Scientific and Research Publications Vol.2(3) 138-150

Finch, G.2000. Linguistic Term and Concept, London: Mac Millan Press.

Hufford, J & Heasley, G. 1983. Semantics: A Course Book, Cambridge: Cambridge University Press.

Ihromi, T.O.1990. Pokok-Pokok Antropologi Budaya. Jakarta: Yayasan Obor Indonesia

Jannedy, S. 1994. Language Files. Ohio State University.: 228

Kess. J. 1992. Psycolinguistics and Study of Natural Language, Amsterdam: Benjamin.

Leech, G. 1993. Prinsip-Prinsip Prgamatik (Terjemahan). Jakarta UI Press.

Lincoln, Y. S., & Guba, E. G. 1985. Naturalistic Inquiry. California: Sage.

Laura, J. B & Donna. M.B.2010. The Language Structure of Modern English, Amsterdam/Philadelpia: Jhon Benyamin.

Larsen, D & Freeman. J. 1980. Discourse Analysis in Second Language Research. Massachussetts: Newburry House.

Mile, M & Huberman, A. M. 1984. Qualitative Data Analysis, Thousand Oaks, CA: Sage.

Namawi. H. 1993. Metode Penelitian Bidang Sosial. Yogyakarta: Gajah Mada University Press

Palmer, F.R.1981. Speech Acts. Cambridge: Cambridge University Press

Pakpahan, J. 2008. The Principle of Dalihan Na Tolu: Harcourt, Brace & World. http://dalihannatolu.org.html.Accessed on Friday, 21th March 2014

Panjaitan, E.2013. Speech Acts in Wedding Ceremony of the Angkola Culture. Unpublished. Thesis: Postgraduate Program, State University of Medan

Peccei ,J. S. 1999. Pragmatics. London: Routledge

Purnomo, M.D. 2010. Speech Acts Used By Street Children in Medan: Journal

Linguistik Terapan Pascasarjana UNIMED, Vol.7 No. 1

(23)

Purba, J. 2010. An Analysis of Illocutionary Act in Movie the Pursuit of Happiness. Unpublished. Medan: Faculty of Letters.

Ramadhani. P. 2006. A Prgamatic Analysis of Speech Acts in Enyd Blyton’s There Cheers Secret Seven .Unpublished. Medan: Faculty of Letters.

Rankema, J.S.1993. Discourse Study, an Inroductory Textbook. Amsterdam /Philadephia: Jhon Benjamins.

Richard, S.W and Jack, C.R. 1980. Speech Acts and Second Language Learning. Oxford Journal Applied Linguistic. Vo.1 No.2

Saeed, J. I. 1997. Semantics. China: Blackwell.

Searle, J.R. 1979. Expression and Meaning; Study in the Theory of Speech Acts, Cambridge: Cambridge University Press.

Siagian, E. 2008. The Analysis of Illocutionary Acts in Arlene James’s Novel The Man With The Money .Unpublished. Medan: Faculty of Letters

Sari, N. 1998. An Introduction to Sociolinguistic, Jakarta DEPDIKNAS Directoral Jendral Pendidikan Tinggi.

Searle, J. R. 1979. Expression and Meaning; Study in the Theory of Speech Acts, Cambridge: Cambridge University Press.

Sibarani, T. 2008. Tindak Tutur Dalam Upacara Pernikahan Batak Toba. Journal of Post Graduate North Sumatra Vol. 3, 128-135

Sihombing, M.T.1989. Jambar Hata Book: Budaya Pernikahan Batak Toba. Tulus Jaya: Jakarta.

Sirait, R.T. 1989. Jambar Hata Book: Dongan Tu Ulaon. Tulus Jaya: Jakarta

Spradley, J. P. 1980. Participant Observation. New York: Holt, Renrhart and Wiston.

Tiodora. 2011. Speech Act in Twilight’s Movie Script used by Isabella “Bella” Swan. Journal of English Applied Linguistic Post Graduate Medan.

Vol.4

Vargowen, J.C. 1964. Masyarakat dan Hukum Adat Batak Toba. Jakarta: Pustaka Az.

Yule, George. 1996. Pragmatics. New York: Oxford University Press

Referensi

Dokumen terkait

used in the Toba Batak mangongkal holi ceremony, how are the speech functions.. realized by the three pillars of the Toba Batak life philOS()J)hy, and why

Upacara Saur Matua berlangsung berdasarkan hukum adat masyarakat Batak Toba yaitu Dalihan Natolu...

This thesis deals with a research on The Sequence of Occurrence of Umpasa in The Wedding Ceremony ofToba-Batik.. The writer wants to understand about

Toba Batak culture/tradition particularly in presenting of Ulos on the three different events such as baby' s birth ceremony; wedding ceremony and funeral

The result of the findings show that three language styles were being used in the wedding ceremony, they were: formal style, frozen style, and consultative style.. Based on

a) to find out the kinds of pause filler which are used by the speakers of Dalihan Na Tolu in wedding ceremony of Padang Bolak Culture. b) to derive the way the

As the daughter of Batak Toba, the writer of this paper is interested in describing the ceremony of Mangongkal holi in Batak Toba society, Samosir:

THE ANALYSIS OF THE BATAK TOBA WEDDING CEREMOMNY’S SIGNS Febriana Yudith Farida1 Dion Tira Erlangga2 English Education [email protected] Abstract The Batak Toba wedding