THE DESCRIPTION OF INDONESIAN-ENGLISH CODE MIXING USED IN SOCIAL NETWORK ON FACEBOOK
A THESIS
BY
ANNISA PUTRI REG. NO. 100705012
DEPARTMENT OF ENGLISH
THE DESCRIPTION OF INDONESIAN-ENGLISH CODE MIXING USED IN SOCIAL NETWORK ON FACEBOOK
A THESIS
BY
ANNISA PUTRI REG. NO. 100705012
DEPARTMENT OF ENGLISH
THE DESCRIPTION OF INDONESIAN-ENGLISH CODE MIXING USED IN SOCIAL NETWORK ON FACEBOOK
A THESIS BY
ANNISA PUTRI REG. NO. 100705012
SUPERVISOR, CO. SUPERVISOR
Dr. Ridwan Hanafiah, SH. MA Drs. Bahagia Tarigan, M.A NIP. 19560705 198903 1 002 NIP. 19581017 198601 1 001
Submitted to Faculty of Cultural Studies University of Sumatera Utara in partial fulfillment of the requirements for the degree of Sarjana Sastra from Department of English
DEPARTMENT OF ENGLISH
Approved by the Department of English, Faculty of Cultural Studies University of Sumatera Utara (USU) Medan as thesis for The Sarjana Sastra Examination.
Head, Secretary,
Accepted by the Board of Examiners in partial fulfillment of requirements for the degree of Sarjana Sastra from the Department of English, Faculty of Cultural Studies University of Sumatera Utara.
The examination is held in Department of English Faculty of Cultural Studies University of Sumatera Utara on Saturday, 4th July 2015.
The Dean of Faculty of Cultural Studies University of Sumatera Utara,
Dr. H. Syahron Lubis, MA NIP. 19511013 197603 1 001
Board of Examiners:
Dr. H. Muhizar Muchtar, MS ……….
Rahmadsyah Rangkuti, M.A. Ph.D ……….
Dr. H. Syahron Lubis, MA ……….
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ACKNOWLEDGEMENTS
No one walks alone on the journey of life including me. I have many people around who walk beside me, paint colorful story in each up and down phases of my
life, and help me along the way continuously particularly in accomplishing this thesis. This thesis would not have been possible without the guidance and the help of
several individuals who in one way or another contributed and extended their valuable assistance in the preparation and completion of this study.
So, the first and foremost, Alhamdulillah, all praise to Allah SWT who
always gives me life, blessing, power, strength and love in my entire life and in terms of my study, and chance to do many things in this world especially to be able to
complete this thesis just in time.
I would like to express my gratitude and appreciation to The Dean of Faculty of Cultural Studies, Dr. H Syahron Lubis, M.A, The Head of English Departement,
Dr. H. Muhizar Muchtar, MS, and The Secretary of English Department, Rahmadsyah Rangkuti, M.A. Ph.D, and to all the lecturers of English Department for
all assistances, valuable knowledge and facilities during my academic year.
My sincere gratitude goes to my Supervisor, Dr. Ridwan Hanafiah, SH. MA and my Co-Supervisor, Drs. Bahagia Tarigan, M.A, who given me a considerable
amount contribution of knowledge, spare their valuable time to comment, encourage, and guide me in finishing this thesis. Thanks also to my uncle, Mhd. Pujiono, S.S,
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To my family, especially my mother Marwati Adi Ningsih and my daddy,
Nurdin, S.E, I want to say thank for their supports, advice, love in my days, advice to be always patient and their pray to make me a better person to everybody. Thank my
beloved sister and brother, Dyah Ashri and Muhammad Ridwan for their support and laughtes that always make me feel being his best sister ever.
To all my friends, thank for your understanding and encouragment in many
precious moments. My special thanks is dedicated to both my best friends Vivi Ramaningsih Lubis and Dhini Ayuningtyas for crazy weirdo moments that we created
together and special thank goes as well to Fira Mauliani Shanti, Fakhrana Filza, Gunanti Syahfitri, Sumastika Naning Rahayu Atmadja, and Abdul Halim. Last but not lease, a massive thank you for the support and for every incredible, craziness and
madness thing that we spend together for Ran Adinta Pratama, S.T.
In writing this paper, I realized that this thesis is far from being perfect
though I have done my best, therefore I hope suggestion for this thesis. Without helps and support from all parties, this thesis would not be completed. Finally, I expect this thesis would be useful for the readers in future.
Medan, July 2015 The Writer
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AUTHOR’S DECLARATION
I, ANNISA PUTRI DECLARE THAT I AM THE SOLE AUTHOR OF THIS THESIS EXCEPT WHERE REFERENCE IS MADE IN THE TEXT OF THIS THESIS. THIS THESIS CONTAINS NO MATERIAL PUBLISHED ELSEWHERE OR EXTRACTED IN WHOLE OR IN PART FROM A THESIS BY WHICH I HAVE QUALIFIED FOR OR AWARDED ANOTHER DEGREE. NO OTHER PERSON’S WORK HAS BEEN USED WITHOUT DUE ACKNOWLEDGMENTS IN THE MAIN TEXT OF THIS THESIS. THIS THESIS HAS NOT BEEN SUBMITTED FOR THE AWARD OF ANOTHER DEGREE IN ANY TERTIARY EDUCATION.
Signed :
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COPYRIGHT DECLARATION
NAME : ANNISA PUTRI
TITLE OF THESIS : THE DESCRIPTION OF INDONESIAN-ENGLISH CODE MIXING USED IN SOCIAL NETWORK ON FACEBOOK
QUALIFICATION : S-1/SARJANA SASTRA DEPARTMENT : ENGLISH
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ABSTRAK
Skripsi yang berjudul The Description of Indonesian-English Code Mixing Used in
Social Network on Facebook merupakan suatu penelitian tentang penggunaan code
mixing yang dilakukan oleh pengguna jejaring sosial Facebook. Namun, fokus penelitian ini adalah komunikasi tertulis pada akun Facebook mereka. Dalam hal ini saya berusaha mendeskripsikan tentang pembagian code mixing kedalam dua bagian
yaitu Inter-Sential code mixing dan Intra-Sential code mixing berdasarkan landasan teori Wardaugh (2010:98). Dan menemukan alasan mengapa pengguna jejaring
sosial Facebook melakukan code mixing berdasarkan teori SPEAKING dari Dell Hymes dalam Jendra (2010:71). Metode yang digunakan dalam penelitian ini adalah
Deskriptif Kualitatif, yaitu suatu metode yang menggambarkan keadaan dan situasi
yang diperoleh dari objek penelitian dengan bertemu langsung dengan pengguna jejaring sosial Facebook tersebut. Saran dari penelitian ini adalah yaitu kita sebagai
orang Indonesia sebaiknya meminimalkan penggunaan code mixing dalam percakapan sehari-hari untuk tetap mempertahankan keutuhan bahasa Indonesia dimasa mendatang.
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ABSTRACT
The title of this thesis is The Description of Indonesian-English Code Mixing Used in
Social Network on Facebook is a research about the use of code mixing is done by
Facebook users. But, the focus of this research is the written communication on their Facebook accounts. In this research, I try to describe about code mixing into two parts, namely Inter-Sential code mixing and Intra-Sential code mixing based on
Wardaugh theory (2010:98). And to find out the reasons why Facebook users used code mixing based on Dell Hymes theory, namely SPEAKING. The method used in
this research is Deskriptif Kualitatif, method that is describing the state and situation of the object obtained from meet in person with Facebook users. The suggestion from the research is we as the people of Indonesia should minimize the used of code
mixing in daily conversation to maintain the integrity of future Indonesia language.
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TABLE OF CONTENTS
ACKNOWLEDGEMENTS ………..……….. iv
AUTHOR’S DECLARATION ……… vi
COPYRIGHT DECLARATION ………..………. vii
ABSTRAK ………..…...……….. viii
ABSTRACT ………..………. ix
TABLE OF CONTENTS ………..………... x
CHAPTER I INTRODUCTION 1.1 Background of the Study...………....…... 1
1.2 Problem of the Study ……….……….…... 4
1.3 Objective of the Study ……….………..…... 4
1.4 Scope of the Study ……….…………..……... 4
1.5 Significance of the Study……….………….…...… 5
CHAPTER II REVIEW OF LITERATURE 2.1 Sosiolinguistics ...………..… 6
2.2 Bilingualism ...………... 8
2.3 Code ………….………..……... 9
2.3.1 Code Switching ……….. 12
2.3.2 Causal Factors of Code Switching ....……… 14
2.3.3 Code Mixing .…………..…………..………..………... 15
2.3.4 Causal Factors of Code Mixing ………...….. 18
CHAPTER III METHODOLOGY OF RESEARCH 3.1 Research Method ……….……. 20
3.2 Data and Source of Data …….…..………..……. 20
3.3 Method of Collecting Data …………..………….……...……. 21
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CHAPTER IV DESCRIPTION AND FINDING
4.1 Data Description ………….………...………… 23
4.1.1 The Type of Code Mixing used on Facebook …….……... 23
4.1.1.1 Inter-Sential Code Mixing ...…... 23
4.1.1.2 Intra-Sential Code Mixing ... 26
4.1.3 The Reasons of The Respondents Used Code Mixing …...…. 48
CHAPTER V CONCLUSION AND SUGGESTION 5.1 Conclusion ……….…... 50
5.2 Suggestion ………... 51
REFERENCES... 53
