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V. 미국 SF영화, <스타트랙>의 셰익스피어

Ⅰ. 학술문헌

김은진ㆍ이건근. 「이니시에이션 스토리의 새로운 타이폴로지— 붉은 망아지 , <검은 종 마>, <듀마(Duma)>」. 인문사회과학연구 16.2 (2015): 111-32.

노이균. 「중세 시대의 섹스: 동성애를 중심으로」. 밀턴과 근세영문학 23.2 (2013):

159-74.

박옥선. 셰익스피어 소넷에 나타난 主題의 二元性 . 박사학위논문, 동아대학교, 1990.

이건근. 「<스타트렉 XI: 더 비기닝>의 미국 영웅주의 복고욕망」. 인문사회21 8.1 (2017): 123-38.

이광풍. 『현대 소설의 원형적 연구』. 집문당, 1985.

전준택. 「미국 대중 영화의 『햄릿』 도용 양상과 그 한계」. 셰익스피어 비평 43.2:

349-74.

______. 「Getting out of the Closer and Facing a Backlash: Queering Shakespeare on Screen」. 한국셰익스피어학회 31 (1997): 271-91.

조선희. 「동성애영화 어떻게 볼 것인가」. 창작과 비평 22.2 (1994): 306-15.

한도인. 「사랑의 주제로 본 셰익스피어 소네트」. 현대영미어문학 22.3 (2004):

103-17.

홍기영. 「셰익스피어『소넷시집』(Sonnets)의 동성애적 해석」. 현대영어영문학 48.2 (2004): 189-204.

Allen, Grahm. Intertextuality, The New Critical Idiom. London: Routledge, 2000.

_________. Roland Barthes, Critical Thinkers. London: Routledge, 2003.(『문제적 텍스트, 롤랑 바르트』, 송은영 옮김, 베스툰 코리아, 2006.)

Balizet, Ariane M. “Teen Scenes: Recognizing Shakespeare in Teen Films.”

Almost Shakespeare: Reinventing His Works for Cinema and Television.

Eds. James R. Keller and Leslie Stratyner. Jefferson: Mcfarland &

Company, 2004.

Barthes, Roland. Image-music-text. New York: Macmillan, 1977.

_________. Camera Lucida: Reflection on Photography. Trans. Richard Howard, New York: Hill and Wang, 1981.(『카메라 루시다』, 조광희·한정식 옮김, 열 화당, 1998.)

_________. New Critical Essays. Trans. Richard Howard. New York: Hill and Wang, 1980.

_________. La Plaiser du texte/Leçon. Paris: Editions du Seuil, 1978.(『텍스트의 즐 거움』, 김희영 옮김, 동문선, 2002.)

_________. Mythologies. Trans. Annette Lavers. London: Jonathan Cape.(『신화 론』, 정현 옮김, 현대미학사, 1995.)

_________. Roland Barthes by Roland Barthes. Trans. Richard Howard. London:

Macmillan, 1977.(『롤랑 바르트가 쓴 롤랑 바르트』, 이상빈 옮김, 강, 1997.) _________. A Lover’s Discourse: Fragments. Trans. Richard Howard. New York :

Hill and Wang, 1978.(『사랑의 단상』, 김희영 옮김, 동문선, 2004.)

_________. The Fashion System. Trans. Matthew Ward and Richard Howard. New York: Hill and Wang, 1983.(『모드의 체계』, 이화여대 기호학연구소 옮김, 동 문선, 1998.)

_________. The Rustle of Language. Trans. Richard Howard. New York: Hill and Wang, 1986.

Beeching, Henry Charles. The Sonnets of Shakespeare. Boston, MA: Ginn, 1904.

Boose, Lynda E., and Richard Burt, eds. Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video. London: Routledge, 1997.

Booth, Stephen, ed. Shakespeare’s Sonnets. New Haven, CT: Yale UP, 1977.

Boyd, William, writ. A Waste of Shame. Dir. John McKay. Perf. Rupert Graves, Tom Sturridge, and Indira Varma. BBC Four, 2015.

Brennan, Matthew C. The Poet's Holy Craft: William Gilmore Simms and Romantic Verse Tradition. Columbia, SC: Univ of South Carolina Press, 2012

Brown, Julia Prewitt. “Sunday Bloody Sunday Revisited.” CineAction 96 (2015):

46.

Brennan, Matthew C. The Poet's Holy Craft: William Gilmore Simms and Romantic Verse Tradition. Columbia, SC: Univ of South Carolina Press, 2012.

Burrow, Colin, ed. The Oxford Shakespeare: Complete Sonnets and Poems. New York: Oxford UP, 2002.

Burrow, Colin. “Editing the Sonnets.” A Companion to Shakespeare’s Sonnets. Ed.

Michael Schoenfeldt. Oxford: Basil Blackwell, 2007.

Chambers, Edmund. William Shakespeare: A Study of Facts and Problems. Vol.

Ⅰ. Oxford, UK: Clarendon Press, 1930.

Childers, Joseph. The Columbia Dictionary of Modern Literary and Cultural Criticism. New York: Columbia University Press, 1995.

Chute, Marchette Gaylord. Shakespeare of London. New York: Dutton, 1949.

Corrigan, Timothy. Film and Literature: An Introduction and Reader. New Jersey:

Prentice Hall, 1999.

Cox, C. B. “Bisexual Shakespeare.” The Hudson Review 40.3 (1987): 481-86.

Culler, Jonathan. The Pursuit of Signs. London: Routledge, 1981

Edmonson, Paul, and Stanley Wells. Shakespeare’s Sonnets, Oxford Shakespeare Topics. Oxford: Oxford UP, 2004.

Ellmann, Richard. Oscar Wilde. London: Penguin, 1988.

Gewanter, David, and Brian Boyd. “The Survival of the Wittiest.” Times Higher Education Supplement : THE. 26 Apr. (2012): n.p.

Greer, Germaine. Shakespeare’s Wife. London: A&C Black, 2009.

Hansen, Niels B. “‘Something is Rotten’.” Shakespeare and War. Ed. Ros King and Paul J. C. M. Franssen. New York: Palgrave Macmillan, 2008. 153–

165.

Harbage, Alfred. Shakespeare without Words, and Other Essays. Cambridge, MA:

Harvard UP, 1972.

Hawkes, Terence. Meaning by Shakespeare. London: Routledge, 1992.

Hegarty, Emily. “Some Suspect of III: Shakespeare’s Sonnets and ‘The Perfect Mate’.” Extrapolation 36.1. Ohio: The Kent State UP, 1995.

Henderson, Diana E. “A Shrew for the Times, Revisited.” Shakespeare the movie II: Popularizing the Plays on the Film, TV, Video, and DVD. Eds. Richard Burt and Lynda E. Boose. London: Routledge, 2003.

Humbler, Edward. The Sense of Shakespeare’s Sonnets. Princeton, NJ: Princeton UP, 1952.

Iser, Wolfgang. Prospecting: From Reader Response to Literary Anthropology. Baltimore, MD: JHU Press, 1993.

Keller, James R. and Stratyner, Leslie. eds. Almost Shakespeare: Reinventing His Works for Cinema and Television. North Carolina: McFarland Publishers, 2004.

Kim, Eunjin and Geongeun Lee. “Two Types of Egress Based on Initiation: On The Pearl, ‘Flight,’ and The Forgotten Village”, The Journal of English Cultural Studies 8.2 (2015): 75-101.

Kristeva, Julia. The Kristeva Reader. Ed. Moi, Toril. New York: Columbia UP, 1986.

_________. Revolution in poetic Language. Trans. Margaret Waller, New York:

Columbia University Press, 1984.(『시적 언어의 혁명』, 김인환 옮김, 동문 선, 2000.)

Leishman, James Blair. Themes and Variations in Shakespeare’s Sonnets. New York: Routledge, 2005.

Lewis, Wyndham. The Lion and the Fox. New York and London: Harper and Brothers, 1927.

Marcus, Mordecai. “What is an initiation story?.” Critical Approaches to Fiction.

Eds. Shiv K. Kumer and K. Mckean. Mcgraw-Hill Book Company, 1968.

Partridge, Eric. Shakespeare’s Bawdy: A Literary and Psychological Essay and a Comprehensive Glossary. London; New York: Routledge, 1968.

Pequigney, Joseph. Such is My Love: A Study of Shakespeare’s Sonnets.

Chicago: U of Chicago P, 1986.

Ramsey, Paul. The Fickle Glass: A Study of Shakespeare’s Sonnets. New York:

AMS Press, 1979.

Schalkwyk, David. Speech and Performance in Shakespeare's Sonnets and Plays.

Cambridge, England: Cambridge UP, 2002.

Schlesinger, John. Sunday Bloody Sunday. Writ. Penelope Gilliatt. Perf. Murray Head, Glenda Jackson, Peter Finch, and Peggy Ashcroft. Vectia, 1971.

Sedgwick, Eve Kosofsky. Between Men: English Literature and Male Homosocial Desire. New York: Columbia UP, 2015.

Shakespeare, William. The Complete Works of William Shakespeare. Ed. David Bevington—Update 4th ed. Addison-Wesley Longman Publishers Inc.

_________. The Complete Works of William Shakespeare (The Project Gutenberg E-Book). Washington D.C.: World Library, 2011.

_________. The Sonnets. Vol. 26. London: Cambridge University Press. 1996.

Pdf.

_________. As You Like It. Vol. 33. London: Cambridge University Press, 2000.

Shakespeare, William, and Cyrus Hoy. Hamlet. New York: W.W. Norton, 1996.

Simms, William Gilmore. The Letters of William Gilmore Simms. Ed. Mary C.

Simms Oliphant et al. 6 Vols. Columbia: U of South Carolina P, 1982.

Stam, Robert. Film Theory: An Introduction. UK: Blackwell Publishers Ltd., 2000.

Turchi, Laura, and Ayanna Thompson. “Shakespeare and the Common Core: An Opportunity to Reboot: Shakespeare’s Works Should Continue to Be Prevalent in American Secondary Education, but Teachers Will Have to Improve Their Instructional Methods to Reach 21st-Century Students.”

Phi Delta Kappan 95.1 (2013): 32-37.

Vendler, Helen. The Art of Shakespeare’s Sonnets. Cambridge, MA: Harvard UP, 1997.

Wordsworth, William. “Preface to the Second Edition of Lyrical Ballads.” Selected

Poems and Prefaces. Ed. Jack Stillinger. Boston: Houghton Mifflin, 1965:

445-64.

Wu, Junhui, and Qingshun He. “Poetry Translation: An Intertextuality Approach.”

Studies in Literature and Language 9.1 (2014): 43-50.