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AN ANALYSIS OF CODE MIXING USED BY THE JURORS OF INDONESIAN IDOL 2012 TV PROGRAM.

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AN ANALYSIS OF CODE MIXING USED BY THE JURORS OF INDONESIAN IDOL 2012 TV PROGRAM

Thesis

Submitted in Partial Fulfillment of the Requirement For Degree of Sarjana Humaniora

By :

LYDIA NOUR OCTASWITA 0910733134

ENGLISH DEPARTMENT-FACULTY OF HUMANITIES ANDALAS UNIVERSITY

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ABSTRAK

Campur kode adalah fenomena bahasa yang terjadi dalam satu tuturan komunikasi. Skripsi ini adalah kajian sosiolinguistik tentang peristiwa campur kode yang terjadi dalam tuturan para juri acara Indonesian Idol 2012 disebuah program televisi RCTI. Kajian ini bertujuan untuk menemukan jenis-jenis campur kode yang digunakan dan menentukan faktor-faktor sosial yang mempengaruhi penggunaan campur kode dalam tuturan mereka.

Data penelitian diperoleh dari tuturan juri saat memberi komentar kepada peserta dalam kompetisi musik Indonesian Idol 2012. Data dikumpulkan menggunakan metode non-partisipan observasi. Dalam pengambilan data dengan mengunduh 2 episode video spetakuler Indonesian Idol 2012 di youtube yaitu spektakuler 1 dan spektakuler 2. Analisis ini menggunakan dua teori yaitu teori Muysken (2000) yang membahas tentang tipe campur kode dan teori Holmes (1992) yang menjelaskan faktor-faktor sosial yang mempengaruhi penggunaan campur kode dalam tuturan juri.

Dari analisis terhadap 30 data, ditemukan bahwa jenis campur kode yang paling banyak ditemukan dalam analisis ini adalah jenis penyisipan (insertion) sekitar 66,7 % yaitu penyisipan yang terjadi dalam tuturan juri yang paling sering dilakukan oleh Agnes Monica karena Agnes dalam aktivitas sehari harinya selalu menggunakan lebih dari satu bahasa. Dari segi faktor-faktor sosial yang paling banyak ditemukan adalah fungsi dari pembicaraan (function of speech) yaitu sekitar 53,3% yang terjadi dalam tuturan para juri ketika memberi komentar kepada peserta, yang paling sering dilakukan oleh Agnes Monica. Agnes adalah artis yang sudah memiliki prestasi bagus dalam dunia musik International dan dia memiliki kemampuan menggunakan lebih dari satu bahasa dalam komunikasinya.

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CHAPTER I INTRODUCTION

1.1Background of the Study

Bilingualism or multilingualism is a term which is used to describe situation

where more than one language are used by the community member in a speech

community (Wardaugh, 1986:96). A person who has ability to use more than one

language in their communication is called a ‘bilingual’ or a ‘multilingual’ (Wardaugh,

1986:98). A bilingual person usually chooses a particular code to express his/her

feeling to use in a particular situation. Sometimes she/he mix two languages in

communication and switch from one code to another if the situation requires him to do

so.

Code mixing is different from code switching. Code switching is alternation

take by bilingual speaker in using two languages in one sentence (Gumperz, 1982:59).

Meanwhile, According to Muysken (2000:1) code mixing refers to all case where

lexical item and grammatical features from two languages appear in one sentence.

Here, he argues that code mixing as a language contact phenomenon with lexical

borrowing, interference, and switching. And he also categorizes there are three types

of code mixing: insertion, alternation, and congruent lexicalization.

There are some social factors in code mixing. According to Holmes (1992:5)

social factors are relevant in accounting for the particular various usages. He said that

here are some social factors of code mixing such as, the participant, the setting, the

topic of discussion, and the function of interaction.

The phenomenon of code mixing does not only happen in our everyday life but

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interesting television programs is Indonesian Idol 2012, a television reality singing

competition created by Simon Fuller and produced by Fremantle Media Asia. The

jurors in this TV program often mix their Indonesian language to English in

communication.

The following in example of code mixing by the jurors utterance in Indonesian

Idol 2012 TV program in Spektakuler show 1 on April 13th.

Sean (P2) - Firework:

Agnes Monica (U1): Ya... kalau meminjam kata-kata mas Dhani idem (Sean: makasi kak Agnes) ini lagu, lagu ini cocok banget dengan personality nya kamu (Sean: makasi kak Agnes)

From the example above, it can be seen the jurors such as Ahmad Dhani,

Agnes Monica, and Anang Hermansyah give a comment to Sean. As we know Agnes

Monica is a good singer who has international carrier. Agnes Monica is bilingual

person, because in her activity, she always uses more than one language in her

communication. We can see in the example above, Agnes speaks Indonesian

language, than mix to English and finally she returned to Indonesian language in

giving comments. Bilingual person does not only mix her/his word in communication

but also mixes and switches the language in communication. Ahmad Dhani is famous

band personnel in Music Industry and also artist producer. And last, Anang

Hermansyah is a good singer who has some influences in some artist carriers in

Industrial Music. In communication, Ahmad Dhani and Anang Hermansyah

sometimes mix their words in their activity. But, in their activities, they usually use

Indonesian language. Based on this example, it is interesting to analyze why the jurors

mix their language when giving the comment to finalist/contestant in Indonesian Idol

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1.2 Identification of the Problem

There are two main questions that become the concern of the jurors utterance

in RCTI program Indonesian Idol 20l2 shows, they are:

1. What are the types of code mixing that are found in jurors utterances in

Indonesian Idol 2012?

2. What are the social factors which motivate the jurors to mix their languages?

1.3 Objectives of the Study

This research has two mainly purposes, they are: to describe the types of code

mixing and identifying the social factors of code mixing in jurors utterance in

Indonesian Idol 2012 TV program. It is found in jurors utterance that uses some

episodes in Indonesian Idol 2012.

1.4 Scope of the Study

The focus of this research is to find out the types of code mixing which apply

the theory by Pieter Muysken (2000) and then applies Holmes (1992) theory to find

out the social factors of code mixing in jurors utterance in Indonesian Idol 2012.

1.5 Research of Method

This research has followed some methods; they are data collection, data

analysis, and presenting the result of analysis.

1.5.1 Source of the Data

The source of the data is Indonesian Idol 2012 TV Program. The data is

collected all the utterance of jurors which used code mixing taken from episode 1 and

episode 2 Spektakuler Indonesian Idol 2012 show from download the video on

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1.5.2 Data Collection

The data is collected by applying non-participant observational method

(Sudaryanto, 1993:133). There are some steps, first, find the code mixing and rewrite

the jurors utterance from the video. Second, analyzing the jurors utterance that a types

of code mixing in jurors utterance and also describe the possible social factors of the

mixing.

1.5.3 Data Analysis

This research uses the referential identity method (Sudaryanto, 1993: 13). He

propose that the referential identity method is method of analyzing data where the key

factors of the data are defined by the context or outside of language itself such as

speaker, time, setting, and social situation. In the phase of analyzing data, there are

some steps. First, rewrite the juror’s utterances. Second, find out the code mixing and

classifies the data. Third, identifying the data and elaborating the data based on the

context of types of code mixing uses according to Muysken’s theory (2000) and social

factors uses based on Holmes’s theory (1992) that found from jurors utterance.

1.5.4 Presenting the Result of Analysis

The presenting the result of analysis is described formal and informal method

(Sudaryanto 1993). In formal way, the results of analysis were presented by

employing table or diagram. In informal way is painted verbally by explaining the

types of code mixing and social factors of code mixing in Indonesian Idol 2012 TV

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